Sympathy for the Devil (31 page)

Squares or no, they had something there. Martin fingered his watch, put aside the temptation to hock it for another bottle of muscatel, and went to sleep determined to get himself a job and improve his happiness-quotient.

When he awoke he had a hangover, but the determination was still with him. Before the month was out Martin was working for a general contractor over on the South Side, at one of the big rehabilitation projects. He hated the grind, but the pay was good, and pretty soon he got himself a one-room apartment out on Blue Island Avenue. He was accustomed to eating in decent restaurants now, and he bought himself a comfortable bed, and every Saturday night he went down to the corner tavern. It was all very pleasant, but--

The foreman liked his work and promised him a raise in a month. If he waited around, the raise would mean that he could afford a second-hand car. With a car, he could even start picking up a girl for a date now and then. Other fellows on the job did, and they seemed pretty happy.

So Martin kept on working, and the raise came through and the car came through and pretty soon a couple of girls came through.

The first time it happened, he wanted to unwind his watch immediately. Until he got to thinking about what some of the older men always said. There was a guy named Charlie, for example, who worked alongside him on the hoist. "When you're young and don't know the score, maybe you get a kick out of running around with those pigs. But after a while, you want something better. A nice girl of your own. That's the ticket."

Martin felt he owed it to himself to find out. If he didn't like it better, he could always go back to what he had.

Almost six months went by before Martin met Lillian Gillis. By that time he'd had another promotion and was working inside, in the office. They made him go to night school to learn how to do simple bookkeeping, but it meant another fifteen bucks extra a week, and it was nicer working indoors.

And Lillian was a lot of fun. When she told him she'd marry him, Martin was almost sure that the time was now. Except that she was sort of--well, she was a nice girl, and she said they'd have to wait until they were married. Of course, Martin couldn't expect to marry her until he had a little more money saved up, and another raise would help, too.

That took a year. Martin was patient, because he knew it was going to be worth it. Every time he had any doubts, he took out his watch and looked at it. But he never showed it to Lillian, or anybody else. Most of the other men wore expensive wristwatches and the old silver railroad watch looked just a little cheap.

Martin smiled as he gazed at the stem. Just a few twists and he'd have something none of these other poor working slobs would ever have. Permanent satisfaction, with his blushing bride--Only getting married turned out to be just the beginning. Sure, it was wonderful, but Lillian told him how much better things would be if they could move into a new place and fix it up. Martin wanted decent furniture, a TV set, a nice car.

So he started taking night courses and got a promotion to the front office. With the baby coming, he wanted to stick around and see his son arrive. And when it came, he realized he'd have to wait until it got a little older, started to walk and talk and develop a personality of its own.

About this time the company sent him out on the road as a trouble-shooter on some of those other jobs, and now he was eating at those good hotels, living high on the hog and the expense-account. More than once he was tempted to unwind his watch. This was the good life... Of course, it would be even better if he just didn't have to work. Sooner or later, if he could cut in on one of the company deals, he could make a pile and retire. Then everything would be ideal. It happened, but it took time. Martin's son was going to high school before he really got up there into the chips. Martin got a strong hunch that it was now or never, because he wasn't exactly a kid anymore.

But right about then he met Sherry Westcott, and she didn't seem to think he was middle-aged at all, in spite of the way he was losing hair and adding stomach. She taught him that a toupee could cover the bald spot and a cummerbund could cover the pot-gut. In fact, she taught him quite a lot and he so enjoyed learning that he actually took out his watch and prepared to unwind it.

Unfortunately, he chose the very moment that the private detectives broke down the door of the hotel room, and then there was a long stretch of time when Martin was so busy fighting the divorce action that he couldn't honestly say he was enjoying any given moment.

When he made the final settlement with Lil he was broke again, and Sherry didn't seem to think he was so young, after all. So he squared his shoulders and went back to work.

He made his pile, eventually, but it took longer this time, and there wasn't much chance to have fun along the way. The fancy dames in the fancy cocktail lounges didn't seem to interest him anymore, and neither did the liquor. Besides, the Doc had warned him off that.

