Slights (19 page)

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Authors: Kaaron Warren

Tags: #Fiction, #Psychological, #Horror, #misery, #Dark, #Fantasy, #disturbed, #Serial Killer, #sick, #slights, #Memoir

BOOK: Slights
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Mrs Nicholson wrote, "Although your methodology, logicality and metaphors are not always clear, I enjoyed this. A rare glimpse of imagination and humour such as this can make a teacher's week. Well done."
  My other great moment in school was also in English. We were studying poetry with Alice Blackburn, which everyone hated. I was so bored I cut stripes in my arm with my penknife; just drew the sharp thing across. I drew a weave of blood. I was completely involved in the design of it, the neatness of the squares. I could hear poetry in the background, knew it was poetry because it went up and down, soft and loud.
  I became aware of silence; realised they were watching me. I pulled my sleeve down, tucked the knife under my exercise book. I had things spread all over the desk, taking up room, making it look like I needed a whole desk to myself. Like I chose to sit alone, in a room full of best friends, leaning in to each other, shoulders touching, same sense of humour, same taste. They were all pairs, except the ones who were triplets. Samantha was in another class that year. They split me up from the only friend I had.
  Sometimes the triplets would fight, split into twins and a lonely only, an enemy. Then I would clear a space and that one would sit beside me. They would mutter, complain, tell me stories of slights I could barely register. And I never learnt; every time I'd agree, I'd help make terrible plans for revenge, I'd throw in my own nasty stories. Then they'd all be friends again, and my words repeated as if they were truly mine. Enemy number one, for a while, until they found someone else to hate.
  Alice Blackburn said, "Did you hear the poem? Would you like me to read it again?"
  I nodded; I remember thinking she could choose which question I was answering yes to.
  She wanted to read it again; I pictured her, sitting alone at night, memorising the poem. She loved it. Her cheeks were red. The poem was "Lady Lazarus", by Sylvia Plath.
  "Can you tell me what that poem is about?" the teacher said, soft voice, she was ignoring the sleeve of my school shirt, blood soaking neatly through.
  I was surprised by the simple question. I expected a real test, I thought she'd make a fool of me.
  "It's about suicide. And how suicide can be comforting, something to look forward to. I don't know."
  She smiled at me. "Very good," she said. She was sacked soon after; there was such a fuss about the stuff she was reading us. It didn't bother me. I thought it was interesting, that's all, the Sylvia Plath poems,
Go Ask Alice
; people seemed to die in all the books and poems she picked.
  Alice Blackburn, call me Alice, never lost sight of me after that. Periodically I'd hear from her, and she'd say, "Uh huh, uh huh." Dying to hear bad news. That's what I thought.
I'd finished three months of my nursing course before Peter bothered to ask me about it. Even then, he didn't want to know anything. He wanted to talk about some things Mum had wanted done, which we didn't do.
  Peter said, "You realise, of course, Steve, that under the circumstances we are unanimously obliged to fulfil the requirements of our mother's will?"
  I snorted; I heard Maria snort too, but it must have been my own echo. I said, "I didn't realise they taught Fucking Wanker at Uni," and cracked up. I glanced at Maria to make it funnier, but she stared at me blankly, as if nothing had ever happened and I had never made her laugh.
  Peter said, "Things like throwing out Dad's things, Steve."
  "You leave his stuff alone," I said.
  My memories of events are autoscopic. I see them as an observer, an adult observer. There is a value judgement in every memory, from hindsight and education. Children don't have any of that, and I've forgotten the innocence, the freedom, of being without them. I can't remember so much of what I thought of the events of my childhood as they were occurring; but I know what I think of them now.
  People who say they have experienced near death witness the scene in a similar way; they are detached, disconnected.
  I am disconnected.
  People won't let me alone. If they're not trying to sell raffle tickets or chocolate, they're on the phone trying to ask me questions.
Ring ring.
"What?" I said. Who has time for niceties.
  "Don't bother," the person said. Touchy. It crosses my mind that they would have many slighted people in their rooms. People who are annoyed, irritated, all waiting for them.
  It strikes me that I could ask one of those door knockers in, and no one would know where they got to.
at twenty-three
