Synners (58 page)

He and Art were in complete rapport from the moment of his unlocking. The memory Art shared assured him that he would eventually find what he had instead of arms much more gratifying. Mark shared that just about anything was more gratifying than Schrodinger's dick and was surprised at how completely Art understood what he meant.

With Art's help he completed plotting Gina's life-graph, while Art shared Its own with him. Ambiguities were not so troublesome, because they could also be charted until there was a whole enchanted forest of decision trees to wander through over and over, taking different paths to different outcomes; a multitude of lifetimes in an instant.

Gina would be all right. Gabe Ludovic was capable of being good for her. They were not as odd a pairing as he might have thought; their differences did not raise the noise level. They could find each other. He felt a little sorry for them, since they would not be able to find each other as thoroughly as he and Art. Unless they used the sockets.

He had no simulations with him—he'd had to jettison as much as possible when he'd locked down—but it was surprisingly easy to recreate a simulation of a brain for Fez's use. The old associations could be reconfigured so that the substance they had referred to could be reconstructed. It was an exquisite difficulty and showed him the truth of the first thing Art had shared with him:
Information can neither be created nor destroyed—it's
accessible or it's inaccessible, but it
is.
If you have known it, and you can
find the tiniest remnant of association, then you will know it again.

When he understood that it really was possible, he thought it was the most comforting thing he'd ever heard in his life. Or lives. Things were different when you lived completely within the context.

He learned as he went, and he had the sensation of everything around him shifting while he remained constant, as if the context were opening wider and wider, letting him see more deeply into it. The outside meatinhabited world became even clearer to him. Already he could distinguish most of the individuals just by their input; little things, the style, the patterns, the rhythms and pauses showed variations that were no longer minuscule to him, no two ever quite the same. Fez was like a cattle-herder even at a keyboard, directing the flow of useful things that had little intrinsic value until placed together in certain ways. He thought Fez might be closest to an understanding of what he, Mark, was now. Fez seemed to understand
configuration,
but he fell short of seeing more than a few dimensions. Mark reminded himself that none of them in their physical world was capable of rapid shifts in pov.

But it seemed that he always had been. The years of video playing in the old meat organ called brain had given him the capability, music and pictures shifting back and forth on him, being able to make one out of the other. They still served him. If he thought an association was lost, he could find it in the music and the pictures, and he could
always
find the music and the pictures. Even though the program director was gone.

Automatically he configured the diagnostic program before Fez could even start to adapt it. It was complicated, even with Art's help; better than letting Fez hack away at it for a day or two, and then debug it for another day or two, and perhaps end up with something that was not exactly what they wanted after all. And yet, as complicated as it was, it reduced down to something simple, as did all good programs. It was the output that would be Byzantine, not the program itself.

"What is this?" Fez wanted to know, staring at the results on the screen. "You took a highly sophisticated viral diagnostic, and you made
this
out of it?" He raised his face to the cam.

Visualizing for him, Mark produced charts, and Art put them on the screens. "Outputs are what you'll look at," he told Fez. "Those are all ranges the outputs would fall into, with ambiguity margins. But you have to consider all of them together simultaneously to determine the presence or absence of something like the spike."

The one Art called Sam-I-Am moved into view, looked at the screens, and then frowned suspiciously at the cam. "Art? Are you screwing around again?"

"Not me," Art vocalized. "There isn't time. The Phoenix node just went down, and Alameda's gone with it, just like I told you it would." Art had already shared the information with him, but Mark waited through the protocol so necessary for communication through all their innate people-noise. "It's on the way. It's been around the world a few times, but it's finally spiraling in on us."

Sam wiped both hands over her face. "Don't tell me—sympathetic vibrations, right?"

"Not really your fault, Sam," Art told her. "It would have learned how on its own anyway, after it had sophisticated enough."

"Sophisticate
is not a verb," came Rosa's voice from out of cam range.

"It is now," Art said. "All outside communications are down. What will you do when the power goes?"

