Authors: Lucy Christopher
Tags: #Law & Crime, #Juvenile Nonfiction, #Australia, #Action & Adventure, #Adventure and Adventurers, #Juvenile Fiction, #Australia & Oceania, #Social Issues, #Fiction, #Physical & Emotional Abuse, #Interpersonal Relations, #Kidnapping, #Adventure Stories, #Young Adult Fiction, #General, #People & Places, #Adolescence
Like you’d said, I felt better pretty quickly. The next day you gave me a small handful of nuts and berries. The berries tasted bitter and the nuts were powdery and sweet, both were unlike anything I was used to. But I ate them anyway. Then I felt between the mattress and the base of the bed. The knife was still there. I counted the notches on the wood, running my fingers over the grooves. Twenty-five. But how many more days had passed since then? I carved four more lines.
The next day, after I’d carved the thirtieth notch, I wondered about my period … why it hadn’t arrived yet. Perhaps I had dried up, like the land around me, my body needing all the moisture it could get.
I got up and put clothes on, but the fabric stung as it touched my burned skin. I gritted my teeth and hobbled to the veranda. Even the feel of the floorboards against my feet hurt, and I had to hold my T-shirt away from my chest as I walked.
“You should have just gone naked,” you said when you saw me. “Wouldn’t hurt so much.”
I stopped holding out my T-shirt. “It’s fine.”
“Here.” You stretched your glass of water toward me.
“I’ll get my own,” I said.
I went to the kitchen. After I’d run myself some water, I stepped through the kitchen door and out the other side of the house from you. I leaned against the wall, keeping my body in the shade. From there I could see the camel, resting in the corner of her pen. Her head was down, the harness hanging loosely around her ears. She looked so docile now, like you’d sucked away her wildness. I shielded my eyes, scanning the horizon until I found the shadowy hills of the dunes: the hills I’d thought were the mine site. They seemed so far away.
I lowered myself onto the crate outside the door as it all sunk in. I’d always kept a small seed of hope alive, hope that I’d be able to escape. But suddenly I realized something. That view of sand and endlessness … that was it, that was my life. Unless you took me back to a town, that was all I’d ever see. No more parents or friends or school. No more London. Only you. Only the desert.
I rolled the glass of water against my forehead, then licked a drop from the side. I left my tongue momentarily against the cool. Maybe I’d wear you down, eventually. Maybe you’d take me back. Haven’t there been cases where kidnapped girls have walked free, years later? Haven’t there been rescues, too? But how long would it take?
There was movement to my left.
You were hunched over near the corner of the house, underneath the window where my bedroom was. Your arms were hanging down toward something, and you were bouncing backward and sideways. I looked closer. There was a snake. You were stretching toward it, trying to get a grip, then leaping backward when it went for you. Its head was up, challenging you. It was like a kind of courtship dance. You circled each other gracefully, eyes locked.
But you were fast. You darted toward the snake, confusing it, and grabbed underneath its head. The snake writhed, tried to turn its pink, wide mouth toward you. But your grip was firm. You lifted it from the sand and held it out in front of you. Your lips were moving, talking to it, inches away from its fangs. Then you started walking, taking it with you.
You went past me, straight to the second outbuilding. You backed into the doorway, the snake trying to wrap its tail around your wrist as you stepped into the building.
I dozed on the couch in the living room, only waking when the light changed from bright and white to muted and golden. I watched a beam of sunlight on the dark wood floor, turning the wood a copper color as it moved across the boards. Afterward, I wandered around the house. You weren’t anywhere. I changed my clothes, finding a baggy T-shirt scrunched in the closet in the hall with the words
SAVE THE EARTH, NOT YOURSELVES
printed on it. It was loose enough not to hurt the burns too much. Then I went back to the crate outside the kitchen door, and waited.
A line of ants crawled over my ankles, and there was the high-pitched screech of a bird far above. My burned skin prickled, even though it was only the softer afternoon sun against it. I pulled at the T-shirt, trying to cover the back of my neck. I stretched my legs. After a while, I wandered toward the outbuilding where I’d seen you last. As I got close, I saw you’d left the door open a crack, the padlock hanging unlocked. I tried to peer into the darkness inside, but could only make out dull shadows. I couldn’t hear anything. I pushed the door, letting the sunlight in. The room was full of boxes, all neatly stacked. There was a pathway through the middle, between them.
“Ty?” I called.
No answer. I listened. I thought I heard a soft shuffling, somewhere behind the boxes.
“Ty? Is that you?”
I took a step into the building. The cool darkness in the room felt good on my skin. I took another step so I could read the writing on some of the boxes:
food (tins), food (dried), tools, electricle wires.
… The writing was in pencil, spindly like a web. Yours, I guessed. Your spelling was terrible. I glanced back at the house. Everything was so still, more like a theater set than real life. I traced my fingers along some other boxes, sweeping away the dust as I went:
Medical supplys, blankits, gloves.
… I followed the boxes down the pathway. It was interesting, seeing these preparations, seeing what you thought was necessary for us to live.
Ropes, tools, gardning supplys, sewing, feminine higene
… you’d thought of everything. The farther in I went, the louder the shuffling noise became. It was soft and hesitant, more like an animal than you.
“Hello?” I tried again. “Ty?”
