Songs of a Dead Dreamer and Grimscribe (41 page)

I find it impossible to say how long it was before I was able to move, before I backed up toward the path, all those multitudinous voices chanting everywhere around me and all those many-colored lights bobbing in the wind-blown trees. Yet it now seemed to be only a single voice I heard, and a single color I saw, as I found my way home, stumbling through the greenish darkness of the night.

I knew what needed to be done. Gathering up some old boards from my basement, I piled them into the fireplace and opened the flue. As soon as they were burning brightly, I added one more thing to the fire: a manuscript whose ink was of a certain color. Blessed with a saving vision, I could now see whose signature was on that manuscript, whose hand had really written those pages and had been hiding in them for a hundred years. The author of that narrative had broken up the idol and drowned it in deep waters, but the stain of its ancient patina had stayed upon him. It had invaded the author's crabbed script of blackish green and survived there, waiting to crawl into another lost soul who failed to see what dark places he was wandering into. How I knew this to be true! And has this not been proved by the color of the smoke that rose from the burning manuscript, and keeps rising from it?

I am writing these words as I sit before the fireplace. The flames have gone out but still the smoke from the charred paper hovers within the hearth, refusing to ascend the chimney and disperse itself into the night. Perhaps the chimney has become blocked. Yes, this must be the case, this must be true. Those other things are lies, illusions. That mold-colored smoke has not taken on the shape of the idol, the shape that cannot be seen steadily and whole but keeps turning out so many arms and heads, so many eyes, then pulls them back in and brings them out again in other configurations. That shape is not drawing something out of me and putting something else in its place, something that seems to be bleeding into the words as I write. And my pen is not growing bigger in my hand, nor is my hand growing smaller, smaller . . .

See, there is no shape in the fireplace. The smoke is gone, gone up the chimney and out into the sky. And there is nothing in the sky, nothing I can see through the window. There is the moon, of course, high and round. But no shadow falls across the moon, no churning chaos of smoke that chokes the frail order of the earth. It is not a squirming, creeping, smearing shape I see upon the moon, not the shape of a great deformed crab scuttling out of the black oceans of infinity and invading the island of the moon, crawling with its innumerable bodies upon all the spinning islands of space. That shape is not the cancerous totality of all creatures, not the oozing ichor that flows within all things.
Nethescurial is not the secret name of the creation
. It is not amid the rooms of our houses and beyond their walls—beneath dark waters and across moonlit skies—below earth mound and above mountain peak—in northern leaf and southern flower—inside each star and the voids between them—within blood and bone—throughout all souls and spirits—upon the watchful winds of this and the several worlds—behind the faces of the living and the dead.

I am not dying in a nightmare.

There are those who require witnesses to their doom. Not content with a solitary perdition, they seek an audience worthy of the spectacle—a mind to remember the stages of their downfall or perhaps only a mirror to multiply their abject glory. Of course, other motives may figure in this scheme, ones far too tenuous and strange for mortal reminiscence. Yet there exists a memoir of dreams in which I may recollect an erstwhile acquaintance whose name I shall give as Jack Quinn. For it was he who sensed my peculiar powers of sympathy and, employing a rather contrary stratagem, engaged them. This all began, according to my perspective, late one night in the decaying and spacious apartment which Quinn and I shared and which was located in that city—or, more precisely, in a certain region
within
it—where we attended the same university.

I was asleep. In the darkness a voice was calling me away from my ill-mapped world of dreams. Then something heavy weighed down the edge of the mattress and a slightly infernal aroma filled the room, an acrid combination of tobacco and autumn nights. A small red glow wandered in an arc toward the apex of the seated figure and there glowed even brighter, faintly lighting the lower part of a face. Quinn was smiling, the cigar in his mouth smoking in the darkness. He remained silent for a moment and crossed his legs beneath his long threadbare overcoat, an ancient thing that was wrapped loosely around him like a skin about to be sloughed. So many pungent Octobers were collected in that coat. It is the events of this month that I am remembering.

I assumed he was drunk, or perhaps still in the remote heights or depths of the artificial paradise he had been exploring that night. When Quinn finally spoke, it was definitely with the stumbling words of a returning explorer, a stuporous and vaguely awed voice. But he seemed more than simply drug-entranced.

He had attended a meeting, he said, speaking the word in an odd way which seemed to expand its significance. Of course there were others at this gathering, people who to me remained simply “those others.” It was a kind of philosophical society, he told me. The group sounded colorful enough: midnight assemblies, the probable use of drugs, and participants in the grip of strange mystical ecstasies.

I got out of bed and switched on the light. Quinn was a chaotic sight, his clothes more crumpled than usual, his face flushed, and his long red hair intricately tangled.

“And exactly where did you go tonight?” I asked with the measure of true curiosity he seemed to be seeking. I had the distinct idea that Quinn's activities of that evening had occurred in the vicinity of Nortown (another pseudonym, of course, as are all the names in this narrative), where the apartment we shared was located. I asked him if they had.

