“Hey!” yells the drug dealer. “You’re JORDAN CARTWRIGHT!”
I can’t believe this is happening. First Elizabeth, now this.
What does Jordan want from me, anyway? That’s what I can never figure out. The guy is thirty-one years old, six-two, and worth a
lot
of money—way more than the hundred thousand a year Rachel is looking for in her ideal mate. I mean, I know his parents weren’t exactly thrilled when the two of us moved in together. It hadn’t looked good, two of their most popular teen performers, shacking up…
But had our
entire
relationship just been an elaborate attempt to get back at Mr. and Mrs. Grant Cartwright for allowing their youngest son to audition for the Mickey Mouse Club, like he’d begged them to back when he was nine, to his everlasting shame? Because of course
serious
rockers don’t have photos of themselves in Mickey Mouse ears being shown in
Teen People
every other week…
“Jordan,” I say, cutting him off as he is listing the things he wants out of life, most of which have to do with bringing a little sunshine into people’s lives, and why is that so wrong? Except that I never said it was. “Could you please just
go away
?”
I jostle past him, my keys in my hand. I guess my plan was to unlock the door and get inside before he could stop me.
With three locks to undo, though, a quick escape is kind of tough.
“I know you don’t take me seriously as an artist, Heather,” Jordan goes on. And on and on. “But I can assure you that just because I don’t write the songs I sing, that doesn’t make me
any less creative than you are. I do practically all my own choreography now. That move I did on the ‘Just Me and You Now’ video? You know, this one?” He does a quick step-ball-change, accompanied by a pelvic thrust, on the front stoop of the brownstone. “That’s all mine. I know to you that might not be much, but don’t you think it’s time you took a good look at your own life? I mean, what have
you
been doing that’s so artistically fulfilling lately? This stupid dorm thing—”
Two locks down. One to go.
“—and living down here with drug addicts at your doorstep…and with
Cooper
! With
Cooper
, of all people! You know how my family feels about
Cooper
, Heather.”
I do know how his family feels about Cooper. The same way they feel about Cooper’s grandfather, who came out of the closet at the age of sixty-five, bought a bright pink stucco brownstone in the Village, then willed it to his black sheep grandson, who’d moved into the garden apartment, turned the middle floor into a detective agency, and offered the top floor to me, rent-free (in exchange for doing his billing), when he’d found out about my walking in on Jordan and Tania.
“I mean, I know there isn’t anything going on between you two,” Jordan is saying. “That’s not what I’m worried about. You aren’t Cooper’s type.”
He can say that again. Sadly.
“But I wonder if you’re aware that Coop has a criminal record. Vandalism. And yeah, he was a juvenile, but still, for God’s sake, Heather, he has no respect for public property. That was an Easy Street marquee he defaced, you know. I’m aware that he always resented my talent, but it’s not my fault I was born with such a gift—”
The third lock springs open. I’m free!
“Good-bye, Jordan,” I say, and slip inside, shutting the door carefully behind me. Because, you know, I don’t want to slam it in his face and hurt him, or anything. Not because I still care, but because that would be rude.
Plus his dad might sue me, or something. You never know.
Secret Admirer
I’m your
Secret Admirer
I know how
Much you love
And desire her
And I think
What would you do
If you knew that
I loved you?
If you knew it was true
That I’m your
Secret Admirer?
“Secret Admirer”
Performed by Heather Wells
Composed by Valdez/Caputo
From the album
Sugar Rush
Cartwright Records
Jordan is pounding on the door, but I’m ignoring him.
It’s cool inside the brownstone, and smells vaguely of toner from the photocopier in Coop’s office. I start up the stairs to my apartment, thinking Lucy—have I mentioned her? She’s my dog—will want to be let out, when I happen to glance down the hall and see that the French doors to the back terrace are open.
Instead of going upstairs, I go down the hallway—Cooper’s grandfather had it papered in black and white stripes, which was apparently all the rage in the seventies gay
community—and find the man of the house sitting in a lawn chair on the back terrace, a bottle of beer in his hand, my dog at his feet, and a red mini-Igloo at his side.
