Slave Girl of Gor (27 page)

"We must name you," he said. "Sabina-Sabina-" said he, as though musing on the thought. "Ah," had he then said, "it seems that you, in your former name, carried already, an excellent slave name."

"Oh, no, no, Master!" she wept.

"Your former name," said he, "was clever. It appears to be the name of a free woman, and yet, within it, in disguise, which we now penetrate, it concealed secretly your true name. Very clever, Slave, but now you are discovered and you will openly wear your true name, that which will perfectly fit you and which I now, in the decree of the master, make yours."

"Please, Master!" she wept.

"You are Bina," said he.

She put her head in her hands, and wept. The expression 'Bina' in Gorean means slave beads.

"Put Slave Beads in a Sirik," said my master. Swiftly my master's new girl was locked in the light, gleaming Sirik. The collar clasped her throat; a chain dangled from the collar; her small wrists were locked in the slave bracelets fixed on the dangling chain, and the dangling chain, itself, looped down to a short chain and pair of ankle rings, to which it was gracefully fastened at a sliding ring. The ankle rings were then closed about the lovely ankles of Slave Beads, and locked. She was helpless in Sirik. The confinement became her. She was beautiful. I had never worn Sirik.

She knelt before my master, naked, in Sirik. She looked up at him. Her thigh, freshly branded, bore the common slave mark of Gor, the initial letter, in cursive script, of the Gorean expression 'Kajira,' which means Slave Girl. She trembled. She was now no different from thousands of other girls who shared her condition, that of total bondage.

"Greetings, Slave Beads," said my master.

"Greetings, Master," she said, responding to her name, as she must.

My master looked down at her, and smiled. She looked up at him, trembling. He was her master.

"Perhaps you remember, Slave Beads," said my master, "that, on an evening, some days ago, a free woman harshly and at length punished a slave girl."

"You know?" she asked.

"We observed, in scouting the camp," said he. He looked down at the kneeling girl, locked in the Sirik. "The beating was well done," said he.

"Thank you, Master," she whispered.

"The crime of the slave girl, as I recall," said my master, "was to desire the touch of a man."

Lehna stood to one side. She stood straight, as an exciting slave girl.

"Yes, Master," said Slave Beads.

"The free woman," said my master, "was doubtless well within her rights to beat the girl."

"Yes, Master!" said Slave Beads.

"But that free woman," said my master, "has since that time herself fallen slave. Indeed, she is now in this camp."

"Yes, Master," said Slave Beads.

"The slave girl whom she beat is, too, in this camp," said my master.

"Yes, Master," said Slave Beads. She trembled in the Sirik.

"Do you yourself desire the touch of a man?" asked my master.

"Oh, no! No, Master!" cried Slave Beads.

"Ah," said my master, "it seems that in this camp we have a slave girl, too, who is guilty of a crime."

"Who, Master?" asked Slave Beads.

"You," said he.

"Not I!" she cried.

"You," said he.

"What is my crime?" she asked.

"Not to desire the touch of a man," said he.

She looked at him, aghast.

"You see," said he, "in this camp it is a crime for a girl not to desire a man's touch." My master turned to one of his men. "Bring Lehna a switch," he said. He turned again to Slave Beads. "You will be well punished for your crime, Slave Girl," said he.

"I am ready, Master," said Lehna.

"Do not forget this beating," said my master. "You are to desire men. Further, it will be well for you to learn what it is to be a beaten slave girl. What you did to Lehna she will now do to you. Perhaps you will then have a richer understanding of what it was, truly, that you did to her. Perhaps you will regret that you were not a kinder mistress."

"She will regret it, Master," promised Lehna, licking her lips.

"I will now leave you to the tender mercies of Lehna," said my master. "Let us hope that, in the future, your masters and mistresses will be kinder to you than was the Lady Sabina of Fortress of Saphronicus to her slaves."

"Do not leave me with her, Master!" cried Slave Beads. "She will kill me! She will kill me!"

