"What do you mean?"
"What I say. I know there is a kind of natures in the world—and very noble, elevated natures too—
whom love never comes near. You might have sought Cowper with the intention of loving him, and
you would have looked at him, pitied him, and left him, forced away by a sense of the impossible, the
incongruous, as the crew were borne from their drowning comrade by 'the furious blast.'"
"You may be right. Who told you this?"
"And what I say of Cowper, I should say of Rousseau. Was Rousseau ever loved? He loved passionately; but was his passion ever returned? I am certain, never. And if there were any female Cowpers and Rousseaus, I should assert the same of them."
"Who told you this, I ask? Did Moore?"
"Why should anybody have told me? Have I not an instinct? Can I not divine by analogy? Moore
never talked to me either about Cowper, or Rousseau, or love. The voice we hear in solitude told me
all I know on these subjects."
"Do you like characters of the Rousseau order, Caroline?"
"Not at all, as a whole. I sympathize intensely with certain qualities they possess. Certain divine sparks in their nature dazzle my eyes, and make my soul glow. Then, again, I scorn them. They are
made of clay and gold. The refuse and the ore make a mass of weakness: taken altogether, I feel them
unnatural, unhealthy, repulsive."
"I dare say I should be more tolerant of a Rousseau than you would, Cary. Submissive and contemplative yourself, you like the stern and the practical. By the way, you must miss that Cousin Robert of yours very much, now that you and he never meet."
"I do."
"And he must miss you?"
"That he does not."
"I cannot imagine," pursued Shirley, who had lately got a habit of introducing Moore's name into the conversation, even when it seemed to have no business there—"I cannot imagine but that he was
fond of you, since he took so much notice of you, talked to you, and taught you so much."
"He never was fond of me; he never professed to be fond of me. He took pains to prove that he only just tolerated me."
Caroline, determined not to err on the flattering side in estimating her cousin's regard for her, always now habitually thought of it and mentioned it in the most scanty measure. She had her own reasons for being less sanguine than ever in hopeful views of the future, less indulgent to pleasurable
retrospections of the past.
"Of course, then," observed Miss Keeldar, "you only just tolerated him in return?"
"Shirley, men and women are so different; they are in such a different position. Women have so few things to think about, men so many. You may have a friendship for a man, while he is almost indifferent to you. Much of what cheers your life may be dependent on him, while not a feeling or interest of moment in his eyes may have reference to you. Robert used to be in the habit of going to
London, sometimes for a week or a fortnight together. Well, while he was away, I found his absence a
void. There was something wanting; Briarfield was duller. Of course, I had my usual occupations; still I missed him. As I sat by myself in the evenings, I used to feel a strange certainty of conviction I cannot describe, that if a magician or a genius had, at that moment, offered me Prince Ali's tube (you
remember it in the 'Arabian Nights'?), and if, with its aid, I had been enabled to take a view of Robert
—to see where he was, how occupied—I should have learned, in a startling manner, the width of the
chasm which gaped between such as he and such as I. I knew that, however my thoughts might adhere
to him, his were effectually sundered from me."
"Caroline," demanded Miss Keeldar abruptly, "don't you wish you had a profession—a trade?"
"I wish it fifty times a day. As it is, I often wonder what I came into the world for. I long to have something absorbing and compulsory to fill my head and hands and to occupy my thoughts."
"Can labour alone make a human being happy?"
"No; but it can give varieties of pain, and prevent us from breaking our hearts with a single tyrant master-torture. Besides, successful labour has its recompense; a vacant, weary, lonely, hopeless life has none."
"But hard labour and learned professions, they say, make women masculine, coarse, unwomanly."
"And what does it signify whether unmarried and never-to-be-married women are unattractive and
inelegant or not? Provided only they are decent, decorous, and neat, it is enough. The utmost which
ought to be required of old maids, in the way of appearance, is that they should not absolutely offend
men's eyes as they pass them in the street; for the rest, they should be allowed, without too much scorn, to be as absorbed, grave, plain-looking, and plain-dressed as they please."
