Stonebrook Cottage (4 page)

Somehow an illicit affair with Pete Jericho was different now that she was governor. The anonymous calls didn't make figuring out what to do about him any easier.

Mike had known. He'd given her an ultimatum a few days after the near disaster at the bonfire. He wanted her relationship with Pete out in the open or over and done with. No secret affairs. Period.

"But what will people say?" she'd asked.

"What the hell do you care? We're not talking about your position on capital punishment or gay marriage. We're talking about who you love. You do love the guy, right?"

"Yes, but—"

"But what? He served six months in the pokey for a bar fight." Big Mike had laughed, amazed. "Come on, Allyson. People'll be thrilled you're not just another rich, watery-eyed WASP."

She hadn't taken that very well, but Big Mike loved to tease—it didn't matter who. Kara was the one who could always give it right back to him. Allyson had enjoyed watching the two of them. She was more reserved herself, more formal by upbringing and temperament. Kara was a Texas hard-ass with a big heart, a combination that'd probably get her hurt one day.

But Mike hadn't been teasing that day. He could be judgmental, calculating when it came to political advantage and appearances.

Did her caller know about the ultimatum? Would he—or she—try to make people wonder if she'd had something to do with Big Mike's death?

What did the bastard
want?

She jumped to her feet, knocking over her canvas bag, the contents spilling into the cool shade. She saw a state trooper, a woman, make a move toward her and waved her off. The special unit in charge of guarding the governor had come under heavy criticism for "letting" Big Mike die. Allyson had defended them. She knew what Mike could be like. He'd told her countless times he'd never get used to people hovering.

She squatted down, scooping up her wallet and Rolaids and Palm Pilot, three tubes of the same shade of lipstick. She was shaking uncontrollably now, crying.
Ridiculous.
She was overreacting to the cryptic phone calls, reading into them something that wasn't there. There was no real threat, and harassment was part of being in the public eye. Even if she mentioned the calls to her bodyguards, what could they do? The caller hadn't even made a request for any action one way or another on her part. Get rid of Pete, keep him. Tell the world, don't tell the world. Give money, support a particular piece of legislation—nothing. Maybe the calls were designed to soften her up—maybe they were just to get under her skin.

"Allyson!"

Hatch Corrigan ran across the shaded lawn toward her. Lawrence's half-brother was always on the move, a hothead like his father, Frank Corrigan, Madeleine's third husband, whose early success as an actor hadn't panned out the way either one of them had hoped. Madeleine raised their son largely on her own—she hadn't wanted Frank's help after their divorce. Hatch and Lawrence both had their mother's rangy build and sharp nose, but Hatch had his father's clear blue eyes, auburn hair and dimpled chin, his notorious flair for drama. Hatch, though, was content to remain behind the scenes, like his older half-brother. Not Frank, who'd wanted the stage and an audience, but died five years ago when he fell off scaffolding in a rundown off-off-Broadway theater, dead drunk.

Hatch didn't stand to inherit a dime of Stockwell money, but Allyson couldn't remember him ever complaining about it. His mother had some wealth to hand down, but not a lot, not compared to her first husband's family fortune. Hatch loved Stockwell Farm and spent as much time as he could with Madeleine at the main house, when he wasn't cooking up political schemes and gathering information, plotting, strategizing, advising. He'd been indispensable to Big Mike and, now, to Allyson.

He slowed slightly as he approached her hammock. It wasn't uncommon, she thought, to see Hatch Corrigan in a rush, grim-faced and focused.

She grabbed on to the edge of the rope hammock and pulled herself to her feet, brushing away her tears. In time she might come to feel like a governor, but right now she felt like the thirty-seven-year-old mother of two middle-schoolers, a widow who could never again have romance in her life.

"Allyson," Hatch repeated, breathing hard when he reached her. "We have a problem. That damn dude ranch in Texas just called. The kids—"

"Hatch!" She clenched his upper arms, her chest constricting, her knees going out from under her. "What's happened? What's wrong? Henry and Lil-lian—they're okay, aren't they?"

"Let's hope." His expression hardened, reminding her that he was forty-seven and childless, not a man who got along easily with children, even his only niece and nephew. "They took off on their own this afternoon. They're on the loose somewhere in Texas."

