Shatter (15 page)

Fowler’s face is stiffer than shirt cardboard. His eyes are fixed on mine.

‘We have certain protocols around here, Professor O’Loughlin, and one of them requires that senior officers be addressed as “sir” or by their correct title. It is a matter of
respect
. I think
I’ve
earned it.’

‘Yes, sir, my mistake.’

For a brief moment his self-control threatens to break but now it’s restored. He stands, taking his hat and gloves, and leaves the incident room. Nobody has moved.

I look at Veronica Cray, who lowers her head. I’ve disappointed her.

The briefing is over. Detectives disperse.

On our way to the stairs, I apologise to the DI.

‘Don’t worry about it.’

‘I hope I haven’t made an enemy.’

‘The man swal ows a bul shit pil every morning.’

‘He’s a former military man,’ I say.

‘How do you know that?’

‘He carries his hat under his left arm, so his right arm is free to salute.’

The DI shakes her head. ‘How do you know shit like that?’

‘Because he’s a freak,’ answers Ruiz.

I fol ow him outside. An unmarked police car is idling in the loading zone. The driver, a female constable, opens the passenger doors. Veronica Cray and Monk are both heading off to Leigh Woods.

I wish them luck.

‘Do you believe in luck, Professor?’

‘No.’

‘Good. Neither do I.’

19

Julianne is on the 15.40 Great Western service from Paddington. It’s an easy drive at this time of day, with most of the traffic coming the other way.

Emma is strapped in her booster seat and Darcy is sitting beside me, with her knees drawn up and her arms wrapped around them. She takes up so little space when she concertinas her body like that.

‘What’s your wife like?’ she asks.

‘She’s wonderful.’

‘Do you love her?’

‘What sort of question is that?’

‘It’s just a question.’

‘Wel , the answer is yes.’

‘You have to say that, I suppose,’ she says, sounding very world-weary. ‘How long have you been married?’

‘Sixteen years.’

‘Have you ever had an affair?’

‘I don’t think that’s any of your business.’

She shrugs and stares out the window. ‘I don’t think it’s normal being faithful to one person for a whole lifetime. Who’s to say you won’t stop loving someone or meet someone you love more?’

‘You sound very wise. Have you ever been in love?’

She tosses her head dismissively. ‘I’m not going to fal in love. I’ve seen how it turns out.’

‘Sometimes we don’t have a choice.’

‘We
always
have a choice.’

She rests her chin on her knees and I notice the purple polish on her fingernails.

‘What does your wife do?’

‘Cal her Julianne. She’s an interpreter.’

‘Is she away a lot?’

‘More so lately.’

‘And you stay home?’

‘I work part-time at the university.’

‘Is that because of the shaking business.’

‘Yes, I suppose it is.’

‘You don’t look sick— if that makes you feel better— apart from the shaking, I mean. You look OK.’

I laugh at her. ‘Wel , thank you very much.’

Julianne steps off the train and her eyes magical y widen when she sees the flowers.

‘Who’s the lucky girl?’

‘I’m making up for what happened last time.’

‘You had a reason.’

I kiss her. She goes for a swift peck. My lips linger. She hooks her arm through mine. I pul her suitcase behind us.

‘How are the girls?’ she asks.

‘Great.’

‘Now what’s this about the nanny? You were very coy on the phone. Did you find someone?’

‘Not exactly.’

‘What does that mean?’

‘I started the interviews.’

‘And?’

‘Something came up.’

She stops now. Turns. Concerned.

‘Where’s Emma?’

‘In the car.’

‘Who’s with her?’

‘Darcy.’

I try to keep moving and talking at the same time. Her suitcase wheels rattle over the cobblestones. Having rehearsed the story in my head, it should sound perfectly natural, but as it comes out of my mouth the logic grows more and more tenuous.

‘Have you gone completely mad?’ she says.

‘Shush.’

‘Don’t shush me, Joe.’

‘You don’t understand.’

‘Yes, I think I do. What you’re tel ing me is that our baby is being looked after by a teenager whose mother was murdered.’

‘It’s complicated.’

‘And she’s living in our house.’

‘She’s a good kid. She’s great with Emma.’

‘I don’t care. She has no training, no references. She should be at school.’

‘Shush.’

‘I said don’t shush me.’