"You might be an old maid yourself, Caroline, you speak so earnestly."
"I shall be one. It is my destiny. I will never marry a Malone or a Sykes; and no one else will ever marry me."
Here fell a long pause. Shirley broke it. Again the name by which she seemed bewitched was almost
the first on her lips.
"Lina—did not Moore call you Lina sometimes?"
"Yes. It is sometimes used as the abbreviation of Caroline in his native country."
"Well, Lina, do you remember my one day noticing an inequality in your hair—a curl wanting on
that right side—and your telling me that it was Robert's fault, as he had once cut therefrom a long lock?"
"Yes."
"If he is, and always was, as indifferent to you as you say, why did he steal your hair?"
"I don't know—yes, I do. It was my doing, not his. Everything of that sort always was my doing. He
was going from home—to London, as usual; and the night before he went, I had found in his sister's
workbox a lock of black hair—a short, round curl. Hortense told me it was her brother's, and a keepsake. He was sitting near the table. I looked at his head. He has plenty of hair; on the temples were many such round curls. I thought he could spare me one. I knew I should like to have it, and I asked
for it. He said, on condition that he might have his choice of a tress from my head. So he got one of
my long locks of hair, and I got one of his short ones. I keep his, but I dare say he has lost mine. It was my doing, and one of those silly deeds it distresses the heart and sets the face on fire to think of; one of those small but sharp recollections that return, lacerating your self-respect like tiny penknives, and forcing from your lips, as you sit alone, sudden, insane-sounding interjections."
"Caroline!"
"I
do
think myself a fool, Shirley, in some respects; I
do
despise myself. But I said I would not make you my confessor, for you cannot reciprocate foible for foible; you are not weak. How steadily you
watch me now! Turn aside your clear, strong, she-eagle eye; it is an insult to fix it on me thus."
"What a study of character you are—weak, certainly, but not in the sense you think!—Come in!"
This was said in answer to a tap at the door. Miss Keeldar happened to be near it at the moment, Caroline at the other end of the room. She saw a note put into Shirley's hands, and heard the words,
"From Mr. Moore, ma'am."
"Bring candles," said Miss Keeldar.
Caroline sat expectant.
"A communication on business," said the heiress; but when candles were brought, she neither opened nor read it. The rector's Fanny was presently announced, and the rector's niece went home.
13
Chapter
FURTHER COMMUNICATIONS ON BUSINESS.
In Shirley's nature prevailed at times an easy indolence. There were periods when she took delight in
perfect vacancy of hand and eye—moments when her thoughts, her simple existence, the fact of the
world being around and heaven above her, seemed to yield her such fullness of happiness that she did
not need to lift a finger to increase the joy. Often, after an active morning, she would spend a sunny
afternoon in lying stirless on the turf, at the foot of some tree of friendly umbrage. No society did she need but that of Caroline, and it sufficed if she were within call; no spectacle did she ask but that of the deep blue sky, and such cloudlets as sailed afar and aloft across its span; no sound but that of the bee's hum, the leaf's whisper. Her sole book in such hours was the dim chronicle of memory or the sibyl
page of anticipation. From her young eyes fell on each volume a glorious light to read by; round her
lips at moments played a smile which revealed glimpses of the tale or prophecy. It was not sad, not
dark. Fate had been benign to the blissful dreamer, and promised to favour her yet again. In her past
were sweet passages, in her future rosy hopes.
Yet one day when Caroline drew near to rouse her, thinking she had lain long enough, behold, as
she looked down, Shirley's cheek was wet as if with dew; those fine eyes of hers shone humid and brimming.
"Shirley, why do
you
cry?" asked Caroline, involuntarily laying stress on
you
.
Miss Keeldar smiled, and turned her picturesque head towards the questioner. "Because it pleases me mightily to cry," she said. "My heart is both sad and glad. But why, you good, patient child—why do you not bear me company? I only weep tears, delightful and soon wiped away; you might weep gall, if you choose."