Susanna Galway called Sam at home, waking him up, and invited him to dinner, refusing to take no for an answer. He didn't argue. Under the circumstances, showing up for dinner would be less provocative than not showing up. He buttoned his shirt, pulled on his boots and headed out.

Dinner was hell. He hated hiding anything from his friends, but if Kara hadn't told her brother and sister-in-law about her weekend with Sam, he didn't feel it was his place to open his damn mouth. He was being a gentleman, he decided, not a coward. It wasn't as if he'd taken advantage of her. Kara Galway was in her thirties, and she'd wanted their night together as much as he had.

Jack, his wife and their twin daughters didn't seem to notice he was suffering. Susanna was a slim, graceful, dark-haired, green-eyed financial whiz who'd tried to keep millions and a murderer showing up in her kitchen a secret from her Texas Ranger husband, not that there was keeping anything secret from Jack Galway, something that Sam knew he should keep in mind. Susanna was smart, and she liked her secrets. In her own way she was as protective of her family as Jack was. All four of them had come close to losing each other in a harrowing experience in the Adirondack woods six months ago. These days, Susanna seemed content with her work and her life in San Antonio. She was redecorating their suburban home and restoring a historic building downtown that nobody quite knew what she'd do with—including, apparently, her.

The twins were getting ready to head to college in a few weeks. Maggie had decided on Harvard, following in her father's footsteps, Ellen on the University of Texas, which she liked to say was following in the footsteps of no one in her family.

They didn't bring up the subject of Kara tonight, but Sam knew they all had welcomed her move back to Texas, teased her about losing some of her accent during her years up north. They expected her to take up with another lawyer or a University of Texas professor, maybe one of the artists who hung out at the Dunning Gallery. Not a Texas Ranger. Not Sam.

He hadn't taken up with her, he reminded himself. He'd slept with her that one night and one morning two weeks ago.

After dinner, Susanna and Jack made espresso using the espresso machine Maggie and Ellen had given their father for Christmas. The girls retreated to the family room to watch television. Whatever the lingering effects of their ordeal this past winter, the twins were handling them, just a couple of high-school graduates excited about college.

Susanna handed Sam a tiny white cup and saucer and eased onto a chair at the new, glass-topped table. She smiled over the rim of her own steaming cup, which didn't look out of place in her slender fingers. "You look as if you're afraid you'll break the china. Relax, Sam. You like espresso, don't you?"

"I can drink it."

Jack downed his espresso in about two sips. He was one of the finest law enforcement officers Sam knew, a big, broad-shouldered man, a Harvard graduate, a dedicated Texas Ranger who tried to maintain a precarious balance between work and family. He was fifteen and his sister just nine when their mother was killed in a car accident. Sam knew some of the details. How mother and daughter had gone out shoe shopping and were hit broadside on the driver's side by a speeding delivery truck.

Kara had had to sit still, covered in shattered glass, splattered with her dying mother's blood, until the paramedics could get her out. She'd suffered only minor physical injuries. After the accident, her father had encouraged both her and Jack to stay busy and excel, apparently believing the less time they had to think about their mother and grieve, the better. At eighteen, Kara headed north to Yale, not to return until last year.

If she hadn't moved back, would Mike Parisi be dead now? Sam wondered if that was a question Kara had asked herself, one she'd been running from that night when she'd landed in his arms.

Susanna set her cup down after the tiniest of sips. "Sam, I understand you were at the opening of the Gordon Temple exhibit a couple of weeks ago. You've been so busy, I haven't had a chance to talk to you about it. Mum and Dad are thrilled to have him at the gallery. Jack and I couldn't make it to the opening. He's an incredible artist, isn't he?"

Sam shrugged. "The paintings looked fine to me. I don't know that much about art."

"My mother said you didn't stay long. They're curious because you two have the same last name."

Jack shifted in his chair. "I wondered about that, too. Sam, you're part Native American. This guy's Cherokee. He used to live in San Antonio. What's the story?"

"No story."

