So Big (28 page)

Between Dirk and his mother the first rift had appeared.

“If I were a man,” Selina said, “I'd make up my mind straight about this war and then I'd do one of two things. I'd go into it the way Jan Snip goes at forking the manure pile—a dirty job that's got to be cleaned up; or I'd refuse to do it altogether if I didn't believe in it as a job for me. I'd fight, or I'd be a conscientious objector. There's nothing in between for any one who isn't old or crippled, or sick.”

Paula was aghast when she heard this. So was Julie whose wailings had been loud when Eugene had gone into the air service. He was in France now, thoroughly happy. “Do you mean,” demanded Paula, “that you actually want Dirk to go over there and be wounded or killed!”

“No. If Dirk were killed my life would stop. I'd go on living, I suppose, but my life would have stopped.”

They were all doing some share in the work to be done.

Selina had thought about her own place in this war welter. She had wanted to do canteen work in France but had decided against this as being selfish. “The thing for me to do,” she said, “is to go on raising vegetables and hogs as fast as I can.” She supplied countless households with free food while their men were gone. She herself worked like a man, taking the place of the able-bodied helper who had been employed on her farm.

Paula was lovely in her Red Cross uniform. She persuaded Dirk to go into the Liberty Bond selling drive and he was unexpectedly effective in his quiet, serious way; most convincing and undeniably thrilling to look at in uniform. Paula's little air of possession had grown until now it enveloped him. She wasn't playing now; was deeply and terribly in love with him.

When, in 1918, Dirk took off his uniform he went into the bond department of the Great Lakes Trust Company in which Theodore Storm had a large interest. He said that the war had disillusioned him. It was a word you often heard uttered as a reason or an excuse for abandoning the normal. “Disillusioned.”

“What did you think war was going to do?” said Selina. “Purify! It never has yet.”

It was understood, by Selina at least, that Dirk's abandoning of his profession was a temporary thing. Quick as she usually was to arrive at conclusions, she did not realize until too late that this son of hers had definitely deserted building for bonds; that the only structures he would rear were her own castles in Spain. His first two months as a bond salesman netted him more than a year's salary at his old post at Hollis & Sprague's. When he told this to Selina, in triumph, she said, “Yes, but there isn't much fun in it, is there? This selling things on paper? Now architecture, that must be thrilling. Next to writing a play and seeing it acted by real people—seeing it actually come alive before your eyes architecture must be the next most fun. Putting a building down on paper—little marks here, straight lines there, figures, calculations, blueprints, measurements—and then, suddenly one day, the actual building itself. Steel and stone and brick, with engines throbbing inside it like a heart, and people flowing in and out. Part of a city. A piece of actual beauty conceived by you! Oh, Dirk!” To see her face then must have given him a pang, it was so alive, so eager.

He found excuses for himself. “Selling bonds that make that building possible isn't so dull, either.”

But she waved that aside almost contemptuously. “What nonsense, Dirk. It's like selling seats at the box office of a theatre for the play inside.”

Dirk had made many new friends in the last year and a half. More than that, he had acquired a new manner; an air of quiet authority, of assurance. The profession of architecture was put definitely behind him. There had been no building in all the months of the war; probably would be none in years. Materials were prohibitive, labour exorbitant. He did not say to Selina that he had put the other work from him. But after six months in his new position he knew that he would never go back.

From the start he was a success. Within one year he was so successful that you could hardly distinguish him from a hundred other successful young Chicago business and professional men whose clothes were made at Peel's; who kept their collars miraculously clean in the soot-laden atmosphere of the Loop; whose shoes were bench-made; who lunched at the Noon Club on the roof of the First National Bank where Chicago's millionaires ate corned-beef hash whenever that plebeian dish appeared on the bill of fare. He had had a little thrill out of his first meal at this club whose membership was made up of the “big men” of the city's financial circle. Now he could even feel a little flicker of contempt for them. He had known old Aug Hempel, of course, for years, as well as Michael Arnold, and, later, Phillip Emery, Theodore Storm, and others. But he had expected these men to be different.

