Sophie Kinsella's Shopaholic 5-Book Bundle (59 page)

“. . . some sort of paranoia . . .”

“. . . think they can change the goalposts . . .”

“. . . overheads . . . cost reduction . . . with Alicia Billington heading up the London office . . .”

“Alicia?” I struggle to an upright position. “Alicia's going to run the London office?”

“Almost definitely,” says Luke, stopping midsentence. “Why?”

“But—”

“But what?” says Michael, looking at me with interest. “Why shouldn't she run the London office? She's bright, ambitious . . .”

“Oh. Well . . . no reason,” I say feebly.

I can't very well say, “Because she's a complete cow.”

“You've heard she's just got engaged, by the way?” says Luke. “To Ed Collins at Hill Hanson.”

“Really?” I say in surprise. “I thought she was having an affair with . . . whassisname.”

“With who?” says Michael.

“Erm . . . thingy.” I take a sip of gimlet to clear my head. “She was having secret lunches with him, and everything!”

What's his name again? I really am pissed.

“Becky likes to keep abreast of the office gossip,” says Luke with an easy laugh. “Unfortunately one can't always vouch for its accuracy.”

I stare at him crossly. What's he trying to say? That I'm some kind of rumormonger?

“Nothing wrong with a bit of office gossip,” says Michael with a warm smile. “Keeps the wheels turning.”

“Absolutely!” I say emphatically. “I couldn't agree more. I always say to Luke, you should be
interested
in the people who work for you. It's like when I give financial advice on my TV show. You can't just look at the numbers, you have to
talk
to them. Like . . . like Enid from Northampton!” I look at Michael expectantly, before remembering that he doesn't know who Enid is. “On paper she was ready to retire,” I explain. “Pension and everything. But in real life . . .”

“She . . . wasn't ready?” suggests Michael.

“Exactly! She was really enjoying work and it was only her stupid husband who wanted her to give up. She was only fifty-five!” I gesture randomly with my glass. “I mean, don't they say life begins at fifty-five?”

“I'm not sure they do,” says Michael, smiling. “But maybe they should.” He gives me an interested look. “I'd like to catch your show one day. Is it shown in the States?”

“No, it isn't,” I say regretfully. “But I'll be doing the same thing on American TV soon, so you'll be able to watch it then!”

“I look forward to that.” Michael looks at his watch and drains his glass. “I have to go, I'm afraid. We'll speak later, Luke. And very nice to meet you, Becky. If I ever need financial advice, I'll know where to come.”

As he leaves the bar, I lean back against my squashy seat and turn to look at Luke. His easy demeanor has vanished, and he's staring tensely into space while his fingers methodically tear a matchbook into small pieces.

“Michael seems really nice!” I say. “Really friendly.”

“Yes,” says Luke distantly. “Yes, he is.”

I take a sip of gimlet and look at Luke more carefully. He's got exactly the same expression he had last month, when one of his staff cocked up a press release and some confidential figures were made public by mistake. My mind spools back over the conversation I was half-listening to—and as I watch his face I start to feel a bit worried.

“Luke,” I say at last. “What's going on? Is there some kind of hitch with your deal?”

“No,” says Luke without moving.

“So what did Michael mean when he said, ‘That all depends'? And all that stuff about them changing the goalposts?”

I lean forward and try to take his hand, but Luke doesn't respond. As I gaze at him in anxious silence, I gradually become aware of the background chatter and music all around us in the dim bar. At the next table a woman's opening a little box from Tiffany's and gasping—something which would normally have me throwing my napkin onto the floor and sidling over to see what she's got. But this time I'm too concerned.

“Luke?” I lean forward. “Come on, tell me. Is there a problem?”

“No,” says Luke shortly, and tips his glass back into his mouth. “There's no problem. Things are fine. Come on, let's go.”

Ten

I
WAKE UP
the next morning with a pounding headache. We went on from the Royalton to someplace for dinner, and I drank even more there—and I can't even remember getting back to the hotel. Thank God I don't have an interview today. To be honest, I could quite happily spend the whole day in bed with Luke.

Except that Luke is already up, sitting by the window, talking grimly into the phone.

