Silvertip (1942) (14 page)

Arturo Monterey walked back and forth across the terrace. He had not spoken a word to Silver about the branding of the door of the Drummons. What he felt about the accomplishment of the first portion of his vow was too great for speech. But as he walked back and forth, once he paused and dropped his hand on the shoulder of the American. Then he continued pacing, and halting at the farther end of the terrace, he stood staring over the lowlands beyond, lost in a dream of hope.

"He even forgets Pedro," said the girl softly. "Don't doubt that he loved his son, but a thousand children would be nothing to him compared with the filling of his vow. Twenty-five years of hating and hoping!"

"And Tonio?" said Silvertip.
.

The sun that blazed on his head made the gray tufts above his temples glisten like metal indeed.

"Tonio? What does he matter?" asked the girl. She laughed bitterly. "Tonio was simply an old adherent, the wisest and the best man in the whole valley, the kindest to me, the truest to his master, the most faithful to his friends. But it doesn't matter. What does the life of one man mean, compared with putting the mark on the door of the Drummon house? Oh, nothing at all!"

She fell silent. He watched the pinching of her lips and the slight flaring of her nostrils. The battle spirit was in her, also, he could see. And out of the distance, he could hear the Mexicans singing. The noise sometimes drove close to them with the opening of a door, then receded, and grew as far away as a thought.

Her chin was dropped on one brown fist that was whitened at the knuckles by the force with which she gripped it. His head was far back; she watched the faintness of his smile.

She looked at him with a queer mixture of horror and admiration.

"You want trouble," she said. "You live by it."

"I'll die by it, too," said Silvertip gloomily.

"What gave you the gray markings in your hair?" she asked. "That wasn't just chance, was it?"

"No. It's a long story," he told her. "Stop talking about me. I want to know about Tonio. What'll they do to him?"

"He'll disappear, that's all. He'll never be seen by his friends again."

"They'll kill him out of hand, eh?"

"Not at all," she answered. "He'll simply be riding through the woods, and he'll brain his head against a bough of a tree. Or else he'll fall off his horse and drown in the rapids. Or he might even have an accident with his own revolver. There are lots of ways. The Drummons won't know anything about it."

He nodded. "Tonio," said Silvertip, "you think quite a lot of him, don't you?"

"He taught me to ride," she said. "He taught me to shoot. He taught me the old Mexican and Indian legends of everything. Whatever I know that's worth knowing, he taught me."

Silvertip nodded again.

"That means I have to get him back," he said. At this, she looked him over quizzically, dropping her glance from his eyes to his smile. Then she seemed to rally to a sudden realization that he meant what he had said.

"How could you do it? How could you even try to do it?" she asked.

He looked at the horizon line, where it slid up and down the ragged sides of the mountains, across the valley.

"You can't go with numbers; they'd be seen," said she. "And if you go alone, how do you dream you could take Tonio away from them? They know that he's important to Arturo Monterey. They'll keep him caged and watched all the time."

"I'll go off and think," said Silvertip. He went to his room to be alone. But the four walls looked in upon his mind like four faces.

He went up to the roof of the old house, where a low wall was built around an open promenade. There he remained for hours, smoking cigarettes, staring at the mountains, growing constantly more nervous and tense.
Something was gathering in him, as water gathers behind a dam; something was kindling in him. His smile was seen no more. As the evening came nearer, he began to pace the roof restlessly with a step longer and more silent. He watched the evening begin, the color burn up in the west like a red thunderhead.

Then he went down to the dining room and sat silently at one end of the long table, Monterey at the other, the girl between. She tried to talk; Silver answered in murmurs. The windows grew black with night, the yellow image of the table lamp sitting deep in the glass.

At last he left her, suddenly, and felt the drift of her eyes, as her glance followed him across the room. He knew that she understood where he was going, but she said nothing. An American girl would have had to speak, but the Mexican blood was enough to keep her silent. He felt, at that moment, that to look into her mind would be to look into a greater darkness than the night.

Outside, he went to the stable. Two vaqueros appeared from nowhere and attached themselves to him. Their atti-
t
ude was a queer mixture of suspicion and respect. He wanted a horse, a fresh horse. They took him with a lantern into the corral behind the stable, and flashed the light for him over the string of mustangs that were kept on hand. He picked a bay gelding, built long and low, with a pair of fine shoulders. He had not made a mistake; he knew that by the way the two looked at one another. They roped that mustang, together with another, at his request.
They wielded long, rawhide lariats, heavy and supple as quicksilver, and made their casts with a queer underhand flick, effortless and sure. The rawhide noose stuck with a report, like the slap of a hand.

The pair were saddled. Silvertip's rifle was brought, examined by one of the vaqueros, and slid into the saddle holster. The Mexicans escorted him to the gate of the patio. They held up their lantern to light him on his way; he saw the flash of their teeth and their eyes, and the gleam of perspiration on their dark faces. Then he was gone down the road.

A voice called after him. As he halted, Juan Perez galloped up and drew rein with a jerk.

"You are riding alone, amigo," said Juan Perez. "How is that? It is too dark to see anything. It is too dark to find anything except trouble. Let me go with you!"

"No," said Silver. "This is a case, Juan, where two men are too many, and where one is almost too much. But when the right time comes, I shall call on no one but you, amigo."

He left Juan Perez sitting the saddle disconsolately, and went on along the road.

He passed a small group of bushes. A figure rose ou
t
of it.

"Who goes?" called a voice. And it added instantly:

"Senor Silver?"

"Yes!" said Silvertip.

"Good fortune!" called the voice.

Silver rode on. At the mouth of the ravine, two more shadows arose, hailed him, let him pass. It was clear that the men of Monterey would keep good watch.

