Authors: Deborah Levy
Joe stopped walking. So that was why she was here.
Young women who followed him about and wanted him to read their poetry, and he was now convinced she was one of them, always started by telling him they’d written a poem about something extraordinary. They walked side by side, flattening a path through the long grass. He waited for her to speak, to make her request, to say how influenced by his books she was, to explain how she’d managed to track him down, and then she would ask would he mind, did he have time, would he be so kind as to please, please read her small effort inspired by himself.
‘So you’ve read all my books and now you’ve followed me to France,’ he said sharply.
A new wave of blush crashed over her cheeks and long neck.
‘Yes. Rita Dwighter, who owns the villa, is a friend of my mother. Rita told me you had booked it for the whole summer. She lets me stay in her house for free off-season. I couldn’t stay because YOU hah hah hah hah hogged it.’
‘But it’s not off-season, Kitty. July is what they call the high season, isn’t it?’
She had a north London accent. Her front teeth were crooked. When she wasn’t stammering and blushing she looked like she’d been sculpted from wax in a dark workshop in Venice. If she was a botanist she obviously did not spend much time outside. Whoever had made her was clever. She could swim and cry and blush and say things like ‘hogged it’.
‘Let’s sit in the shade.’
He pointed to a large tree surrounded by small rocks. A plump brown pigeon perched comically on a thin branch that looked like it was about to snap under its weight.
‘All right. That’s a haaaah hazelnut tree by the way.’
He charged ahead before she finished her sentence and sat down, leaning his back against the tree trunk. When she seemed reluctant to join him he patted the space next to him, brushing away the twigs and leaves until she sat down by his side, smoothing her faded blue cotton dress over her knees. He could not so much hear her heart as feel it beating under her thin dress.
‘When I write poems I always think you can hear them.’
Abell tinkled in the distance. It sounded like a goat grazing somewhere in the orchard, moving around in the long grass.
‘Why are you shaking?’ He could smell chlorine in her hair.
‘Yeah. I’ve stopped taking my pills so my hands are a bit shaky.’
Kitty moved a little nearer him. He wasn’t too sure what to make of this until he saw she was avoiding a line of red ants crawling under her calves.
‘Why do you take pills?’
‘Oh, I’ve decided not to for a while. You know … it’s quite a relief to feel miserable again. I don’t feel anything when I take my pills.’
She slapped at the ants crawling over her ankles.
‘I wrote about that too … it’s called “Picking Roses on Seroxat”.’
Joe fumbled for a scrap of green silk in his pocket and blew his nose. ‘What’s Seroxat?’
‘You know what it is.’
His nose was buried in the silk handkerchief.
‘Tell me anyway,’ he snuffled.
‘Seroxat is a really strong antidepressant. I’ve been on it for years.’
Kitty stared at the sky smashing against the mountains. He found himself reaching for her cold shaking hand and held it tight in his lap. She was right to be indignant at his question. Clasping her hand was a silent acknowledgement that he knew she had read him because he had told his readers all about his teenage years on medication. When he was fifteen he had very lightly grazed his left wrist with a razor blade. Nothing serious. Just an experiment. The blade was cool and sharp. His wrist was warm and soft. They were not supposed to be paired together but it was a teenage game of Snap. He had snapped. The doctor, an old Hungarian man with hair in his ears, had not agreed this pairing was an everyday error. He had asked questions. Biography is what the Hungarian doctor wanted.
Names and places and dates. The names of his mother, his father, his sister. The languages they spoke and how old was he when he last saw them? Joe Jacobs had replied by fainting in the consulting room and so his teenage years had been tranquillised into a one-season pharmaceutical mist. Or as he had suggested in his most famous poem, now translated into twenty-three languages: a bad fairy made a deal with me, ‘give me your history and I will give you something to take it away’.
When he turned to look at her face, now drained of its blush, her cheeks were wet.
‘Why are you crying?’
‘I’m OK.’ Her voice was matter of fact.
‘I’m pleased to save money and not spend it on a hotel, but I didn’t expect your wife to offer me the spare room.’
Three black flies settled on his forehead, but he did not let go of her hand to flick them away. He passed her the scrap of silk he kept as a handkerchief.
