Snow in Summer: Fairest of Them All: Fairest of Them All (5 page)

Cousin Nancy was busy making our breakfast, so she said, “Summer, get the door.” There was something tense in her voice, something angry, too.

I threw the door wide and there was Papa and the woman, and they were touching each other in a way that made Cousin Nancy sniff. Not the sniff that the ladies of our church would later give, but a kind of sad little sniff, full of lost opportunities and old times gone by. I noticed it right off but didn’t understand it enough to turn and question her. Nor, I think, would she have told me then. But after the sniff, she set down the jam knife carefully on the plate, set her shoulders back, and nodded at Papa but not the woman as she went through the front door, with nary a word. Her back was straight as the haint woman’s seams. As straight as a soldier’s off to war.

Soon as Cousin Nancy had left, Papa said to me, “Aren’t you gonna invite this lady in?” which seemed a strange thing to say, seeing it was Papa’s own house.

The woman smiled, though it never seemed to light her eyes, and she crooked her finger at me.

“Of course, Papa, if that’s what you want,” I said, and stood out of the way as they both came in.

“This,” Papa said, nodding at me and neglecting to say the woman’s own name—if indeed he knew it then—“this is my daughter, Snow in Summer.”

The woman looked straight at me as though she could see down into my heart and found me wanting. I gave a little shiver for it felt as if a cold wind had blown right through me.

“That’s too big a name for such a little girl,” she said to me. “I’m going to call you Snow.” Her voice was careful and tight as if speaking with a child was a new skill she was trying to learn.

I opened my mouth to protest that I was called
Summer,
but no sound came out. So, I looked over at Papa, expecting him to explain. But he was rapt, charmed by her.

I wanted to leave the house and follow Cousin Nancy, who must have been at her own house already, but my feet felt rooted to the floor. That was it—rooted. Tied in a different way than Papa, but tied nonetheless.

The woman sat down prettily and carefully on one of the nearest chairs, the old walnut rocker that had rocked me to sleep when I was a baby and my daddy when he was a little boy before me. She reached out an elegant hand to me. I found I had a new strength, a kind of giddiness, and almost skipped over to where she sat. Then that hand, strong as a vise, curled around my upper arm and she drew me—not entirely unwilling then—up onto her lap.

“We’re going to be such good friends, Snow,” she said to me in her cool voice. “I’ve so much to teach you.” Her hands were not at all like Cousin Nancy’s, which were always soft and warm. This new woman’s hands were cold as ice cut from a winter pond, and as hard.

Only then did I try to pull away, but of course she was too strong for me and I had to stay, uncomfortably perched on her lap like a cat on a patch of ice.

She whispered in my ear, the voice sweet as honey. Sweeter. “You can call me Mama.”

“Ma . . .”

“Mama,” she repeated.

“Ma . . .”

I tried to say it, the word pooling in my mouth like sour sick-up. But I couldn’t.

Not then.

Not ever.

Stepmama was the closest I could manage.

Close enough.

STEPMAMA REMEMBERS

I
only loved one man in my life. He taught me everything I know about the Craft. Brilliant, diamond hard, he looked like an eagle, all beak and bald head, with piercing golden eyes. He was everything I

wanted, but he couldn’t love me back. Oh, he admired me. He wanted me. He needed me. But he didn’t love me.

So I had to kill him.

But I did it slowly and I didn’t cause him any pain. After all, I’m not an evil woman.

Besides, he’d had my youth giving boost to his for seven years. And I gave it gladly. It was an exchange. He had seven years that he could not have had without me, and I learned the Craft. That is the way of it. The years freely given have power. The ones taken by force do not. They are just years.

Before the Master died, he shared more with me than his knowledge. He shared a secret.

“The Craft,” he said, “has its limitations like any art. You cannot prosper from it directly. If you use the Craft for money, the art of it dies. And when the art dies, the power dies, too. So one must support the Craft in other ways.”

“Other ways?” I opened my eyes wide. I was puzzled but as always eager to learn. He liked that in me, liked that I turned to him with questions. He thought he was in complete control, and so he told me without further prodding. But men are never the ones in control. Not if the woman is smart and steady, if she is able to disguise and swallow her disgust. Nothing makes a man angrier than seeing disgust or disdain in his woman’s eyes.