I finished my nursing course. Simple. I don't know why my teachers at school thought I was dumb. I found a spot at the hospice, where they liked me because I worked hard and I wasn't squeamish about the gross stuff. I had the night shifts, usually, because I don't have any family, is how they put it. I did my digging after I got home, three in the morning sometimes. Sometimes I did it at dawn. But I liked what I was finding. I liked the feeling of finding this old stuff, and wondering how it all got there. I wanted to put a sign up out the front saying "
Night-shift nurse sleeping
", because the noise during the day was awful. The Sanderson kid across the road ran home crying after I said boo. I was only getting the mail; he was staring at me. They need to control their children.
  I found an elastic band, a rain hat, a tiny crystal heart, a plastic whistle and two small white buttons.
  Only Auntie Jessie was proud of me. She called and asked me to stay, said she missed me. I said yes, I'll come. I was a nobody in the family as far as everyone else was concerned; I had seen Peter and Maria just days earlier, and they had an exciting announcement which overrode any news I might have had.
  I put my hand on Maria's belly. I liked the activity. I said, "It's like I can read the creature's feelings. It's trapped in there, in the cold, dark womb, all alone. It must be so very dark, no chink of light."
  Maria stepped away from me. "You should have your tubes tied," she hissed. If I told anyone she said that? They'd never believe me. Peter said nothing about me being a nurse.
  Auntie Jessie said, "It's a matter of urgency," so I grabbed a taxi to her place, jumping in front of a slow woman with three kids. I must have annoyed Auntie Jessie with my fractious stamping, because she showed me the room where she kept all her boxed books and told me to help myself. She said it was a room of old bones, skeletons, but she didn't keep them in the cupboard. She told me a secret. "You can't tell people about all these. I bring them home from the library when no one's borrowed them for a while. I brought a lot of them home, the ones I scribbled in. But there's too many. I can't remember them all. Every now and then I'll find another and bring it home."
  "I don't know why you're taking them out of circulation. Didn't you write the notes for an audience?" I'd recognised her writing in the margins. She confessed when I asked her.
  "I'm getting scared in my old age," she said.
  "Old!" I said. "Stop fishing for compliments."
  There were hundreds of books there. "And no one's ever noticed what you've done?" I said.
  "Who would notice?"
  "What about Lesley?" Lesley was her assistant, a quiet, crabby young woman.
  "I told you about Lesley," she said.
  "No, what about her? She's a bitch in the library. She always blames me for damaged books even if they're really old."
  I could hear my voice becoming childish, my clothes loose, too big for a child.
  "Lesley knows a lot about me most other people don't. I didn't know if I could keep the secret anymore," she said.
  "What secret?"
  She nodded at me. Smiled. "Clever, like your father. I often wondered if I'd said something earlier, what would have happened."
  "Come on, Jessie. Don't talk shit. It's me. Steve. What secret?"
  "You know very well. His secret is your secret; thank God the accident stopped you having children." She was mad; old and mad. There had never been anyone more fertile than I was.
  "What are you saying?" I said. My voice felt too loud.
  Auntie Jessie looked coldly at me. "Don't pretend," she said.
  It wasn't a dream. That was no dream. She took me to her bedroom and showed me a box of books.
  "I always meant to give this to you. But I didn't have the courage. Read them later. When I'm not around." There was a note on top. It said: "It breaks my heart to say it. Thank God Alex is gone, and Heather. But the children remain, and no one to care for them. Why was I so tempted to write it down? Why that need? This is my reason. There is no excuse." It was a weird note. It made no sense. I wanted it to make no sense.
  "Read them," she said. She started passing me the books.
  "What, right now?" I said.
  "No, Steve. But some time. These books are very important." She passed me 
Rebecca
, by Daphne Du Maurier.
  "Terrifying," she said. She passed me a romantic historical thing, I hate them, but she said, "Read it." She passed me 
The Devil's Dictionary
by Ambrose Bierce, 
In the Wet
 by Nevil Shute and a really old 
Guinness Book of World Records.
  "I'll look at the rest later," I said. "Thanks."
  "This is the key. I thought this would be enough, but it wasn't," she said, handing me Ve
ndetta
 by MS Murdoch. There were strange sentences, some in the sort of simple code we learned how to crack in Primary School.
  She had circled letters in the book, but I was no puzzler. I didn't have the patience to find out her message. There were a few letters per page. And it was no message I could have used to save her. That's what upsets me. Why didn't she let me save her?
 