Paula had said, “Theodore, why don't you take Dirk up to the Noon Club some day? There are a lot of big men he ought to meet.”

Dirk went in some trepidation. The great grilled elevator, as large as a room, whisked them up to the roof of the fortress of gold. The club lounge furnished his first disappointment. It looked like a Pullman smoker. The chairs were upholstered in black leather or red plush. The woodwork was shiny red imitation mahogany. The carpet was green. There were bright shining brass cuspidors in the hall near the cigar counter. The food was well cooked. Man's food. Nine out of every ten of these men possessed millions. Whenever corned beef and cabbage appeared on the luncheon menu nine out of ten took it. These were not at all the American Big Business Man of the comic papers and of fiction—that yellow, nervous, dyspeptic creature who lunches off milk and pie. They were divided into two definite types. The older men of between fifty and sixty were great high-coloured fellows of full habit. Many of them had had a physician's warning of high blood pressure, hardening arteries, overworked heart, rebellious kidneys. So now they waxed cautious, taking time over their substantial lunches, smoking and talking. Their faces were impassive, their eyes shrewd, hard. Their talk was colloquial and frequently illiterate. They often said “was” for “were.” “Was you going to see Baldwin about that South American stuff or is he going to ship it through without?” Most of them had known little of play in their youth and now they played ponderously and a little sadly and yet eagerly as does one to whom the gift of leisure had come too late. On Saturday afternoon you saw them in imported heather green golf stockings and Scotch tweed suits making for the links or the lake. They ruined their palates and livers with strong cigars, thinking cigarette smoking undignified and pipes common. “Have a cigar!” was their greeting, their password, their open sesame. “Have a cigar!” Only a few were so rich, so assured as to smoke cheap light panatellas. Old Aug Hempel was one of these. Dirk noticed that when he made one of his rare visits to the Noon Club his entrance was met with a little stir, a deference. He was nearing seventy-five now; was still straight, strong, zestful of life; a magnificent old buccaneer among the pettier crew. His had been the direct and brutal method—swish! swash! and his enemies walked the plank. The younger men eyed him with a certain amusement and respect.

These younger men whose ages ranged from twenty-eight to forty-five were disciples of the new system in business. They were graduates of universities. They had known luxury all their lives. They were the second or third generation. They used the word “psychology.” They practised restraint. They knew the power of suggestion. Where old Aug Hempel had flown the black flag they resorted to the periscope. Dirk learned that these men did not talk business during meal time except when they had met definitely for that purpose. They wasted a good deal of time, Dirk thought, and often, when they were supposed to be “in conference” or when their secretaries said primly that they were very busy and not to be disturbed until three, they were dozing off for a comfortable half hour in their private offices. They were the sons or grandsons of those bearded, rugged, and rather terrible old boys who, in 1835 or 1840, had come out of County Limerick or County Kilkenny or out of Scotland or the Rhineland to mold this new country in their strong hairy hands; those hands whose work had made possible the symphony orchestras, the yacht clubs, the golf clubs through which their descendants now found amusement and relaxation.

Dirk listened to the talk of the Noon Club.

“I made it in eighty-six. That isn't so bad for the Tippecanoe course.”

“. . . boxes are going pretty well but the Metropolitan grabs up all the big ones and the house wants names. Garden dosen't draw the way she used to, even in Chicago. It's the popular subscription that counts.”

“. . . grabbed the Century out of New York at two-forty-five and got back here in time to try out my new horse in the park. She's a little nervous for city riding but we're opening the house at Lake Forest next week——”

“. . . pretty good show but they don't send the original companies here, that's the trouble . . .”

“. . . in London. It's a neat shade of green, isn't it? You can't get ties like this over here, I don't know why. Got a dozen last time I was over. Yeah, Plumbridge in Bond Street.”

Well, Dirk could talk like that easily enough. He listened quietly, nodded, smiled, agreed or disagreed. He looked about him carefully, appraisingly. Waist lines well kept in; carefully tailored clothes; shrewd wrinkles of experience radiating in fine sprays in the skin around the corners of their eyes. The president of an advertising firm lunching with a banker; a bond salesman talking to a rare book collector; a packer seated at a small table with Horatio Craft, the sculptor.

