Somewhither: A Tale of the Unwithering Realm (57 page)

From beyond came the last noise I expected to hear: the clatter of machinery.

When the door fell in, we were almost deafened. Nakasu tucked his huge hands in his armpits where his ears were kept and pressed his elbows down.

We were in a place larger than a warehouse; some sort of factory or workfloor, and the sound was like waterfalls made of iron dominoes toppling down slopes of brass into a sea of bronze.

Here were rank upon rank of machines, each one four stories tall, and nine feet wide, composed of thousands of interlocking clockworks. It looked like a graveyard for giants, with rows upon rows of headstones forty feet high and three yards wide. The ceiling was made of girders and railway tracks and catwalks, and chains and cranes and hooks on pulleys hung like backstage machinery used to raise and lower scenery.

About half the machines were not in use or were under repair, and work crews were fitting and balancing gears and toothed wheels larger than a man is tall, or lowering whole gearboxes into place through skylights on huge chains. There were a number of trapdoors in the ceiling, and I assume a warehouse of spare parts occupied the places overhead. Communication between foreman and workers was all by means of flags and lanterns.

Systems of ladders and catwalks webbed the front of the machines. The slaves toiled over the machines, oiling, changing gears, working clutches, busy as ants. At the foot of the machines were clerks in lightest gray, and slaves in kilts. An overweight overseer with a whip coiled at his broad leather belt stood loitering nearby, watching the slaves cart in and cart out thousands of sheets of metal, either blank or stamped with cuneiform. The sheets of metal were being carried along on a conveyer belt that ran like a river with many tributaries around the feet of the giant machines.

Halfway up, held in baskets like window-washers, were young magicians, apprentices in short robes of dark gray, twisting the knobs of what looked like seven-armed clockfaces. A ring of astrological symbols ran around the edge of each clockface. Whenever an apprentice magician had the hands set in the proper form, he would pull an arm like those you see on slot machines.

At the top level were magicians in black robes and earmuffs staring up at yard-wide spherical armatures of brass and bronze hung with astrological symbols. These skeletal globes were evidently astrolabes and orreries, miniature models of the heavens in motion. Near the magicians was a line of typesetters in leather aprons. The typesetters were hunched over endless boxes of punch types, placing cuneiforms rapidly into plates. The plates were then carried by teams of sweating boys (who handled the plates like they were hot) across a narrow and unrailed catwalk into the jaws of some sort of steam-powered press. The lid would clamp shut just a second after the boys had slid the plates into place.

The press would shove the cuneiform plates against a comb of movable teeth, which would rise or fall according to the shape of the cuneiform underneath. These in turn raised and lowered larger pistons forming the uppermost story of the four-story machine, and set all the clockwork gears to spinning, first the top rows, then the middle, and so on down. It was like watching water made out of bronze and brass, copper and carbon-steel flow down in rippling circles. It was hypnotic.

And every turn of every wheel made a loud metallic noise. No one had heard us break in the door. I assume they had all gone deaf years ago.

The whole process looked so dangerous from top to bottom, I was amazed the machines were not coated with blood and severed hands. But maybe any kid destined to lose a hand that day just called in sick. I am not sure how a world where people knew their future would deal with safety hazards. Why wear a seatbelt on days that are known to be accident-free?

Of course, they kept a closet full of boy-sized coffins in a chamber right off the main area, so it could not have been all that safe.

Abby pointed to one of the empty coffins behind us, gestured for us to pick it up. Ossifrage and I took the front, and Nakasu held both rear corners by himself.

She drew out a long green-and-black striped cloth from her pouch, threw it over one shoulder, and draped the hem over her head so that a veil of dangling strands hung before her eyes, hiding her face. She drew out a brass cowbell from somewhere, unwrapped it, hooked a metal tongue inside it, and stepped forward. She walked with her hands swinging up and down with every step. I think it is one of those philosophical questions, like asking if a tree falls in a wood with none to hear, whether it makes a noise, to ask if her bell made any sound in that metallic uproar.

We walked behind her, carrying a coffin. There was a pathway painted with pale green and black stripes of the same design she wore. The path wound around the backside of the huge machines, staying near the unlit walls.

