Slightly Foxed

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Slightly Foxed

by Jane Lovering

Samhain Publishing, Ltd.

www.samhainpublishing.com

Copyright ©2008 by Jane Lovering

First published in 2008

NOTICE: This eBook is licensed to the original purchaser

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Slightly Foxed

by Jane Lovering

CONTENTS

Slightly Foxed

Dedication

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-One

Chapter Twenty-Two

Chapter Twenty-Three

Chapter Twenty-Four

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by Jane Lovering

Chapter Twenty-Five

Chapter Twenty-Six

Chapter Twenty-Seven

Chapter Twenty-Eight

Chapter Twenty-Nine

Chapter Thirty

Chapter Thirty-One

Chapter Thirty-Two

Chapter Thirty-Three

Chapter Thirty-Four

Chapter Thirty-Five

Chapter Thirty-Six

Chapter Thirty-Seven

Chapter Thirty-Eight

Postscript

About the Author

Samhain Publishing, Ltd.

* * * *

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Slightly Foxed

by Jane Lovering

eBooks are
not
transferable.

They cannot be sold, shared or given away as it is an

infringement on the copyright of this work.

This book is a work of fiction. The names, characters, places,

and incidents are products of the writer's imagination or have

been used fictitiously and are not to be construed as real. Any

resemblance to persons, living or dead, actual events, locale

or organizations is entirely coincidental.

Samhain Publishing, Ltd.

577 Mulberry Street, Suite 1520

Macon GA 31201

Slightly Foxed

Copyright (C) 2008 by Jane Lovering

ISBN: 1-60504-129-7

Edited by Anne Scott

Cover by Natalie Winters

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Slightly Foxed

by Jane Lovering

All Rights Are Reserved. No part of this book may be used or

reproduced in any manner whatsoever without written

permission, except in the case of brief quotations embodied in

critical articles and reviews.

First Samhain Publishing, Ltd. electronic publication: August

2008

www.samhainpublishing.com

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Slightly Foxed

by Jane Lovering

Slightly Foxed

* * * *

Jane Lovering

[Back to Table of Contents]

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Slightly Foxed

by Jane Lovering

Dedication

To my father, James Playle Lovering, 1928-2008. A man

who loved books.

[Back to Table of Contents]

8

Slightly Foxed

by Jane Lovering

Chapter One

I fell in love, in the bath, with a man who had been dead

for a century.

Typical for me, this inclination towards unsuitable men.

This particular one was the author of a poetry collection, a

faded dowager of a paperback grown floppy with mildew and

bent-paged with waiting to be read. How much more

unsuitable could you get, I mean—dead? Even for me, that

was a first.

I let the book drop across my chest and stared up at the

damp patch on the wall of the tiny, unventilated bathroom,

which formed the exact shape of the land mass of Sweden.

Or, to the more uncultured eye, a limp willy. I could measure

the length of time I had been wallowing in the scummy water

by the increasingly priapic nature of that spreading stain,

which was presently set to annex Finland. Or star on Channel

Five.

"Mum!" A shoulder banged against the door which was

only held shut by the weight of the laundry basket propped

against it. The lock had been wrenched from the woodwork by

Grainger in his one evening of frenzied kittenhood, and never

replaced. "What are you doing in there? On second thoughts,

don't tell me, I've just eaten."

Slowly I rose from the grimy depths. "Sorry, Florence, did

you want the bathroom?" A sixteen-year-old girl with a

healthy social life? Does, as the saying went in our literary

household, toyevsky?

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"Nah. I'm just telling you I'm off to Dad's." A small silence.

"Okay?"

I bit my lip. "I wish you'd told me earlier that you were

going over there."

"Well I've told you now. I'm staying over. I'll get Piers to

drop me at school in the morning, right?"

My fingers tightened on the bath's crumbling enamel edge,

but the wetness of my palm made it slither with a sound

identical to a tremendous fart.

"I'll take that as a 'yes' then."

I sighed, more deeply than I had meant to. In

consequence, the waters lapped at the edges of my new love,

who lay upon my bosom like a suitor to whose charms the

lady has finally succumbed. "Do you have money for..." slam

went the front door, "...the bus?" Duty bound as a parent to

finish my sentence so that at least I could say, "I told you

so," even though she might not have been listening at the

time. Or, even, present.

