So Many Ways to Begin (25 page)

He thought about when Kate had been born, and the visceral sense he'd had of the need to protect her, the violence he'd felt rising in his body at the thought of anyone so much as intending her harm. He realised that he'd already failed her, and he wondered who would be there to protect her now, if they would do a better job than it seemed he was capable of.

He saw Chris turning round without breaking his stride, looking back from fifty yards away. He saw him stopping, turning again, shielding his eyes from the low sun. They looked at each other. David lifted his bloodied hands, in some feeble gesture of need, and Chris ran, stumbling, across the broken ground.

44                         
Pair of child's gloves, striped, c.1983

What are you doing? she asked. Eleanor looked up from trying to thread the needle, her daughter's coat laid out across her lap, the two gloves nestling together on the arm of the sofa.

I'm going to sew these gloves to your coat, she said. So you don't lose them. Kate thought about this for a moment, and turned away.

Okay, she said, as though giving permission. She went back to the farm, her grandmother watching her fondly and asking where she was going to put the sheep. In here! Kate announced, dunking the two plastic sheep into a felt duck-pond, picking up a horse and galloping it around the farm in circles, neighing loudly, knocking over dry stone walls and stumbling into a tractor, saying ow the horse has broke his leg he has to go to hospital and have stitches, her voice loud and shrill and excited. Dorothy glanced across at Eleanor, ready to shush her granddaughter, but Eleanor was still concentrating on threading the needle and didn't say anything. David came back inside from putting out the rubbish.

The aerial's come loose, he said, I'll have to go up on the roof and fix it. Or get someone round. No one replied, so he went back into the kitchen to make a start on the washing up, standing in the doorway a moment while he waited for the water to run hot, watching his wife and his daughter and his mother sitting together in his home on a quiet Sunday afternoon. He had discovered, with surprise, that this was one of the deepest pleasures in his life, to cook dinner for these three people, to eat with them, and to settle into a long afternoon of being in their presence. He liked to sit at the end of the sofa with his eyes closed, so that they would think he was asleep, so that he could be there without being there, listening to their lazy talk, Kate's babbling chatter, his mother's commentary on the afternoon's films. And he liked to listen to them before dinner, through the doorway, Eleanor telling Dorothy about their week, Dorothy telling Eleanor about hers, Kate interrupting to ask questions and tell them both about something that had happened at school, their conversation sharpened by hunger as he kept busy in the kitchen - checking the roast in the oven, lifting it out to spoon more juices over its back, sliding a knife between the bones to see if it was cooked, draining the vegetables over the sink with a rush of steaming water knowing that his mother would be listening, would be thinking that she'd taught him something at least.

Eleanor finally managed to thread the needle, and reached for the long hanging end of the thread, twisting it round her finger to make a knot. As she did so, the needle spilt out of her fingers and down between the cushions somewhere. She slammed her hand on to the arm of the sofa in frustration, knocking the gloves to the floor and saying a loud shit! before catching herself. David turned the tap off and stepped forward, wanting to help. Kate looked up, startled, with a hand over her mouth, saying Mummy said a naughty word, naughty word, Mummy said a naughty word, saying it almost as a song to herself, crouching back down amongst the pieces of her farm. Dorothy looked across at Eleanor, trying not to smile, and stood up.

Shall we go up and play with Sindy now? she asked Kate, reaching for her hand. Kate looked at her, and stood up as well.

Okay, she said, without seeming to think about it, and the two of them went away up the stairs.

You okay? David asked, moving towards Eleanor. She smiled, shaking her head, wiping her eyes with the tips of her fingers.

I'm fine, she said. It's just, sewing's not really my strong point, you know?

It went down the side there, he said, pointing to where he'd seen the needle fall. Stand up a minute. She stood up, and he lifted the cushion away, peering in at the fluff and the crumbs, picking out a pen, some scraps of paper, three halfpenny coins, and the needle.

It's like an archaeological dig in there, he said, smiling, handing her the needle as she sat down again; there you go.

Thanks, she said. Anyway, how about you soldier, you okay? She looked up at him, reaching out and pulling him a little closer by the hem of his shirt, lifting the thick cotton and gazing at the small dotted scar, still raised and raw. How does it feel? she asked.

It's okay, he told her. It doesn't hurt really. Just sometimes when I stand up too quickly, or bend over. She pulled him closer, and kissed the faintly bruised skin around the scar.

I'm going to have to keep a closer eye on you, aren't I? she said, trying to re-thread the needle. Do a bit more looking after you. He sat on the arm of the sofa, not sure what she meant. I'm going to have to pay more attention, she said, glancing up at him; wouldn't you say?

They could hear, upstairs, his mother talking softly as Kate's feet pounded across the floor and she acted out Sindy's catwalking at the top of her voice. He glanced upwards.

David? she said, lowering the needle and thread into her lap. David, what happened? I mean, what really happened? He kept his eyes on the ceiling.

You know what happened, he said, his voice low and steady. She noticed him gripping the edge of the sofa-arm, trying to keep his balance. I've told you what happened, he said. I don't remember all that much about it, he said.

But why would someone do that? she asked. It doesn't make sense. For no reason?

He could have told her then, he thought later, he should have told her then. Things would have been better that way, maybe.

I don't know Eleanor, he said quietly. It was just some drunk. I was just in the wrong place at the wrong time. She held his gaze, winding and unwinding the thread around her finger.

She said, I just want to understand David, I just want to know why it happened. I want to know what it is you're not telling me. She turned away, squinting at the needle, easing the thread through its narrow eye.

