Strange Sisters (2 page)

He went into a bedroom with her wrap and reappeared almost immediately to cross the end of the living room and enter a tiny kitchen. She heard in order the small click of the light switch, the slightly larger sound of the refrigerator door opening and closing, the faint, confused tinkling of ice and glass. Standing there in the middle of the room, she turned her head stiffly, taking in the heavy furniture, a bright hunting print on I the wall, a scattering of masculine trivia. Against the wall below the hunting print, flanked by narrow windows, was a desk. On its surface was a variety of items, but all she saw was the desk set, a silver-colored pen extending at an angle from a black base. Terror came washing back, mounting on a tide to the level of hysteria. Turning, walking like an automaton, she went over to the sofa and sat down, bending sectionally at knees and hips.

After all,
she thought,
it's such a simple thing. You need only to be passive. That's it. You let every thing happen in its own time, in its own order, and at first it's very bad, but then it gets better, it gets better and easier each time after the first time, and after a while' it's perfectly right and normal and perhaps even enjoyable, because the way things are now is nothing more, than a twist, something you learned wrong a long time ago, and it's only the very simple matter of learning it all over again now the right way.

Then Angus Brunn came back in from the kitchen with her Sidecar in one hand and a Scotch-and-soda for himself in the other. He handed her the Sidecar and said, "What's the matter, baby? You look stiff."

Reaching up for her drink, she managed a laugh, a sound as thin and brittle as the stem she took between her fingers. "Maybe I'm a little scared," she said. "It could be the first time I've been in a man's apartment."

He sat down beside her and grinned, the twist of his tight mouth above the narrow, jutting chin giving to his gray face a Satanic expression that was without humor. "Oh, sure. It could be the first time I've ever had a woman here, too."

"You don't believe it's possible? My never having been in a situation like this before?"

"You, baby? A looker like you? Let's just say it isn't likely. The ones without experience are the ones who haven't had opportunities."

"That could probably be taken as a compliment. I suppose I should thank you."

"No. Just drink your Sidecar."

She lifted the glass and tilted some of the tart liquid into her mouth, and at that moment he deposited his own glass on the arm of the sofa at his side and let the emptied hand fall onto her knee. It lay there like a branding iron, burning through a triple intervention of silk and nylon, but the heat did not diffuse itself. It remained localized in the small area of the violated knee, while all the remainder of her was cold and clammy, and her flesh was filthy with crawling things. It occurred to her that the delusions of delirium tremens might be something like this, and that that, too, was an experience she might someday accomplish. Deliberately, functioning under a total exertion of her will, she drained her glass and let it fall and leaned forward into him with her head back and her lids lowered against the awful encroachment of his face.

She gagged. A thin, bitter fluid rose up into her throat and nostrils, and she couldn't breathe. She was drowning, drowning in a stagnant sea, and she lifted one arm above her head, as a drowning person does, to grasp the receding sky. The hand was held there for a second, hanging downward from the wrist like a claw, and then it descended in an attack of talons. Her long, pointed nails slashed into his cheek below the bone and plowed four parallel furrows to the jaw. With a harsh cry that was mixed pain and fury and surprise, he pushed her away and lashed out violently. The back of his hand caught her across the eyes and knocked her sprawling onto the floor. She lay there, cowering away from him, looking up at him with hate and revulsion. Blood welled slowly from his gashed cheek, making of it a shining, scarlet half-mask, and he began to curse her softly, an inflectionless recital of invective more terrifying than violence. Getting to her feet, she turned and ran through the door behind her into the kitchen.

It was so small. And it kept getting smaller. The walls closed in on her, compressing the air, threatening to crush her. She stood with her back to the cabinet, her hands spread behind her on the working surface. Her breasts rose and fell and rose again in labored gasps. She watched the door through which she had come, and pretty soon she heard him following, in no hurry, his steps light and measured on the carpet. He was still cursing, quietly and fluently, his voice never rising above a conversational level.