But there were other pleasures for a rich man to investigate. Travel, for instance--and not riding the rods from one hick burg to another, either. Martin went around the world by plane and luxury liner. For a while it seemed as though he would find his moment after all, visiting the Taj Mahal by moonlight. Martin pulled out the battered old watch-case, and got ready to unwind it. Nobody else was there to watch him--

And that's why he hesitated. Sure, this was an enjoyable moment, but he was alone. Lil and the kid were gone, Sherry was gone, and somehow he'd never had time to make any friends. Maybe if he found new congenial people, he'd have the ultimate happiness. That must be the answer--it wasn't just money or power or sex or seeing beautiful things. The real satisfaction lay in friendship.

So on the boat trip home, Martin tried to strike up a few acquaintances at the ship's bar. But all these people were much younger, and Martin had nothing in common with them. Also they wanted to dance and drink, and Martin wasn't in condition to appreciate such pastimes. Nevertheless, he tried.

Perhaps that's why he had the little accident the day before they docked in San Francisco. "Little accident" was the ship's doctor's way of describing it, but Martin noticed he looked very grave when he told him to stay in bed, and he'd called an ambulance to meet the liner at the dock and take the patient right to the hospital.

At the hospital, all the expensive treatment and the expensive smiles and the expensive words didn't fool Martin any. He was an old man with a bad heart, and they thought he was going to die.

But he could fool them. He still had the watch. He found it in his coat when he put on his clothes and sneaked out of the hospital.

He didn't have to die. He could cheat death with a single gesture--and he intended to do it as a free man, out there under a free sky.

That was the real secret of happiness. He understood it now. Not even friendship meant as much as freedom. This was the best thing of all--to be free of friends or family or the furies of the flesh.

Martin walked slowly beside the embankment under the night sky. Come to think of it, he was just about back where he'd started, so many years ago. But the moment was good, good enough to prolong forever. Once a bum, always a bum.

He smiled as he thought about it, and then the smile twisted sharply and suddenly, like the pain twisting sharply and suddenly in his chest. The world began to spin and he fell down on the side of the embankment.

He couldn't see very well, but he was still conscious, and he knew what had happened. Another stroke, and a bad one. Maybe this was it. Except that he wouldn't be a fool any longer. He wouldn't wait to see what was still around the corner.

Right now was his chance to use his power and save his life. And he was going to do it. He could still move, nothing could stop him. He groped in his pocket and pulled out the old silver watch, fumbling with the stem. A few twists and he'd cheat death, he'd never have to ride that Hell-Bound Train. He could go on forever. Forever.

Martin had never really considered the word before. To go on forever--but how? Did he want to go on forever, like this; a sick old man, lying helplessly here in the grass?

No. He couldn't do it. He wouldn't do it. And suddenly he wanted very much to cry, because he knew that somewhere along the line he'd outsmarted himself. And now it was too late. His eyes dimmed, there was a roaring in his ears...

He recognized the roaring, of course, and he wasn't at all surprised to see the train come rushing out of the fog up there on the embankment. He wasn't surprised when it stopped, either, or when the Conductor climbed off and walked slowly toward him.

The Conductor hadn't changed a bit. Even his grin was still the same.

"Hello, Martin," he said. "All aboard."

"I know," Martin whispered. "But you'll have to carry me. I can't walk. I'm not even really talking anymore, am I?"

"Yes you are," the Conductor said. "I can hear you fine. And you can walk, too." He leaned down and placed his hand on Martin's chest. There was a moment of icy numbness, and then, sure enough, Martin could walk after all.

He got up and followed the Conductor along the slope, moving to the side of the train.

"In here?" he asked.

"No, the next car," the Conductor murmured. "I guess you're entitled to ride Pullman. After all, you're quite a successful man. You've tasted the joys of wealth and position and prestige. You've known the pleasures of marriage and fatherhood. You've sampled the delights of dining and drinking and debauchery, too, and you traveled high, wide, and handsome. So let's not have any last-minute recriminations."

