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Authors: John le Carre

BOOK: Smiley's People
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It is in any case a fact that by the time the magician left—my Lord, she thought, it was nearly time for her to go to work again!—Ostrakova had told him everything she had to tell, and the magician in return had woken feelings in her that for years, until this night, had belonged only to her past. Tidying away the plates and bottles in a daze, she managed, despite the complexity of her feelings regarding Alexandra, and herself, and her two dead men, to burst out laughing at her woman’s folly.
“And I do not even know his name!” she said aloud, and shook her head in mockery. “How shall I reach you?” she had asked. “How can I warn you if he returns?”
She could not, the magician had replied. But if there was a crisis she should write to the General again, under his English name and at a different address. “Mr. Miller,” he said gravely, pronouncing it as French, and gave her a card with a London address printed by hand in capitals. “But be discreet,” he warned. “You must be indirect in your language.”
All that day, and for many days afterwards, Ostrakova kept her last departing image of the magician at the forefront of her memory as he slipped away from her and down the ill-lit staircase. His last fervid stare, taut with purpose and excitement: “I promise to release you. Thank you for calling me to arms.” His little white hand, running down the broad banister of the stairwell, like a handkerchief waved from a train window, round and round in a dwindling circle of farewell, till it disappeared into the darkness of the tunnel.
2
T
he second of the two events that brought George Smiley from his retirement occurred a few weeks after the first, in early autumn of the same year: not in Paris at all, but in the once ancient, free, and Hanseatic city of Hamburg, now almost pounded to death by the thunder of its own prosperity; yet it remains true that nowhere does the summer fade more splendidly than along the gold and orange banks of the Alster, which nobody as yet has drained or filled with concrete. George Smiley, needless to say, had seen nothing of its languorous autumn splendour. Smiley, on the day in question, was toiling obliviously, with whatever conviction he could muster, at his habitual desk in the London Library in St. James’s Square, with two spindly trees to look at through the sash-window of the reading-room. The only link to Hamburg he might have pleaded—if he had afterwards attempted the connection, which he did not—was in the Parnassian field of German baroque poetry, for at the time he was composing a monograph on the bard Opitz, and trying loyally to distinguish true passion from the tiresome literary convention of the period.
The time in Hamburg was a few moments after eleven in the morning, and the footpath leading to the jetty was speckled with sunlight and dead leaves. A candescent haze hung over the flat water of the Aussenalster and through it the spires of the eastern bank were like green stains dabbed on the wet horizon. Along the shore, red squirrels scurried, foraging for the winter. But the slight and somewhat anarchistic-looking young man standing on the jetty wearing a track suit and running shoes had neither eyes nor mind for them. His red-rimmed gaze was locked tensely upon the approaching steamer, his hollow face darkened by a two-day stubble. He carried a Hamburg newspaper under his left arm, and an eye as perceptive as George Smiley’s would have noticed at once that it was yesterday’s edition, not today’s. In his right hand he clutched a rush shopping basket better suited to the dumpy Madame Ostrakova than to this lithe, bedraggled athlete who seemed any minute about to leap into the lake. Oranges peeked out of the top of the basket, a yellow Kodak envelope with English printing lay on top of the oranges. The jetty was otherwise empty, and the haze over the water added to his solitude. His only companions were the steamer timetable and an archaic notice, which must have survived the war, telling him how to revive the half-drowned; his only thoughts concerned the General’s instructions, which he was continuously reciting to himself like a prayer.
The steamer glided alongside and the boy skipped aboard like a child in a dance game—a flurry of steps, then motionless until the music starts again. For forty-eight hours, night and day, he had had nothing to think of but this moment: now. Driving, he had stared wakefully at the road, imagining, between glimpses of his wife and little girl, the many disastrous things that could go wrong. He knew he had a talent for disaster. During his rare breaks for coffee, he had packed and repacked the oranges a dozen times, laying the envelope lengthways, sideways—no, this angle is better, it is more appropriate, easier to get hold of. At the edge of town he had collected small change so that he would have the fare exactly—what if the conductor held him up, engaged him in casual conversation? There was so little time to do what he had to do! He would speak no German, he had worked it out. He would mumble, smile, be reticent, apologise, but stay mute. Or he would say some of his few words of Estonian—some phrase from the Bible he could still remember from his Lutheran childhood, before his father insisted he learn Russian. But now, with the moment so close upon him, the boy suddenly saw a snag in this plan. What if his fellow passengers then came to his aid? In polyglot Hamburg, with the East only a few miles away, any six people could muster as many languages between them! Better to keep silent, be blank.