"Why should I weep gall?"
"Mateless, solitary bird!" was the only answer.
"And are not you too mateless, Shirley?"
"At heart—no."
"Oh! who nestles there, Shirley?"
But Shirley only laughed gaily at this question, and alertly started up.
"I have dreamed," she said, "a mere day-dream—certainly bright, probably baseless!"
Miss Helstone was by this time free enough from illusions: she took a sufficiently grave view of
the future, and fancied she knew pretty well how her own destiny and that of some others were tending. Yet old associations retained their influence over her, and it was these and the power of habit which still frequently drew her of an evening to the field-style and the old thorn overlooking the Hollow.
One night, the night after the incident of the note, she had been at her usual post, watching for her
beacon—watching vainly: that evening no lamp was lit. She waited till the rising of certain constellations warned her of lateness and signed her away. In passing Fieldhead, on her return, its moonlight beauty attracted her glance, and stayed her step an instant. Tree and hall rose peaceful under the night sky and clear full orb; pearly paleness gilded the building; mellow brown gloom bosomed it round; shadows of deep green brooded above its oak-wreathed roof. The broad pavement
in front shone pale also; it gleamed as if some spell had transformed the dark granite to glistering Parian. On the silvery space slept two sable shadows, thrown sharply defined from two human figures. These figures when first seen were motionless and mute; presently they moved in
harmonious step, and spoke low in harmonious key. Earnest was the gaze that scrutinized them as they
emerged from behind the trunk of the cedar. "Is it Mrs. Pryor and Shirley?"
Certainly it is Shirley. Who else has a shape so lithe, and proud, and graceful? And her face, too, is
visible—her countenance careless and pensive, and musing and mirthful, and mocking and tender.
Not fearing the dew, she has not covered her head; her curls are free—they veil her neck and caress
her shoulder with their tendril rings. An ornament of gold gleams through the half-closed folds of the
scarf she has wrapped across her bust, and a large bright gem glitters on the white hand which confines it. Yes, that is Shirley.
Her companion then is, of course, Mrs. Pryor?
Yes, if Mrs. Pryor owns six feet of stature, and if she has changed her decent widow's weeds for masculine disguise. The figure walking at Miss Keeldar's side is a man—a tall, young, stately man; it
is her tenant, Robert Moore.
The pair speak softly; their words are not distinguishable. To remain a moment to gaze is not to be
an eavesdropper; and as the moon shines so clearly and their countenances are so distinctly apparent,
who can resist the attraction of such interest? Caroline, it seems, cannot, for she lingers.
There was a time when, on summer nights, Moore had been wont to walk with his cousin, as he was
now walking with the heiress. Often had she gone up the Hollow with him after sunset, to scent the freshness of the earth, where a growth of fragrant herbage carpeted a certain narrow terrace, edging a
deep ravine, from whose rifted gloom was heard a sound like the spirit of the lonely watercourse, moaning amongst its wet stones, and between its weedy banks, and under its dark bower of alders.
"But I used to be closer to him," thought Caroline. "He felt no obligation to treat me with homage; I needed only kindness. He used to hold my hand; he does not touch hers. And yet Shirley is not proud
where she loves. There is no haughtiness in her aspect now, only a little in her port—what is natural
to and inseparable from her, what she retains in her most careless as in her most guarded moments.
Robert must think, as I think, that he is at this instant looking down on a fine face; and he must think it with a man's brain, not with mine. She has such generous yet soft fire in her eyes. She smiles—what
makes her smile so sweet? I saw that Robert felt its beauty, and he must have felt it with his man's heart, not with my dim woman's perceptions. They look to me like two great happy spirits. Yonder silvered pavement reminds me of that white shore we believe to be beyond the death-flood. They have
reached it; they walk there united. And what am I, standing here in shadow, shrinking into concealment, my mind darker than my hiding-place? I am one of this world, no spirit—a poor doomed mortal, who asks, in ignorance and hopelessness, wherefore she was born, to what end she