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Authors: Gina Berriault

BOOK: Stolen Pleasures
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“I know my way around.”
“You do seem to,” said Perera.
“What you could do when you take off, like your day is done, see? You just leave me in here and close the door. I wouldn't care if you locked it.”
“I can lock it,” said Perera, “but not with you inside.”
“Is there some of that coffee left?”
Perera, pouring, was planning to wash that porcelain cup thoroughly. If it was pneumonia gripping this young man, it would get a more merciless grip on him, twice as old. Or if it was tuberculosis, it would bring on his end with rapacious haste and just as he was about to embark on his most rewarding years.
This time the guest took longer to drink it down, the hot coffee apparently feeling its way past the throat's lacerations.
“Let's say it's like that darkness upon the face of the deep,” Perera said. “That same darkness the Creationists are wanting to take us back to. Dark, dark, and you need to find yourself a comfortable place. Now let's say you're at the top of our marble stairs
and you don't know it. You take a step and down you go. Come morning, they open up and find you there.”
“You think so?”
“You'll be on the front pages in New York, Paris, Tokyo. A homeless man, seeking shelter in San Francisco's main library, fell down in there and died. A library, imagine it, that monument to mankind's exalted IQ. I'll say you dropped by to chat about poetry. I'll say we spent many pleasant hours discussing Darío's
Filosofía.

Contempt in the eyes meeting Perera's. “What're you telling me? You're telling me to lie down and die?”
“Not at all. All I'm saying is you cannot spend the night in this library.”
Scornfully careful, the fellow placed the porcelain cup on the desk and stood up. “You want me to tell you what that poem is saying? Same thing you're saying. If you can't halloo the sun, if you can't go chirpity-chirp to the moon, what're you doing around here anyway?”
“That is not what it is saying,” said Perera.
“To hell with you is what I'm saying.”
Gone, leaving his curse behind. A curse so popular, so spread around, it carried little weight.
 
CLOSING TIME, THE staff and lingering patrons all forced out through one side entrance and into the early dark, into the rain. Perera hoisted his umbrella, one slightly larger than the ordinary, bought in London the day he met the actress, years ago. It will never turn inside out, the clerk promised, not even in Conrad's typhoon. And it hadn't yet. Lives were being turned inside out, but this snob
of an umbrella stayed up there. A stance of superiority, that was his problem. A problem he always knew he had and yet that always took him by surprise. And how did he figure he was so smart, this Alberto Perera? Well, he could engage in the jesting the smart ones enjoy when they're in the presence of those they figure are not so smart. He could engage in that jovial thievery, that light-fingered, light-headed trivializing of another person's tragic truth, a practice he abhorred wherever he came upon it.
Onward through this neon-colored rain, this headlight-glittering rain, every light no match for the dark, only a constant contesting.
There is a certainty in degradation.
You can puzzle over lines all your life and never be satisfied with the meanings you get. Until, slushing onward, you've got at last one meaning for sure, because now its time had come, bringing proof by the thousands wherever they were this night in their concrete burrows and dens. There was no certainty in anything else, no matter what you're storing up, say tons of gold, say ten billion library books, and if you think you can elude that certainty it sneaks up on you, it sneaks up the marble stairs and into your sanctum and you're degraded right along with the rest.
 