He’s listening—as he usually is, when he’s home—to a jazz station on the radio. Cooper is the only member of his family who eschews the screeching of Easy Street and Tania Trace for the more dulcet tones of Coleman-Hawkins and Sarah Vaughn.
“Is he gone yet?” Cooper wants to know, when he notices me standing in the doorway.
“He will be soon,” I say. Then it hits me. “Are you
hiding
back here?”
“You got that right,” Cooper says. He opens the Igloo and takes a beer from it. “Here,” he says, offering it to me. “I figured you’d need one of these.”
I take the cold bottle gratefully, and sink down onto the green padded seat cushion of a nearby wrought-iron chair. Lucy immediately darts over and thrusts her head between my thighs, snuffling happily at me. I rub her ears.
That’s the nice thing about having a dog. They’re always so happy to see you. Plus, you know, there are health benefits. People’s blood pressure goes down when they pet a dog. Or even a cat. It’s a documented fact. I read it in
People
magazine.
Of course, pets aren’t the only thing that can help keep your blood pressure down. Sitting in a really tranquil place can do it, too. Like, for instance, Cooper’s grandfather’s terrace and the garden below, which are totally two of the best-kept secrets in Manhattan. Leafy and green, surrounded by high, ivy-covered walls, the place is this tiny oasis carved from a former eighteenth-century stable yard. There’s even this little fountain in the garden, which Cooper, I see, has turned on. It gurgles comfortingly in the late-afternoon still
ness. As I stroke Lucy’s ears, I can feel my heart rate returning to normal.
Maybe when I pass my six months’ review, and I’m finally able to enroll in school, I’ll become a pre-med major. Yeah, it’ll be hard to do with a full time job—not to mention Cooper’s billing. But I’ll find a way to make it work.
And then maybe later I’ll get like a scholarship or something to medical school. And then, when I graduate, I can take Lucy with me on rounds, and she can calm down all of my patients. I’ll totally eradicate heart disease, just by having my patients pet my dog. I’ll be famous! Like Marie Curie!
Only I won’t wear uranium around my neck and die of radiation poisoning like I read that Marie Curie did.
I don’t mention my new plan to Cooper. Somehow, I don’t think he’d fully appreciate its many facets. Although he’s a pretty open-minded guy. Arthur Cartwright, Cooper’s grandfather, angered by the way the rest of the family had treated him after he’d revealed he was gay, had left the majority of his vast fortune to AIDS research; the entirety of his world-class art collection to Sotheby’s to auction, with the provision that all proceeds from the sales go to God’s Love We Deliver; and almost all the property he’d owned to his alma mater, New York College…
…all except his beloved pink brownstone in the Village, which he’d willed to Cooper—along with a cool million bucks—because Cooper had been the only member of the Cartwright family to have said, “Whatever floats your boat, Gramps,” when he’d heard the news about his grandfather’s new boyfriend, Jorge.
Not that Jordan and the rest of the Cartwrights had been overly worried by Arthur’s cutting them off. There’d still been plenty of money left in the Cartwright family bank vault for everyone else.
Still, it hadn’t exactly made Cooper, already the family scapegoat for getting himself thrown out of multiple high schools and choosing college over a place in Easy Street—not to mention his tendency to date highly attractive heart surgeons or art gallery owners named Saundra or Yokiko—the most popular member of the Cartwright clan.
Which truthfully doesn’t seem to bother him. I’ve never met anyone who seems more content with his own company than Cooper Cartwright.
He doesn’t even
look
like the rest of his family. Dark-haired, whereas the rest of them are blond, Cooper does have the requisite Cartwright good looks and ice blue eyes.
Though his eyes are where any resemblance to his brother Jordan ends. Both are tall, with gangling, athletic builds.
But whereas Jordan’s muscles have been honed by a personal trainer several hours a day at his personal home gym, Coop’s are from playing aggressive rounds of one-on-one down at the public basketball courts on Sixth and West Third, and from—though he won’t admit this—high-speed on-foot pursuits through Grand Central on behalf of whatever client he’s currently employed by. I know the truth because, being the one who does his client billing, I see the receipts. There is no way someone can go from a cab—a six-dollar trip ending at 5:01—to a Metro North ticket booth—round-trip ticket to Stamford, departing at 5:07—without running.