‘Mop yourself up.’
‘I don’t want your handkerchief.’ She threw the scrap of silk back into his lap. ‘And I hate it when people say mop yourself up. Like I’m a dirty floor.’
He couldn’t be sure of it, but he thought that was a line from one of his poems too. Not quite as it was written but near enough. He noticed a scratch running across her left ankle and she told him it was where his wife had grabbed her foot in the pool.
The goat was getting nearer. Every time it moved the bell rang. When it was still the bell stopped. It made him feel uneasy. He brushed a small green cricket off his shoulder and placed it in her open palm.
‘I think you’ve written something you’d like me to read. Is that right?’
‘Yes. It’s just one poem.’ Again her voice was matter of fact. She set the cricket free, watching it jump into the grass and disappear. ‘It’s a conversation with you, really.’
Joe picked up a twig that had fallen from the tree. The brown pigeon above his head was chancing its luck. There were stronger branches it could move to but it refused to budge. He told her he would read her poem that evening and waited for her to thank him.
He waited. For her thank-yous. For his time. For his attention. For his generosity. For defending her against Mitchell. For his company and for his words, the poetry that had made her more or less stalk him on a family holiday. Her thank-yous did not arrive.
‘By the way’ – he stared at her pale shins covered in crushed ants – ‘the fact I know that you um take medication and all that … is confidential.’
She shrugged. ‘Well, actually, Jurgen and Dr Sheridan and everyone in the village know already. And I’ve stopped taking it anyway.’
‘Is Madeleine Sheridan a doctor?’
‘Yeah.’ She clenched her toes. ‘She’s got friends at the hospital in Grasse, so you’d better pretend to be happy and have a grip.’
He laughed and then to make him laugh some more, so he would appear to be happy and to have a grip, she advised him that nothing, NOTHING AT ALL, was confidential when it was told to Jurgen. ‘Like all indiscreet people, he puts his hand on his heart and assures his confidant that his lips are sealed. Jurgen’s lips are never sealed, because they always have a giant spliff between them.’
Joe Jacobs knew he should ask her more questions. Like his journalist wife. The why the how the when the who and all the other words he was supposed to ask to make life more coherent. But she had given him a little information. On the way to the orchard she told him she had given up her job clearing leaves and cutting grass in Victoria Park in Hackney. A gang of boys had pulled a knife on her because when she was on medication it made her legs twitch so she was easy prey.
They heard the bell again.
‘What is it?’ Kitty stood up and peered into the long grass.
Joe could see the vertebrae of her spine under her dress. When he dropped his hat once again, she picked it up and dusted it with the tips of her green fingernails, holding it out to him.
‘Oh!’
Kitty shouted ‘Oh’ because at that moment the long grass moved and they saw flashes of pink and silver glinting through the blades. Something was making its way towards them. The grass seemed to open and Nina stood in front of them, barefoot in her cherry-print bikini. On her toes were Jurgen’s gift of the five silver rings from India with little bells attached to them.
‘I came to find you.’ She gazed at her father, who seemed to be holding Kitty’s Finch’s hand. ‘Mum’s gone to Nice. She said she had to take her shoes to get mended.’
Kitty looked at the watch on her thin wrist.
‘But the cobblers are shut in Nice now.’
Three growling dogs sprang out of the grass and circled them. When the farmer appeared and told the sweating English poet that he was trespassing on his land, the beautiful English girl ripped the scarf off the hat she was wearing and passed it to the frowning poet.
‘Mop yourself up,’ she said, and told the farmer in French to call the dogs off them.
When they got back to the villa, Joe walked through the cypress trees to the garden, where he had set up a table and chair to write in the shade. For the last two weeks he had referred to it as his study and it was understood he must not be disturbed, even when he fell asleep on the chair. Through the gaps in the branches of the cypress trees he saw Laura sitting on the faded wicker chair by the pool. Mitchell was carrying a bowl of strawberries towards her.