She looked around frantically for an exit that wasn't there, and it was then she saw the final deadly essential of the bad end. An old-fashioned ice-pick with a rough wooden handle, stuck half the length of its spike between the back of the cabinet and the wall. Reaching over, she pulled it loose with a jerk and held it in her right hand behind her back.

Angus Brunn appeared in the doorway and stopped. The entire side of his face was now a scarlet sheen, and his eyes glittered with cold, controlled fury. Looking at her down the negligible length of the tiny room, a distance he could almost have spanned by stepping forward and reaching out with one arm, he said with a queer, incongruous dullness, "So that's the kind of little slut you are. A just-so-far girl. A non-producing harlot. Maybe you think I'm a snotty kid to be led by my glands until you're ready to call the turn. That's your mistake, baby. That's your big mistake."

But it wasn't. It was his. He took two steps and grasped her by the hair, jerking her head back above the strained arch of her throat, and she brought the ice-pick around and up, and the slim spike slipped into him smoothly at an angle just below the apex of the inverted V of his ribs. His breath sucked through his lips with a shrill, ragged sound that was like a reversed whinny, and he wrapped both hands around the protruding handle of the pick and looked down at it in an attitude of stunned, incredulous wonder. Then, without looking at her again, he released his held breath in a long sigh and folded slowly in the middle.

Lifting her skirt, she stepped over the body and went back into the living room. She stood in the middle of the room, almost in the identical position in which she had waited a little while ago for him to return from the kitchen with her Sidecar. Now he was in the kitchen again, and she was waiting again, but this time he would not come out even though she waited forever. The thought struck her as very funny, and she began to laugh silently, her body shaking with a swelling inner storm that .she felt must surely rock the room. After a while, the swelling of laughter began to diminish, and she tried to think, to think clearly, to decide what would now be best for her to do. She had no real faith in any course of action, no hope that anything on earth could save her now, but she still fought with a sort of instinctive tenacity to gather and secure the remnants of whatever might be left.

The glass. She had touched the glass, and it would have her prints on it. If it were discovered that she'd been here, or had even known Angus Brunn, the police would take her fingerprints and compare them with those they would have lifted from the glass, and that would be the end of her. She saw the glass lying on its side on the carpet by the sofa, and she went over and picked it up. After wiping it on the skirt of her dress, she let it drop onto the sofa and left it lying there.

Next, she thought of the ice-pick, but she couldn't bear the thought of returning to the kitchen, and she decided, anyhow, that the handle was too rough to take fingerprints. She had heard that they could be lifted only from smooth surfaces. She couldn't recall having touched anything else, except possibly the working surface of the kitchen cabinet, and she was certain that those would be blurred. Yes, she remembered distinctly drawing her fingers off the surface in a way that would have left them blurred.

Nothing remained, then, but to get her wrap and leave. Moving with a jerk, she went into the bedroom and found the wrap lying across the bed. Putting it on, she went back through the living room and out into the hall, using the skirt of her dress again to handle the knob. She felt rather clever, thinking of things like that, taking precautions, but all the time she knew that it was just chopping wood and that nothing would come of them but the same disaster that would have come without them, though maybe at a different time in a little different way.

On the street, she began to walk without conscious direction or purpose. She walked three blocks, and then, still without any conscious purpose, turned ninety degrees and walked until she saw a cab cruising toward the downtown area. This made her think of Jacqueline, and she wondered why she hadn't thought of Jacqueline before, and now she left a sudden terrible need to get to her as quickly as she could, as if a second lost might be the difference between security and destruction. She waved at the cab, but by that time it had gone too far past her for the driver to see her frantic gesture. She quickened her step until she was almost running, and several blocks farther on she found another available cab stopped for a red light. Getting into the cab before the light changed, she gave the cabbie Jacqueline's address and leaned back in the seat. Only then, suddenly aware of her burning lungs, did she realize the desperate pace she had maintained for the long blocks.

