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Authors: Anton Chekhov

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BOOK: Stories
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A
NNA ON THE
N
ECK
I

A
fter the wedding there was not even a light snack; the newly-weds drank a glass, changed their clothes, and went to the station. Instead of a gay wedding ball and dinner, instead of music and dancing—a two-hundred-mile pilgrimage.
1
Many approved of it, saying that Modest Alexeich was of high rank and no longer young, and a noisy wedding might perhaps not seem quite proper; and then, too, it was boring to listen to music, when a fifty-two-year-old official married a girl barely over eighteen. It was also said that Modest Alexeich, as a man of principle, undertook this trip to the mo
nastery, essentially, to let his young wife know that in marriage, too, he gave first place to religion and morality.

The newlyweds were seen off. A crowd of colleagues and relatives stood with glasses, waiting to shout “hurrah” as the train left, and Pyotr Leontyich, the father of the bride, in a top hat and a schoolmaster’s tailcoat, already drunk and very pale, kept holding out his glass towards the window and saying imploringly:

“Anyuta! Anya! Anya, just one word!”

Anya leaned out the window towards him, and he whispered something to her, breathing winy fumes on her, blowing in her ear—she understood none of it—and made a cross over her face, breast, hands; his breath trembled and tears glistened in his eyes. And Anya’s brothers, Petya and Andryusha, both high-school
students, pulled him from behind by the tailcoat and whispered in embarrassment:

“Papa, that will do … Papa, you mustn’t …”

When the train set off, Anya saw her father run a little way after their car, staggering and spilling his wine, and what a pathetic, kind, and guilty face he had.

“Hur-ra-a-ah!” he shouted.

The newlyweds were left alone. Modest Alexeich looked around the compartment, put their things on the racks, and sat down opposite his young wife, smiling. He was an official of average height, rather stout, plump, very well fed, with long side-whiskers and no mustache, and his clean-shaven, round, sharply outlined chin resembled a heel. What most characterized his face was the missing mustache, that freshly shaven, bare space which gradually turned into fat cheeks quivering like jelly. His bearing was dignified, his movements were not quick, his manners were gentle.

“I can’t help recalling one circumstance now,” he said, smiling. “Five years ago, when Kosorotov got the Order of St. Anna second degree
2
and went to say thank you, His Excellency expressed himself thus: ‘So now you have three Annas: one in your buttonhole and two on your neck.’ And I should mention that at that time Kosorotov’s wife had just come back to him, a shrewish and frivolous person whose name was Anna. I hope that when I get the Anna second degree, His Excellency will have no reason to say the same to me.”

He smiled with his little eyes. And she also smiled, troubled by the thought that this man might at any moment kiss her with his full, moist lips, and she no longer had the right to deny him that. The soft movements of his plump body frightened her, she felt afraid and squeamish. He got up, unhurriedly removed his decoration from his neck, took off his tailcoat and waistcoat, and put on his dressing gown.

“There,” he said, sitting down beside Anya.

She recalled how painful the wedding ceremony had been, when it had seemed to her that the priest, the guests, and all the people in the church were looking at her sorrowfully: why, why was she, such a sweet, nice girl, marrying this middle-aged, uninteresting gentleman? That morning she had still been delighted that everything was turning out so well, but during the wedding, and now on the train, she felt guilty, deceived, and ridiculous. Here she had married
a rich man, yet she still had no money, the wedding dress had been made on a loan, and when her father and brothers were seein
g her off today, she could tell by their faces that they did not have a kopeck. Would they have any supper tonight? And tomorrow? And for some reason it seemed to her that her father and the boys were now sitting there without her, hungry and feeling exactly the same anguish as they had the first evening after their mother’s funeral.

“Oh, how unhappy I am!” she thought. “Why am I so unhappy?”

With the awkwardness of a dignified man unused to dealing with women, Modest Alexeich touched her waist and patted her shoulder, while she thought about money, about her mother and her death. When her mother died, her father, Pyotr Leontyich, a teacher of penmanship and drawing in the high school, took to drinking, and they fell into want; the boys had no boots or galoshes, the father kept being dragged before the justice of the peace, the bailiff came to make an inventory of the furniture … Such shame! Anya had to look after the drunken father, darn her brothers’ socks, go to the market, a
nd when people praised her beauty, youth, and gracious manners, it seemed to her that the whole world could see that her hat was cheap and the holes in her shoes were daubed over with ink. And during the nights, there were tears and the persistent, troubling thought that her father would very soon be dismissed from the school on account of his weakness, that he would not survive it and would also die, as her mother had died. But then their lady acquaintances got busy and began looking for a good man for Anya. Soon they came up with this same Modest Alexeich, neither young nor hands
ome, but with money. He had a hundred thousand in the bank and also a family estate that he leased. He was a man of principle and in good standing with His Excellency; it would be nothing for him, as Anya was told, to take a note from His Excellency to the principal of the school and even to the superintendent, to keep Pyotr Leontyich from being dismissed …

As she recalled these details, she suddenly heard music bursting through the window with the noise of voices. The train had stopped at a small station. Beyond the platform, in the crowd, an accordion and a cheap, shrill fiddle were playing briskly, and from beyond the tall birches and poplars, from beyond the dachas bathed in moonlight, came the sounds of a military band: they
must have been having an evening dance. Summer residents and city-dwellers, who came there in good weather to breathe the clean air, strolled along the platform. Artynov was also there, the owner of this whole
summer colony, a rich man, tall, stout, dark-haired, with an Armenian-looking face, protruding eyes, and a strange costume. He was wearing a shirt unbuttoned on the chest and high boots with spurs; a black cloak hung from his shoulders, dragging on the ground like a train. Two Borzoi hounds, their sharp muzzles lowered, followed after him.