Because of all this—the niceness, the eyes, the weekend-hoops thing…not to mention the jazz—of course I’ve fallen madly in love with Cooper.
But I know it’s completely futile. He treats me with the kind of friendly nonchalance you’d normally reserve for your kid brother’s girlfriend, which is what I am apparently destined to remain to him, since, compared to the women he
dates, who are all waiflike, gorgeous, and professors of Renaissance literature or microphysicists, I’m like vanilla pudding, or something.
And who wants vanilla pudding when they can have crème brûlée?
I’m going to fall in love with someone else just as soon as I can. I swear. But in the meantime, is it so wrong that I enjoy his company?
Taking a long sip from his beer, Cooper studies the tops of the buildings around us…one of which happens to be Fischer Hall. You can see the twelfth to twentieth floors, including the president’s penthouse, from Arthur Cartwright’s backyard garden.
You can also see the vents to the elevator shaft.
“So,” Cooper says. “Was it bad?”
He doesn’t mean my encounter with Jordan. This is obvious by the way he nods his head in the direction of the college campus.
I’m not surprised he knows about the dead girl. He would have heard all the sirens and seen the crowds. For all I know, he could even have a police scanner tucked away somewhere.
“It wasn’t pretty,” I say, taking a sip of my beer while massaging Lucy’s pointed ears with my free hand. Lucy is a mutt I’d picked up from the ASPCA shortly after my mother took off. I’m sure Sarah would say I adopted Lucy as some sort of surrogate family member, since I’d been abandoned by all of mine.
But since I’d been touring all the time, I’d never been able to have a pet, and I just felt like the time had come to get one. Part collie and seemingly part fox, Lucy has a laughing face I’d been unable to resist—even though Jordan had wanted a pure breed, if possible a cocker spaniel. He hadn’t
been too happy when, instead of Lady, I’d come home with the Tramp.
But that had been all right, because Lucy never liked Jordan anyway, and had promptly shown her disapproval of him by eating a pair of his suede pants.
Strangely, she doesn’t seem to have a problem with Cooper, a fact I attribute to Cooper’s never having thrown a copy of
Us Weekly
magazine at her for chewing on his Dave Matthews Band CDs. Cooper doesn’t even own any Dave Matthews Band CDs. He’s a Wynton Marsalis fan.
“Anybody know how it happened?” Cooper wants to know.
“No,” I say. “Or, if someone does, they aren’t exactly coming forward with the information.”
“Well.” He takes a swig of beer. “They’re just kids. Probably afraid they’ll get into trouble.”
“I know,” I say. “It’s just that…how could they have just
left
her there? I mean, she had to have been there for hours. And they just left her.”
“Who left her?”
“Whoever she was with.”
“How do you know she was with anybody?”
“Nobody goes elevator surfing alone. The whole point is that a bunch of kids climb on top of the elevator through the maintenance panel in the ceiling, and dare one another to jump off the roof of their car they’re riding on, onto the roof of a second car as it passes by. If there’s no one to dare you, there’s no point.”
It’s easy to explain things to Cooper, because he’s a very good listener. He never interrupts people, and always seems genuinely interested in what they have to say. This is another character trait that sets him apart from the rest of his family.
It’s also one that I suspect aids him in his line of work. You
can learn a lot from letting other people talk, and just listening to what they have to say.
At least, it said this once in a magazine I read.
“The whole point is that kids dare each other to make bigger and braver leaps,” I say. “You would never elevator surf alone. So she had to be with someone. Unless—”
Cooper eyes me. “Unless what?”
“Well, unless she wasn’t elevator surfing at all,” I say, finally voicing something that’s been nagging at me all day. “I mean, girls don’t, generally. Elevator surf. At least, I’ve never heard of one, not at New York College. It’s a drunk-guy thing.”
“So.” Cooper leans forward in his lawn chair. “If she wasn’t elevator surfing, how did she fall to the bottom of the shaft? Do you think the elevator doors opened, but the car didn’t come, and she stepped out into the shaft without looking?”
