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Authors: Barbara Kingsolver

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We should be tired of it, too. My country has been at war, secretly or openly, for virtually every year of my life, though my fellow citizens and I were mostly insulated from what that really felt like until September 11, 2001. Then we were chilled to our spines, and we began to say, “The world has changed. This is something new.” We are right to weep aloud for this devastation; we should raise our forearms to the unsheltering sky and weep forever. But if there really is something new under the sun in the way of war, some alternative to the way people have always died when heavy objects are dropped on them from above, then please in the name of heaven I would like to see it,
now
.

 

On my desk sits a small black-and-white portrait of the world in a new year, when the year was 1903, that graced the cover of Emma Goldman's magazine
Mother Earth,
and words of hers that have crossed a century to reach me: “Out of the chaos the future emerges in harmony and beauty.” Promises and prayers contain their own kinds of answers, as consecrated aspiration. I need this one now, as I need air and light.

I don't know what lies around the bend for us. I'm as scared as anybody, and grieving already: the end of nature and biodiversity, of safety and the privilege of travel; we have such larger losses to ache for than the end of the SUV as we know it. We may already be looking at the end of the world, in the form we least expect. It would be a pure, hellish irony of history if the same smallpox germ that was let loose on this continent two hundred years ago
by the European arrivals, which quickly killed some 98 percent of the indigenous American population, were to revisit us again with the same results. It does not seem safe to assume we will ever know the moral of our story.

What I can say for certain is that many things will change for us, and fairly soon. We've built our empire on the presumption of endlessness for certain resources, which we are now running out of: more forests, more easily exploited oil, more economic growth based on more untapped markets for our goods. Alas, the nomads in Lorestan Province may already be buying as much Coca-Cola as they're ever going to be induced to want. “The time will soon come,” writes Wendell Berry, great prophet of our age, “when we will not be able to remember the horrors of September 11 without remembering also the unquestioning technological and economic optimism that ended on that day. This optimism rested on the proposition that we were living in a ‘new world order' and a ‘new economy' that would ‘grow' on and on, bringing a prosperity of which every new increment would be ‘unprecedented.'”

Every time I read an argument justifying further oil drilling in sensitive places, I notice that it begins with the caveat, “Unless Americans are willing to accept a drastic lifestyle change.” As if that were the one thing that could never happen. As if many new kinds of shortage weren't already on the docket, scheduled for arrival,
period
, before my kids get to be my age. Scientists have been trying gently to remind us that the “fossil” in fossil fuel is not a metaphor or a simile. That oil is going to dry up eventually, and no political voodoo can induce dinosaurs or prehistoric fern forests to lie down and press themselves into more ooze for us on the timetable we require.

The writing has been on the wall for some years now, but we are a nation illiterate in the language of the wall. The writing just gets bigger. Something
will
eventually bring down the charming, infuriating naïveté of Americans that allows us our blithe con
sumption and cheerful ignorance of the secret uglinesses that bring us whatever we want. I am not saying I'm in favor of the fall; it terrifies me. I'm saying when the nine-hundred-pound bear gets all the way out to the
very
tip end of the limb, something's going to crash. Nostalgia for an earlier ignorance is not the domain of this discussion. Sitting here eating as fast as we can, while glancing around for the instrument of our demise, isn't it either. Would that the instrument might be a reconstruction guided by our own foresight and discipline, rather than someone else's hatred.

To wage war is human nature, I'm told, and the only way to settle a shortage of resources. I don't buy it. There is Jason's swashbuckling approach to the dragon's-teeth warriors, and there is Medea's more intuitive one, and both—for the record—are human. When the most recent round of bombings began, my mother and I declared to each other, “When the going gets tough, seems like men reach for a weapon and women look in the pantry.” (My apologies, and deepest thanks, to you guys who were standing right there with Mom and me at the pantry door.) Slightly more than half of us down here on earth are of the pantry persuasion, and we didn't all of us get here by being efficient killers. By
here
I mean in charge of the place, numbering in the billions and wreaking our will on the planet. We got here by being social animals, communicative animals, cooperative animals, bipedal animals, tool users, seed savers, cagey mate choosers, bearers of live, big-brained young who seem determined each time around to outsmart their parents' generation, and frequently do. We are much too clever an animal, it seems to me, to kill ourselves now.

