Songs of a Dead Dreamer and Grimscribe (31 page)

For the first time the obnoxious stranger had managed to intrigue Keirion rather than annoy him. “That sounds . . .” he started to say, but then the other man exclaimed:

“There he is, there he is. Excuse me.”

It seemed that the proprietor—that mutual friend—had finally made his appearance and was now standing behind the desk, looking toward his two customers. “My friend,” said the crow-man as he stepped with outstretched hand over to the smoothly bald and softly fat gentleman. The two of them shook hands. For a few moments they chatted quietly, much too quietly for Victor Keirion to hear what they were saying. Then the crow-man was invited behind the desk, and—led by the corpulent bookseller—made his way into the darkness at the back of the shop. In a distant corner of that darkness the brilliant rectangle of a doorway suddenly flashed into outline, admitting through its frame a large, two-headed shadow.

Left alone among the worthless volumes of that shop, Victor Keirion felt the sad frustration of the uninvited, the abandoned. More than ever he had become infected with hopes and curiosities of an indeterminable kind. And he soon found it impossible to remain outside that radiant little room the other two had entered, and at whose door he presently stood in silence.

The room was a cramped cubicle within which stood another cubicle formed by free-standing bookcases, creating four very narrow aisleways in the space between them. From the doorway he could not see how the inner cubicle might be entered, but he heard the voices of the others whispering within. Stepping quietly, he began making his way along the perimeter of the room, his eyes surveying a wealth of odd-looking volumes.

Immediately he sensed that something of a special nature awaited his discovery, and the evidence for this intuition began to build. Each book that he examined served as a clue in this delirious investigation, a cryptic sign which engaged his powers of interpretation and imparted the faith to proceed. Many of the works were written in foreign languages he did not read; some appeared to be composed in ciphers based on familiar characters and others seemed to be transcribed in a wholly artificial cryptography. But in every one of these books he found an oblique guidance, some feature of more or less indirect significance: a strangeness in the typeface, pages and bindings of uncommon texture, abstract diagrams suggesting no orthodox ritual or occult system. Even greater anticipation was inspired by certain illustrated plates, mysterious drawings and engravings that depicted scenes and situations unlike anything he could name. And such works as
Cynothoglys
or
The Noctuary of Tine
conveyed schemes so bizarre, so remote from known texts and treatises of the esoteric tradition, that he felt assured of the sense of his quest.

The whispering grew louder, though no more distinct, as he edged around a corner of that inner cubicle and anxiously noted the opening at its far end. At the same time he was distracted, for no apparent reason, by a small grayish volume leaning within a gap created by oversized tomes on either side. The little book had been set upon the highest shelf, making it necessary for him to stretch himself, as if on an upright torture rack, to reach it. Trying not to give away his presence by the sounds of his pain, he finally secured the ashen-colored object—as pale as his own coloring—between the tips of his first two fingers. Mutely he strained to slide it quietly from its place. This act accomplished, he slowly shrunk down to his original stature and looked into the book's brittle pages.

It seemed to be a chronicle of strange dreams. Yet somehow the passages he examined were less a recollection of unruled visions than a tangible incarnation of them, not mere rhetoric but the thing itself, just as the crow-man had described. The use of language in the book was arrantly unnatural and the book's author unknown. Indeed, the text conveyed the impression of speaking for itself and speaking only to itself, its words being like shadows that were cast by no forms outside the book. But though this volume appeared to be composed in a vernacular of mysteries, its words did inspire a sure understanding and created in their reader a visceral apprehension of the phenomenon to which the characters cut into the front of the book gave name. Passing his right forefinger across these gnarled letters, which appeared to be deeply engraved into the volume's stiffly bound surface, Victor Keirion could not feel their physicality. It was as if he intuited the word they spelled out:
Vastarien
. Could this book be a kind of invocation of a world in waiting of genesis? And was it a world at all? Rather the unreal essence of one, all natural elements purged from it by an ineffable process of extraction, all days distilled into dreams and nights into nightmares. Each passage he entered in the book both enchanted and appalled him with images and incidents so freakish and chaotic that his usual sense of these terms disintegrated along with everything else. Rampant oddity seemed to be the rule of the realm, while imperfection was the paradoxical source of idealities—miracles of aberrance and marvels of miscreation. There was horror, undoubtedly. But it was a horror uncompromised by any feeling of lost joy or a thwarted searching for the good. Instead, there was proffered a deliverance by damnation. And if Vastarien was a nightmare, it was a nightmare transformed in spirit by the utter absence of refuge: nightmare made normal.

“I'm sorry, I didn't see that you had drifted in here,” said the bookseller in a high thin voice. He had just emerged from the inner chamber of the room and was standing with arms folded across his wide chest. “Please don't touch anything. And may I take that from you?” The right arm of the bookseller reached out, then returned to its former place when the man with the pale eyes did not relinquish the merchandise.

“I think I would like to purchase it,” said Keirion. “I'm sure I would, if . . .”

“Of course, if the price is reasonable,” finished the bookseller. “But who knows, you might not be able to appreciate how valuable these books can be. The one in your hands,” he said, removing a little pad and pencil from inside his jacket and scribbling briefly. He ripped off the top sheet and held it up for the would-be buyer to see, then confidently put away all writing materials, as if that would be the end of it.

“But there must be some latitude for bargaining,” Keirion protested.

“I'm afraid not,” answered the bookseller. “Not with something that is the only one of its kind, as are many of these volumes. Yet the book you are holding, that single copy . . .”

A hand touched the bookseller's shoulder and seemed to switch off his voice. Then the crow-man stepped into the aisleway, his eyes fixed upon the object under discussion, and asked: “Don't you find that the book is somewhat . . . difficult?”