He wished he had shaved. He wished he was less conspicuous.
Inside the main cabin of the steamer, the boy looked at nobody. He kept his eyes lowered;
avoid eye contact,
the General had ordered. The conductor was chatting to an old lady and ignored him. He waited awkwardly, trying to look calm. There were about thirty passengers. He had an impression of men and women dressed alike in green overcoats and green felt hats, all disapproving of him. It was his turn. He held out a damp palm. One mark, a fifty-pfennig piece, a bunch of little brass tens. The conductor helped himself, not speaking. Clumsily, the boy groped his way between the seats, making for the stern. The jetty was moving away. They suspect me of being a terrorist, thought the boy. There was engine oil on his hands and he wished he’d washed it off. Perhaps it’s on my face as well.
Be blank,
the General had said.
Efface yourself. Neither smile nor frown. Be normal.
He glanced at his watch, trying to keep the action slow. He had rolled back his left cuff in advance, specially to leave the watch free. Ducking, though he was not tall, the boy arrived suddenly in the stern section, which was open to the weather, protected only by a canopy. It was a case of seconds. Not of days or kilometres any more; not hours. Seconds. The timing hand of his watch flickered past the six. The next time it reaches six, you move. A breeze was blowing but he barely noticed it. The time was an awful worry to him. When he got excited—he knew—he lost all sense of time completely. He was afraid the seconds hand would race through a double circuit before he had realised, turning one minute into two. In the stern section all seats were vacant. He made jerkily for the last bench of all, holding the basket of oranges over his stomach in both hands, clamping the newspaper to his armpit at the same time: it is I, read my signals. He felt a fool. The oranges were too conspicuous by far. Why on earth should an unshaven young man in a track suit be carrying a basket of oranges and yesterday’s newspaper? The whole boat must have noticed him! “Captain—that young man—there—he is a bomber! He has a bomb in his basket, he intends to hijack us or sink the ship!” A couple stood arm in arm at the railing with their backs to him, staring into the mist. The man was very small, shorter than the woman. He wore a black overcoat with a velvet collar. They ignored him.
Sit as far back as you can; be sure you sit next to the aisle,
the General had said. He sat down, praying it would work the first time, that none of the fall-backs would be needed. “Beckie, I do this for
you,
” he whispered secretly, thinking of his daughter, and remembering the General’s words. His Lutheran origins notwithstanding, he wore a wooden cross round his neck, a present to him from his mother, but the zip of his tunic covered it. Why had he hidden the cross? So that God would not witness his deceit? He didn’t know. He wanted only to be driving again, to drive and drive till he dropped or was safely home.
Look nowhere,
he remembered the General saying. He was to look nowhere but ahead of him:
You are the passive partner. You have nothing to do but supply the opportunity. No code word, nothing; just the basket and the oranges and the yellow envelope and the newspaper under your arm.
I should never have agreed to it, he thought. I have endangered my daughter Beckie. Stella will never forgive me. I shall lose my citizenship, I have put everything at risk.
Do it for our cause,
the General had said. General, I haven’t got one: it was not my cause, it was your cause, it was my father’s; that is why I threw the oranges overboard.
But he didn’t. Laying the newspaper beside him on the slatted bench, he saw that it was drenched in sweat—that patches of print had worn off where he clutched it. He looked at his watch. The seconds hand was standing at ten. It’s stopped! Fifteen seconds since I last looked—that simply is not possible! A frantic glance at the shore convinced him they were already in mid-lake. He looked at the watch again and saw the seconds hand jerking past eleven. Fool, he thought, calm yourself. Leaning to his right, he affected to read the newspaper while he kept the dial of his watch constantly in view. Terrorists. Nothing but terrorists, he thought, reading the headlines for the twentieth time. No wonder the passengers think I’m one of them.
Grossfahndung.
That was their word for massive search. It amazed him that he remembered so much German.
Do it for our cause.
At his feet the basket of oranges was leaning precariously.