So he told me. It was so simple but aren’t all secrets simple, once revealed? Even in magic. Especially in magic.

Master had ways of teasing out secrets from the rich and powerful. Not using the Craft, of course, but magician’s tricks, sleights of hand, distractions, refractions, inflections, reflections. Simple stuff. One of his rich followers was a railroad magnate in the process of setting up a system of train lines across the South. A spur was to go through the West Virginia mountains where poor people would be glad to sell their land for quick cash. So Master began buying up that property, a bit here and a bit there, for very small change and turning around to sell it on to the railroad tycoon at a huge profit.

In Webster County, though, there was a single holdout, a man whose ties to the land were stronger than his need for money. This my Master learned just days before I killed him, and he’d passed this information on to me. He went down into his final sleep smiling. I think he knew what I was doing and approved of it. After all, he was a very old man, his health shaky at best. Besides, he’d already gotten my seven years and would have needed another young person. In a way, killing him was my final test.

I shall miss Master every day of my life, but it is
my
life, not his, that brings me to this moment. He had no time to act on the final bit of information, and now I act in his stead. I located the Webster County man and the land. I could smell how strongly they were tied together. It would be a challenge to part them. But I’ve always enjoyed a challenge. And I have all the Craft at my fingertips to bind this poor farmer to me for richer and for poorer. In sickness and in health. For three years to bind the charm. Till death do us part. His death—not mine.

Still, I never planned to let him suffer overmuch. He was a handsome man, so I toyed with him for a while. Cat and mouse. Of course the cat always wins this battle.

And his daughter. That was a surprise. A perfect peach of a child. My first thought was to bring her into the Craft. I had plenty of time to win her trust. She was a long ways from becoming a woman, her moon courses years from their running. I promised myself I’d take her seven years. But I knew that even if she wouldn’t give them to me willingly and I had to kill her along with her father, neither of them would die in pain.

After all, I’m not a wicked woman.

TIES THAT BIND

E
ach evening for a month while they planned their wedding, Papa walked Stepmama back up the mountain as if he was walking her home. As if she could have a home up there amongst the gravestones. He never wondered where she lived. That’s how I knew he was thoroughly bewitched.

The wedding—such as it was—didn’t come quick enough for some and came much too quick for others. It took place at the Town Hall, that old pile of stones, an uncomfortable and uncomforting building, cold and echoing. Stepmama wouldn’t step foot in either Papa’s church or Cousin Nancy’s. And even besot, Papa refused to get married at the old Morton church amongst the gravestones. It was the only time he argued with Stepmama that I can recall.

The town clerk administered the wedding vows, in a husky voice more used to registering voters than binding lovers. He smiled at them with false teeth that looked ready to fall out of his mouth and clattered as he spoke.

Papa’s
I do
was swift and happy. Stepmama’s response just quick. But it was over in seconds, and Papa bent to kiss the bride, who turned her cheek to him.

There was a table of sweets laid out in the hall, mostly brought in by Cousin Nancy and her friends. Stepmama had supplied the drinks: last season’s apple cider, sharp and tangy, for the grown-ups, as well as iced sweet tea. She was minding that many of the town folks coming along to the wedding were teetotal. Of course there was milk for the children, though except for me and one or two of my school friends brought by their parents, there were few of those who attended.

Mr. Myerson of Myerson’s Studio in Cowan was called in to take the official wedding picture. There was to be only one. “Why would we need more?” Stepmama told Papa.

There was no dancing, no music. Stepmama said country songs hurt her ears. Everyone was sent home early.

It didn’t matter. Papa looked happy. Ecstatic. And that was what counted.

We three walked back to the house together and I was sent immediately to my room. It was only five in the afternoon, but Stepmama said they would see me in the morning and closed my door behind her with a sharp, final click.

I didn’t know exactly what newlyweds did besides live Happy Ever After. But clearly they did it without their children about. So I climbed up onto my bed, took out my fairy-tale book, and read a half dozen or more stories.

