All hotel guests are much the same aren't they, she thought, there are things that they never leave in full view, but put in places that are pretty obvious and unlocked. Those zippered pockets inside suitcases, somewhere to put the passport, the loose change from their own country, pound coins or Danish kroner. Elise often took a portion of the coins; just enough to add to her nest egg at home, never enough to be noticed. But as she gazed at this suitcase, she grew increasingly troubled. In a nearby town a young unidentified woman had been murdered. Had this been her room? Were these her things?
Elise locked the door again leaving the âDo not disturb' sign in place, abandoning her cleaning trolley in the corridor and went down by the back stairs, down, down into the underbelly of the hotel, through its furnace room and laundry and into the kitchen where Teri was smacking the side of a pig with salt as if it were Elise's bare arse.
âHey!' she said to get his attention. The radio was on, the volume loud enough to drown out her voice. She turned it off and he looked up, angry that someone had dared to touch his radio just as it was playing one of his favourite songs.
Her face told him straightway that something was up. Elise was one of the toughest women he'd ever known â her hard life showed in her gun
-
metal eyes. She stole things from the hotel â he'd seen her do it â eggs, coffee, bread rolls, sachets of sugar, vegetables, slices of meat, toilet paper. She probably stole from the guests too, though no serious loss had ever been reported. He knew she hid up on the roof, smoking when she should have been working, but with all these things she knew her limit, never took more than could be missed and he paid her less than he should because of what she helped herself to.
And reduced her share of the tips. Because of her low pay she felt entitled to cream that little extra. Reparations, she might have called it. They were caught in a dance of cheating and deceit, the pair of them, and could not escape.
But her expression now was something new.
Salt on his hands, gritty between his fingers, he wiped them on his apron.
âWhat?' he said.
âThat woman in the news? The dead one? Unidentified? Room six seems likeâ¦'
âWhat?'
ââ¦like someone left it, left their stuff, never came backâ¦'
The World, as Learned from Pictures
The night before, and after those first lingering kisses in the playground and walking home arm in arm they had arranged to meet early the next day. In the same park. Very early. At first light or thereabouts. Neither knew what time the sun rose, so they were vague about the time, but not about what they said they would do. His older brother was the captain of a pleasure boat that picked up passengers on the river jetty every two hours and sailed out to sea, around the coast, then back again.
They would get out at the furthest point and spend the day there. Far away from their friends in the town, far from any chores their parents might want them to do. Almost like running away. But not really. His brother lived with an older woman in the town.
âHe's cool,'
Vincent said.
âYou're lucky,' Katherine said.
âTomorrow.'
âTomorrow.'
He'd put on a red football shirt first, âBeckham' written across his shoulder blades. Then he changed his mind, pulled it off and slipped a plain white t
-
shirt over his head, then grey combat baggies. Changed his mind again and left the house wearing faded jeans with a t
-
shirt that some kids at school had screen
-
printed with MC Solaar's photo and the words
Le bien, le mal
. Little plastic baggie of dope in his jeans pocket. Rizlas. Plastic lighter. Tobacco. Money â some. Not much, but just enough. Sunglasses. Tried them on, then discarded them envisioning awkwardness when kissing. Key to the door.
Vincent got to the park first. The streets on the way there had been quiet. The sky, vapour white. He looked around for her. No sign yet. That was cool.
He sat on a swing and rocked himself to and fro until he realised he looked like a kid. Jumped off and ambled over to the roundabout, pushed it into motion without climbing aboard. Paced up and down, around, then went and sat on one of the benches where the mothers always congregated as their children swarmed and squabbled over the play equipment.
There was not a glimmer of doubt in his mind about Katherine showing up. She would. He knew it.
He thought about rolling a spliff. A one skinner. Patted his pocket to check that his contraband was still there.
Sensed someone coming through the entrance to the park. Her. Didn't look up immediately. Stupid grin spreading over his face. Composed himself. Looked up. Not her. Shit! So not her. A man. A
flic
. And just behind him his
flic-
mobile and another
flic
standing by it looking up and down the street. As Vincent watched, the guy outside the park seemed to see him, he hissed some words and the other
flic
turned to see what he wanted.
Vincent pulled the baggy from his pocket and dropped it through the slats of the bench onto the gravel below. He registered its presence there, a square of plastic not much bigger than a postage stamp illustrated with a jolly emerald
-
green marijuana leaf.
He looked up to see the
flic
on the street pointing at him, the other turning his head in the direction indicated.
Vincent stood up as the policeman started towards him. Going to face danger, leaving danger behind under the bench.
âWhat are you doing here?'
An elaborate shrug.
âHow long you been here?'
âTen minutes.'
âName?'
Vincent gave his name.
While this was going on he could see the other
flic
getting some of that special tape the
flics
used for crime scenes and wrapping it around the gate posts, across the entrance.
âSo what are you doing here?'
âMeeting my friend.'
âFriend's name?'
He said Katherine's name and as he did she appeared, walking rapidly towards the park and the
flic
who was blocking the way in.
âThat's her now.' Instinct made Vincent start off towards her. His upper arm was firmly gripped by a strong hand and he was yanked back.
Katherine must have seen this as he heard her give a little scream.
âDid I say you could go?'
âNo, sorry, sir.'
âThat's better.'