I stared down the length of my body at the too-white

flesh. I was still reasonably trim "for my age", as Florence

would no doubt have pointed out. Thirty-six isn't old, is it?

Not these days anyway. But it
is
old enough for outlying

regions to start bearing a slight resemblance to mascarpone

cheese and having a distressing tendency to go their own

way, i.e. downwards. To distract myself from the

uncomfortable thought that my daughter would, as soon as

she arrived at her father's house, be comparing my loose

shape to her stepmother's expense-account-gym-membership

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by Jane Lovering

litheness, I unpeeled the book from my chest and flipped it

open again.

The new object of my affection (I wondered how he would

have felt, coming runner-up to such luminaries as Florence,

our psychotic cat, Grainger, and Johnny Depp) was a man

called Theo Wood. Underneath the mould and the water

creasing, his pages were virginal and the spine was uncracked

as though the book had never been opened. I could imagine

him, all those years ago, crouched over candlelight, pouring

his never-to-be-read soul out onto the pages of a notebook.

Dark eyes fixed on the page, (he'd have deep, poetic eyes of

course) hand rubbing uneven stubble in an attempt to conjure

the words onto the paper. But despite its historical nature,

this book was reasonably new, privately published two years

previously. Had someone discovered the poems lying in a

dust-haunted attic and decided to make a few quid out of the

current vogue for arrhythmic autobiographia?

At the back of the book, almost as though unimportant,

came the picture. Black and white, befitting a man born, the

biography informed me, in 1850. I shifted my weight to allow

the spindly light from the forty-watt bulb access to the pages

and was confronted by a thin face, high-cheekboned, with

eyes of such depth and substance that I felt exposed being

naked in front of his gaze. Dark rumpled attractiveness

mingled with a distant stare, making him look almost

suicidally creative and also slightly short sighted. He also

seemed to be wearing a Marks and Spencer pullover, which

was impossible.

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I laid the book face down on a towel so as not to cause

further damage to the already leprous pages. After all, I had

only started reading it in order to find out where best to

shelve it. I suspected that Florence would have credited my

work with far more dignity had I worked in WH Smith. But it

paid the bills and the rent on our dingy little flat in an area

which was up and coming in much the same way as an

exploding muckheap. I got myself out of the bath, careful not

to drip on Theo, and had scuffled my way into the kitchen,

when there was a knock at the door.

"Alys?" There in the hallway stood Simon, blond and

aristocratic to the point of looking as though he'd been built

out of teeth. "I wasn't sure of the address."

In the five years I'd worked for him, Simon had never

shown any desire to take our employer/employee relationship

further than the local book auction. He also suffered from

borderline agoraphobia, which meant that on unfamiliar

territory he was liable to collapse hyperventilating. I was

therefore so astonished to see him on my doorstep that I

nearly dropped my towel.

"Come in. I was just..."

"Having a bath?" Simon's expression was gradually

returning to its usual resting state of benevolent arrogance.

"I'm sorry to have to come over like this on your day off and

everything but—we've got a problem."

We were only "we" when there was a problem. When

things went well, Webbe's was a very them-and-us

establishment, with Simon being the us, and myself and my

coworker Jacinta being the opposition. We didn't really mind

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by Jane Lovering

and got our revenge in subtle ways, quite a few of them

revolving around Simon's HobNobs.

"It must be a big problem, to bring you all the way out

here." I readjusted the towel to cover as much of me as

possible. Although I'd spent the better part of the last five

years trying to determine in which direction his sexual

proclivities lay, now was not the time to discover Simon's

compass definitely pointed north. "Sit down a moment while I

get dressed."

I left him staring at the only chair in the room still decently

covered in its original upholstery rather than shrouded in a

dubious throw. The reason he was staring rather than sitting

was that this chair was occupied by Grainger, a cat whose

reputation spread further than his discarded coat, and stuck

every bit as hard. He was the only cat I'd ever met who slept

with a snarl on his face to avoid having to change his

expression on waking. By the time I returned, dressed and—

Simon's sexual leanings notwithstanding—heavily coated in

mascara, Simon was resting one buttock carefully along the

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