Song of Solomon (5 page)

“No, thanks, but we’d like a drink of water.” Guitar smiled back at her.

“Well. Step right in.” She opened the door and they followed her into a large sunny room that looked both barren and cluttered. A moss-green sack hung from the ceiling. Candles were stuck in bottles everywhere; newspaper articles and magazine pictures were nailed to the walls. But other than a rocking chair, two straight-backed chairs, a large table, a sink and stove, there was no furniture. Pervading everything was the odor of pine and fermenting fruit.

“You ought to try one. I know how to do them just right. I don’t like my whites to move, you know. The yolk I want soft, but not runny. Want it like wet velvet. How come you don’t just try one?”

She had dumped the peelings in a large crock, which like most everything in the house had been made for some other purpose. Now she stood before the dry sink, pumping water into a blue-and-white wash basin which she used for a saucepan.

“Now, the water and the egg have to meet each other on a kind of equal standing. One can’t get the upper hand over the other. So the temperature has to be the same for both. I knock the chill off the water first. Just the chill. I don’t let it get warm because the egg is room temperature, you see. Now then, the real secret is right here in the boiling. When the tiny bubbles come to the surface, when they as big as peas and just before they get big as marbles. Well, right then you take the pot off the fire. You don’t just put the fire out; you take the pot off. Then you put a folded newspaper over the pot and do one small obligation. Like answering the door or emptying the bucket and bringing it in off the front porch. I generally go to the toilet. Not for a long stay, mind you. Just a short one. If you do all that, you got yourself a perfect soft-boiled egg.

“I remember the messes I used to make for my father when I cooked. Your father”—she directed a thumb at Milkman—“he couldn’t cook worth poot. Once I made a cherry pie for him, or tried to. Macon was a nice boy and awful good to me. Be nice if you could have known him then. He would have been a real good friend to you too, like he was to me.”

Her voice made Milkman think of pebbles. Little round pebbles that bumped up against each other. Maybe she was hoarse, or maybe it was the way she said her words, with both a drawl and a clip. The piny-winy smell was narcotic, and so was the sun streaming in, strong and unfettered because there were no curtains or shades at the windows that were all around the room, two in each of three walls, one on each side of the door, one on either side of the sink and the stove, and two on the farther wall. The fourth wall must back on the bedrooms, Milkman thought. The pebbly voice, the sun, and the narcotic wine smell weakened both the boys, and they sat in a pleasant semi-stupor, listening to her go on and on….

“Hadn’t been for your daddy, I wouldn’t be here today. I would have died in the womb. And died again in the woods. Those woods and the dark would have surely killed me. But he saved me and here I am boiling eggs. Our papa was dead, you see. They blew him five feet up into the air. He was sitting on his fence waiting for ‘em, and they snuck up from behind and blew him five feet into the air. So when we left Circe’s big house we didn’t have no place to go, so we just walked around and lived in them woods. Farm country. But Papa came back one day. We didn’t know it was him at first, cause we both saw him blowed five feet into the air. We were lost then. And talking about dark! You think dark is just one color, but it ain’t. There’re five or six kinds of black. Some silky, some woolly. Some just empty. Some like fingers. And it don’t stay still. It moves and changes from one kind of black to another. Saying something is pitch black is like saying something is green. What kind of green? Green like my bottles? Green like a grasshopper? Green like a cucumber, lettuce, or green like the sky is just before it breaks loose to storm? Well, night black is the same way. May as well be a rainbow.

“Now, we lost and there was this wind and in front of us was the back of our daddy. We were some scared children. Macon kept telling me that the things we was scared of wasn’t real. What difference do it make if the thing you scared of is real or not? I remember doing laundry for a man and his wife once, down in Virginia. The husband came into the kitchen one afternoon shivering and saying did I have any coffee made. I asked him what was it that had grabbed hold of him, he looked so bad. He said he couldn’t figure it out, but he felt like he was about to fall off a cliff. Standing right there on that yellow and white and red linoleum, as level as a flatiron. He was holding on to the door first, then the chair, trying his best not to fall down. I opened my mouth to tell him wasn’t no cliff in that kitchen. Then I remembered how it was being in those woods. I felt it all over again. So I told the man did he want me to hold on to him so he couldn’t fall. He looked at me with the most grateful look in the world. ‘Would you?’ he said. I walked around back of him and locked my fingers in front of his chest and held on to him. His heart was kicking under his vest like a mule in heat. But little by little it calmed down.”