“OK, Michael. I'll talk to Greg today. God knows. I have no idea.” He listens for a bit. “That may be the case. But I'm not having a second deal collapse on us.” There's a pause. “Yes, but that would put us back—what, six months? OK. I hear what you're saying. Yes, I will. Cheers.”

He puts down the receiver and stares tensely out of the window, and I rub my sleepy face, trying to remember if I packed any aspirin.

“Luke, what's wrong?”

“You're awake,” says Luke, turning round, and gives me a quick smile. “Did you sleep well?”

“What's wrong?” I repeat, ignoring him. “What's wrong with the deal?”

“Everything's fine,” says Luke shortly, and turns back to the window.

“Everything isn't fine!” I retort. “Luke, I'm not blind. I'm not deaf. I can tell something's up.”

“A minor blip,” says Luke after a pause. “You don't need to worry about it.” He reaches for the phone again. “Shall I order you some breakfast? What would you like?”

“Stop it!” I cry frustratedly. “Luke, I'm not some . . . some stranger! We're going to live together, for God's sake! I'm on your side. Just tell me what's really going on. Is your deal in trouble?”

There's silence—and for an awful moment I think Luke's going to tell me to mind my own business. But then he pushes his hands through his hair, exhales sharply, and looks up.

“You're right. The truth is, one of our backers is getting nervous.”

“Oh,” I say, and pull a face. “Why?”

“Because some
fucking
rumor's going around that we're about to lose Bank of London.”

“Really?” I stare at him, feeling a cold dismay creep down my back. Even I know how important Bank of London is to Brandon Communications. They were one of Luke's first clients—and they still bring in about a quarter of the money the company makes every year. “Why would people be saying that?”

“Fuck knows.” He pushes his hair back with his hands. “Bank of London denies it completely, of course. But then, they would. And of course it doesn't help that I'm here, not there . . .”

“So are you going to fly back to London?”

“No.” He looks up. “That would give out completely the wrong signals. Things are shaky enough here already. If I suddenly disappear . . .” He shakes his head and I stare at him apprehensively.

“So—what happens if your backer pulls out?”

“We find someone else.”

“But what if you can't? Will you have to give up on coming to New York?”

Luke turns to look at me—and he's suddenly got that blank, scary expression that used to make me want to run away from him at press conferences.

“Not an option.”

“But I mean, you've got a really successful business in London,” I persist. “I mean, you don't
have
to set up one in New York, do you? You could just . . .”

I tail away at the look on his face.

“Right,” I say nervously. “Well—I'm sure it'll all be OK. In the end.”

For a while we're both silent—then Luke seems to come to, and looks up.

“I'm afraid I'm going to have to hold a few hands today,” he says abruptly. “So I won't be able to make this charity lunch with you and my mother.”

Oh shit. Luke's mother. Of course, that's today.

“Can't she rearrange?” I suggest. “So we can both go?”

“Unfortunately not,” says Luke. He gives a quick smile, but I can see true disappointment on his face, and I feel a flash of indignation toward his mother.

“Surely she could find time—”

“She's got a very busy schedule. And as she pointed out, I didn't give her very much warning.” He frowns. “You know, my mother's not just some . . . society lady of leisure. She has a lot of important commitments. She can't just drop everything, much as she would like to.”

“Of course not,” I say hurriedly. “Anyway, it'll be fine. I'll just go along to this lunch with her on my own, shall I?” I add, trying to sound as though I'm not at all intimidated by this prospect.

“She has to go to the spa first,” says Luke, “and she suggested you accompany her.”

“Oh right!” I say cautiously. “Well, that could be fun . . .”

“And then there's the charity lunch she's going to take you to. It'll be a chance for you two to get to know one another. I really hope you hit it off.”

“Of course we will,” I say firmly. “It'll be really nice.” I get out of bed and go and put my arms around Luke's neck. His face still looks strained, and I put up my hand to smooth away the creases in his brow. “Don't worry, Luke. People will be queuing up to back you. Round the block.”

Luke gives a half-smile and kisses my hand.

“Let's hope so.”

As I sit in reception, waiting for Luke's mother to arrive, I feel a combination of nerves and intrigue. I mean, for a start, what are we going to talk about? If I were meeting his stepmum, she could tell me all about Luke when he was a little boy, and bring out all the embarrassing photographs. But Luke's real mum barely saw him when he was a little boy. Apparently she just used to send him huge presents at school, and visit about every three years.