When you get up, put the basket on the bench to reserve your seat,
the General had said. What if it falls over? In his imagination he saw the oranges rolling all over the deck, the yellow envelope upside down among them, photographs everywhere, all of Beckie. The seconds hand was passing six. He stood up.
Now.
His midriff was cold. He tugged his tunic down to cover it and inadvertently exposed his mother’s wooden cross. He closed the zip.
Saunter. Look nowhere. Pretend you are the dreamy sort,
the General had said.
Your father would not have hesitated a moment,
the General had said.
Nor will you.
Cautiously lifting the basket onto the bench, he steadied it with both hands, then leaned it towards the back to give it extra stability. Then tested it. He wondered about the
Abendblatt.
To take it, to leave it where it was? Perhaps his contact had still not seen the signal? He picked it up and put it under his arm.
He returned to the main cabin. A second couple moved into the stern section, presumably to take the air, older, very sedate. The first couple were a sexy pair, even from behind—the little man, the shapely girl, the trimness of them both. You knew they had a good time in bed, just to look at them. But this second couple were like a pair of policemen to him; the boy was certain they got no pleasure from their love-making at all. Where is my mind going? he thought crazily. To my wife, Stella, was the answer. To the long exquisite embraces we may never have again. Sauntering as he had been ordered to, he advanced down the aisle towards the closed-off area where the pilot sat. Looking at nobody was easy; the passengers sat with their backs to him. He had reached as far forward as passengers were allowed. The pilot sat to his left, on his raised platform.
Go to the pilot’s window and admire the view. Remain there one minute exactly.
The cabin roof was lower here; he had to stoop. Through the big windscreen, trees and buildings on the move. He saw a rowing eight switch by, followed by a lone blonde goddess in a skiff. Breasts like a statue’s, he thought. For greater casualness, he propped one running shoe on the pilot’s platform. Give me a woman, he thought desperately as the moment of crisis came; give me my Stella, drowsy and desiring, in the half-light of early morning. He had his left wrist forward on the railing, his watch constantly in view.
“We don’t clean boots here,” the pilot growled.
Hastily the boy replaced his foot on the deck. Now he knows I speak German, he thought, and felt his face prickle in embarrassment. But they know anyway, he thought stupidly, for why else would I carry a German newspaper?
It was time. Swiftly standing to his full height again, he swung round too fast and began the return journey to his seat, and it was no use any more remembering not to stare at faces, because the faces stared at him, disapproving of his two days’ growth of beard, his track suit, and his wild look. His eyes left one face, only to find another. He thought he had never seen such a chorus of mute ill-will. His track suit had parted at the midriff again and showed a line of black hair. Stella washes them too hot, he thought. He tugged the tunic down again and stepped into the air, wearing his wooden cross like a medal. As he did so, two things happened almost at the same time. On the bench, next to the basket, he saw the yellow chalk mark he was looking for, running over two slats, bright as a canary, telling him that the hand-over had taken place successfully. At the sight of it, a sense of glory filled him; he had known nothing like it in his life, a release more perfect than any woman could provide.
Why must we do it this way? he had asked the General; why does it have to be so elaborate?
Because the object is unique in the whole world,
the General had replied.
It is a treasure without a counterpart. Its loss would be a tragedy to the free world.
And he chose
me
to be his courier, thought the boy proudly: though he still, at the back of his mind, thought the old man was overdoing it. Serenely picking up the yellow envelope, he dropped it into his tunic pocket, drew the zip, and ran his finger down the join to make sure it had meshed.
At the same instant exactly, he realised he was being watched. The woman at the railing still had her back to him and he noticed again that she had very pretty hips and legs. But her sexy little companion in the black overcoat had turned all the way round to face him, and his expression put an end to all the good feelings the boy had just experienced. Only once had he seen a face like that, and that was when his father lay dying in their first English home, a room in Ruislip, a few months after they had reached England. The boy had seen nothing so desperate, so profoundly serious, so bare of all protection, in anyone else, ever. More alarming still, he knew—precisely as Ostrakova had known—that it was a desperation in contrast with the natural disposition of the features, which were those of a comedian—or as Ostrakova had it, a magician. So that the impassioned stare of this little, sharp-faced stranger, with its message of furious entreaty—“Boy, you have no idea what you are carrying! Guard it with your life!”—was a revelation of that same comedian’s soul.

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