“You saved his life,” said Guitar.

“No such thing. His wife come in before it was time to let go. She asked me what I was doing and I told her.”

“Told her what? What’d you say?”

“The truth. That I was trying to keep him from falling off a cliff.”

“I bet he wished he had jumped off then. She believe you? Don’t tell me she believed you.”

“Not right away she didn’t. But soon’s I let go he fell dead-weight to the floor. Smashed his glasses and everything. Fell right on his face. And you know what? He went down so slow. I swear it took three minutes, three whole minutes to go from a standing upright position to when he mashed his face on the floor. I don’t know if the cliff was real or not, but it took him three minutes to fall down it.”

“Was he dead?” asked Guitar.

“Stone dead.”

“Who shot your daddy? Did you say somebody shot him?” Guitar was fascinated, his eyes glittering with lights.

“Five feet into the air…”

“Who?”

“I don’t know who and I don’t know why. I just know what I’m telling you: what, when, and where.”

“You didn’t say where.” He was insistent.

“I did too. Off a fence.”

“Where was the fence?”

“On our farm.”

Guitar laughed, but his eyes were too shiny to convey much humor. “Where was the farm?”

“Montour County.”

He gave up on “where.” “Well, when then?”

“When he sat there—on the fence.”

Guitar felt like a frustrated detective. “What year?”

“The year they shot them Irish people down in the streets. Was a good year for guns and gravediggers, I know that.” Pilate put a barrel lid on the table. Then she lifted the eggs from the wash basin and began to peel them. Her lips moved as she played an orange seed around in her mouth. Only after the eggs were split open, revealing moist reddish-yellow centers, did she return to her story. “One morning we woke up when the sun was nearly a quarter way cross the sky. Bright as anything. And blue. Blue like the ribbons on my mother’s bonnet. See that streak of sky?” She pointed out the window. “Right behind them hickories. See? Right over there.”

They looked and saw the sky stretching back behind the houses and the trees. “That’s the same color,” she said, as if she had discovered something important. “Same color as my mama’s ribbons. I’d know her ribbon color anywhere, but I don’t know her name. After she died Papa wouldn’t let anybody say it. Well, before we could get the sand rubbed out of our eyes and take a good look around, we saw him sitting there on a stump. Right in the sunlight. We started to call him but he looked on off, like he was lookin at us and not lookin at us at the same time. Something in his face scared us. It was like looking at a face under water. Papa got up after a while and moved out of the sun on back into the woods. We just stood there looking at the stump. Shaking like leaves.”

Pilate scraped the eggshells together into a little heap, her fingers fanning out over and over again in a gentle sweeping. The boys watched, afraid to say anything lest they ruin the next part of her story, and afraid to remain silent lest she not go on with its telling.

“Shaking like leaves,” she murmured, “just like leaves.”

Suddenly she lifted her head and made a sound like a hoot owl. “Ooo! Here I come!”

Neither Milkman nor Guitar saw or heard anyone approaching, but Pilate jumped up and ran toward the door. Before she reached it, a foot kicked it open and Milkman saw the bent back of a girl. She was dragging a large five-bushel basket of what looked like brambles, and a woman was pushing the other side of it, saying, “Watch the doorsill, baby.”

“I got it,” the girl answered. “Push.”

“About time,” said Pilate. “The light be gone before you know it.”

“Tommy’s truck broke down,” the girl said, panting. When the two had managed to get the basket into the room, the girl stretched her back and turned around, facing them. But Milkman had no need to see her face; he had already fallen in love with her behind.

“Hagar.” Pilate looked around the room. “This here’s your brother, Milkman. And this is his friend. What’s your name again, pretty?”

“Guitar.”

“Guitar? You play any?” she asked.

“That ain’t her brother, Mama. They cousins.” The older woman spoke.

“Same thing.”

“No it ain’t. Is it, baby?”

“No,” said Hagar. “It’s different.”

“See there. It’s different.”

“Well, what is the difference, Reba? You know so much.”

Reba looked at the ceiling. “A brother is a brother if you both got the same mother or if you both—”

Pilate interrupted her. “I mean what’s the difference in the way you act toward ’em? Don’t you have to act the same way to both?”