You'd think that would have made him a bit resentful—but he adores her. In fact, he simply can't find one bad thing to say about her. I once asked him whether he minded that she left him—and he got all defensive and said she had no choice. And he's got this enormous glamorous photograph of her in his study at home—much bigger than the one of his dad and stepmum on their wedding day. I do sometimes wonder what they think about that. But it's not something I really feel I can bring up.

“Rebecca?” A voice interrupts my thoughts and I look up, startled. A tall, elegant woman in a pale suit, with very long legs and crocodile shoes, is staring down at me. It's the glamorous photograph in the flesh! And she looks just the same as she does in the picture, with high cheekbones and dark, Jackie Kennedy–style hair—except her skin is kind of tighter, and her eyes are unnaturally wide. In fact, it looks as though she might have some difficulty closing them.

“Hello!” I say, getting awkwardly to my feet and holding out my hand. “How do you do?”

“Elinor Sherman,” she says in a strange half-English, half-American drawl. Her hand is cold and bony, and she's wearing two enormous diamond rings that press into my flesh. “So pleased to meet you.”

“Luke was very sorry he couldn't make it,” I say, and hand her the present he gave me to give. As she undoes the wrapping, I can't help goggling. A Herm'es scarf!

“Nice,” she says dismissively, and puts it back into the box. “My car is waiting.”

“Luke was really hoping we might get to know each other a bit,” I say, with a friendly smile.

“I have until two fifteen,” says Elinor crisply.

“Oh,” I say. “Well, never m—”

“So that should be ample time. Shall we go?”

Blimey. A car with a chauffeur. And a crocodile Kelly bag—and are those earrings
real
emeralds?

As we drive away, I can't help surreptitiously staring at Elinor. Now I'm close up I realize she's older than I first thought, probably in her fifties. And although she looks wonderful, it's a bit as though that glamorous photo has been left out in the sun and lost its color—and then been painted over with makeup. Her lashes are heavy with mascara and her hair is shiny with lacquer and her nails are so heavily varnished, they could be red porcelain. She's so completely . . . done. Groomed in a way I know I could never be, however many people went to work on me.

I mean, I'm looking quite nice today, I think. In fact, I'm looking really sharp. There was a spread in American
Vogue
on how black and white is
the
look at the moment, so I've teamed a black pencil skirt with a white shirt I found in the sample sale the other day, and black shoes with fantastic high heels. And I've shaded my eyes just like Mona showed me. I was really pleased with myself this morning. But now, as Elinor surveys me, I'm suddenly aware that one of my nails is very slightly chipped, and my shoe has got a tiny smear on the side—and oh God, is that a thread hanging down from my skirt? Should I quickly try to pull it off?

Casually, I put my hand down on my lap to cover up the loose thread. Maybe she didn't see. It's not that obvious, is it?

But Elinor is silently reaching into her bag, and a moment later she hands me a pair of small silver tortoiseshell-handled scissors.

“Oh . . . er, thanks,” I say awkwardly. I snip the offending thread, and hand back the scissors, feeling like a schoolchild. “That always happens,” I add, and give a nervous little giggle. “I look in the mirror in the morning and I think I look fine, but then the minute I get out of the house . . .”

Great, now I'm gabbling. Slow down, Becky.

“The English are incapable of good grooming,” says Elinor. “Unless it's a horse.”

The corners of her lips move a couple of millimeters up into a smile—although the rest of her face is static—and I burst into sycophantic laughter.

“That's really good! My flatmate loves horses. But I mean, you're English, aren't you? And you look absolutely . . . immaculate!”

I'm really pleased I've managed to throw in a little compliment, but Elinor's smile abruptly disappears. She gives me a blank stare and suddenly I can see where Luke gets that impassive scary expression from.

“I'm a naturalized American citizen.”

“Oh right,” I say. “Well, I suppose you've been here for a while. But I mean, in your heart, aren't you still . . . wouldn't you say you're a . . . I mean, Luke's very English . . .”

“I have lived in New York for the majority of my adult life,” says Elinor coldly. “Any attachment of mine to Britain has long disappeared. The place is twenty years out of date.”