No one stopped us, no one interfered. Some people looked up as we walked slowly by, but they put their hand before their left eye, or before their heart, or they bit their thumb and spat on the floor. Hey, my folks are from the Old Country: I recognize the signs to ward off bad luck even when those signs are not the same here as they are back on Earth. Some things are the same wherever people are people.

Then we came to a larger green-painted door. The doorposts and lintel were decorated with images of winged skulls and inverted torches. Abby looked carefully over her shoulder, trying to make it look like she was not looking. She still had that mummified hand of a corpse with her. (The one she had used to unlock the glass boat on the stream-path, remember?) She touched the dead hand to the pale green door. The living metal controlling the lock must have thought that this was its cue to open. The door unlocked. It was a double door, large enough for men carrying a coffin to enter with room to spare.

A cold sensation touched me.

I looked over my shoulder at the nearest of the titanic clockworks in this warehouse-sized vastness. This one was eight stories high rather than four, because a second unit, equal in size with the first, had been lowered on immense chains from a place in the ceiling where the ceiling panels had been pulled aside, and this second unit fitted atop the first like children’s blocks stacked up. A set of linkages and bands of living metal communicated the motions from the bottom of the upper unit to the top of the lower.

The calculation process, whatever it was, that turned the wheels within wheels evidently needed more computing power than only one unit could provide. The magicians clustered gravely about this machine were older and their chains of office were longer and coffee-pot-shaped hats were taller and shinier.

With the master magicians was a rout of monsters from various worlds: I saw a group of Cyclopes-eyed spearmen in leather jackets sewn with rings of golden Cunning Metal, and on their heads were tall cone-shaped helms of the same metal; I saw an Abarimon in a red jacket fidgeting his backward-pointing feet impatiently, a spear in a spear-thrower carried at his shoulder; and next to him a fierce-looking man with dreadlocks and a bone through his nose carried himself on a single leg six feet long and sinuous as the body of an anaconda, ending in a foot as large and round as a parasol. There were two Panotii hunkered down with their ears wrapped around their bodies like miniature leather teepees.

A bald man with strange yellowish-gray eyes like the eyes of a night-hunting animal turned his head to look at us. He wore a narrow black fur cap and a fierce black moustache. He was dressed in a striking costume of black sable adorned with braids of tiny gold bells, and the recurved bow of horn that was tucked through his sash was as crooked as the scimitar next to it. He was smoking a long clay pipe, the first tobacco I had seen in this world.

The bald man, without taking his yellow eyes from us, lowered his head to speak to something hunched next to him, a creature also bald, but one I would never mistake for a man. The creature was barefoot and wrapped in the leathery cloak of his featherless glider wings, with empty pits where his eyes once had been. His skin was bio-luminescent like glow-in-the-dark moss growing on a corpse. It was a
Damishikaruyizbu
, one of the Host who Quaffs Blood Like Wine.

Now I saw what the clerks at the bottom of the machines were gathering up. Tablets of coppery metal.

Every single tablet, each time it was moved, even if it was only moved from a conveyer belt to a metal box, was picked up by three men, unlocked from its place before the move and when it was set down again, locked in place with a twist of a cylinder seal.

By the scores and hundreds, tablets were being checked, listed, stamped, stacked, and placed in carts and then shelved in smaller racks placed (in turn) into larger racks, which were then lifted on cranes to pallets on the floor or buckets dangling from the ceiling and moved to a big cloverleaf made of the black living metal: the fountainhead of a stream-path. A dozen paths radiated out from the fountainhead like railways from a roundhouse. Here sat a trio of traffic-control officers in a tower who raised and lowered flags to direct the cargo. The racks of tablets were carried on these stream-paths away from this workfloor either up ramps to high doors, or through the skylights into the dark chambers above, or down through wells gaping in the floor.

Each were the same kind of tablet I had thrown from the blimp. Horoscopes.

The double doors closed behind us. The Architects of the Dark Tower must have had some supernaturally perfect system for insulating sound, because the pandemonium of clanging cut off like a break in the soundtrack. Silence exploded. I wiggled my forefingers in my both ears, wondering if yawning helped with ears ringing, or if that was only for pressure changes in an airplane.

The chamber was round and richly appointed, but solemn, like a funeral home, with a black marble floor beneath a blue dome. A circle of square stone pillars or stele, dark with cuneiform, ringed the room. Two wands of lampwood standing to either side of the double doors shed light when Abby nodded at them.

Opposite the double doors was an elaborate gold shrine to some fish-tailed vulture-faced god. In the middle of the floor like an old friend was the now-familiar sight of a pit with no railing and no bottom. I could hear the moan of the wind against the sides of the Tower far above and far below coming through the dark opening.

I spoke aloud. “Those were Babbage machines. Differential Engines. Hundreds of them.”

Abby smiled and nodded. “As you can see, the magicians are hardly barbarians.”

“Well, I have more computer power in my cellphone then your magicians have in that whole room. Let me tell you about a company called Texas Instruments…”

She said politely, “I am sure your technomancers are very accomplished. All the rumors speak of your flying rocket packs and boomsticks. But fulgration—what did you call it? Cellphone Instruments. Your art will not work in that chamber, because it is too near the sources of twilight.”

“Yeah, and guns don’t fire,” I said. “I remember. Why is that, by the way?”

“I don’t know,” she said, “We are close now. Here is the pit where corpses are thrown. It empties to a waste-gate, so we are near the curtain wall. If Master Ossifrage can lower us down this shaft and then raise us up one immensity, we can reach the Fated Rarity Chamber immediately. The needle shows it is right overhead, and close. Once there, I will call again the winged monster.”

“And wring her neck and force her to tell us why she sent us there, rather than straight to wherever Penny is being kept? I am all for that.”

“I am sure her reason is sound.”

“But if you whistle again, the Panotii, the big-eared guys, will hear again.”

“Ah!” she said, “Should I not call? I spoke of this to Master Ossifrage while you slept. He says all the Panotii throughout the tower heard your words with Izi of Izan. They know you spared him.”

“So he thinks they may spare us, out of gratitude?”

“Oh, no. He thinks they will be doubly bent on revenge. He warns me not to call the winged monster, as she is a familiar spirit, and a walking shadow.”

“He is a good judge of character. I don’t like Wild Eyes much neither. But let’s say we ignore his sound advice and call her anyway. What then?”

Abby pulled out a small brass tag with cuneiform written on it. For a moment, I thought it was the metal slat she had pulled from my tablet, the one with my name on it. “If your mistress is in the Harem Furlong, that is but a thousand feet straight down, at the water level of the Fifth Cistern. Not far from the High Officers’ dormitories. What will be required to free her, I do not know. We—”

Her eyes behind the veil of dangling hem she still was wearing before her face grew wide and slack with fear. Abby trembled.

Something was coming slowly, deliberately, up through the mouth of the pit where corpses were thrown.

It felt like someone had just opened the door of a walk-in freezer. Over the rim of the corpse pit came the bald and eyeless head of the Cold One who had seen us pass through the chamber.

Abby said, “Noble sir, this place is unclean, hence unworthy to receive one of your host.”

With only his head above the rim, he laughed, and wisps of white fog escaped his lips. I noticed he had fangs like a snake. “Yours is wholesomer than springtide compared to mine, the
Cruorbibitors
, the most abominable of all abominations, the deadliest of all the death-givers enslaved to the Tower Dark.”

He answered her in the Ur language, but used his own Latin word for his own race: cruor bibitor.
Cruor
did not mean blood, it meant spilled blood, shed blood.
Bibitor
did not mean drink, it meant to drink like a drunkard, a tippler, a wine-bibber.

He smiled and spoke in a soft, slithering voice, “I wondered why an untouchable would walk before a coffin from which came no smell of corpse, no trace of death-essence. Did you think to deceive me? Even blind, I am not dull to the world. I wondered as well why a member of the Host that Seeks in Vain for Death, trembling and burning with an abundance of life, delicious life, life and to spare, would be walking behind a funeral bell, when custom does not allow his kind near dead bodies?”