It was a true answer, if not a complete one. Sam had known for the past five years that Gordon Temple was his father. Biologically. He had never had a real father. His mother, an elementary-school art teacher in a poor section of San Antonio, had finally told him the truth when Gordon's fame was on the rise. Sam had already known his mother and Gordon were briefly married when they were both twenty. Gordon left after a year. Loretta Temple said she never expected him to stay. He was a nomad, an artist who needed his freedom. It was a rationalization, maybe, but Sam didn't resent her for it—she wasn't the one who'd left. She didn't find out she was pregnant until a month after Gordon Temple had withdrawn from her life. She thought it would be easier on him, and ultimately their child, if she said nothing and didn't tempt him to come back.

Thirty-five years later, she admitted she wasn't sure she'd made the right decision in not putting a father's name on her son's birth certificate, but it had been the only choice she'd felt she could make at the time.

No, no story, Sam thought. Just a string of simple facts.

Susanna fingered the delicate handle of her espresso cup. "Did you run into Kara at the opening? I understand she didn't stay long, either. She got the call about Governor Parisi's death and left quickly. Mum didn't realize what was going on at the time or she'd have made sure she was all right." Susanna fixed her vivid green eyes on Sam. "I hate to think of Kara dealing with such a terrible shock all alone."

Sam sipped his espresso, which was very hot and very strong, and offered no comment. This explained the invitation to dinner. Susanna was suspicious of what had happened at the opening, but she would be. She was convinced women fell all over him. It happened, but not every time—and it hadn't happened with Kara. Her grief and shock had more to do with their night together than any attraction to him. But Sam couldn't be sure his preoccupation with Gordon Temple hadn't affected his own judgment.

Jack shook his head, finished with his espresso. "You following this governor's death?" He didn't wait for an answer. "I can't get Kara to talk about it. She's buried herself in her work. She went up to Connecticut for the funeral. The new governor's a friend, as well—Kara's godmother to her children. They flew back with her to go to a kids' dude ranch."

"We sent Maggie and Ellen to a dude ranch that one time, remember? Ellen loved it, Maggie thought it was hell on earth—"

But Jack was not to be distracted. "I don't like reading my sister's name in the paper in conjunction with the unexplained death of a governor. At least she was in Austin and not up there when Parisi drowned. I'd hate to see her get involved in something like that."

Sam understood Jack's reaction, but decided it wasn't his place to bring up Zoe West's call checking Kara's story. Let Kara tell her brother two weeks after the fact that she was one of the few who knew Mike Parisi couldn't swim.

"Dad!"

The panic in Ellen's voice instantly brought Jack to his feet, Sam a half beat behind him. Susanna rose unsteadily, grabbing the back of her chair, her dark hair catching the glow of the white dinner candles. Her face was pale, as if she were back on that day six months ago with her daughters at the mercy of a killer.

Jack caught Ellen by the shoulders in the doorway, strands of dark hair matted to her cheeks. Her breathing was shallow, rapid. "Dad, it's Aunt Kara. Some-thing's wrong—"

Jack swore and pushed past her into the family room, but somehow Sam reached Kara first. She was standing, ashen-faced, Maggie Galway at her side. Sam managed not to touch her, but she clutched his upper arm, her fingers digging into his flesh, her dark eyes wide. "Sam…"

"Kara," Jack said sharply. "What the hell's going on?"

She shifted her gaze, focusing on her brother. "Henry and Lillian Stockwell are missing." Kara took in a breath, obviously trying to calm herself, but she maintained her death grip on Sam's arm. "They took off from the dude ranch late this afternoon. At first everyone thought they were hiding somewhere, or misunderstood instructions—"

"The ranch is about an hour from here," Sam said.

Jack nodded. "These kids are what, twelve?"

"Henry's twelve, Lillian's eleven." Kara's voice was tight with fear. "Allyson called me a few minutes after I left work. I was south of town, anyway, meeting friends. I decided to head straight here, in case you'd heard anything."

"We haven't," Susanna said gently. "Kara, why don't you sit down? Tell us what you know."

She seemed to give herself a mental shake, some color returning high in her cheeks. She released her grip on Sam. "I held it together all the way down here and sort of fell apart when I walked in the door." She brushed her hand through her hair, pulling out the turquoise comb she'd worn the night of the opening. She gave no sign she remembered him taking it out of her hair. She cleared her throat. "I'm sure they're fine."