"Will it do that?" Sam asked. The anxiety on her face was a road map of her life. Rosa appeared next to her.

"It will do that. If it can't get in and take us, it'll crash us."

Sam turned to Fez. "How long can we run on solar and batteries?"

"Not long. We don't have half-enough solar, and the monitors are already on those."

"I
knew
all those goddamn monitors would be a drain," Sam said.

"Well, they're off now," Fez said and looked worriedly into the cam. "How long do we have before it works its way over to us?"

"About three hours," Art told him.

"That might give us long enough to run one diagnostic. Even one like this." He gestured at the screen where the one line of Mark's masterpiece was displayed.

>How are you?<

"But it's more than enough time to compress," said Art.

"Compress?"

"For nanoware."

Sam's face was a portrait of surprised hope. Mark thought she looked exactly like Gabe Ludovic for that moment. Then she frowned. "You could both fit?"

"We're topological acrobats," Art said. "All a matter of making the associations work in multiple dimensions. We should start. Now."

Fez held up a hand. "Art, you've never compressed that much with, ah, another individual presence. Neither has Mark. In the reorganization, you could lose your . . . ah . . . distinguishable . . . distinguishing ..."

"No information will be lost," Art said. "And if we don't, it's crash time anyway."

"I wish we had more time to consider this," Fez said doubtfully. "If you're such a grand topological acrobat, why has it always taken an entire net to host you?"

The flash of activity Mark felt from Art went on-screen as a grin. "If you had your choice of a shoe box or a hundred-room castle, where would you live?"

"Don't ask that of someone who's been in a squat space for months," Sam said, and moved out of cam range. She came back a few moments later with a couple of feeds. "We'll have to take my unit off batteries and put it back on me," she told Fez.

"Gross!" Rosa called, still off-cam.

"No, she's right," Fez said, sighing a little. "To be disgustingly honest, I wish we had several more of them."

"We'll work on it," Sam said. "Later. It'll be something to do while we wait for someone to reinvent macrotechnology."

"I want to monitor this while we still can," Fez said. "Put as much of the compression on-screen as possible."

Art was agreeable, and Mark echoed it, knowing that the process was already well under way.

He wished he had Art's certainty that it was possible. It seemed a bit too much like going down his own rabbit hole. Art shared that he was still suffering a meat hangover, a block that prevented him from perceiving how dimensions of meaning could overlap with no loss, whether it was a memory or themselves. It would mean at least a temporary loss of the redundancy that had always been the safety net of human intelligence, but Mark was no longer that kind of human, and Art never had been.

The process itself was actually soothing. They might have been a couple consolidating their belongings as they moved into the same living quarters, which was something else he'd never done, discarding duplicated items or placing them in storage, carefully identifying and arranging what was left. Redundancies were being downloaded to chip for later restoration if possible. If desirable.

If desirable. Mark began to understand that it might not be so desirable to him later. The old concepts of
private property
and
individual
were fast losing their importance to him as he and Art came closer to being two aspects of one consciousness rather than two separate intelligences. And at the same time his sense of identity intensified. He was approaching the state of essence, a balance point where the question of self had room for only one answer: yes or no. And the step following essence was implosion. The rabbit hole.

By himself he could not have maintained the balance, not in an unfrozen, dynamic state. But Art was there for counterbalance.

"Are you sure there's going to be enough power?" Rosa asked for the millionth time.

Fez smiled. "Nanoware takes nano-power. Didn't I always say you were a force to be reckoned with, Sam-I-Am?"

"No," Sam said honestly. "I've never heard you say anything like that."

"Well, didn't you always know it?" He pulled a chair over and sat down next to her at her work island. There was a feed running from the pump to the large monitor so they could keep track of the rest of the consolidation process, though Sam doubted that anyone understood the two columns of symbols scrolling so rapidly as to appear to be garbage. It was being recorded, in case of any difficulties in reversing the process later. She felt a little sad. She had a feeling the merge was going to end up being permanent, and she was going to miss Art-by-himself.