“I don’t know. That just doesn’t happen, does it? The doors won’t open unless the car is there. And even if they did, who would be stupid enough not to look first?”
Which is when Cooper says, “Maybe someone pushed her.”
I blink at him. It’s quiet in the back of his brownstone—you can’t hear the traffic from Sixth Avenue, or the rattling of bottles from Waverly Place as homeless people go through our garbage. Still, I think I might not have heard him correctly.
“Pushed her?” I echo.
“That’s what you’re thinking, isn’t it?” Cooper’s blue eyes reveal no emotion whatsoever. This is what makes him such an excellent PI. And why I continue to believe there might be hope for him and me romantically after all—because I’ve never seen anything in his eyes to lead me to believe otherwise. “Maybe she didn’t slip and fall. Maybe she got pushed.”
The thing is, that is EXACTLY what I’d been thinking.
But I’d also been thinking that this sounded…well, too nuts ever to mention out loud.
“Don’t try to deny it,” Cooper says. “I know that’s what you’re thinking. It’s written all over your face.”
It’s a relief to burst out with, “Girls don’t elevator surf, Coop. They just don’t. I mean, maybe in other cities, but not here, at New York College. And this girl—Elizabeth—she was preppie!”
It’s Cooper’s turn to blink. “Excuse me?”
“Preppie,” I say. “You know. Clean-cut. Preppie girls don’t elevator surf. And let’s say that they did. I mean, they just LEFT her there. Who would do that, to a friend?”
“Kids,” Cooper says, with a shrug.
“They aren’t kids,” I insist. “They’re eighteen years old.”
Cooper shrugs. “Eighteen’s still a kid in my book,” he says. “But let’s say you’re right, and she was too, um, preppie to be elevator surfing. Can you think of anyone who’d have a reason to want to push her down an elevator shaft…providing they could figure out how to do this in the first place?”
“The only thing in her file,” I say, “is that her mom called and asked her to restrict her guest sign-in privileges to girls only.”
“Why?” Cooper wants to know. “She got an abusive ex-boyfriend the mom wanted PNG’d?”
A PNG, also known as a persona non grata memo, is issued to the dorm security guards whenever a resident—or her parents, or a staff member—requests that a certain individual be denied entry to the building. Since you have to show a student or staff ID, driver’s license, or passport to be let into the hall, the guards can easily deny entry to anyone on the PNG list. Once, my first week, the student workers issued a fake PNG against me. As a joke, they said.
I bet they never did that to Justine.
Also, I can’t believe Cooper has been paying such close attention to my ramblings about my crazy job at Fischer Hall that he even remembers what a PNG is.
“No,” I say, flushing a little. “No boyfriend mentioned.”
“Doesn’t mean there isn’t one. The kids have to sign guests in, right?” Cooper asks. “Did anyone check to see if Elizabeth had a boyfriend—maybe one Mom doesn’t know about—over last night?”
I shake my head, not taking my gaze off the back of Fischer Hall, which is glowing red in the rays from the setting sun.
“She had a roommate,” I explain. “She’s not going to be having some guy spend the night with a roommate right there in the bed across the room.”
“Because preppie girls don’t do things like that?”
I squirm a little uncomfortably. “Well…they don’t.”
Cooper shrugs. “Roommate could’ve stayed the night with someone else.”
I hadn’t thought of this. “I’ll check the sign-in logs,” I say. “It can’t hurt.”
“You mean,” Cooper says, “you’ll tell the police to check the sign-in logs.”
“Police?” I am startled. “You think the police are going to get involved?”
“Probably,” is Cooper’s mild reply. “If they harbor the same ‘preppie girls don’t do that’ suspicions you seem to.”
I make a face at him just as the doorbell rings and we hear Jordan bellow, “Heather! Come on, Heather! Open up!”
Cooper doesn’t even turn his head in the direction of the front door.
“His devotion to you is touching,” Cooper remarks.
“It’s got nothing to do with me,” I explain. “He’s just trying to annoy you. You know, get you to throw me out. He won’t be happy until I’m living in a cardboard box on the median of Houston Street.”