He said, what do you mean? He said, there's nothing I'm not telling you. It was just some drunk. It was an accident almost. Don't worry about it now, he said. He leant forward and kissed the hair on the top of her head, and she told him he was in her light. He sat back again, moving his shadow away from her face and her hands, watching as she picked up a length of wool and one of Kate's small neat gloves.

She said, it just doesn't make sense David, and he said, I know, I know.

He went outside to look at the aerial again. It was swinging in the light breeze, angling towards the roof, looking like it would take a tile off in a strong wind. He wondered who he could borrow a ladder from. He wondered if he would ever tell Eleanor what had really happened with Chris, what had almost happened with Anna. He wondered how she would react if he did. He walked to the end of the garden to put the lid back on the dustbin, and went inside to finish the washing up, watching Eleanor's sewing as he put away the last of the plates and the pans.

How's it going now? he asked her. Fine, she said, nearly done. She knotted the last stitch, snapped the loose thread across her hand, and held the coat up for him to see. The two gloves hung down from the cuffs, turning slow circles in the air, and he pictured them swinging back and forth as Kate ran towards him in the park, kicking up leaves, stumbling over divots and molehills, laughing.

There, she said, try that. David tugged at one of the gloves to test it, and it pulled away in his hand, dangling a long strand of red wool with a tail of broken stitches beneath it. He looked at her in anticipation, but she just shrugged, smiling as she pulled at the other glove and it snapped away in turn.

This is definitely not my strong point, David, she said, breaking into a laugh, and he agreed that, no, she was right, it probably wasn't.

45                         
Job application form, Head Curator, c.1984

He'd been trying to avoid her since he'd started back at work, spending as much time as possible in his office, being careful whenever he'd needed to venture into the corridors and galleries. When they had come across each other, in the staff-room, or in a meeting, they'd spoken as briefly and as distantly as possible, avoiding each other's eyes, their voices thick with self-control. Talking to her made him feel uncomfortable in a different way from before; talking to her now made him want to look over his shoulder and see if anyone was there.

Hello, he said, still holding a folder from the filing cabinet. It was clutched against his chest, as if he thought she was going to try and take it from him.

I haven't seen much of you since you came back, she said, stepping forward from the door.

No, he said. No, I suppose not. I've been catching up on some paperwork. It builds up, doesn't it? He tried to smile. He noticed that she'd cut her hair much shorter, pinning it back into a tight knot on the back of her head. He noticed that she kept opening and closing her hands, smoothing them down the sides of her skirt.

How's Eleanor? she said. And Kate? How are they both doing? She smiled, and tilted her head to one side, and he already wanted to tell her to leave.

They're fine, he said. They're both doing fine. She waited for him to say something more, and he realised he should ask how Chris was. He said nothing, and he felt his breath catch at the top of his lungs, felt his arms starting to shiver against his chest. They're fine, he said again.

Anna stepped closer to the desk. I wanted to say sorry, she said, so quietly that for a moment he wasn't quite sure what he'd heard. It wasn't supposed to happen, she said, not like that. He almost smiled, wondering how it had been supposed to happen.

He said, have you heard back from Manchester about those loan requests?

She said, you're doing the right thing you know. There was a knock at the door. He looked at her. She moved closer, until there was only the corner of the desk between them.

He said, they should have got back to us by now. It's been six weeks, hasn't it?

Not telling anyone I mean, she said, resting one hand on the desk. I mean, no one needs to know do they? There was a second knock at the door, and Christine from decorative arts came in, hesitating slightly as she saw David and Anna move a step back from each other.

Sorry, she said. Sorry, but David, there's a problem with this delivery, from the V&A, you remember? Could you come and have a look at the paperwork before the driver leaves?

I'll be right there, he said, holding up a finger to say just give us one moment. Anna looked down at the floor, and they both waited for Christine to go. He wanted to tell Anna that it wasn't for her to say whether or not he told anyone what had happened. He wanted to ask her who she thought she was to come into his office and say these things. He looked at her, his tongue fat and dry in his mouth, and he said, sorry Christine, could you excuse us, I'll be with you in just a minute. Christine looked at them both, stepped back, and closed the door. He waited for her footsteps, and heard nothing. Anna looked up and smiled.

You know Malcolm's leaving at the end of next year, don't you? she said. He shrugged, and nodded, and turned away to put the folder he was still holding back into the filing cabinet, trying and failing to hide his surprise. Malcolm Newbold was the Head Curator and had been there since the museum first opened. I thought I might go for the job, she said, but I'm not sure about it. He kept his back to her, thumbing through the files, wanting her to leave. He felt her moving closer, and wondered if that was her breath he could feel on the back of his neck.

Do you think I should? she asked. I mean, do you think there'd be any point? The uncertainty in her voice surprised him. He turned round, not understanding why she even needed to ask, why she needed to ask him. She was sucking her lip, anxiously, fiddling with the hair on the back of her head. He wanted to reassure her, despite everything, to touch a hand to her arm and say that of course she should apply, she was perfectly capable, she should know that.

He said, I don't know Anna. That's for you to say.

How about you? she asked. Will you apply?

I don't know, he said again. He moved past her, their sleeves touching as he did so, and opened the door. Christine was still waiting. Sorry about that, he said, and followed her down towards the delivery doors. At the end of the corridor he glanced over his shoulder and saw Anna standing behind his desk, sliding his papers and pencil pots into slightly different positions, adjusting the angle of the lamp and, just as he turned the corner, reaching for his chair.