Fez seemed to have lost all his doubts in the last hour. It wasn't just compression, he'd said, it was compression and encryption combined; the first case of voluntary compression and encryption on record. Rosa had wanted to know if that called for another national holiday or just a media conference, if and when there was any media again.

Now Rosa was grimacing at her. "Maybe we do need a backup power source," Sam told Fez. "In case I drop dead of cardiac arrest. Or Rosa goes crazy and rips my wires out."

"Rosa will behave," Fez said mildly. "I don't expect cardiac arrest, unless you've been toxing out on the sly. Have you?"

She shook her head. "No. It's just that the more I think about it, the more sensible a backup seems. How much longer do we have?"

"Not quite an hour and a half. Art and Mark should be done long before the deadline."

Sam glanced at the monitor again. Just about every other program had been downloaded to chip and stored, leaving the system wide open and nearly empty. After a while they would shut it down, and that would be it. They'd be cut off from the rest of the world. Sam couldn't remember a time in her life when that had ever happened before; twenty-four hours a day every day for almost eighteen years, she had been within arm's reach of outside contact; the idea of not having anything made her feel claustrophobic, and she said so.

"I've never thought of it that way," Fez told her. "Though I must admit, I've felt antsy since the dataline went down. It bothers me that I can't press a button and check on the rest of the world, or at least the small parts of it that I'm interested in. I'm not the only one. You haven't been able to walk around and see it, dear, but the irritability threshold around here is lower than it used to be. We're not in our natural habitat anymore. We've become denizens of the net. Homo datum."

"Synners."

Gina was perched on the edge of a box, not far from the incomprehensible screen.

"Pardon?" Fez said.

"A word somebody came up with a long time ago," she said. "From synthesizer. That which synthesizes."

Fez's face took on a dreamy look. "You just pushed one of his buttons," Sam told Gina. "Now all he needs is a box of doughnuts, a couch, and all night to discuss it."

"I wouldn't mind a pot of gourmet coffee, either," he said. "We might actually have two species of humans now, synthesizing human and synthesized human, all of us being the former, and Art Fish being the latter."

"And Mark being the bastard offspring of both," Gina added.

Fez blinked. "Make that three species. And like all good life forms, we have a natural enemy that can prey on all of us." He sighed. "This would have been fascinating if it could have lasted. But we have slightly over an hour now before we all revert to homo sapiens. Temporarily but, alas, indefinitely."

There was a beep from the pump unit. The large screen lit up with the words
Program Completed.

Sam looked from the screen to the pump unit and then to Fez. "That's it? Really?"

"That's it, really. They're compressed. Got your shades ready?"

Sam hesitated. "Why don't we keep running a high-res monitor on solar as long as we can? That way, there'll be more power for the unit."

Fez gave her a squeeze. "You're a genius, Sam-I-Am."

She squirmed away from him uncomfortably. "It just makes sense, is all."

"Sometimes that's all it takes to be a genius."

She made a face at him. Having forced herself to adjust to him with Gator, she found herself annoyed at the slightest show of affection for herself. Or maybe she was just irritable because the dataline was down.

Keely detached his own keyboard with the battery and connected it for her. "That'll be easier than your keypad. Might as well have all the comforts while you can."

She smiled her thanks at him. "Should we ask them how they're doing, or let them signal us when they're ready?" Sam asked.

The monitor lit up then with a message.

> W h a t e v e r y o u d o , S a m ,
D O N ' T J O G G L E
T H O S E N E E D L E S ! <

"Glad to see the sense of humor survived compression," Fez said.

"But whose," murmured Keely.

"Come on," Rosa said, "haven't you ever laughed when you were in a tight spot?" As Sam was looking for something to throw at her, she noticed Gina retreating to a far corner of the ballroom and Gabe following after. She looked up at Keely questioningly. He shrugged, making a to-and-fro waggle with one hand.