Anya’s eyes still glistened with tears, but she was no longer thinking about her mother, or money, or her wedding, but was shaking hands with some high-school students and officers she knew, laughing merrily and saying quickly:

“Hello! How are you?”

She went out to the end of the corridor, into the moonlight, and stood in such a way as to be fully visible in her magnificent new dress and hat.

“Why have we stopped here?” she asked.

“There’s a sidetrack here,” came the answer, “we’re expecting the mail train.”

Noticing that Artynov was looking at her, she narrowed her eyes coquettishly and began speaking loudly in French, and because her own voice sounded so pretty, and there was music, and the moon was reflected in the pond, and because Artynov, that notorious Don Juan and prankster, was looking at her greedily and with curiosity, and because everyone felt merry, she was suddenly filled with joy, and when the train started, and her officer acquaintances touched their visors in farewell, she was already humming the strains of a polka that the military band, banging away somewhere beyond
the trees, sent after her; and she went back to her compartment feeling as if she had been convinced at the station that she would certainly be happy, no matter what.

The newlyweds spent two days at the monastery and then returned to town. They lived in a government apartment. When Modest Alexeich went to work, Anya played the piano, or wept from boredom, or lay on the couch and read novels and looked through fashion magazines. At dinner Modest Alexeich ate a great deal and talked about politics, about appointments, transfers, and bonuses, and that one had to work, that family life was not a pleasure but a duty, that a penny saved was a penny earned, and that he
considered religion and morality the highest things in the world. And, gripping the
knife in his fist like a sword, he said:

“Every man must have his responsibilities!”

And Anya listened to him, afraid and unable to eat, and usually left the table hungry After dinner her husband rested and snored loudly, and she went to see her family Her father and the boys looked at her somehow peculiarly, as if, just before she came, they had been denouncing her for marrying for the sake of money a dull, boring man whom she did not love; her rustling dress, her bracelets and ladylike look in general, embarrassed and offended them; in her presence they felt slightly abashed and d
id not know what to talk about; but still they loved her as before and had not yet grown accustomed to eating without her. She sat down with them and ate shchi, kasha,
3
and potatoes fried in mutton fat, which smelled like candles. With a trembling hand, Pyotr Leontyich poured from a decanter and drank quickly, greedily, with disgust, then drank another glass, then a third … Petya and Andryusha, thin, pale boys with big eyes, took the decanter away and said in perplexity:

“You mustn’t, papa … That’s enough, papa …”

And Anya was also worried and begged him not to drink any more, and he suddenly flared up and banged his fist on the table.

“I won’t let anyone supervise me!” he cried. “Mere infants! I’ll throw you all out!”

But there was weakness and kindness in his voice, and no one was afraid of him. After dinner he usually got dressed up; pale, with razor nicks on his chin, stretching his skinny neck, he spent half an hour standing in front of the mirror preening himself, brushing his hair, twirling his black mustache, spraying himself with scent, knotting his tie, then put on his gloves and top hat and went to give private lessons. But if it was a feast day, he stayed home and painted or played the harmonium, which hissed and roared; he tried to squeeze whole, harmonious sounds out of it and sang
along, or else said gruffly to the boys:

“Scoundrels! Blackguards! You’ve ruined the instrument!”

In the evenings Anya’s husband played cards with his colleagues, who lived under the same roof with him in the government building. During cards the wives of the officials got together, ugly, tastelessly dressed, coarse as kitchen maids, and gossip would begin, as ugly and tasteless as the wives themselves. Occasionally, Modest
Alexeich took Anya to the theater. In the intermissions he never allowed her to go a step away from him, and walked, holding h
er under the arm, in the corridor and foyer. When he greeted someone, he would immediately whisper to Anya: “State councillor … received by His Excellency” or: “Wealthy … owns a house …” When they passed the buffet, Anya always wanted very much to eat something sweet; she loved chocolate and apple tarts, but she had no money and was embarrassed to ask her husband. He would take a pear, finger it, and ask hesitantly:

“How much?”

“Twenty-five kopecks.”

“Really!” he would say and put the pear back, but since it was awkward to leave the buffet without buying anything, he would ask for seltzer water and drink the whole bottle himself, and tears would come to his eyes, and Anya hated him at those moments.

Or else, blushing all over, he would say:

“Bow to this old lady!”

“But I don’t know her.”

“Never mind. She’s the wife of the chief treasurer! Bow to her, I tell you!” he murmured insistently. “Your head won’t fall off.”

Anya bowed, and indeed her head did not fall off, but it was painful. She did everything her husband wanted and was angry with herself for having been deceived like a perfect little fool. She had married him only for money, and yet she now had less money than before her marriage. Formerly, her father at least used to give her twenty kopecks, but now she did not have a cent. She could not take money secretly or ask for it, she was afraid of her husband and trembled before him. It seemed to her that she had borne a fear of this man in her soul for a long time. In childhood the most i
mposing and terrible power for her, which came like a storm cloud or a locomotive ready to crush her, was her school principal; another such power, which they always talked about in the fam
ily, and which they feared for some reason, was His Excellency; and there were also some dozen powers of a lesser sort, among them stern, implacable schoolmasters who shaved their mustaches, and now, finally, there was Modest Alexeich, a man of principle, who even looked like a director. And in Anya’s imagination all these powers blended into one, and in the shape of one terrible, enormous polar bear came down upon the weak and guilty, like her father, and she was afraid to say anything in protest, and she forced herself to smile
and show feigned pleasure when she was crudely caressed and defiled with embraces that terrified her.

BOOK: Stories
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