‘She’s here.’

Her eyes snap up. Darcy is standing beside the car, rhythmical y chewing gum. Emma is balancing on the bumper bar, perched between her arms.

‘Darcy, this is Julianne. Julianne, this is Darcy.’

Julianne gives her a fixed larger-than-life smile. ‘Hel o.’

Darcy raises her hand a few inches in a nervous wave. ‘Did you have a nice trip?’

‘Yes. Thank you.’ Julianne takes Emma from her. ‘I’m sorry about your mother, Darcy. It’s an awful thing.’

‘What happened?’ asks Emma.

‘Nothing to concern you, sweetheart.’

We drive in silence. The only person talking is Emma, who asks and fields al the questions. Darcy has withdrawn into a bubble of silence and uncertainty. I don’t know what’s wrong with Julianne. It’s not like her to be so unwelcoming and intractable.

At the cottage Charlie comes running outside to greet us. She’s bursting with news for Julianne, most of it about Darcy, which she can’t tel because Darcy is standing next to her.

I carry the bags inside where Julianne moves from room to room, as though making an inspection. Maybe she expects to find the place a mess, with unwashed laundry, unmade beds and dirty dishes in the sink. Instead it’s spotless. For some reason this deepens her funk. She drinks two glasses of wine over dinner— a casserole prepared by Darcy— but instead of relaxing, her lips tighten into narrow lines and her comments become sharp and accusatory.

‘I’l give Emma a bath,’ Julianne says, turning towards the stairs. Darcy’s eyes meet mine, framing a question.

After the dishwasher is packed, I go up and find Julianne sitting on our bed. Her suitcase is open. She is sorting clothes. Why is she so annoyed at Darcy being here? It’s almost an ownership issue: a marking out of her territory or a defence of an existing claim. But that’s ridiculous. Darcy isn’t a threat.

I notice a bundle of black lace in her case. Lingerie. A camisole and knickers.

‘When did you buy these?’

‘Last week in Rome.’

‘You didn’t show me.’

‘I forgot.’

I drape the straps of the camisole over my forefingers. ‘I bet they look even better when you’re wearing them. Perhaps you can show me later.’

She takes the lingerie from me and tosses it in the washing basket. Who did she wear it for? Something snags in my chest— the same niggling sense of disquiet that I felt when I found the hotel receipt for a champagne breakfast.

Julianne doesn’t wear sexy lingerie. She says it’s uncomfortable and impractical. Whenever I’ve bought her something flimsy for Valentine’s Day she’s only worn it the once. She prefers her Marks & Spencer briefs, high cut, size twelve, black or white. What made her change her mind?

She bought the lingerie in Rome and took it to Moscow. I want to ask her why but I don’t know how to frame the question without it sounding jealous or worse.

The moment passes. Julianne turns away. Tiredness shows in her movements, her smal steps and the slope of her shoulders.

I don’t accept the premise that there’s no smoke without fire, nor am I a believer in portents or auguries, but I cannot shake the discomfiting sense that a space is opening up between us. I want to put it down to tiredness. I tel myself that Julianne has been travel ing a lot, being pul ed in too many directions, taking on too much.

A month ago on her birthday I planned to cook her a special meal. I drove into Bristol and bought seafood at the fish markets. She phoned just after six to say that she was stil in London.

There was some sort of crisis, a missing funds transfer. She wouldn’t be home.

‘Where are you going to stay?’

‘In a hotel; the company wil pay.’

‘You don’t have any clothes.’

‘I’l make do.’

‘It’s your birthday.’

‘I’m sorry. I’l make it up to you.’

I ate a dozen oysters and threw the rest of the meal in the bin. Then I walked up the hil to the Fox & Badger and had three pints with Nigel and a Dutch tourist who knew more about the area than anyone in the bar.

There have been other moments. (I won’t cal them signs.) Julianne was due to fly back from Madrid one Friday and I tried to cal her mobile but couldn’t get through. I cal ed her office instead. A secretary told me that Mrs O’Loughlin had been in London al day, having flown in the previous night.

When I final y found Julianne, she apologised, saying she’d meant to cal me. I asked about the flights and she said I must have been mistaken. I have no reason to doubt her. We have been married for sixteen years and I can’t remember a single moment or event that caused me to question her commitment. At the same time, she’s stil a mystery. When people ask me why I became a psychologist, I say, ‘Because of Julianne. I wanted to know what she was real y thinking.’ It didn’t work. I stil have no idea.