“And perhaps in other places,” he answered, laughing a little to himself as he meditated upon the gray end of his cigar. “But you might not understand. Excuse me, I have to go to bed.”

“As you wish,” I replied, leaving aside all complaints about this nocturnal intrusion. He puffed on his cigar and went to his room, closing the door behind him.

This, then, was the beginning of Quinn's ultimate phase of esoteric development. And until the final night, I actually saw very little of him during that most decisive episode of his life. We were pursuing different courses of study in our graduate school days—I in anthropology and he in . . . it troubles me to say I was never entirely sure of his academic program. In any case, our respective timetables seldom intersected. Nonetheless, Quinn's daily movements, at least the few I was aware of, did invite curiosity. There was a general tenor of chaos that I perceived in his behavior, a quality which may or may not make for good company but which always offers promise of the extraordinary.

He continued to come in quite late at night, always entering the apartment with what seemed a contrived noisiness. After that first night he did not overtly confide his activities to me. The door to his room would close, and immediately afterward I would hear him collapse on the old springs of his mattress. It seemed he did not undress for bed, perhaps never even removed the overcoat which was becoming shabbier and more crumpled day by day. My sleep temporarily shattered, I passed this wakeful time by eavesdropping on the noises in the next room. There was a strange catalogue of sounds which either I had never noticed before or which were somehow different from the usual nightly din: low moans emanating from the most shadowy chasms of dream; sudden intakes of breath like the suction of a startled gasp; and abrupt snarls and snorts of a bestial timbre. The whole rhythm of his sleep betrayed expressions of unknown turmoil. And sometimes he would violate the calm darkness of the night with a series of staccato groans followed by a brief vocal siren that made me bolt up suddenly in my bed. This alarming sound surely carried the entire audible spectrum of nightmare-inspired terror . . . but there were also mingling overtones of awe and ecstasy, a willing submission to some unknown ordeal.

“Have you finally died and gone to hell?” I shouted one night through his bedroom door. The sound was still ringing in my ears.

“Go back to sleep,” he answered, his low-pitched voice still speaking from the deeper registers of somnolence. The smell of a freshly lit cigar then filtered out of his bedroom.

After these late-night disturbances, I would sometimes sit up to watch the dun colors of dawn stirring in the distance outside my eastern window. And as the weeks went by that October, the carnival of noise going on in the next room began to work its strange influence upon my own sleep. Soon Quinn was not the only one in the apartment having nightmares, as I was inundated by a flood of eidetic horrors that left only a vague residue upon waking.

It was throughout the day that fleeting scenes of nightmare would suddenly appear to my mind, brief and vivid, as though I had mistakenly opened a strange door somewhere and, after inadvertently seeing something I should not have, quickly closed it once again with a reverberating slam. Eventually, however, my dream-censor himself fell asleep, and I recalled in total the elusive materials of one of those night-visions, which returned to me painted in scenes of garishly vibrant colors.

The dream took place at a small public library in Nortown where I sometimes retreated to study. On the oneiric plane, however, I was not a studious patron of the library but one of the librarians—the only one, it seemed, keeping vigil in that desolate institution. I was just sitting there, complacently surveying the shelves of books and laboring under the illusion that in my idleness I was performing some routine but very important function. This did not continue very long—nothing does in dreams—though the situation was one that already seemed interminable.

What shattered the status quo, initiating a new phase to the dream, was my discovery that a note scrawled upon a slip of paper had been left on the well-ordered surface of my desk. It was a request for a book and had been submitted by a library patron whose identity I puzzled over, for I had not seen anyone put it there. I fretted about this scrap of paper for many dream-moments: had it been there even before I sat down at the desk and had I simply overlooked it? I suffered a disproportionate anxiety over this possible dereliction. The imagined threat of a reprimand of some strange nature terrorized me. Without delay I phoned the back room to have the person on duty there bring forth the book. But I was truly alone in that dream library and no one answered what was to my mind now an emergency appeal. Feeling a sense of urgency in the face of some imaginary deadline, and filled with a kind of exalted terror, I snatched up the request slip and set out to retrieve the book myself.

In the stacks I saw that the telephone line was dead, for it had been ripped from the wall and lay upon the floor like the frayed end of a disciplinary whip. Trembling, I consulted the piece of paper I carried with me for the title of the book and call-number. No longer can I remember that title, but it definitely had something to do with the name of the city, suburb of a sort, where Quinn's and my apartment was located. I proceeded to walk down a seemingly endless aisle flanked by innumerable smaller aisles between the lofty bookshelves. Indeed, they were so lofty that when I finally reached my destination I had to climb a high ladder to reach the spot where I could secure the desired book. Mounting the ladder until my shaking hands gripped the highest rung, I was at eye level with the exact call-number I was seeking, or some forgotten dream-glyphs which I took to be these letters and digits. And like these symbols, the book I found is now hopelessly unmemorable, its shape, color, and dimensions having perished on the journey back from the dream. I may have even dropped it, but that was not important.