He glanced drowsily at Laura and Mitchell eating their strawberries in the sunshine and found himself about to fall asleep. It was an odd sensation, ‘to find himself’ about to fall into sleep. As if he could find himself anywhere at any time. Best to make the anywhere a good place to be, then, a place without anguish or impending threat; sitting at a table under the shade of an old tree with his family; taking photographs in a gondola moving across the canals of Venice; watching a film in an empty cinema with a can of lager between his knees. In a car on a mountain road at midnight after making love to Kitty Finch.
It was getting dark and she told him the brakes on the hire car were fucked, she couldn’t see a thing, she couldn’t even see her hands.
Her silk dress was falling off her shoulders as she bent over the steering wheel. A rabbit ran across the road and the car swerved. He told her to keep her eyes on the road, to just do that, and while he was speaking she was kissing him and driving at the same time. And then she asked him to open his window so she could hear the insects calling to each other in the forest. He wound down the window and told her, again, to keep her eyes on the road. He leaned his head out of the window and felt the cold mountain air sting his lips. Early humans had once lived in this mountain forest. They knew the past lived in rocks and trees and they knew desire made them awkward, mad, mysterious, messed up.
‘Yes,’ Kitty Finch said, her eyes now back on the road. ‘I know what you’re thinking. Life is only worth living because we hope it will get better and we’ll all get home safely. But you tried and you did not get home safely. You did not get home at all. That is why I am here, Jozef. I have come to France to save you from your thoughts.’
Isabel Jacobs was not sure why she had lied about taking her shoes to be mended. It was just one more thing she was not sure of. After Kitty Finch’s arrival all she could do to get through the day was to imitate someone she used to be, but who that was, who she used to be, no longer seemed to be a person worth imitating. The world had become increasingly mysterious. And so had she. She was not sure what she felt about anything any more, or how she felt it, or why she had offered a stranger the spare room. By the time she had driven down the mountains, found change for the toll, got lost in Vence and tried to turn back in the traffic that choked the coast road to Nice, enraged drivers jerked their hands at her, pressed their horns, rolled down their windows and shouted at her. In the back seats of their cars, groomed little dogs stared at her mockingly, as if not knowing where you were going in a one-way system was something they despised too.
She parked opposite the beach called Opéra Plage and walked towards the pink dome of the Hotel Negresco, which she recognised from the map stapled on to the ‘fact sheet’ that came with the villa. The fact sheet was full of information about the Hotel Negresco, the oldest and grandest belle époque hotel on the Promenade des Anglais. Apparently it was built in 1912 by Henri Negresco, a Hungarian immigrant who designed it to attract to Nice ‘the very top of the upper crust’.
A breeze was blowing across the two lanes of traffic that separated her from the crowded beaches. This blast of dirty city life felt better, far better than the clean sharp mountain air that only seemed to make sorrow sharper too. Here in Nice, France’s fifth biggest city, she could disappear into the crowds of holidaymakers as if she had nothing on her mind except to complain about the cost of hiring a sun lounger on the Riviera.
A woman with a helmet of permed, hennaed hair stopped her to ask if she knew the way to Rue François Aune. The lenses of her big sunglasses were smeared with what looked like dried milk. She spoke in English with an accent that Isabel thought might be Russian. The woman pointed a finger laden with rings at a mechanic in oily navy overalls lying under a motorbike, as if to suggest Isabel ask him for directions on her behalf. For a moment she couldn’t work out why this was demanded of her, but then she realised the woman was blind and could hear the mechanic revving his bike nearby.
When Isabel knelt down on the pavement and showed him the scrap of paper the woman had pushed into her hand, he jerked his thumb at the apartment block across the road. The blind woman was standing in the street she was looking for. ‘You are here.’ Isabel took her arm and led her through the gate towards the affluent mansion block, every window framed with newly painted green shutters. Three sprinklers watered the palm trees planted in neat lines in the communal gardens.
‘But I want the port, Madame. I am looking for Dr Ortega.’
The blind Russian woman sounded indignant, as if she had been taken to the wrong place against her will. Isabel gazed at the names of residents carved on to brass plaques by the door and read them out loud: ‘Perez, Orsi, Bergel, Dr Ortega.’ There was his name. This was where he lived, even though the woman disagreed.