She was standing with the other
flic
, talking rapidly, gesticulating with her hands; she gestured palms up, fingers splayed, stabbing the air, then dropped one arm limply to her side while with her right arm she pointed at Vincent. She did this in rotation a few times, then gave up and folded her arms in that way that girls do when they are done with something. When they are fed up and belligerent and won't speak or move or listen anymore.
âYou got here ten minutes ago?'
âMore like fifteen minutes now.'
âWhat did you do?'
âHuh?' He played for time, thinking about the dope under the bench, thinking about what his parents would say, thinking about being arrested, sent away, his life.
âSo you left your house, walked here?'
He nodded.
âThen what?'
âI dunno ⦠I just likeâ¦' he wondered about saying he'd sat on the swings, but this man, this
flic
, this burly grunt would laugh at him. âI looked around for Katherine, then I walked around there and sat on the bench.'
âWhere did you walk?'
âJust from there,' he pointed to the swings, âto there, to the bench.'
âSee anyone else? Anyone see you?'
âNo.'
âWhy did you come here?'
âI said, to meet Katherine.'
Saying her name again to this
flic
, standing there being interrogated while she watched, something suddenly welled up in him and he felt himself on the edge of tears.
âI've done nothing,' he wailed, âlet me go.'
The
flic
softened suddenly, his voice was gentle. âIt's alright son. No need to get upset. Come on, we're done.' He guided him back to the entrance and lifted the tape for him to go under. Vincent went meekly to Katherine and stood by her side.
âPark's closed,' the
flic
said gruffly. The boy struggling not to weep, furiously rubbing his eyes, his mouth contorted. The girl, all concern and indignation, put her hand on the boy's back.
âWhy?' she said.
âGo on, run along now.'
âI want to know why!' She was fierce. Fierce and beautiful and so young.
âCan't say. Go on, scoot.'
The boy was ready to go, he murmured something to her and grabbing her hand turned to move away. He began to walk, tried pulling her with him. She pulled him back.
âSomething's happened, hasn't it?' she said. âSomething bad.'
âNothing to do with you.'
âLast night. Something happenedâ¦'
âNow listen, kid, if you don't scramâ¦'
âWe were here,' she said, her eyes wide and glittering with mingled realisation and fear. âWe were here last night. We saw Brunoâ¦' Again she lifted one arm and pointed. She had played the leading role in a Greek tragedy that Vincent had seen a while ago and in it she had stood like this, back erect, head held high and one arm raised, the index finger pointing, accusing. It was when he first noticed her.
âAndâ¦' she said, remembering the foreign woman, remembering everything, putting it all together now, seeing a picture she hadn't seen before. ââ¦and before thatâ¦' She lowered her arm. She had been pointing to the place where Bruno had emerged last night â it was also the place they had directed the woman to.
âOh, Vincent,' she said to the boy and gave a little cry.
At this the boy also seemed to remember something.
Both of them began speaking at once.
âHold it! One at a time,' the
flic
said. âYou.' He nodded at the girl.
She took a breath, then began to speak.
âWe were here last night with everyone and this woman came into the park. She was lost. She didn't speak French. Or not much. I can speak a little English. She wanted to know the way to the police station. She, ah, she was frightened to go through the trees there. So we walked with her, showed her the lane. She was nice. She had red hair. She thanked us.' Here the girl faltered again. Another little cry escaped from her lips, a sharp sweet sound in the crystal air. âDid something happen to her?'
âJust tell us what you remember. Okay?'
She nodded her head vigorously, âYes, yes. I'll try. We left her by the top of the lane, we said goodbye. Came back here. The others drifted off, then there was just the two of us. We sat on the roundabout and talked. We lay down to look at the stars. We kissed and thenâ¦'
The
flic
raised an eyebrow. Waited.
âWe kissed and then we heard this sound. At first we didn't know what it was, an animal crashing through the undergrowth or, or something. Then we could see someone, running out from the trees, breathing heavily, panting. Then he came closer, into the light so we could see him. He didn't see us. He stopped to catch his breath, just there, near the swings. Bruno. Then he walked on and when he was out of hearing I said, “Ugh, Bruno” or something like that. I said, “He's a creep.” And then we went home. Vincent walked me to my door and we arranged to meet here this morning.'
The
flic
looked at the boy. âIs that true? Is that how you remember it?'
He nodded solemnly.
âEither of you over eighteen?'
Both shook their heads.
âAlright. We'll want statements. Have to be at the station with your parents. Okay?'
The girl nodded. The boy said, âAre we in trouble?'
âNo, son. Not unless your parents didn't know what you were up to last night.' He winked and gave a lopsided grin. âNo law against kissing.'
Katherine scowled at him. Her attention was on the red
-
haired woman.
How could he smile? How dare he smile? That poor woman, they had sent her down the alleyway in the middle of the night. They had waved cheerfully. They â she had felt the glow of being kind and helpful. Of being an adult.
At school they were studying the 1789 Revolution, their teacher liked to talk at length about the miseries and deprivations of the people and the unabashed luxuries of the court. He spoke of causation, of retribution, but one of the books she had seen was illustrated with images of Marie Antoinette, of her before, and then the rough drawing of her in a tumbrel being taken to her execution. Poor woman. In the first picture she was a plump
-
cheeked and exotic caged bird, a cockatiel or dove; in the second a hastily scribbled, wind
-
battered crow with a sulky down
-
turned mouth.