This is the lot I was cast, to sit here on this sharp, jagged point between two centuries when so much of everything hangs in the balance. I get to choose whether to hang it up or hang on, and I hang on because I was born to do it, like everyone else. I insist that I can do something right, if I try. I insist that you can, too, that in fact you already are, and there's a whole lot more where this came from.

That manner of thinking does not seem to be the fashion at this sharp, jagged little point in time, where the power is mighty and the fashion is coolness and gloom and one raised eyebrow. But still I suspect that the deepest of all human wishes, down there on the floor of the soul underneath the scattered rugs of lust and thirst and hunger, is the tongue-and-groove desire to be understood. And life is a slow trek along the path toward realizing how that wish will go unfulfilled. Such is the course of all wisdom: Others will see the front and the back, but inside is where we each live, in that home where only one heart will ever beat. There we have to make our peace with all we need of sorrow, and all we can ever know of the divine, by whatever name we can call it.

What I can find is this, and so it has to be: conquering my own despair by doing what little I can. Stealing thunder, tucking it in my pocket to save for the long drought. Dreaming in the color green, tasting the end of anger. Don't ask me for the evidence. The possibility of a kinder future, the existence of God—these are just two of many things that fall into the category I would label “impossible to prove, and proof is not the point.” Faith has a life of its own.

Maybe the cynics are on top of the game, and maybe they're not. Maybe it doesn't cost anything to hope, and those of us who do will be able to live better, more honest lives as believers than we could as cynics. Maybe God really is just a guy on the bus. Maybe those really are his wife's measuring spoons hanging up there on my garden trellis, waiting to dole me out a pinch of grace on the day I need it. Maybe life doesn't get any better than this, or any worse, and what we get is just what we're willing to find: small wonders, where they grow.

 

T
he first person who believed this book should be assembled in some form, by me, was David Csontos. Frances Goldin and Terry Karten quickly agreed, and in turn convinced me, though I was at best the fourth person to get behind the project. (None of them but me, however, is responsible for any problems you may find with the result.) It took me a while to understand how lucky I was to have been handed a task to help keep me reasonably sane and focused through a frightening time. My friends and extended family also provided sanity and focus—especially Steven, my bedrock of solace and partner in both the practical logistics and the improbable dreams. I thank him, and thank my children, for being brave when we've all had to be, and inspiring me to take the necessary risks for what we believe in.

Fenton Johnson provided helpful comments on the manuscript, as did Sydelle Kramer, David Csontos, and Matt McGowan. Terry Karten was an author's best dream of an editor; Dorothy
Straight's copyediting was precise and inspired. Emma Hardesty showed loyalty and courage beyond the call of duty for an office manager, but if you knew her you'd expect nothing less. Frances Goldin, as always, guided me safely through the storms.

Most of my information on world poverty and other international humanitarian concerns came from various agencies of the United Nations. The quote from Barry Commoner, and information about the failure of the central dogma underlying genetic engineering, came from his excellent article “Unraveling the DNA Myth” in
Harper's,
February 2002. Natsuki Gehrt and David Csontos advised on matters Japanese, and for what I may still have gotten wrong,
sumimasen!
Larry Venable and colleagues at the University of Arizona provided information about seed banking for “Called Out.” Information about cats and songbirds in “Setting Free the Crabs” came from R. Stallcup, “A Reversible Catastrophe,” in the
Observer,
1991. Other sources of information are listed in the foreword.

Paul Mirocha worked beside me, sometimes literally, to provide the illustrations and cover art for these essays as I was writing them. My book's mind gained its face, and a lovely new sense of itself, through his remarkably thoughtful collaboration.