What was important, however, was the dark little slot created when I withdrew the volume from its rank on the shelf. I peered in, somehow knowing I was supposed to do this as part of the book-retrieving ritual. I gazed deeper . . . and the next phase of the dream began.

The slot was a window, perhaps more of a crack in some dream-wall or a slit in the billowing membrane that protects one world against the intrusion of another. Beyond was something of a landscape—for lack of a more suitable term—which I viewed through a narrow rectangular frame. But this landscape had no earth and sky that hinged together in a neat line at the horizon, no floating or shining objects above to echo and balance their earthbound counter shapes below. This landscape was an infinite expanse of depth and distance, a never-ending morass deprived of all coherence, a state of strange existence rather than a chartable locus, having no more geographical extension than a mirage or a rainbow. There was definitely something in my sight, elements that could be distinguished from one another but impossible to fix in any kind of relationship. I experienced a prolonged gaze at what is usually just a delirious glimpse, the way one might suddenly perceive some sidelong illusion which disappears at the turn of the head, leaving no memory of what the mind had deceptively seen.

The only way I can describe the visions I witnessed with even faint approximation is in terms of other scenes which might arouse similar impressions of tortuous chaos: perhaps a festival of colors twisting in blackness, a tentacled abyss that alternately seems to glisten moistly as with some horrendous dew, then suddenly dulls into an arid glow, like bone-colored stars shining over an extraterrestrial desert. The vista of eerie disorder that I observed was further abetted in its strangeness by my own feelings about it. They were magnified dream-feelings, those encyclopedic emotions which involve complexities of intuition, sensation, and knowledge impossible to express. My dream-emotion was indeed a monstrous encyclopedia, one that described a universe kept under infinite wraps of deception, a dimension of disguise.

It was only at the end of the dream that I saw the colors or colored shapes, molten and moving shapes. I cannot remember if I felt them to be anything specific or just abstract entities. They seemed to be the only things active within the moody immensity I stared out upon. Their motion somehow was not pleasant to watch—a bestial lurching of each color-mass, a legless pacing in a cage from which they might escape at any moment. These phantasms introduced a degree of panic into the dream sufficient to wake me.

Oddly enough, though the dream had nothing to do with my roommate, I woke up calling his name repeatedly in my dream-distorted voice. But he did not answer the call, for he was not home at the time.

•   •   •

I have reconstructed my nightmare at this point for two reasons. First, to show the character of my inner life during this time; second, to provide a context in which I could appreciate what I found the next day in Quinn's room.

When I returned from classes that afternoon, Quinn was nowhere to be seen, and I took this opportunity to research the nightmares that had been visiting our apartment in Nortown. Actually I did not have to pry very deeply into the near-fossilized clutter of Quinn's room. Almost immediately I spied on his desk something that made my investigation easier, this something being a spiral notebook with a cover of mock marble. Switching on the desk lamp in that darkly curtained room, I looked through the first few pages of the notebook. It seemed to be concerned with the sect Quinn had become associated with some weeks before, serving as a kind of spiritual diary. The entries were Quinn's meditations upon his inward evolution and employed an esoteric terminology which must remain largely undocumented, since the notebook is no longer in existence. Its pages, as I recall them, outlined Quinn's progress along a path of offbeat enlightenment, a tentative peering into what might have been merely symbolic realms.

Quinn seemed to have become one of a jaded philosophical society, a group of arcane deviates. Their
raison d'être
was a kind of mystical masochism, forcing initiates toward feats of occult daredevilry—“glimpsing the inferno with eyes of ice,” to take from the notebook a phrase that was repeated often and seemed a sort of chant of power. As I suspected, hallucinogenic drugs were used by the sect, and there was no doubt that they believed themselves communing with strange metaphysical venues. Their chief aim, in true mystical fashion, was to transcend common reality in the search for higher states of being, but their stratagem was highly unorthodox, a strange detour along the usual path toward positive illumination. Instead, they maintained a kind of blasphemous fatalism, a doomed determinism which brought them face to face with realms of obscure horror. Perhaps it was this very obscurity that allowed them the excitement of their central purpose, which seemed to be a precarious flirting with personal apocalypse, the striving for horrific dominion over horror itself.

Such was the subject matter of Quinn's notebook, all of it quite interesting. But the most intriguing entry was the last, which was brief and which I can recreate nearly in full. In this entry, like most of the others, Quinn addressed himself in the second person with various snatches of advice and admonishment. Much of it was unintelligible, for it seemed to be obsessed almost entirely with regions alien to the conscious mind. However, Quinn's words did have a certain curious meaning when I first read them, and more so later on. The following, then, exemplifies the manner of his notes to himself: