Something Happened

I get the willies when I see closed doors. Even at work, where I am doing so well now, the sight of a closed door is sometimes enough to make me dread that something horrible is happening behind it, something that is going to affect me adversely; if I am tired and dejected from a night of lies or booze or sex or just plain nerves and insomnia, I can almost smell the disaster mounting invisibly and flooding out toward me through the frosted glass panes. My hands may perspire, and my voice may come out strange. I wonder why.

Something must have happened to me sometime.

Maybe it was the day I came home unexpectedly with a fever and a sore throat and caught my father in bed with my mother that left me with my fear of doors, my fear of opening doors and my suspicion of closed ones. Or maybe it was the knowledge that we were poor, which came to me late in childhood, that made me the way I am. Or the day my father died and left me feeling guilty and ashamed—because I thought I was the only little boy in the whole world then who had no father. Or maybe it was the realization, which came to me early, that I would never have broad shoulders and huge biceps, or be good enough, tall enough, strong enough, or brave enough to become an All-American football player or champion prize-fighter, the sad, discouraging realization that no matter what it was in life I ever tried to do, there would
always be somebody close by who would be able to do it much better. Or maybe it was the day I did open another door and saw my big sister standing naked, drying herself on the white-tile floor of the bathroom. She yelled at me, even though she knew she had left the door unlocked and that I had stumbled in on her by accident. I was scared.

I remember also, with amusement now, because it happened so long ago, the hot summer day I wandered into the old wooden coal shed behind our redbrick apartment building and found my big brother lying on the floor with Billy Foster’s skinny kid sister, who was only my own age and even in the same class I was at school. I had gone to the shed to hammer the wheels and axles from a broken baby carriage I had picked up near a garbage can and use them on a wagon I wanted to make out of a cantaloupe crate and a long plank. I heard a faint, frantic stirring the moment I entered the dark place and felt as though I had stepped on something live. I was startled and smelled dust. I smiled with relief when I saw it was my brother lying on the floor with someone in the sooty shadows filling a far corner. I felt safe again. I said:

“Hi, Eddie. Is that you, Eddie? What are you doing, Eddie?”

And he shouted:

“Get the hell out of here, you little son of a bitch!” And hurled a lump of coal.

I ducked away with a soft moan, tears filling my eyes, and fled for my life. I bolted outside into the steaming, bright sunlight in front of my house, where I scuttled back and forth helplessly on the sidewalk, wondering what in the world I had done to make my big brother so angry with me that he would swear at me like that and hurl a heavy lump of coal. I couldn’t decide whether to run away or wait; I felt too guilty to escape and almost too frightened to stay and take the punishment I knew I deserved—although I didn’t know for what. Powerless to decide, I hung and quivered there on the sidewalk in front of my house until the enormous wooden door of the old shed finally creaked open toward me and they both
came out slowly from the yawning blackness behind. My brother walked in back of her with a smug look. He smiled when he saw me and made me feel better. It was only after I saw him smile that I noticed the girl in front of him was Billy Foster’s tall and skinny kid sister, who was very good in penmanship at school but could never get more than a seventy on a spelling, geography, or arithmetic test, even though she always tried to cheat. I was surprised to see them together; it had not entered my mind that he even knew her. She walked with her eyes down and pretended not to see me. They approached slowly. Everything took a long time. She was angry and said nothing. I was silent too. My brother winked at me over her head and gave an exaggerated tug to the top of his pants. He walked with a swagger I had never seen before and knew at once I did not like. It made me uneasy to see him so different. But I was so grateful for his wink that I began wiggling with happiness and excitement and began giggling at him almost uncontrollably. I was giddy with relief and started jabbering. I said:

“Hi, Eddie. What was happening in there, Eddie? Did something happen?”

And he laughed and answered: “Oh, yeah, something happened, all right. Didn’t something happen, Geraldine?” And, smirking, nudged her playfully on the arm with his elbow.

Geraldine pulled away from him with a quick, cross smile of annoyance and moved past both of us without looking up. When she was gone, my brother said:

“Don’t tell Mom.”

He knew I wouldn’t if he asked me not to.

Later, when I began to visualize and dwell upon (I still do fantasize and dwell upon that episode when I look back, and I look back more and more often now) the many wet, scratchy, intense, intimate things that probably
had
happened on the floor of that coal shed that day, I was amazed and almost marveled out loud at the idea of my big brother joined in sex with Billy Foster’s skinny kid sister, who was even a few months younger than I was and had big teeth and was not even pretty.

There was so much more I wanted to find out then about him and her on the floor of that shed, but I was never bold enough to ask, even though my brother was normally a mild, helpful person who was very good to me while he was alive.

Today, there are so many things I
don’t
want to find out. I’d really rather not know, for example (even though my wife and I feel obliged to probe), exactly what kind of games are played at the parties my teenage daughter goes to, or what kind of cigarettes are smoked, or what color pills or capsules are sniffed or swallowed. When police cars collect, I don’t want to know why, although I’m glad they’ve arrived and hope they’ve come in time to do what they’ve been called to do. When an ambulance comes, I’d rather not know for whom. And when children drown, choke, or are killed by automobiles or trains, I don’t want to know which children they are, because I’m always afraid they might turn out to be mine.

I have a similar aversion to hospitals and the same misgivings and distaste for people I know who fall ill. I never make hospital visits if I can avoid them, because there’s always the risk I might open the door of the private or semiprivate room and come upon some awful sight for which I could not have prepared myself. (I’ll never forget my shock in a hospital room the first time I saw a rubber tube running down inside somebody through a nostril still stained with blood. It was tan, that tube, and semitransparent.) When friends, relatives, and business acquaintances are stricken with heart attacks now, I never call the hospital or hospital room to find out how they are, because there’s always the danger I might find out they are dead. I try not to talk to their wives and children until I’ve first checked with somebody else who
has
talked to them and can give me the assurance I want that everything is no worse than before. This sometimes strains relationships (even with my wife, who is always asking everybody how they are and running to hospitals with gifts to visit people who are there), but I don’t care. I just don’t want to talk to people whose husband
or father or wife or mother or child may be dying, even though the dying person himself might be someone I feel deeply attached to. I never want to find out that anybody I know is dead.

One time, though (ha, ha), after someone I knew did die, I braced myself, screwed up my valor, and, feigning ignorance, telephoned the hospital that same day to inquire about his condition. I was curious: I wanted to see what it would feel like to hear the hospital tell me that someone I knew was dead. I wondered how it was done; I was preoccupied and even titillated by this problem of technique. Would they decide he had died, passed away, succumbed, was deceased, or perhaps even had expired? (Like a magazine subscription or an old library card?) The woman on the telephone at the hospital surprised me. She said:

“Mr. _____ is no longer listed as a patient.”

It took nerve to make that telephone call, it took
all
my nerve. And I was trembling like a leaf when I hung up. Certainly, my heart was pounding with great joy and excitement at my narrow escape, for I had fancied from my very first syllable, from the first digit I dialed, that the woman at the hospital knew exactly what I was up to—that she could see me right through the telephone connection and could see right into my mind—and would say so. She didn’t. She just said what she was instructed to say and let me escape scot-free. (Was it a recorded announcement?) And I have never forgotten that tactful procedure:

“Mr. _____ is no longer listed as a patient.”

Mr. _____ was dead. He was no longer among the living. Mr. _____ was no longer listed as a patient, and I had to go to his funeral three days later.