"It is not impossible," said my master. He turned to leave, then turned. again to face the kneeling, terrified Slave Beads. "It is my hope, too," said he, "that this beating will prove a useful initiation for you, given your antecedents and nature, into the condition of slavery." He looked at her, sternly. "Yes, Master," she said, looking up at him. "After your beating," he said, "you will be asked again if you desire the touch of men. I trust, then, your answer will be affirmative. If it is not, you will be again beaten, and again, throughout the night."

"My answer will be affirmative, Master," whispered Slave Beads.

My master then turned away from her, and so, too, did we all, leaving her with Lehna.

Later my master took Slave Beads by the hair. "Do you now desire the touch of men?" he asked. "Yes, yes, yes, yes, yes, Master," she wept.

She was then released from the Sirik. "Go to the men," said my master.

"Yes, Master," she said. She crawled to the men, on her hands and knees. She extended her hand to one of them, and looked up at him, with tears in her eyes. "Please touch Slave Beads, Master," she begged.

He took her by the hair and pulled her into the darkness. We did not retire that night until Slave Beads, on her knees, had begged the touch of each of my master's men. He himself was the last to grant her plea. When he had finished with her he put her again in the Sirik and threw her to the wall of the cliff. Eta went to her and, putting a rep-cloth blanket about her, held her and comforted her. "Poor slave," said Eta.

I, and the other girls, went to sleep.

"Run!" cried the man, lowering the torch.

I, and the other girls, sped, scattering, from the dirt line.

Some fifty yards from the line, in the darkness, between the straw huts, on their pilings, I stopped, and, wild, gasping, in the Ta-Teera, looked back.

Already the torch had been fixed in the ground. The slave girl who wore the rope of Thurnus on her throat as a collar leaned back against the man of my master. Her head was back on his shoulder. Her eyes were closed. His hand was tight on her body, counting the beats of her heart. He was calling the count, but I could not hear him.

I looked wildly about, and then ran further through the huts, down the long corridor between them. Then my hands were pressed against the smooth logs of the palisade surrounding the village. I pressed my body and cheek against the wood. I stepped back and, hands on the wood, looked up. The pointed tops of the palings were eight feet over my head. I turned about, my back to the logs, and looked back down the narrow dirt street. I could see the fire in the village's clearing, its light on the faces of the men about it. I saw the boys getting to their feet, eagerly.

"There is no place to hide!" wept Slave Beads, who was near me.

"We are slaves," I snapped at her. "We are meant to be caught."

I saw some of the boys spitting on their hands and wiping them on their thighs. This would improve their grip. The flesh of a girl would be less likely to slip from their hands.

More than one of them I knew wanted me. Bets had been taken on who would bring me as his slave for the night to the ring drawn about the torch, as they had, too, on the other girls. A big red-haired fellow and a smaller dark-haired fellow had bet on which of them would take Slave Beads.

I saw Chanda creeping into a hut.

Slave Beads turned away from me and fled about the interior perimeter of the palisade.

I followed her, and then darted among the huts. I almost died of fear when, suddenly, I heard, not feet from me, a bedlam of vicious snarling. I cried out, my hand before my mouth. Dozens of vicious eyes blazed at me from behind the stout bars of a sleen pen, one of several in the village. Snouts and teeth pressed at the bars. I stumbled back.

I ran again.

I did not see Marla or Eta, nor Lehna. Slave Beads, too, had fled elsewhere.