“That’s not the point, Mama.”

“Shut up, Reba. I’m talking to Hagar.”

“Yes, Mama. You treat them both the same.”

“Then why they got two words for it ‘stead of one, if they ain’t no difference?” Reba put her hands on her hips and opened her eyes wide.

“Pull that rocker over here,” said Pilate. “You boys have to give up your seats unless you gonna help.”

The women circled the basket, which was full of blackberries still on their short, thorny branches.

“What we have to do?” Guitar asked.

“Get them little berries off them hateful branches without popping’em. Reba, get that other crock.”

Hagar looked around, all eyes and hair. “Why don’t we pull a bed out the back room? Then we can all sit down.”

“Floor’s good enough for me,” said Pilate, and she squatted down on her haunches and lifted a branch gently from the basket. “This all you got?”

“No.” Reba was side-rolling a huge crock. “Two more outside.”

“Better bring them in. Draw too many flies out there.”

Hagar started for the door and motioned to Milkman. “Come on, brother. You can help.”

Milkman jumped up, knocking his chair backward, and trotted after Hagar. She was, it seemed to him, as pretty a girl as he’d ever seen. She was much much older than he was. She must be as old as Guitar, maybe even seventeen. He seemed to be floating. More alive than he’d ever been, and floating. Together he and Hagar dragged two baskets up the porch stairs and into the house. She was as strong and muscular as he was.

“Careful, Guitar. Go slow. You keep on busting ’em.”

“Leave him alone, Reba. He got to get the feel first. I asked you did you play any. That why they call you Guitar?”

“Not cause I do play. Because I wanted to. When I was real little. So they tell me.”

“Where’d you ever see a guitar?”

“It was a contest, in a store down home in Florida. I saw it when my mother took me downtown with her. I was just a baby. It was one of those things where you guess how many beans in the big glass jar and you win a guitar. I cried for it, they said. And always asked about it.”

“You should of called Reba. She’d get it for you.”

“No, you couldn’t buy it. You had to give the number of jellybeans.”

“I heard you. Reba would of known how many. Reba wins things. She ain’t never lost nothing.”

“Really?” Guitar smiled, but he was doubtful. “She lucky?”

“Sure I’m lucky.” Reba grinned. “People come from everywhere to get me to stand in for ’em at drawings and give them numbers to play. It works pretty well for them, and it always works for me. I win everything I try to win and lots of things I don’t even try to win.”

“Got to where won’t nobody sell her a raffle ticket. They just want her to hold theirs.”

“See this?” Reba put her hand down in the top of her dress and pulled out a diamond ring attached to a string. “I won this last year. I was the … what was it,
Mama?”

“Five hundred thousandth.”

“Five hundred…no it wasn’t. That ain’t what they said.”

“Half a million is what they said.”

“That’s right. The half a millionth person to walk into Sears and Roebuck.” Her laughter was gay and proud.

“They didn’t want to give it to her,” said Hagar, “cause she looked so bad.”

Guitar was astonished. “I remember that contest, but I don’t remember hearing nothing ’bout no colored person winning it.” Guitar, a habitual street roamer, believed he knew every public thing going on in the city.

“Nobody did. They had picture-taking people and everything waiting for the next person to walk in the door. But they never did put my picture in the paper. Me and Mama looked, too, didn’t we?” She glanced at Pilate for confirmation and went on. “But they put the picture of the man who won second prize in. He won a war bond. He was white.”

“Second prize?” Guitar asked. “What kind of ‘second prize’? Either you the half-millionth person or you ain’t. Can’t be no next-to-the-half-millionth.”

“Can if the winner is Reba,” Hagar said. “The only reason they got a second was cause she was the first. And the only reason they gave it to her was because of them cameras.”

“Tell ’em why you was in Sears, Reba.”

“Looking for a toilet.” Reba threw her head back to let the laughter escape. Her hands were stained with blackberry juice, and when she wiped the tears from her eyes she streaked the purple from her nose to her cheekbone. Much lighter than Pilate or Hagar, Reba had the simple eyes of an infant. All of them had a guileless look about them, but complication and something more lurked behind Pilate’s and Hagar’s faces. Only Reba, with her light pimply skin and deferential manner, looked as though her simplicity might also be vacuousness.