“Right.” I nod fervently, trying to look as though I understand completely. God, this is hard work. I feel like I'm being observed under a microscope. Why couldn't Luke have come? Or why couldn't she have rescheduled? I mean, doesn't she
want
to see him?

“Rebecca, who colors your hair?” says Elinor abruptly.

“It's . . . it's my own,” I say, nervously touching a strand.

“Meione,” she echoes suspiciously. “I don't know the name. At which salon does she work?”

For a moment I'm completely silenced.

“Erm . . . well,” I flounder at last. “Actually . . . I . . . I'm not sure you'll have heard of it. It's very . . . tiny.”

“Well, I think you should change colorist,” says Elinor. “It's a very unsubtle shade.”

“Right!” I say hurriedly. “Absolutely.”

“Guinevere von Landlenburg swears by Julien on Bond Street. Do you know Guinevere von Landlenburg?”

I hesitate thoughtfully, as though going through a mental address book. As though checking all the many, many Guineveres I know.

“Um . . . no,” I say at last. “I don't think I do.”

“They have a house in South Hampton.” She takes out a compact and checks her reflection. “We spent some time there last year with the de Bonnevilles.”

I stiffen. The de Bonnevilles. As in Sacha de Bonneville. As in Luke's old girlfriend.

Luke never told me they were friends of the family.

OK, I'm not going to stress. Just because Elinor is tactless enough to mention Sacha's family. It's not as though she's actually mentioned
her—

“Sacha is such an accomplished girl,” says Elinor, snapping her compact shut. “Have you ever seen her water-ski?”

“No.”

“Or play polo?”

“No,” I say morosely. “I haven't.”

Suddenly Elinor is rapping imperiously on the glass panel behind the driver.

“You took that corner too fast!” she says. “I won't tell you again, I don't wish to be rocked in my seat. So, Rebecca,” she says, sitting back in her seat and giving me a dissatisfied glance. “What are your own hobbies?”

“Uhm . . .” I open my mouth and close it again. My mind's gone completely blank. Come on, I must have some hobbies. What do I do at the weekends? What do I do to relax?

“Well, I . . .”

This is completely ridiculous. There
must
be things in my life other than shopping.

“Well, obviously, I enjoy . . . socializing with friends,” I begin hesitantly. “And also the . . . the study of fashion through the um . . . medium of magazines . . .”

“Are you a sportswoman?” says Elinor, eyeing me coldly. “Do you hunt?”

“Erm . . . no. But . . . I've recently taken up fencing!” I add in sudden inspiration. I've got the outfit, haven't I? “And I've played the piano since I was six.”

Completely true. No need to mention that I gave up when I was nine.

“Indeed,” says Elinor, and gives a wintry smile. “Sacha is also very musical. She gave a recital of Beethoven piano sonatas in London last year. Did you go to it?”

Bloody Sacha. With her bloody water-skiing and bloody sonatas.

“No,” I say defiantly. “But I . . . I gave one myself, as it happens. Of . . . of Wagner sonatas.”

“Wagner sonatas?” echoes Elinor suspiciously.

“Erm . . . yes.” I clear my throat, trying to think how to get off the subject of accomplishments. “So! You must be very proud of Luke!”

I'm hoping this comment will trigger a happy speech from her lasting ten minutes. But Elinor simply looks at me silently, as though I'm speaking nonsense.

“With his . . . his company and everything,” I press on doggedly. “He's such a success. And he seems very determined to make it in New York. In America.” Elinor gives me a patronizing smile.

“No one is anything till they make it in America.” She looks out of the window. “We're here.”

Thank God for that.

To give Elinor her due, the beauty spa is absolutely amazing. The reception area is exactly like a Greek grotto, with pillars and soft music and a lovely scent of essential oils in the air. We go up to the reception desk, where a smart woman in black linen calls Elinor “Mrs. Sherman” very deferentially. They talk for a while in lowered voices, and the woman occasionally gives me a glance and nods her head, and I try to pretend not to be listening, looking at the price list for bath oils. Then abruptly Elinor turns away and ushers me to a seating area where there's a jug of mint tea and a sign asking patrons to respect the tranquility of the spa and keep their voices down.