Stay Close
STAY CLOSE
ALSO BY HARLAN COBEN
Play Dead
Miracle Cure
Deal Breaker
Drop Shot
Fade Away
Back Spin
One False Move
The Final Detail
Darkest Fear
Tell No One
Gone for Good
No Second Chance
Just One Look
The Innocent
Promise Me
The Woods
Hold Tight
Long Lost
Caught
Live Wire
Shelter
HARLAN
COBEN
STAY CLOSE
DUTTON
DUTTON
P
UBLISHED BY
P
ENGUIN
G
ROUP
(USA) I
NC
.375 Hudson Street, New York, New York 10014, U.S.A.
Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.); Penguin Books Ltd, 80 Strand, London WC2R 0RL, England;Penguin Ireland, 25 St Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd); Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd); Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi–110 017, India; Penguin Group (NZ), 67 Apollo Drive, Rosedale, Auckland 0632, New Zealand (a division of Pearson New Zealand Ltd); Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa
Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England
Published by Dutton, a member of Penguin Group (USA) Inc.
“Atlantic City” by Bruce Springsteen. Copyright © 1982 Bruce Springsteen (ASCAP).
Reprinted by permission. International copyright secured. All rights reserved.
First printing, March 2012
1 3 5 7 9 10 8 6 4 2
Copyright © 2012 by Harlan Coben
All rights reserved. No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the author’s rights. Purchase only authorized editions.
REGISTERED TRADEMARK—MARCA REGISTRADA
LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA
has been applied for.
ISBN: 978-1-101-56117-1
Printed in the United States of America
Set in Sabon LT Std.
Designed by Leonard Telesca
PUBLISHER’S NOTE
This book is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.
ALWAYS LEARNING
PEARSON
This one is for
Aunt Diane and Uncle Norman Reiter
and
Aunt Ilene and Uncle Marty Kronberg,
with love and gratitude.
Well now everything dies, baby that’s a fact.
But maybe everything that dies, someday comes back.
—Bruce Springsteen, “Atlantic City”
S
OMETIMES, IN THAT SPLIT SECOND
when Ray Levine snapped a picture and lost the world in the strobe from his flashbulb, he saw the blood. He knew, of course, that it was only in his mind’s eye, but at times, like right now, the vision was so real he had to lower his camera and take a good hard look at the ground in front of him. That horrible moment—the moment Ray’s life changed completely, transforming him from a man with a future and aspirations into this Grade-A loser you see in front of you—never visited him in his dreams or when he sat alone in the dark. The devastating visions waited until he was wide-awake, surrounded by people, busy at what some might sarcastically dub work.
The visions mercifully faded as Ray continuously snapped pictures of the bar mitzvah boy.
“Look this way, Ira,” Ray shouted from behind his lens. “Who are you wearing? Is it true Jen and Angelina are still fighting over you?”
Someone kicked Ray’s shin. Someone else pushed him. Ray kept snapping pictures of Ira.
“Where is the after-party, Ira? What lucky girl is getting the first dance?”
Ira Edelstein frowned and shielded his face from the camera lens. Ray surged forward undaunted, snapping pictures from every angle. “Get out of the way!” someone shouted. Someone else pushed him. Ray tried to steady himself.
Snap, snap, snap.
“Damn paparazzi!” Ira shouted. “Can’t I have a moment of peace?”
Ray rolled his eyes. He did not back off. From behind his camera lens, the vision with the blood returned. He tried to shake it off, but it would not go. Ray kept his finger pressed down on the shutter. Ira the Bar Mitzvah Boy moved in a slow-motion strobe now.
“Parasites!” Ira screamed.
Ray wondered if it was possible to sink any lower.
Another kick to the shins gave Ray his answer: Nope.
Ira’s “bodyguard”—an enormous guy with a shaved head named Fester—swept Ray aside with a forearm the size of an oak. The sweep was with a bit too much gusto, nearly knocking him off his feet. Ray gave Fester a “what gives” look. Fester mouthed an apology.
Fester was Ray’s boss and friend and the owner of Celeb Experience: Paparazzi for Hire—which was just what it sounded like. Ray didn’t stalk celebrities hoping to get compromising shots to sell to tabloids like a real paparazzo. No, Ray was actually beneath that—Beatlemania to the Beatles—offering the “celebrity experience” to wannabes who were willing to pay. In short, clients, most with extreme self-esteem and probably erectile dysfunction issues, hired paparazzi to follow them around, snapping pictures to give them, per the brochure, the “ultimate celebrity experience with your very own exclusive paparazzi.”
Ray could sink lower, he supposed, but not without an extreme act of God.
The Edelsteins had purchased the A-List MegaPackage—two hours with three paparazzi, one bodyguard, one publicist, one boom-mike handler, all following around the “celebrity” and snapping pictures of him as though he were Charlie Sheen sneaking into a monastery. The A-List MegaPackage also came with a souvenir DVD for no extra charge, plus your face on one of those cheesy-fake gossip magazine covers with a custom-made headline.
The cost for the A-List MegaPackage?
Four grand.
To answer the obvious question: Yes, Ray hated himself.
Ira pushed past and disappeared into the ballroom. Ray lowered his camera and looked at his two fellow paparazzi. Neither one of them had the loser
L
tattooed on their forehead because, really, it would have been redundant.
Ray checked his watch. “Damn,” he said.
“What?”
“We still have fifteen minutes on the clock.”
His colleagues—both barely bright enough to write their names in the dirt with a finger—groaned. Fifteen more minutes. That meant going inside and working the introduction. Ray hated that.
The bar mitzvah was being held at the Wingfield Manor, a ridiculously gauche banquet hall that, if scaled back a tad, could have doubled as one of Saddam Hussein’s palaces. There were chandeliers and mirrors and faux ivory and ornate woodwork and lots and lots of shimmering gold paint.
The image of the blood came back to him. He blinked it away.
The event was black-tie. The men looked worn and rich. The
women looked well kept and surgically enhanced. Ray pushed through the crowds, wearing jeans, a wrinkled gray blazer, and black Chuck Taylor Hi-Tops. Several guests stared at him as though he’d just defecated on their salad fork.
There was an eighteen-piece band plus a “facilitator” who was supposed to encourage guest frolicking of all sorts. Think bad TV-game-show host. Think Muppets’ Guy Smiley. The facilitator grabbed the microphone and said, “Ladies and gentlemen,” in a voice reminiscent of a boxing ring announcer, “please welcome, for the first time since receiving the Torah and becoming a man, give it up for the one, the only… Ira Edelstein!”
Ira appeared with two… Ray wasn’t sure what the right terminology was but perhaps the best phrase would be “upscale strippers.” The two hot chicks escorted little Ira into the room by the cleavage. Ray got the camera ready and pushed forward, shaking his head. The kid was thirteen. If women who looked like that were ever that close to him when he was thirteen, he’d have an erection for a week.
Ah youth.
The applause was rapturous. Ira gave the crowd a royal wave.
“Ira!” Ray called out. “Are these your new goddesses? Is it true you may be adding a third to your harem?”
“Please,” Ira said with a practiced whine, “I’m entitled to my privacy!”
Ray managed not to vomit. “But your public wants to know.”