To the organizations that will receive royalties from this book, I give my thanks for your supportive presence in my own life and your important work in the hopeful reconstruction of a better world. I urge every reader to maintain that gentle reconstruction in your own communities, as well as supporting these and many other national organizations doing similar work: Physicians for Social Responsibility (www.psr.org), Habitat for Humanity (www.habitat.org), Heifer International (www.heifer.org), and Environmental Defense (www.environmentaldefense.org).

I'm deeply indebted to the readers, booksellers, librarians, and friends who stood by me through the months when a handful of ultraconservatives sliced part of a sentence from my essay in
defense of the flag, reversed its meaning, and paraded it across the country to revile me as Patriotically Incorrect. My readers, who understand patriotism to be a far nobler vocation than gossip-mongering, responded to the attacks by buying my books in great numbers. I will never forget this, or cease my effort to live up to your faith in me.

Finally, my mother never once told me not to stick my neck out. She gets the Maternal Medal of Honor.

About the Author

BARBARA KINGSOLVER
's ten published books include novels, collections of short stories, poetry, essays, and an oral history. Her work has been translated into more than a dozen languages and has earned literary awards and a devoted readership at home and abroad. In 2000, she was awarded the National Humanities Medal, our country's highest honor for service through the arts.
      Ms. Kingsolver grew up in Kentucky and earned a graduate degree in biology before becoming a full-time writer. With her husband, Steven Hopp, she co-writes articles on natural history, plays jazz, gardens, and raises two daughters. Their family divides its time between Tucson, Arizona, and a farm in southern Appalachia.

Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins author.

BY THE SAME AUTHOR

FICTION

The Bean Trees

Pigs in Heaven

Animal Dreams

Homeland and Other Stories

The Poisonwood Bible

Prodigal Summer

NONFICTION

High Tide in Tucson: Essays from Now or Never

Holding the Line:
Women in the Great Arizona Mine Strike of 1983

POETRY

Another America

Some of the essays in this book appeared previously in slightly different forms in the following publications: “Seeing Scarlet” in
Audubon
and
The Best American Science Writing 2001,
E. O. Wilson, ed., Houghton Mifflin; “The Patience of a Saint” in
National Geographic
; “Called Out” in
Natural History
; “Saying Grace” in
Audubon
; “Letter to My Mother” in
I've Always Meant to Tell You,
Constance Warloe, ed., Pocket Books, 1997; “Going to Japan” in
Journeys
, PEN/Faulkner Foundation, 1996; “Life Is Precious, or It's Not” in the
Los Angeles Times
; “Knowing Our Place” in
Off the Beaten Path,
Joseph Barbato and Lisa Weinerman Horak, eds., North Point Press, 1998; “What Good Is a Story?” in
Best American Short Stories 2000,
Barbara Kingsolver, ed., Houghton Mifflin; and “Taming the Beast with Two Backs” (under the title of “A Forbidden Territory Familiar to All”) in the
New York Times
.

“Stealing Apples” originally appeared as the introduction to
Another America/Otra America,
poems by Barbara Kingsolver, Seal Press, 1998.

Brief portions of the essays “Flying,” “And Our Flag Was Still There,” “Lily's Chickens,” “Marking a Passage,” and “God's Wife's Measuring Spoons” first appeared as op-ed pieces in the
Los Angeles Times, San Francisco Chronicle, Washington Post, Boston Globe, Arizona Daily Star,
and
New York Times
.

The quote from Emma Goldman is from “The New Year,”
Mother Earth
magazine, January 1912, used with permission, The Emma Goldman Papers Project, http://sunsite.Berkley.edu/Goldman.

Excerpts from “Mending Wall” and “The Death of the Hired Man” from
The Poetry of Robert Frost,
edited by Edward Connery Lathem. Copyright 1930, 1939, 1969 by Henry Holt and Co., © 1958 by Robert Frost, © 1967 by Lesley Frost Ballantine. Reprinted by permission of Henry Holt and Company, LLC.

Epigraph from
Life Is a Miracle,
by Wendell Berry, © 2000 by Wendell Berry. Used by permission of Counterpoint Press.

SMALL WONDER
. Copyright © 2002 by Barbara Kingsolver. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

EPub Edition © MARCH 2007 ISBN: 9780061868641

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