I must have fallen asleep at some point for I woke with a full moon shining through my window. Closing my book, I got into my nightclothes and slipped under the covers, where I was soon warm and cozy. This time when I fell asleep, I dreamed of Papa dancing along the garden rows, playing his banjo, and happy once more, singing loudly “False Knight on the Road.”

 

 

The first thing they did after the wedding was their honeymoon trip to Ohio. I stayed at Cousin Nancy’s the whole time. We waved as they drove off in Stepmama’s little green car. She drove.

“Not about to let Lemuel drive my baby,” she said. “And not about to go away in his smelly old produce truck.” She wrinkled her nose in a way that suggested she was joking, but I didn’t think she was.

They were gone over a week, staying in a hotel that had a ballroom and everything. Not that Papa could dance.

They came home by way of Charleston, where she had all her things in storage. When they got back, her car was jammed with packets of odd seeds and leggy, long-leafed plants in gray pots that Papa and I helped bring into the house. All in all, about seven boxes of stuff. This didn’t seem strange to me. After all, Papa was a gardener. Mama had loved flowers. Why shouldn’t Stepmama have an interest in growing things, too? At eleven it seemed to me just another form of the fairy tale of True Love: that the green plants they both loved had brought them together.

Then Stepmama brought in the boxes of tall bottles in which dark-colored potions sloshed. She warned me sternly away from all of them.

“They could make you very sick, Snow,” she cautioned, clinking a long red fingernail against the glass of the darkest bottle. Something almost seemed to stir in the depths, something with hands and feet and closed eyes. Something like a dead baby.

“Why do you have them, then?” I looked away from the horrible thing lurking in the bottle’s darkness and then back again, for it drew my eyes in a way I couldn’t explain.

“I do . . . experiments,” she said, putting her hands on my shoulders and turning me around to face her.

I gazed into her differently colored eyes, the blue one on the right, the green one on the left. “We do experiments in school,” I said.

She laughed, though it didn’t sound as if she was particularly happy. “Probably not like these,” she told me. “I try to understand things. Learn to control them.” She said it in a whisper as if confiding in me.

“I understand,” I said, though I didn’t. Not then. I pulled away from her and turned back to the bottle, mesmerized by the dark, by what it promised, and put my hand to the bottle.

She pulled me back sharply. “Don’t even
touch
the bottle, child,” she said, voice suddenly coarsened, almost excited, “until I teach you the Way.”

“The Way?”

“The bottles themselves can turn a person blue. Bring on the bloat. Scabies. Black tongue.”

I wondered that they hadn’t made
her
sick as well, or at least given her the agonies. But of course she had to know the Way, whatever that was.

Suddenly I wondered why she’d brought the bottles into our house if they were that dangerous. Still, I heeded her warning and stayed away from the table on which the bottles sat though it took all my concentration to do so.

Next she opened a box that held a large mortar and pestle made of black stone, biggest one I ever saw. The one in our kitchen was tiny compared to it, and made of wood.

Big enough to crush whole bones,
I thought, and shuddered, as if there was a tale there in the mortar, lurking behind its smooth surface, maybe a story about giants crushing humans and eating them alive. But I liked the smoothness of the mortar’s side and how shiny the tip of the pestle was and how it fit exactly in Stepmama’s hand. It was cool, sturdy, contained.
I can take a lesson from that,
I thought.

The rest of the boxes held Stepmama’s clothes.

“You can help me shake them out, Snow,” she said.

Summer,
I thought. But Summer suddenly seemed very far away.

 

 

Stepmama also had a huge packet wrapped in black linen and tied securely with long pieces of twine. It was carted in, over the mountain. When the carters were paid and sent on their way, she unwrapped the thing and I saw it was a framed mirror on a large stand, a cross hanging down from the bottom, and with words carved and painted in gold on the wood surround, words I couldn’t read. Even though I loved books and had a whole shelf of them—the
Blue
and
Green
and
Orange Fairy
books,
The Wonderful Wizard of Oz, Just So Stories, The Secret Garden
, and a whole bunch of Raggedy Ann and Andy stories—I couldn’t quite read what was carved in the mirror’s wood frame. The sentences were in some foreign tongue. The two I remember best were
Acta est fabula
and
Corruptio optimi pessima.
I could almost make them out, but not really.