Stirling Silliphant: The Fingers of God (31 page)

281.
Daniel Cerone, “Expatriate Games,” Los Angeles
Times,
March 6, 1994.

282.
Letter, June 9, 1992, courtesy of Charles Matthau.

283.
Matthau interview May 11, 2013.

284.
Budget from IMDb.com; fee from e-mail, May 18, 2013, Tiana Silliphant.

285.
Federal Reserve Bank of New York.

286.
Silliphant letter to Author, March 13, 1994.

287.
Cerone, op cit.

288.
Stirling Linh interview with Author, May 25, 2013.

289.
In the ensuing years, Hampton and Tiana would become linked in entertainment news coverage; she would become associate producer of
A Dangerous Method
(2011), the film version of his 2003 play
The Talking Cure),
of which she was dedicatee. Their relationship is not the subject of this book.

290.
He might mean
contracture,
a chronic tightening of the muscles.

291.
Undated home video footage provided by the Silliphant estate.

292.
Stirling Linh interview with Author, May 25, 2013.

293.
Interviewed on “The Reed Farrell Show,“ courtesy Silliphant estate.

294.
Silliphant letter to Author, September 11, 1995.

295.
Silliphant letter to Tom Brown, September 16, 1995.

296.
Morrell conversation with the author, July 19, 2013.

297.
Stirling Linh interview with the author, May 25, 2013.

298.
Ibid.

299.
San Francisco
Sunday Examiner,
April 7, 1967.

300.
William Froug,
op cit.

301.
Stirling Linh interview with Author May 25, 2013 referring to Robert Ludlum’s
The Bourne Identity
series.

302.
Fries e-mail to Author, April 4, 2013.

303.
Twenty years prior to this interview, however, Silliphant told Froug (op cit), “The only time I truly feel good is when I hit my last act…not the conceptualization period.”

304.
“Bill Collins Showbiz,” August 19, 1979. Seven Network, NSW (Australia).

305.
From “Kiss the Maiden, All Forlorn”
(Route 66
).

306.
Michael Ventura, “Letters at 3 AM: Stirling at Road’s End” from
If I Was a Highway
(Lubbock, Texas: Texas Tech University Press, 2011).

307.
Women’s Wear Daily,
December 18, 1974.

308.
Daily Variety,
April 2, 1985.

309.
Los Angeles Times,
May 29, 1979.

310.
New York Times,
January 2, 1966.

311.
Charles Fries e-mail to Author, April 4, 2013.

312.
Silliphant sued Levine for $150,000.

313.
The Great Escape II
was made for TV in 1988 with neither Mirisch nor Silliphant involved.

314.
Hollywood Reporter,
October 26, 1964.

315.
Hollywood Reporter,
June 8, 1990.

316.
Author’s October 23, 1992, correspondence with SS.

317.
Silliphant papers, UCLA.

318.
Daily Variety,
April 2, 1985.

319.
Hollywood Reporter,
undated clipping in archive

320.
Daily Variety,
April 12, 1989.

321.
Tiana, e-mail, May 6, 2013.

322.
Reed Farrell interview, 1977.

323.
NHK television interview, 1994.

324.
Game
magazine, August 1976

325.
Lin Bolen letter, July 4, 1983. Silliphant papers, UCLA.

326.
Newsweek,
January 31, 1972.

327.
Hollywood Reporter,
April 12, 1968.

328.
Daily Variety,
September 18, 1968.

329.
Silliphant letter to Author, August 2, 1994.

330.
Daily Variety,
December 8, 1965

331.
Los Angeles Herald-Examiner,
April 6, 1975.

332.
Charles Fries e-mail to Author, April 4, 2013.