“Difficult,” repeated Keirion. “I'm not sure . . . If you mean that the language is strange, I would have to agree, but—”

“No,” interjected the bookseller, “that's not what he means at all.”

“Excuse us for a moment,” said the crow-man.

Then both men went back into the inner room, where they whispered for some time. When the whispering ceased, the bookseller came forth and announced that there had been a mistake. The book, while something of a curiosity, was worth a good deal less than the price earlier quoted. The revised evaluation, while still costly, was within the means of this particular buyer, who agreed at once to pay it.

•   •   •

Thus began Victor Keirion's preoccupation with a certain book and a certain hallucinated world, though to make a distinction between these two phenomena ultimately seemed an error. The book, indeed, did not merely describe that strange world but, in some obscure fashion, was a true composition of the thing itself, its very form incarnate.

Each day thereafter he studied the hypnotic episodes of the little book; each night, as he dreamed, he carried out shapeless expeditions into its fantastic topography. To all appearances it seemed he had discovered the summit or abyss of the unreal, that utopia of exhaustion, confusion, and debris where reality ends and where one may dwell among its ruins. And it was not long before he found it necessary to revisit that twelve-sided shop, intending to question the obese bookseller on the matter of the book and unintentionally learning the truth of how it came to be sold.

When he arrived at the bookstore, sometime in the middle of a grayish afternoon, Victor Keirion was surprised to find that the door, which had opened so freely on his previous visit, was now firmly locked. It would not even rattle in its frame when he nervously pushed and pulled on the handle. Since the interior of the store was lighted, he took a coin from his pocket and began tapping on the glass. Finally, someone came forward from the shadows of the back room.

“Closed,” the bookseller pantomimed on the other side of the glass.

“But—” Keirion argued, pointing to his wristwatch.

“Nevertheless,” the wide man shouted. Then, after scrutinizing the disappointed patron, the bookseller unlocked the door and opened it far enough to carry on a brief conversation. “And what is it I can do for you? I'm closed, so you'll have to come some other time if—”

“I only wanted to ask you something. Do you remember the book that I bought from you some days ago?”

“Yes, I remember,” replied the bookseller, as if quite prepared for the question. “And let me say that I was quite impressed, as of course was . . . the other man.”

“Impressed?” Keirion repeated.

“Ecstatic is more the word in his case,” continued the bookseller. “He said to me, ‘The book has found its reader,' and what could I do but agree with him?”

“I'm afraid I don't understand,” said Keirion.

The bookseller blinked and said nothing. After a few moments he reluctantly explained: “I was hoping that by now you would understand. He hasn't contacted you? The man who was in here that day?”

“No, why should he?”

The bookseller blinked again and said: “Well, I suppose there's no reason for you to stand out there. It's getting very cold, don't you feel it? Please come in.” As Victor Keirion entered, the bookseller stuck his head outside, looking up the stairs that led down to his shop and scanning as much of the street above as he could see. Then he closed the door and pulled Keirion a little to one side of it, whispering: “There's just one thing I would like to tell you. I made no mistake the other day about the price of that book. And it was that price which was paid by the other man, minus the small amount that you contributed. I didn't cheat anyone, least of all
him
. He would have been happy to pay even more to get that book into your hands. And though I'm not exactly sure of his reasons, I think you should know that.”

“But why didn't he simply purchase the book for himself?” asked Keirion.

The bookseller seemed confused. “It was of no use to him. Perhaps it would have been better if you hadn't given yourself away when he asked you about the book. How much you knew.”

“But I don't know anything, apart from what I've read in the book itself. I came here to look into its provenance.”

“Its provenance? You're the one who should be telling me about that. I didn't even know I had that book on my shelves. I tried to price it out of your hands, but I should have expected that
he
wouldn't allow that. I'm not asking anything of you, don't misunderstand. I've already violated every precept of discretion in this matter. This is such an exceptional case, though. Very impressive, if in fact you are the reader of that book.”

Realizing that, at best, he had been led into a dialogue of mystification, and possibly one of lies, Victor Keirion had no regrets when the bookseller held the door open for him to leave.

But before long he learned why the bookseller had been so impressed with him, and why the crow-like stranger had been so generous: the bestower of the book who was blind to its mysteries. In due course he learned that the stranger had given only so that he might possess the thing he could gain in no other way, that he was reading the book with borrowed eyes and stealing its secrets from the soul of its rightful reader. At last it became clear what was happening to him, and how his strange nights of dreaming were being affected
from inside
.

This phenomenon was not immediately apparent, though. For several more nights, as the outlines of Vastarien slowly pushed through the obscurity of his sleep, a vast terrain emerged from its own profound slumber and loomed forth from a place without coordinates or dimension. And as the oddly angled monuments became manifest once again, they seemed to expand and soar high above, coaxing his sight toward them. Progressively the scene acquired nuance and articulation; steadily the creation became dense and intricate within its black womb. The streets were sinuous entrails winding through that dark body, and each edifice was the jutting bone of a skeleton hung with a thin musculature of shadows.

But little by little, Victor Keirion began noticing that something was in the course of change during his dreams. The world of Vasterien seemed more and more to be losing its consistency, its
suchness
. Then one night, just as his vision reached out to embrace fully the mysterious and jagged form of a given dream, it all appeared to pull away, abandoning him on the edge of a dreamless void. The treasured eidolon was receding, shrinking into the distance. Now all he could see was a single street bordered by two converging rows of buildings. And at the opposite end of that street, rising up taller than the buildings themselves, stood a great figure in silhouette. This colossus made no movement or sound but nonetheless increasingly dominated the horizon where the single remaining street seemed to end. From this position the towering shadow was absorbing all other shapes into its own, which gradually gained in stature as the dreamscape withdrew and diminished. And the outline of this titanic figure appeared to be that of a man, yet it was also that of a dark and devouring bird.