The path opened into a wider space. I squeezed sideways through the boxes and into it. The shuffling was louder, all around me. I turned. There were cabinets, on every side, from floor to head height. Some of them were made of glass, others wire. There was movement inside them, a quiet rustling. Creatures of some sort? I bent to look at them.
Tiny eyes looked back. A curled black snake raised its head lazily and a spider as big as my hand scuttled across its enclosure. I stepped backward. Breathing deeply, I studied the cages from there, checking all the doors were closed. A scorpion lifted its tail, rattling a warning. My legs were suddenly shaky. There must have been twenty of those cages around me. They mostly had snakes and spiders inside, a few scorpions, and some other cages that didn’t look like they had anything in them at all. Why were they there? Why hadn’t you told me? My eyes settled on a silvery-brown snake. It looked like the one you had caught that morning. Its tail still flicked angrily as it watched me, its tongue darting in and out like a dagger.
I forced myself to breathe. The cage doors were closed, everything shut in. The creatures couldn’t get near me. But I could still hear them, scrabbling, clicking their tails and sliding. The noises made my heart falter. I steadied myself against the boxes and walked back down the pathway, feeling my way along.
Gardning supplys, blankits, alcohol
…
I paused at that box. I stood on tiptoe and looked at the top. The sticky tape was loose, barely fastening the cardboard sides. I glanced back at the open door, ready to jump into the sunlight if I needed to … if any loose creatures came my way; then I dragged the box toward me, bottles clinking as it moved. I pulled at the tape and the sides unstuck. Cautiously, I put my hand inside. My fingers were shaking. I was worried about what else might be in there, waiting for the soft tap of legs against the back of my fingers or the brush of snakeskin. I grabbed the first bottle I got a grip on and took it down, sneezing as dust landed on me.
BUNDABERG RUM. A one-liter glass bottle. I could do some damage with that. One way or the other, it could knock one of us out. I took it with me and stepped out of the building, glad to be out of there. I closed the door, resting it against the frame as I’d found it, the padlock still hanging. I breathed in the cooler air, checking for the camel. She wasn’t in the rope pen, and I couldn’t see her near the Separates, either. Perhaps she was behind the rocks. The sun was starting to dip, covering everything with a peach glow. It wouldn’t be long until it was dark.
I went straight to my room and hid the bottle under my pillow. Then I sat for a while, listening. There was only the creak of the wood as the heat started to bleed out of the house. I did another lap of the rooms, checking for you, then went out to the veranda. The sun escaped over the horizon then, and quickly (it was always so quick) it got dark. I squinted at the fading light and at the sand that was slowly changing color from purple to gray to black. I could still make out most of the shapes around the house: the outbuildings, the trailer, the Separates. But your shape wasn’t there; neither was the camel’s.
I didn’t know how to turn the generator on, so I went onto the porch and took down one of the lanterns instead. I unscrewed the glass casing, as I’d seen you do before, and smelled the cotton wick inside. It smelled like you’d soaked it recently in fuel, so I lit it and twisted the glass back on. Light! I was a little proud of myself for making it work. I twisted the knob on the side to increase the flame and carried the lantern back to the living room.
I sat on the couch and picked at a hole where the stuffing was falling out. My body was straining, listening for the slightest sound. A small part of me wondered whether everything had been leading up to this moment, whether you were finally going to play out your ultimate fantasy and kill me. Perhaps you were waiting until it was completely dark before you made your move. I listened for your footstep on the veranda, your cough in the darkness. If this had been a horror film, a phone would have rung at that moment to tell me you were outside, watching me.
But another part of me was worrying about something entirely different. Another part was wondering if something had happened to you out there.
“Stop being stupid,” I said to myself out loud.
I waited for what felt like forever before I went back to my bedroom, taking the flickering lantern. I shut the door and dragged the chest of drawers in front of it. I kept the curtains open, watching for shadows outside. But the moon was still low, and everything was darker than usual. I put a pillow behind me and leaned against it. I watched the shadowy faces the lantern light made on the wall, all jagged and crooked-looking. I cradled the rum bottle. Then I grabbed it around its neck and rehearsed how to swing it if I needed to. I touched it against my forehead, imagining the blow it would give … feeling its weight. I spent some time unscrewing and rescrewing the lid, smelling it. Then I took a sip.
It was bitter, hard to swallow. But I was used to drinking raw alcohol after all those nights in the park with my friends. I used to be quite good at pretending that the liquid actually tasted nice enough to want to take another gulp.
I sipped again. It burned my throat like sunburn, only inside instead of out this time. I scrunched my face up, the way they do in the movies, as another sip went down. I looked out of the window. The desert was as still and quiet as it always was. Dead quiet. It’s amazing how scary total quiet can be, how it can mess with your head if you let it. In London I was used to noisy nights, to the honks and shouts and whirs of a big city. London chattered like a monkey at night. The desert, on the other hand, slithered around me like a snake. Soft and silent and deadly … and quiet enough to keep my eyes wide open, always.
I tapped my teeth against the rim of the bottle. I kept swigging until the room started to spin, until I stopped thinking about whether that could be my last night on earth or whether that place would be the only place I’d ever see from then on. After a while, I stopped watching for shadows at the window. I stopped caring about the darkness. And the quiet.
I remembered then why all my friends liked to get drunk … it was the forgetting. The sweet not knowing of the future.