I watch her sorting through her clothes, aggressively opening drawers and pul ing hangers from the rack.

‘Why are you so angry?’

She shakes her head.

‘Talk to me.’

The suitcase is slammed shut. ‘Do you have any idea what you’re doing, Joe? Just because you couldn’t save that woman on the bridge, we’re looking after her daughter.’

‘No.’

‘Wel , why is she here?’

‘She had nowhere else to go. Her house is a crime scene. Her mother is dead…’

‘Murdered?’

‘Yes.’

‘And the police haven’t caught the kil er?’

‘Not yet.’

‘You know nothing about this girl or her family. Does she even realise her mother is dead? She doesn’t look grief-stricken.’

‘You’re not being fair.’

‘Wel , tel me, is she psychological y stable? You’re the expert. Is she going to flip out and hurt my baby?’

‘She would never hurt Emma.’

‘And you base that upon…?’

‘Twenty years experience as a psychologist.’

The last sentence is delivered with my own version of cold certainty. Julianne stops. When it comes to personality readings, I’m rarely wrong and she knows it.

Sitting on the bed, she tucks a pil ow behind her and leans against the wal , playing the tassel ed cord of her dressing gown. I crawl across the bed towards her.

‘Stop,’ she says, holding up her hand like a policeman directing traffic. ‘Don’t come any closer.’

I sit on my side of the bed. We can stare at each other in the mirror. It’s like watching a scene from a TV sitcom.

‘When I go away I don’t want things to change, Joe. I want to come home and find everything as I left it. I know that sounds selfish but I don’t want to miss anything.’

‘What do you mean?’

‘Remember when you taught Emma to pedal her tricycle?’

‘Sure.’

‘She was so excited. It was al she wanted to talk about. You shared that moment with her. I missed it.’

‘That’s going to happen sometimes.’

‘I know and I don’t like it.’ She leans sideways resting her head on my shoulder. ‘What if I miss seeing Emma lose her first tooth or Charlie going on her first date? I don’t want things to change when I go away, Joe. I know it’s irrational and selfish and impossible. I want you to keep them exactly the same until I get home, so I can be here too.’

Julianne runs a finger along the side of my thigh. ‘I know your job is about helping people. And I know that mental y il people are often stigmatised, but I don’t want Charlie and Emma exposed to damaged people and their damaged minds.’

‘I would never…’

‘I know, I know, but remember last time.’

‘Last time?’

‘You know what I mean.’

She’s talking about one of my former patients who tried to destroy me by taking away everything I loved— Julianne, Charlie, my career, my life.

‘This is completely different,’ I say.

‘I’m just warning you. I don’t want your work in this house.’

‘Darcy isn’t a danger. She’s a good kid.’

‘She’s doesn’t look like a kid,’ she says, turning to face me. The corners of her mouth are turned down. It is neither a smile nor an invitation to kiss. ‘Do you think she’s pretty?’

‘Only until
you
stepped off the train.’

Three a.m. The girls are asleep. I slip out of bed and close the office door before turning on the lamp. I could blame my medication again, but too many thoughts are tripping over each other in my mind.

This time I’m not thinking about Christine Wheeler or Darcy or reliving that moment on the bridge. My concerns are more personal. I keep reflecting on the lingerie and the hotel receipt.

One thought leads to another. The late night phone cal s when Julianne closes the office door. The overnight stays in London. The sudden changes in her diary that have kept her away from home…

I hate the clichés about marriages having ups and downs and changing over time. Julianne is a better person than I am. She is stronger emotional y and has more invested in holding this family together. Here’s another cliché— there’s a third person in our marriage. His name is Mr Parkinson and he took up residence four years ago.

The hotel receipt is pressed between the pages of a book. The Hotel Excelsior. Julianne said it was a short walk from the Spanish Steps and the Trevi Fountain. I dial the number. A woman answers, the night manager. She sounds young and tired. It’s four a.m. in Rome.

‘I want to query an invoice,’ I whisper, cupping my hand over the phone.

‘Yes, sir. When did you stay here, sir?’

‘No, it’s not for me. It’s for an employee.’