FOR SEVERAL DAYS at noontime Perera looked for him in the long line at St. Anthony's, men and women moving slowly in for their free meal. After work he climbed the stairs to Hospitality House and looked around at the men in the collection of discarded chairs, each day different men and each man confounded by being among the unwanted many. Here, too, he knew he would not find him. The fellow was a loner, hiding out, probably afraid his cough was reason to arrest him.
A rolled-up wool blanket, a large thermos filled with hot coffee, a dozen packaged handkerchiefs, a thick turtleneck sweater, a package of athletic socks. Perera carried all this into his office, piecemeal, as the days came and went, and these offerings had the same aspect of futility that he saw in the primitive practice of laying out clothing and nourishment for the departed.
He braved the Albatross used-book store not far from the library, trying not to breathe the invisible dust from the high stacks of disintegrating books, and in the dim poetry section came upon some unexpected finds. Ah, hah! Michaux,
My life, you take off without me,
and Trakl, sad, suicidal soul,
Beneath the stars a man alone,
and Anna Akhmatova,
Before this grief the mountains stoop,
and Ah! Machado,
He was seen walking between rifles.
Comments in the margins, someone's own poem on a title page, bus schedules, indecipherable odds and ends of penciled thoughts intermingling with the printed ones. He wanted to keep these thin volumes for himself and instead he did as planned. He bought a green nylon parka in a discount place on Market Street, slid the books into the deep pockets, and folded the parka on top of the pile.
On the morning of the twelfth day, before the hour when the public was admitted, Perera entered by the side door, bringing a pair of black plastic shoes, oxford style, made in China, recommended for their comfort by a street friend wearing a pair. The door guard silently led him to the foot of the marble stairs, where Okula, cops and paramedics and librarians were gathered around a man lying on the lowest step.
Perera had never fainted and was not going to faint now, even though all the strength of his intelligence was leaving the abode of his head to darkness.
“Mr. Perera,” Okula was saying but not to him, “was an acquaintance of this man. Wasn't he?”
Nobody was answering, though Perera gave them time.
“Occasionally,” he said, “he stepped into my office. My door is usually open.” Sweat was rising from his scalp. “Did he fall?”
“More like he lay down and died.” The paramedic's voice was inappropriately young. “T.B. Take a look at that rag.”
“You say you knew him?” A cop's voice, “Do you know his name? He's got nothing in his pockets.”
“No,” said Perera.
“Any idea where he concealed himself in here?”
“Hundreds of places.” Okula, responding. “We check carefully. However, anyone wishing to stay in can also check carefully.”
“What you might be needing is a couple of dogs. German shepherds are good at it. Dobermans, too. A couple of good dogs could cover this whole place in half an hour.”
Kneeling by the body, Perera took a closer look at the face, closer than when they sat in the office, discoursing on the animal kingdom. The young man was now no one, as he'd feared he already was when alive. The absolute unwanted, that's who the dead become.
“Did this man bother you?”
It would take many months, he knew, before he'd be able to speak without holding back. Humans speaking were unbearable to
hear and abominable to see, himself among the rest. Worse, was all that was written down instead, the never-ending outpouring, given print and given covers, given shelves up and down and everywhere in this warehouse of fathomless darkness.
“He did not bother me,” he said.
The door to his office was closed but unlocked, just as he'd left it. Scattered over his desk were what appeared to be the contents of his waste-basket. But unfamiliar, not his. So many kinds of paper scraps, they were the bits and pieces his visitor had brought forth from that green parka. Throwaway ads, envelopes, a discount drugstore's paper bag, business cards tossed away. On each, the cramped handwriting. By copying down all these stirringly strange ideas, had the fellow hoped to impress upon himself his likeness to these other humans? A break-in of a different sort. A young man breaking into a home of his own.
Perera sat down at his desk, slipped his glasses on, and spread the scraps out before him as heedfully as his shaking hands allowed.
The Stone Boy
A
RNOLD DREW HIS overalls and raveling gray sweater over his naked body. In the other narrow bed his brother Eugene went on sleeping, undisturbed by the alarm clock's rusty ring. Arnold, watching his brother sleeping, felt a peculiar dismay; he was nine, six years younger than Eugie, and in their waking hours it was he who was subordinate. To dispel emphatically his uneasy advantage over his sleeping brother, he threw himself on the hump of Eugie's body.
“Get up! Get up!”
Arnold felt his brother twist away and saw the blankets lifted in a great wing, and, all in an instant, he was lying on his back under the covers with only his face showing, like a baby, and Eugie was sprawled on top of him.
“Whasa matter with you?” asked Eugie in sleepy anger, his face hanging close.
“Get up,” Arnold repeated. “You said you'd pick peas with me.”
Stupidly, Eugie gazed around the room to see if morning had come into it yet. Arnold began to laugh derisively, making soft, snorting noises, and was thrown off the bed. He got up from the floor and went down the stairs, the laughter continuing, like hiccups, against his will. But when he opened the staircase door and entered the parlor, he hunched up his shoulders and was quiet because his parents slept in the bedroom downstairs.
Arnold lifted his .22-caliber rifle from the rack on the kitchen wall. It was an old lever-action that his father had given him because nobody else used it anymore. On their way down to the garden he and Eugie would go by the lake, and if there were any ducks on it he'd take a shot at them. Standing on the stool before the cupboard, he searched on the top shelf in the confusion of medicines and ointments for man and beast and found a small yellow box of .22 cartridges. Then he sat down on the stool and began to load his gun.
It was cold in the kitchen so early, but later in the day, when his mother canned the peas, the heat from the woodstove would be almost unbearable. Yesterday she had finished preserving the huckleberries that the family had picked along the mountain, and before that she had canned all the cherries his father had brought from the warehouse in Corinth.
Eugie came clomping down the stairs and into the kitchen, his head drooping with sleepiness. From his perch on the stool Arnold watched Eugie slip on his green knit cap. Eugie didn't really need a cap; he hadn't had a haircut in a long time and his brown curls grew thick and matted, close around his ears and down his neck, tapering there to a small whorl. Eugie passed his left hand through
his hair before he set his cap down with his right. The very way he slipped his cap on was an announcement of his status; almost everything he did was a reminder that he was eldest—first he, then Nora, then Arnold—and called attention to how tall he was, almost as tall as his father, how long his legs were, how small he was in the hips, and what a neat dip above his buttocks his thicksoled logger's boots gave him. Arnold never tired of watching Eugie offer silent praise unto himself. He wondered, as he sat enthralled, if when he got to be Eugie's age he would still be undersized and his hair still straight.
Eugie eyed the gun. “Don't you know this ain't duck season?” he asked gruffly, as if he were the sheriff.
“No, I don't know,” Arnold sniggered.
Eugie picked up the tin washtub for the peas, unbolted the door with his free hand and kicked it open. Then, lifting the tub to his head, he went clomping down the back steps. Arnold followed, closing the door behind him.
The sky was faintly gray, almost white. The mountains behind the farm made the sun climb a long way to show itself. Several miles to the south, where the range opened up, hung an orange mist, but the valley in which the farm lay was still cold and colorless.
Eugie opened the gate to the yard and they passed between the barn and the row of chicken houses, their feet stirring up the carpet of brown feathers dropped by the molting chickens. They paused before going down the slope to the lake. A fluky morning wind ran among the shocks of wheat that covered the slope. It sent a shimmer northward across the lake, gently moving the rushes that formed an island in the center. Killdeer, their white markings flashing,
skimmed the water, crying their shrill, sweet cry. And there at the south end of the lake were four wild ducks, swimming out from the willows into open water.
Arnold followed Eugie down the slope, stealing, as his brother did, from one shock of wheat to another. Eugie paused before climbing through the wire fence that divided the wheat field from the marshy pasture around the lake. They were screened from the ducks by the willows along the lake's edge.

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