He kept steadily on across the valley of the Haverhill. The stirrups had been tied up so that they would not flop and make a noise. But as he drew near the ford of the river, the hoofbeats of his mustang seemed to grow loude
r
and louder, for they were entering the domain of the Drummons, and armed men might grow up out of the ground at any moment.

He rode into the ford. The water dashed about the two horses; it seemed to burn with a white fire, to the excited eye of Silvertip. His long-geared mustang grunted as it climbed the farther bank, and it seemed to Silvertip that the sound must reverberate to the very edge of the hills.
But still there was no sign of an enemy. So he reached the trees that covered the hill before the house of Drummon.
There he dismounted, and led the horses slowly through the double blackness beneath the branches until, from the brow of the slope, he saw the long line of lights across the face of the Drummon house. It was not so much like a private dwelling as a hotel.

Many men had gathered; it was no wonder that every room seemed to be lighted. More than a dozen horses were tethered at the hitch rack, hanging their heads patiently, each of them pointing one rear hoof.

He saw the details as he went forward, after throwing the reins of his own pair. He had to move slowly enough to allow the casual eye small chance of seeing him, but there were eyes far from casual now sweeping the night.
He saw one dull silhouette of a man move against the wall of the house. Another approached from the left and joined the first at the corner. Silver lay flat in the dust and waited.
A tall clump of grass sheltered him.

He heard the voices challenge one another quietly: "All well?" and the answer: "All well." "It ain't so well for the greaser," said one, and chuckled. "And is he goin' to hold out?" "Not when Hank Drummon gets working on him."
The two separated, and drifted away, passing dimly down the wall of the house again. Silver, setting his teeth, contemplated a retreat, for it seemed obvious that he would not be able to come closer to a place so well-guarded. He turned his head and looked back; it seemed to him that the ground over which he had wormed his way was clearly lighted by the stars, and that retreat was almost as dangerous as to advance. Twice more, he saw the sentries meet at the corner, and separate again; and now he got to feet and hands, and went rapidly forward.

The fellow who moved to the right, toward the back of the house, was his goal. The ghostlike footfall of Silver followed him to the end of his beat; and as the man turned, swinging carelessly about, Silvertip laid the muzzle of a revolver against his breast.

"What kind of a fool game is this, Jerry?" asked the guard. "What kind of tricks are you up to, you fool?"

"Hoist your hands, and keep walking," said Silvertip, "and don't speak out loud again. I'm from the house of Monterey."

He heard a sound out of the choking throat of the other. The hands went up slowly. When they were shoulder-high, they paused; and the fellow groaned, faintly, as he struggled between fear and a desire to fight back.

But at last he surrendered, and walked on toward the corner of the house. The rapid hand of Silvertip already had taken the gun that hung in the thigh holster.

"To that other hombre you meet at the corner, I'm Jerry," said Silvertip. "You don't stop to talk to him. You turn around, and walk back with me. We've something to talk about."

Beyond the dark line of the corner of the house stepped the second guard.

"Thought I heard you sing out, Bud?" said he.

"Yeah. Here's Jerry got something to talk over with me," said "Bud," and turned on his heel, with Silver swinging around beside him.

"Jerry?" exclaimed the first guard. "Looks like Jerry had growed a few inches since supper-time. Hey, wait a minute!"

But they walked on slowly. The left hand of Silver kept a firm grip on the arm of his companion. He felt the big muscles slip up and down, like snakes moving beneath the skin. He felt the tremor of shame and disgust that worked in his companion.

"Stop here!" commanded Silver.

They were just under a lighted window, shuttered fast, the lamplight working dimly through the cracks. But one leaf of the shutter was broken out, and since it was fairly close to the level of the eye of Silvertip, he could look into the room. It was fairly crowded with a dozen or more men. He saw first the red of the whisky-bloated face o
f
that Drummon who had helped to hunt him on this same day. And now he saw Tonio, tied to a chair and directly confronting the window outside of which Silvertip stood.

The man of the red, swollen face stood beside the prisoner, with his arms folded.

"Who is it?" asked Silvertip. "The older one-with the red mug?"

"Him?" muttered Bud. "That's Hank. That's Hank himself."

Silver looked into the puffed brutality of those features with a lingering and curious horror.

He heard a thick voice, husky and powerful, that matched the look of the man, saying: "All right, Tonio. This is the night when we ride at the house of Monterey. You go along and show us where the guards may be, and save your hide. We been handlin' you with gloves, Tonio, but now I'm goin' to cut deeper'n the skin. Are you swingin' over to our side?"

Tonio leaned his head back a trifle and laughed in the face of Drummon.

Chapter
XVIII

The Torture Jo
b
IT SEEMED to Silvertip incredible that any human being could show such immense assurance, such carelessness of his life, as to insult Henry Drummon at such a time. The whole roomful of men surged toward the prisoner, but the older man and leader held up his hand and checked the advance.

"You ain't goin' to help us, eh, Tonio?" he said.

Tonio was silent.

"It wouldn't be much to do," declared Drummon. "All we want is to have the posts of the guards pointed out to us. And the entrance to the cellar under the house. That ain't much to do. We don't ask you to help in the fight, because we want all of that for ourselves. You hear me, Tonio?"

Tonio yawned. A bystander lifted a gun butt to strike into the captive's face, but again the chief of the clan checked his followers.

"This ain't a time or a place for us to make any hurry, he said. "We gotta think this over. We gotta get the best ideas to use on Tonio. He's goin' to be worth 'em, and he's goin' to last for a while. Get the Runt in. He's the one that will have the best ideas."