Shelley: The Pursuit

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Authors: Richard Holmes

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BOOK: Shelley: The Pursuit
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RICHARD HOLMES
was born in London in 1945 and educated at Churchill College, Cambridge.
Shelley: The Pursuit
, his first book, appeared in 1974. It won the Somerset Maugham Award and was described by Stephen Spender as “surely the best biography of Shelley ever written . . . an extraordinary achievement.” Among Holmes’s other works are a two-volume biography of Samuel Taylor Coleridge,
Coleridge: Early Visions
(1989) and
Coleridge: Darker Reflections
(1998);
Dr. Johnson and Mr. Savage
(1993); and
Footsteps: Adventures of a Romantic Biographer
(1985), which Michael Holroyd has called “a modern masterpiece which will be seen as revolutionary a work as Lytton Strachey’s
Eminent Victorians
.” Richard Holmes is a fellow of the Royal Society of Literature and in 1992 was made an officer of the Order of the British Empire. He lives in London and Norwich with the novelist Rose Tremain.

This is a New York Review Book

Published by The New York Review of Books

435 Hudson Street, New York, NY 10014

www.nyrb.com

Copyright © 1974, 1994 by Richard Holmes

All rights reserved.

Cover photograph: The grave of Percy Bysshe Shelley

Cimitero Protestante Porta San Paolo, Rome/Bridgeman Art Library

Cover design: Katy Homans

The Library of Congress has cataloged the earlier printing as follows:

Holmes, Richard, 1945 —

Shelley : the pursuit / Richard Holmes. — [New ed.].

p. cm. — (New York Review Books classics)

Includes bibliographical references and index.

ISBN 1-59017-037-7 (pbk.: alk. paper)

1. Shelley, Percy Bysshe, 1792–1822. 2. Poets, English — 19th century — Biography. 3. Radicals — Great Britain — Biography.

4. Atheists — Great Britain — Biography. I. Title. II. Series.

PR5431.H65 2003

821’.7 — dc21

2003006573

ebook ISBN: 978-1-59017-570-5
v2.0

For a complete list of books in the NYRB Classics series, visit
www.nyrb.com
or write to:
Catalog Requests, NYRB, 435 Hudson Street, New York, NY 10014

SHELLEY

The Pursuit

RICHARD HOLMES

NEW
YORK
REVIEW
BOOKS

New York

To Helen Rogan and Margaret Amaral

Contents

Biographical Notes

Copyright and More Infomation

Title Page

Dedication

Illustrations

Preface to the New Edition

Introduction

SHELLEY

1. A Fire-Raiser

2. Oxford: 1810–11

3. Wales and Limbo: 1810

4. Harriet Westbrook

5. Irish Revolutionaries: 1812

6. A Radical Commune

7. The Tan-yr-allt Affair

8. One Dark Night

Illustrations: Section I

9. A Poem and a Wife:
Queen Mab
1813

10. Three for the Road: Europe 1814

11. Bad Dreams: Kentish Town 1814

12. Up the River: Bishopsgate 1815

13. The Byron Summer: Switzerland 1816

14. The Suicides: London 1816

15. The Garden Days: Marlow 1817

Illustrations: Section II

16. The Platonist: Bagni di Lucca 1818

17. An Evening with Count Maddalo: Venice

18. The Tombs of Naples: 1818

Appendix to Chapter 18

19. A Roman Spring: 1819

20. The Palace of the Dark

21. The Hothouse: Livorno 1819

22. The West Wind: Florence 1819

23. From the Gallery: Florence 1820

24. The Reformer: Pisa 1820

25. The Moons of Pisa: 1820

26. The Tuscan Set: 1821

Illustrations: Section III

27. The Colony: 1821

28. The Byron Brigade: 1822

29. The Gulf of Spezia

30. Coda

Author’s Acknowledgements

Bibliography

New Select Bibliography

References

Index

Illustrations

Section I

1. Field Place
(photograph by Adrian Holmes)

2. Sir Bysshe Shelley
(after the picture in the possession of Sir John Shelley, Bart.)

3. Sir Timothy Shelley
(Bodleian Library)

4. Lady Elizabeth Shelley
(Bodleian Library)

5. Margaret and Hellen Shelley
(Bodleian Library)

6. ‘The Nightmare’ by Henry Fuseli
(Frankfurter Goethe Museum)

7. Robert Southey
(National Portrait Gallery)

8. T. L. Peacock
(National Portrait Gallery)

9. Lynmouth, Devon

10. Tan-yr-allt, Tremadoc

11. Tan-yr-allt

12. Assailant’s target-view

13. Shelley’s Tan-yr-allt assailant
(Century Magazine)

14. William Godwin
(National Portrait Gallery)

Section II

15. Mary Shelley
(by permission of Mrs Imogen Dennis — St Pancras Public Libraries — from Eileen Bigland
, Mary Shelley,
Cassell 1959)

16. Claire Clairmont
(Nottingham Public Libraries)

17. Byron
(National Portrait Gallery)

18. Chateau Chillon and Lac Leman
(Éditions Jaegar, Genève)

19. Leigh Hunt
(National Portrait Gallery)

20. John Keats
(National Portrait Gallery)

21. William Hazlitt
(National Portrait Gallery)

22. Ramasses II
(photograph by Adrian Holmes)

23. Garden at Casa Bertini

24. Beatrice Cenci, by Guido Reni
(Gall. Naz. d’Arte Antica, Roma)

25. ‘Massacre at St Peter’s’
(British Museum)

26. Venus Anodyomene

Section III

27. The Albergo
Tre Donzelle
, Pisa

28. View of the Arno, Pisa

29. Sleeping Hermaphrodite
(Museo Borghese, Roma)

30. A page of Shelley’s manuscript of stanzas 47–8 of ‘The Witch of Atlas’
(Bodleian Library)

31. Detail of sketch of Shelley by Edward Williams
(Bodleian Library)

32. Jane Williams
(Bodleian Library)

33. Shelley’s sketches on inside cover of Italian notebook
(Bodleian Library)

34. Mary in 1841
(National Portrait Gallery)

35. Faust and Mephistopheles ascend the Brocken on Valpurgisnacht
(British Museum)

36. Casa Magni, Lerici
(Unknown photographer, c.1870)

37. Manuscript sketch of the
Don Juan
and the
Bolivar (British Museum)

38. Percy Bysshe Shelley in 1819
(National Portrait Gallery)

39. Bust of Shelley by Marianne Leigh-Hunt, 1836
(Eton College)

Photographs not attributed have been taken by the author.

Preface to the New Edition

This is a young man’s book. I completed it at the age of 29, the same age at which Shelley drowned in the Gulf of Spezia. It shares something of the recklessness of its subject, the pursuer and the pursued. I think it should remain like that. It is an attempt to write literary biography as a form of modern epic, in which speed of action, colour and movement, travel and the sense of poetic adventure, predominate over everything else. ‘I always go on until I am stopped,’ said Shelley, ‘and I never am stopped.’ I still think this is the essential truth about his remarkable life, which continues so vividly into the present day, a restless and demanding presence for each younger generation to encounter.

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