"All right," Martin sighed. "I can't blame you for my mistakes. On the other hand, you can't take credit for what happened, either. I worked for everything I got. I did it all on my own. I didn't even need your watch."

"So you didn't," the Conductor said, smiling. "But would you mind giving it back to me now?"

"Need it for the next sucker, eh?" Martin muttered.

"Perhaps."

Something about the way he said it made Martin look up. He tried to see the Conductor's eyes, but the brim of his cap cast a shadow. So Martin looked down at the watch instead.

"Tell me something," he said, softly. "If I give you the watch, what will you do with it?"

"Why, throw it into the ditch," the Conductor told him. "That's all I'll do with it." And he held out his hand.

"What if somebody comes along and finds it? And twists the stem backward, and stops Time?"

"Nobody would do that," the Conductor murmured. "Even if they knew."

"You mean, it was all a trick? This is only an ordinary, cheap watch?"

"I didn't say that," whispered the Conductor. "I only said that no one has ever twisted the stem backward. They've all been like you, Martin--looking ahead to find that perfect happiness. Waiting for the moment that never comes."

The Conductor held out his hand again.

Martin sighed and shook his head. "You cheated me after all."

"You cheated yourself, Martin. And now you're going to ride that Hell-Bound Train."

He pushed Martin up the steps and into the car ahead. As he entered, the train began to move and the whistle screamed. And Martin stood there in the swaying Pullman, gazing down the aisle at the other passengers. He could see them sitting there, and somehow it didn't seem strange at all.

Here they were: the drunks and the sinners, the gambling men and the grifters, the big-time spenders, the skirt-chasers, and all the jolly crew. They knew where they were going, of course, but they didn't seem to give a damn. The blinds were drawn on the windows, yet it was light inside, and they were all living it up--singing and passing the bottle and roaring with laughter, throwing the dice and telling their jokes and bragging their big brags, just the way Daddy used to sing about them in the old song.

"Mighty nice traveling companions," Martin said. "Why, I've never seen such a pleasant bunch of people. I mean, they seem to be really enjoying themselves!"

The Conductor shrugged. "I'm afraid things won't be quite so jazzy when we pull into that Depot Way Down Yonder."

For the third time, he held out his hand. "Now, before you sit down, if you'll just give me that watch. A bargain's a bargain--"

Martin smiled. "A bargain's a bargain," he echoed. "I agreed to ride your train if I could stop Time when I found the right moment of happiness. And I think I'm about as happy right here as I've ever been."

Very slowly, Martin took hold of the silver watch-stem.

"No!" gasped the Conductor. "No!"

But the watch-stem turned.

"Do you realize what you've done?" the Conductor yelled. "Now we'll never reach the Depot! We'll just go on riding, all of us--forever!"

Martin grinned. "I know," he said. "But the fun is in the trip, not the destination. You taught me that. And I'm looking forward to a wonderful trip. Look, maybe I can even help. If you were to find me another one of those caps, now, and let me keep this watch--"

And that's the way it finally worked out. Wearing his cap and carrying his battered old silver watch, there's no happier person in or out of this world--now and forever--than Martin. Martin, the new Brakeman on That Hell-Bound Train.

The God of
Dark Laughter

Michael Chabon

Thirteen days after the Entwhistle-Ealing Bros. circus left Ashtown, beating a long retreat toward its winter headquarters in Peru, Indiana, two boys out hunting squirrels in the woods along Portwine Road stumbled on a body that was dressed in a mad suit of purple and orange velour. They found it at the end of a muddy strip of gravel that began, five miles to the west, as Yuggogheny County Road 22A. Another half mile farther to the east and it would have been left to my colleagues over in Fayette County to puzzle out the question of who had shot the man and skinned his head from chin to crown and clavicle to clavicle, taking ears, eyelids, lips, and scalp in a single grisly flap, like the cupped husk of a peeled orange. My name is Edward D. Satterlee, and for the last twelve years I have faithfully served Yuggogheny County as its district attorney, in cases that have all too often run to the outrageous and bizarre. I make the following report in no confidence that it, or I, will be believed, and beg the reader to consider this, at least in part, my letter of resignation.