On both sides of her, beyond glass, the dappled city passed. Dappled. She liked the echoes of the word in her mind. Every once in a while, there would be a word like that, one that she immediately liked, and then she would pause, as she did now, to take a new direction from it, on whatever tangent of thought it suggested. Dappled with light and darkness, the splashes of intermittent light from street lamps and signs and unshaded windows, the deep cast shadows of buildings that seemed to crowd in upon the street in fear of the night and the aberrations of the night. People in the dappled city, moving from darkness to light to darkness. She watched them as she passed, finding and losing them in half a dozen ticks of the meter, and she began to wonder which of them were living, as she was, behind a personal translucent barrier through which light filtered dimly when there was any light at all. She thought of them in stock terms, the brutal little classifications that focused on a particular and left everything else out. Winos, dipsos, nymphos, homos. Felons, vagrants, whores and hoods. Then there were those with no barriers. The normal people. The non-aberrant, the undeviated, the good, clean partisans of orthodox sin. These, she thought, were the ones with the mentionable neuroses, the ones who had tuberculosis as opposed to leprosy, and she was suddenly rocked again by the silent, hysterical laughter. Sinking teeth into her lower hp, she laid her head back and closed her eyes, but she immediately saw Angus Brunn wrap both hands around the handle of the ice-pick and fold over slowly in the middle, so she opened her eyes again and sat staring blankly ahead past the right ear of the cabbie until he stopped at the curb in front of Jacqueline's apartment house.

She paid the fare and crossed over and through the heavy glass door into the small lobby. The single elevator was up, and she didn't wait, walking back to the stairs and ascending quickly. The stairs seemed interminable, stretching up forever, as if, now that she was so near Jacqueline, there were a kind of inanimate conspiracy to prevent her ever arriving. She had a heady feeling, a sense of treading air, and unconsciously she took hold of the bannister, moving the hand forward with every step to pull herself upward against the resistance of intangibles.

On the right floor at last, before the right door, she pressed a button and listened to the faint, measured strokes of chimes. There was no response, and she pressed again, leaning forward in a posture of intense concentration to follow the repetition of ordered tones. But it was no use. She rang again and again, but Jacqueline didn't come. The blond door, the final impediment in the conspiracy that had permitted her to advance against odds to defeat, remained closed.

She wondered where Jacqueline could be, and she could think of a number of possible places. Obviously, she couldn't tour the city, or even the likely restricted area, searching for her, and besides, now that the conspiracy against her was manifest, she was inclined to accept the futility of struggling against it any longer. She was tired. She was more tired than she could remember ever being before, and there was nothing to be done but to make the long uptown trip to her own small apartment.

On the street again, she found another cab and returned through the dappled city. In her own apartment, she undressed and stood for a moment before the mirror on the back of her closet door, but now she saw herself distorted by her relationship with Angus Brunn, an ugly corruption of what she had been. She turned off the light and got into bed and lay there on her back in the darkness trying to make her mind adhere to the unmenacing present, detached from everything that had approached this moment or would develop from it, and therefore powerless to foretell consequences.

Sometime during the swing shift of the earth's movement around the sun, she went to sleep, and when she came awake in the morning, lying very still in the painful period of precarious readjustment, the lines of the poem were already running through her mind. Not all of them. She was already up to the third stanza. The poem was like that. It would be in her waking mind at one point or an-other, and she thought it was because the preceding lines had already run through while she was still asleep. This morning, only the third and fourth stanzas were left:

Oh a deal of pains he's taken and a pretty price he's paid
To hide his poll or dye it of a mentionable shade;
But they've pulled the beggar's hat off for the world to see and stare,
And they're taking him to justice for the colour of his hair.
Now 'tis oakum for his fingers and the treadmill for his feet,
And the quarry-gang on Portland in the cold and in the heat,
And between his spells of labour in the time he has to spare
He can curse the God that made him for the colour of his hair.