I did see a white ankle, not covered by a piece of canvas. It was Donna. "You had best cover this ankle, or you will be soon found, Slave Girl," I said, angrily, jerking the canvas over it. Donna shrank even smaller, covered by the canvas. She trembled beneath it, her head down, under her hands. She was slender, small-breasted and lovely-legged. She had dark eyes, dark hair. The name "Donna" is an Earth name, but the girl, as I had determined, was Gorean. Many Gorean names, as words in the Gorean language, apparently have an Earth origin. Her original name had been Tais. She had been a slave since the age of eight, but it had not been until she was seventeen that she had been judged fit for men, and then branded. Donna, in the beginning, had been a block name. Girls are usually sold under a name, it being easier then for the auctioneer to refer to them; too, for some reason, the intensity of the bidding often increases when a named girl is being vended; it makes, I suppose, the buying and selling much more exciting and personal; "See, Generous Buyers, the flesh of Donna! Is Donna not beautiful? Stand straight, Donna. What am I bid, Noble Buyers, for Donna?" The original Donna had perhaps been a girl brought in a chain and collar from Earth. Her name, finding favor with masters, considering it a lovely slave name, would then have been given, from time to time, to other girls, perhaps some Gorean, perhaps some, like herself, of Earth origin. Tais was too fine a name for a slave; accordingly the lovely seventeen-year-old Gorean girl had been sold in Ko-ro-ba under the block name of Donna, a slave name calculated to excite Gorean buyers. Many Earth-girl names, incidentally, on Gor, are regarded as slave names. Gorean males, commonly, regard the women of Earth as fit only to be their slaves. But Donna, though she had been adjudged fit for men and branded, was sold from the block in Ko-ro-ba to a visiting merchant, Kleomenes of Fortress of Saphronicus, who took her with him and gave her to his spoiled daughter, the Lady Sabina, as a woman's slave. Donna had been a virgin until she was raped in the coffle on the first night of the march by two of my master's men. She had been had from time to time since then, but Marla, Eta and, surprisingly, I, had been the most consistently abused of the girls of Clitus Vitellius. The more beautiful I had become the more often I had been raped; and the more I had been raped, the more beautiful I had become. I think that I understood the problem of Donna. She feared men. The slave girl must, surely, if she is rational, fear men, but, too, she must regard them as potentially constituting for her sources of incredible pleasure. Donna's timidity and lingering uncertainty with men, I think, was largely a function of her fear that she might not be capable of giving them pleasure. It is one thing to be thrown down and raped; it is quite another to hear the indolent command, "Please me." The responsibility for pleasure is often placed on the slender, lovely shoulders of the slave girl. It is she, then, who must labor in her bondage to be pleasing. As soon as I had understood that the quality of my life on Gor, given my brand, would depend on my ability to please men I had begged Eta to give me instruction. She had been extremely helpful, teaching me many things I might never have discovered myself. She had actually received some weeks of slave training in the pens of Ar, a tutelage to which Clitus Vitellius in disgust at her ineptness had remanded her; she had attended diligently to her lessons; when she returned to his quarters it had been clear by morning that it would not be necessary to sell her off. She had made an acceptable beginning in learning the arts of the slave girl. These arts, it might be mentioned, are intricate and diverse, and are complex and rich in many modes and dimensions. Most obviously they are domestic, sexual and psychological. Too, they are culinary, kinetic, cosmetic and artistic. Like the painter and the musician the slave girl need never stop growing in her art, which is the creation of beauty and joy for herself and her master. I had swiftly sought slave instruction; Donna had not. Perhaps I was more practical than she. Perhaps, rather, I was simply a slave and she was not. I was of Earth. The men of Gor regard the women of Earth as natural slaves. Perhaps I was a natural slave. That might be the difference between Donna and myself. Yet I suspected that if I were a natural slave so, too, were all women. Donna, I was sure, would learn her slavery. She was beautiful. She would come around. It requires only the right master to bring out the slave in any woman.

I heard a shout from the center of the camp. The hunters were now in pursuit.

"Do not be afraid, Donna," I said to her. "You will not be beaten or much beaten. You will not truly have to serve. These are only peasant boys and will not know one end of a slave girl from the other."

Then I fled from her side, through the spaces between the dark huts.

I hoped that what I had said to Donna was true. I was sure that the peasant boys, indeed, would not know much of the handling of slave girls. Doubtless they would lack the patience and skill to get all from a girl. I did not think, for example, that they would know how to force me into the slave girl's humiliating submission ecstasy. On the other hand, I regarded them. with genuine fear. They could well hurt me. I remembered their roughness and the way they had, with brutal exactness, appraised my flesh. I was so much smaller and weaker than they, and their lust would be on them. They could well be terribly brutal with me. I was to them, after all, only an animal. They might hurt me. They might throw me about among them. They might beat me with ropes if I were not pleasing to them.