The boys who found the body were themselves fresh from several hours' worth of bloody amusement with long knives and dead squirrels, and at first the investigating officers took them for the perpetrators of the crime. There was blood on the boys' cuffs, their shirttails, and the bills of their gray twill caps. But the country detectives and I quickly moved beyond Joey Matuszak and Frankie Corro. For all their familiarity with gristle and sinew and the bright-purple discovered interior of a body, the boys had come into the station looking pale and bewildered, and we found ample evidence at the crime scene of their having lost the contents of their stomachs when confronted with the corpse.

Now, I have every intention of setting down the facts of this case as I understand and experienced them, without fear of the reader's doubting them (or my own sanity), but I see no point in mentioning any further
anatomical
details of the crime, except to say that our coroner, Dr. Sauer, though he labored at the problem with a sad fervor was hard-put to establish conclusively that the victim had been dead before his killer went to work on him with a very long, very sharp knife.

The dead man, as I have already mentioned, was attired in a curious suit--the trousers and jacket of threadbare purple velour, the waistcoat bright orange, the whole thing patched with outsized squares of fabric cut from a variety of loudly clashing plaids. It was on account of the patches, along with the victim's cracked and split-soled shoes and a certain undeniable shabbiness in the stuff of the suit, that the primary detective--a man not apt to see deeper than the outermost wrapper of the world (we do not attract, I must confess, the finest police talent in this doleful little corner of western Pennsylvania)--had already figured the victim for a vagrant, albeit one with extraordinarily big feet.

"Those cannot possibly be his real shoes, Ganz, you idiot," I gently suggested. The call, patched through to my boarding house from that gruesome clearing in the woods, had interrupted my supper, which by a grim coincidence had been a Brunswick stew (the specialty of my Virginia-born landlady) or pork and
squirrel
. "They're supposed to make you laugh."

"They
are
pretty funny," said Ganz. "Come to think of it." Detective John Ganz was a large-boned fellow, upholstered in a layer of ruddy flesh. He breathed through his mouth, and walked with a tall man's defeated stoop, and five times a day he took out his comb and ritually plastered his thinning blond hair to the top of his head with a dime-size dab of Tres Flores.

When I arrived at the clearing, having abandoned my solitary dinner, I found the corpse lying just as the young hunters had come upon it, supine, arms thrown up and to either side of the flayed face in a startled attitude that fuelled the hopes of poor Dr. Sauer that the victim's death by gunshot had preceded his mutilation. Ganz or one of the other investigators had kindly thrown a chamois cloth over the vandalized head. I took enough of a peek beneath it to provide me with everything that I or the reader could possibly need to know about the condition of the head--I will never forget the sight of that monstrous, fleshless grin--and to remark the dead man's unusual choice of cravat. It was a giant, floppy bow tie, white with orange and purple polka dots.

"Damn you, Ganz," I said, though I was not in truth addressing the poor fellow, who, I knew, would not be able to answer my question anytime soon. "What's a dead clown doing in my woods?"

We found no wallet on the corpse, nor any kind of identifying objects. My men, along with the better part of the Ashtown Police Department, went over and over the woods east of town, hourly widening the radius of their search. That day, when not attending to my other duties (I was then in the process of breaking up the Dushnyk cigarette-smuggling ring), I managed to work my way back along a chain of inferences to the Entwhistle-Ealing Bros. Circus, which, as I eventually recalled, had recently stayed on the eastern outskirts of Ashtown, at the fringe of the woods where the body was found.

The following day, I succeeded in reaching the circus's general manager, a man named Onheuser, at their winter headquarters in Peru. He informed me over the phone that the company had left Pennsylvania and was now en route to Peru, and I asked him if he had received any reports from the road manager of a clown's having suddenly gone missing.