Auntie Jessie. I know all about her. She told me so much, so much I didn't need to know. Jessie, the one who read books and would never be an influence on anybody. Though this was not true, as the future told. Jessie, who gained all her knowledge from books and none from school, who pronounced her words as she read them, because she didn't ever hear them. It was never known, because it was rarely reported (because all library users have a fear of being blamed for damage, even if the book was damaged when they borrowed it) that Jessie marginalised almost every book which fell into her hands.
  On page 85, 
Of Mice and Men
, that little something from Steinbeck, so well borrowed from the library for the bit about Curly's glove and the Vaseline within it, to which the book always falls open, Auntie Jessie wrote in fine letters down the side: "It is clear the wife is no more than an unintelligent, bad puppy, who would have become a 'dog' had she lived. She visits the men out of loneliness, uses her sexuality as a form of friendship, just wants to be treated with gentleness, kindness, for all Curly's soft hand. There's no doubt the woman 'asked for it', asked for death because she wore sexy clothes, she wasn't content to sit and wait in the kitchen for her insecure, smelly husband to return."
  She never tired of marginalia, and would scour her books searching for a reply. Sometimes she found one; perhaps just a question mark, or an exclamation. Once or twice she found abuse, but that, at least, proved her words were read.
  This confidence, and a feeling of dissatisfaction, led her to embark on her great work; a novel, written in lead pencil on the blank end papers of the novels she shelved.
  It was slow work; she only felt the words coming when she was at work. When she took novels home, all she saw were typed words and blank pages. She rested her coffee mug on these pages, though she weekly destroyed people with her laser stare for just the same thing.
  She completed thirty-four chapters by the time she died, and could never see the novel ending. This was thirty years' work; barely a book in the library did not have her neat hand within it.
  She never read the novel over; she wrote her piece and filed each book without numbering it. There was no sequence to follow; she always imagined her story could be read in any order. This stood in the face of popular opinion, that each word must lead to the next, each sentence, each paragraph, each chapter.
  Auntie Jessie did not write this way.
  Only one person read it from start to finish, but she never asked for his opinion. Mr Bell, her old school teacher, was a long-time customer. He loved to watch, sit with a book in his hands and watch. He saw everything Jessie did. He read her novel in order; he plucked out books after Jessie replaced them. He told me this, though I didn't want to know.
He kept a list of his favourite pieces.
1. 
Rebecca
 – Daphne du Maurier
2. 
Kirkland Revels
 – Victoria Holt
3. 
The Devil's Dictionary
 – Ambrose Bierce
4. 
In the Wet
 – Nevil Shute
5. 
Guinness Book of Records, 1960
 – Ross & Norris McWhirter
6. 
The Growth of the Central Bank
 – LF Giblin
7. 
Random Harvest
 – James Hilton
8. 
Bless this House
 – Norah Lofts
9. 
The Deer Park
 – Norman Mailer
10. 
The Day it Rained Forever
 – Ray Bradbury
  Though of course the Guinness Book of Records was replaced when the new edition came out, leaving a gap in the middle.
Written inside In the Wet by Nevil Shute was this:

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