Two years and Dirk, too, had learned to “grab the Century” in order to save an hour or so of time between Chicago and New York. Peel said it was a pleasure to fit a coat to his broad, flat tapering back, and trousers to his strong sturdy legs. His colour, inherited from his red-cheeked Dutch ancestors brought up in the fresh sea-laden air of the Holland flats, was fine and clear. Sometimes Selina, in pure sensuous delight, passed her gnarled, work-worn hand over his shoulders and down his fine, strong, straight back. He had been abroad twice. He learned to call it “running over to Europe for a few days.” It had all come about in a scant two years, as is the theatrical way in which life speeds in America.

Selina was a little bewildered now at this new Dirk whose life was so full without her. Sometimes she did not see him for two weeks, or three. He sent her gifts which she smoothed and touched delightedly and put away; fine soft silken things, hand-made—which she could not wear. The habit of years was too strong upon her. Though she had always been a woman of dainty habits and fastidious tastes the grind of her early married life had left its indelible mark. Now, as she dressed, you might have seen that her petticoat was likely to be black sateen and her plain, durable corset cover neatly patched where it had worn under the arms. She employed none of the artifices of a youth-mad day. Sun and wind and rain and the cold and heat of the open prairie had wreaked their vengeance on her flouting of them. Her skin was tanned, weather-beaten; her hair rough and dry. Her eyes, in that frame, startled you by their unexpectedness, they were so calm, so serene, yet so alive. They were the beautiful eyes of a wise young girl in the face of a middle-aged woman. Life was still so fresh to her.

She had almost poignantly few personal belongings. Her bureau drawers were like a nun's; her brush and comb, a scant stock of plain white underwear. On the bathroom shelf her toothbrush, some vaseline, a box of talcum powder. None of those aids to artifice with which the elderly woman deludes herself into thinking that she is hoodwinking the world. She wore well-made walking oxfords now, with sensible heels the kind known as Field's special; plain shirtwaists and neat dark suits, or a blue cloth dress. A middle-aged woman approaching elderliness; a woman who walked and carried herself well; who looked at you with a glance that was direct but never hard. That was all. Yet there was about her something arresting, something compelling. You felt it.

“I don't see how you do it!” Julie Arnold complained one day as Selina was paying her one of her rare visits in town. “Your eyes are as bright as a baby's and mine look like dead oysters.” They were up in Julie's dressing room in the new house on the north side—the new house that was now the old house. Julie's dressing table was a bewildering thing. Selina DeJong, in her neat black suit and her plain black hat, sat regarding it and Julie seated before it, with a grim and lively interest.

“It looks,” Selina said, “like Mandel's toilette section, or a hospital operating room just before a major operation.” There were great glass jars that contained meal, white and gold. There were rows and rows of cream pots holding massage cream, vanishing cream, cleansing cream. There were little china bowls of scarlet and white and yellowish pastes. A perforated container spouted a wisp of cotton. You saw toilet waters, perfumes, atomizers, French soaps, unguents, tubes. It wasn't a dressing table merely, but a laboratory.

“This!” exclaimed Julie. “You ought to see Paula's. Compared to her toilette ceremony mine is just a splash at the kitchen sink.” She rubbed cold cream now around her eyes with her two forefingers, using a practised upward stroke.

“It looks fascinating,” Selina exclaimed. “Some day I'm going to try it. There are so many things I'm going to try some day. So many things I've never done that I'm going to do for the fun of it. Think of it, Julie! I've never had a manicure! Some day I'm going to have one. I'll tell the girl to paint my nails a beautiful bright vermilion. And I'll tip her twenty-five cents. They're so pretty with their bobbed hair and their queer bright eyes. I s'pose you'll think I'm crazy if I tell you they make me feel young.”

Julie was massaging. Her eyes had an absent look. Suddenly: “Listen, Selina. Dirk and Paula are together too much. People are talking.”