"Missing?" he said. I wished that I could see his face, for I thought I heard the flatted note of something false in his tone. Perhaps he was merely nervous about talking to a county district attorney. The Entwhistle-Ealing Bros. Circus was a mangy affair, by all accounts, and probably no stranger to pursuit by officers of the court. "Why, I don't believe so, no."

I explained to him that a man who gave every indication of having once been a circus clown had turned up dead in a pinewood outside Ashtown, Pennsylvania.

"Oh, no," Onheuser said. "I truly hope he wasn't one of mine, Mr. Satterlee."

"It is possible you might have left one of your clowns behind, Mr. Onheuser?"

"Clowns are special people," Onheuser replied, sounding a touch on the defensive. "They love their work, but sometimes it can get to be a little, well, too much for them." It developed that Mr. Onheuser had, in his younger days, performed as a clown, under the name of Mr. Wingo, in the circus of which he was now the general manager. "It's not unusual for a clown to drop out for a little while, cool his heels, you know, in some town where he can get a few months of well-earned rest. It isn't
common
, I wouldn't say, but it's not unusual. I will wire my road manager--they're in Canton, Ohio--and see what I can find out."

I gathered, reading between the lines, that clowns were high-strung types, and not above going on the occasional bender. This poor fellow had probably jumped ship here two weeks ago, holing up somewhere with a case of rye, only to run afoul of a very nasty person, possibly one who harbored no great love of clowns. In fact, I had an odd feeling, nothing more than a hunch, really, that the ordinary citizens of Ashtown and its environs were safe, even though the killer was still at large. Once more, I picked up a slip of paper that I had tucked into my desk blotter that morning. It was something that Dr. Sauer had clipped from his files and passed along to me.
Coulrophobia: morbid, irrational fear of or aversion to clowns
.

"Er, listen, Mr. Satterlee," Onheuser went on. "I hope you won't mind my asking. That is, I hope it's not a, well, a confidential police matter, or something of the sort. But I know that when I do get through to them, out in Canton, they're going to want to know.

I guessed, somehow, what he was about to ask me. I could hear the prickling fear behind his curiosity, the note of dread in his voice. I waited him out.

"Did they--was there any--how did he die?"

"He was shot," I said, for the moment supplying the least interesting part of the answer, tugging on that loose thread of fear. "In the head."

"And there was... forgive me. No... no harm done? To the body? Other than the gunshot wound, I mean to say."

"Well, yes, his head
was
rather savagely mutilated," I said brightly. "Is that what you mean to say?"

"Ah! No, no, I don't--"

"The killer or killers removed all the skin from the cranium. It was very skillfully done. Now, suppose you tell me what you know about it."

There was another pause, and a stream of agitated electrons burbled along between us.

"I don't know anything, Mr. District Attorney. I'm really sorry. I really must go now. I'll wire you when I have some--"

The line went dead. He was so keen to hang up on me that he could not even wait to finish his sentence. I got up and went to the shelf where, in recent months, I had taken to keeping a bottle of whiskey tucked behind my bust of Daniel Webster. Carrying the bottle and a dusty glass back to my desk, I sat down and tried to reconcile myself to the thought that I was confronted--not, alas, for the first time in my tenure as chief law-enforcement officer of Yuggogheny County--with a crime whose explanation was going to involve not the usual amalgam of stupidity, meanness, and singularly poor judgment but the incalculable intentions of a being who is genuinely evil. What disheartened me was not that I viewed a crime committed out of the promptings of an evil nature as inherently less liable to solution than the misdeeds of the foolish, the unlucky, or the habitually cruel. On the contrary, evil often expresses itself through refreshingly discernible patterns, through schedules and syllogisms. But the presence of evil, once scented, tends to bring out all that is most irrational and uncontrollable in the public imagination. It is a catalyst for pea-brained theories, gimcrack scholarship, and the credulous cosmologies of hysteria.

At that moment, there was a knock on the door to my office, and Detective Ganz came in. At one time I would have tried to hide the glass of whiskey, behind the typewriter or the photo of my wife and son, but now it did not seem to be worth the effort. I was not fooling anyone. Ganz took note of the glass in my hand with a raised eyebrow and a school-marmish pursing of his lips.

"Well?" I said. There had been a brief period, following my son's death and the subsequent suicide of my dear wife, Mary, when I had indulged the pitying regard of my staff. I now found that I regretted having shown such weakness. "What is it, then? Has something turned up?"

"A cave," Ganz said. "The poor bastard was living in a cave."

The range of low hills and hollows separating lower Yuggogheny from Fayette County is rotten with caves. For many years, when I was a boy, a man named Colonel Earnshawe operated penny tours of the iridescent organ pipes and jagged stone teeth of Neighborsburg Caverns, before they collapsed in the mysterious earthquake of 1919, killing the Colonel and his sister Irene, and putting to rest many strange rumors about that eccentric old pair. My childhood friends and I, ranging in the woods, would from time to time come upon the root-choked mouth of a cave exhaling its cool plutonic breath, and dare one another to leave the sunshine and enter that world of shadow--that entrance, as it always seemed to me, to the legendary past itself, where the bones of Indians and Frenchmen might lie moldering. It was in one of these anterooms of buried history that the beam of a flashlight, wielded by a deputy sheriff from Plunkettsburg, had struck the silvery lip of a can of pork and beans. Calling to his companions, the deputy plunged through a curtain of spiderweb and found himself in the parlor, bedroom, and kitchen of the dead man. There were some cans of chili and hash, a Primus stove, a lantern, a bedroll, a mess kit, and an old Colt revolver, Army issue, loaded and apparently not fired for some time. And there were also books--a Scout guide to roughing it, a collected Blake, and a couple of odd texts, elderly and tattered: one in German called "Uber das Finstere Lachen," by a man named Friedrich von Junzt, which appeared to be religious or philosophical in nature, and one a small volume bound in black leather and printed in no alphabet known to me, the letters sinuous and furred with wild diacritical marks.

"Pretty heavy reading for a clown," Ganz said.

"It's not all rubber chickens and hosing each other down with seltzer bottles, Jack."

"Oh, no?"

"No, sir. Clowns have unsuspected depths."

"I'm starting to get that impression, sir."

Propped against the straightest wall of the cave, just beside the lantern, there was a large mirror, still bearing the bent clasps and sheared bolts that had once, I inferred, held it to the wall of a filling-station men's room. At its foot was the item that had earlier confirmed to Detective Ganz--and now confirmed to me as I went to inspect it--the recent habitation of the cave by a painted circus clown: a large, padlocked wooden makeup kit, of heavy and rather elaborate construction. I directed Ganz to send for a Pittsburgh criminalist who had served us with discretion in the horrific Primm case, reminding him that nothing must be touched until this Mr. Espy and his black bag of dusts and luminous powders arrived.

The air in the cave had a sharp, briny tinge; beneath it there was a stale animal musk that reminded me, absurdly, of the smell inside a circus tent.

"Why was he living in a cave?" I said to Ganz. "We have a perfectly nice hotel in town."

"Maybe he was broke."

"Or maybe he thought that a hotel was the first place they would look for him."

Ganz looked confused, and a little bit annoyed, as if he thought I were being deliberately mysterious.

"
Who
was looking for him?"

"I don't know, Detective. Maybe no one. I'm just thinking out loud."

Impatience marred Ganz's fair, bland features. He could tell that I was in the grip of a hunch, and hunches were always among the first considerations ruled out by the procedural practices of Detective John Ganz. My hunches had, admittedly, an uneven record. In the Primm business, one had very nearly got both Ganz and me killed. As for the wayward hunch about my mother's old crony Thaddeus Craven and the strength of his will to quit drinking--I suppose I shall regret indulging that one for the rest of my life.