Shalimar the Clown (17 page)

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Authors: Salman Rushdie

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She was wrong. Abdullah Noman the sarpanch spoke first, followed by Pyarelal, and the other three members of the panchayat, Big Man Misri the carpenter, Sharga the singer, and the frail old dancing master Habib Joo, also made brief remarks, and their verdict was unanimous. The lovers were their children and must be supported. Their behavior was worthy of the strongest censure—it had been licentious and rash and filled with improprieties that were a disappointment to their parents—but they were good children, as everybody knew. Abdullah then mentioned
Kashmiriyat,
Kashmiriness, the belief that at the heart of Kashmiri culture there was a common bond that transcended all other differences. Most bhand villages were Muslim but Pachigam was a mixture, with families of pandit background, the Kauls, the Misris, and the baritone singer’s long-nosed kin
—sharga
being a local nickname for the nasally elongated—and even one family of dancing Jews. “So we have not only Kashmiriness to protect but Pachigaminess as well. We are all brothers and sisters here,” said Abdullah. “There is no Hindu-Muslim issue. Two Kashmiri—two Pachigami—youngsters wish to marry, that’s all. A love match is acceptable to both families and so a marriage there will be; both Hindu and Muslim customs will be observed.” Pyarelal added, when his turn came, “To defend their love is to defend what is finest in ourselves.” The crowd cheered and Shalimar the clown broke out into a broad smile of disbelieving joy. Firdaus went up to Abdullah and whispered, “If you had made any other decision I would have kicked you out of my bed.” (Later that night, when they lay in that bed in the dark, she was in a more reflective mood. “The times are changing,” she said softly. “Our children aren’t like us. In our generation we were straightforward folk, both hands on the table in plain view at all times. But these youngsters are trickier types, there are shadows on the surface and secrets underneath, and they are not always as they seem, maybe not always even what they think they are. I guess that’s how it has to be, because they will live through times more deceptive than any we have known.”)

Two panchayat members, Misri the carpenter and Sharga the baritone, the two largest and, along with the sarpanch, strongest men in Pachigam, were dispatched to the riverside to throw Gopinath Razdan out of town—Abdullah the sarpanch, fearing excessive violence, forbade his enraged sons to have anything to do with the ejection—but by the time the posse of two reached the Muskadoon the spy had already slipped away, and he was never seen in Pachigam again. Six months later, after a period of professional disgrace, he was assigned new duties in the village of Pahalgam, and was found dead one morning in the nearby mountain meadow of Baisaran. His legs had been blown off by some sort of homemade bomb and his head had been severed from his body by a single slash of a blade. The murder was never solved, nor did any clues lead back to anyone in the actors’ village. Eventually the investigation ran out of steam and the official case file was closed. Colonel H. S. Kachhwaha had his strong suspicions, however, and his frustration grew. Not only had he been insulted by Boonyi Kaul, but the failure of his spy’s mission had given him no shred of a pretext for the “descent in force” that he had planned for Pachigam. The colors of his world continued to darken, and he made a note that the village of actors was still earmarked for special attention, a decision whose medium- and long-term consequences would be grave.

For a time after the departure of the spy, however, the mood in Pachigam was celebratory. Pandit Pyarelal Kaul agreed to resume his teaching duties, to shoulder the dual burdens of education and gastronomy as long as his strength lasted; and preparations for the nuptials of Boonyi and Shalimar the clown began. However, snags soon started cropping up. The detailed wedding arrangements proved more problematic than Abdullah, with his plan for an idealistic, multifaith ceremony, had foreseen. This was because of the arrival of the families. From Poonch, from Baramulla, from Sonamarg, from Tangmarg, from Chhamb, from Aru, from Uri, from Udhampur, from Kishtwar, from Riasi, from Jammu, the two clans gathered; aunts, cousins, uncles, more cousins, great-aunts, great-uncles, nephews, nieces, yet more cousins and in-laws descended on Pachigam until all the village’s houses were badly overcrowded and many minor relatives had to sleep under the fruit trees and trust to luck regarding rain and snakes. Almost all the new arrivals had strong ideas and expectations about the proceedings, and many of them were openly scornful of the sarpanch’s ecumenical scheme. “What, she won’t convert to Islam?” the doubters from the groom’s side demanded, and the bride’s people retorted, “What, there will be meat served at the feast?” All over the village and in the surrounding fields and pastures the arguments raged. The only thing generally agreed was that the traditional Muslim Thap ceremony, when the young couple meet in a public place to decide if they want to go ahead with the match, was unnecessary. “They have thapped each other long ago,” said a wicked aunt’s tongue, and there was laughter from wicked uncles, cousins, great-aunts, great-uncles, further cousins and so on.

Then came the argument over the Livun ceremonies of the Hindus, when, the Kauls insisted, the two families’ houses should be ritually cleansed. “Let the Kauls cleanse their idolatrous home if they need to,” said a hard-line old Muslim granny, “but our people’s place is already perfectly clean.” Nobody objected to frequent wazwaan banquets, naturally, and the veg/nonveg disputes were relatively easily resolved when Pandit Pyarelal Kaul, in spite of his abiding love for meat, agreed to banish all trace of it from his kitchen, while the Nomans, who had built a new brick-and-mud wuri oven in their backyard, offered daily menus that were carnivore’s delights. At the actual wedding, it was agreed after much haggling, separate groups of chefs would prepare both cuisines, chicken to the left, lotus to the right, goat meat on one side, goat cheese on the other. Music, too, was agreed on without too much dispute. The
santoor,
the
sarangi,
the
rabab,
the harmonium were nonsectarian instruments, after all. Professional
bachkot
singers and musicians were hired and ordered to alternate Hindu
bhajans
and Sufi hymns.

The question of the bride’s clothes was far thornier. “Obviously,” said the groom’s side, “when the
yenvool,
the wedding procession, comes to the bride’s house, we will expect to be welcomed by a girl in a red
lehenga,
and later, after she is bathed by her family women, she will don a
shalwar-kameez.
”—“Absurd,” retorted the Kauls. “She will wear a phiran just like all our brides, embroidered at the neck and cuffs. On her head will be the starched and papery
tarang
headgear, and the wide
haligandun
belt will be round her waist.” This standoff lasted three days until Abdullah and Pyarelal decreed that the bride would indeed wear her traditional garb, but so would Shalimar the clown. No tweed phiran for him! No peacock-feathered turban! He would wear an elegant
sherwani
and a
karakuli topi
on his head and that was that. Once the clothes issue had been resolved, the
mehndi
ceremony, a joint custom, was quickly settled. Then came the matter of the wedding itself and at that point the entire entente cordiale came close to collapse. To many Muslim ears, the other side’s suggestions were appalling. Blow a conch shell if you will, cried the Islamic aunts and great-aunts and cousins and so on, exchange all the gifts of nutmeg you desire, but a
purohit,
a priest, performing
puja
before idols? Sacred fire, sacred thread? The newlyweds to be treated as Shiva and Parvati and worshipped as such? Hai-hai. Such superstition would never do. The Kauls retreated in high dudgeon. All dialogue between the two households ceased. “Families,” sighed Firdaus Noman in despair, “are the narrow-minded, low-grade cause of all the discontent on earth.”

That night there was a full moon. Pachigam had divided into two camps, and long years of communal harmony were at risk. Then, on an impulse, the baritone Shivshankar Sharga came out into the main street and began to sing love songs, songs of the love of the gods for men, and of men for God, songs of the love between fathers and daughters, mothers and sons, songs of love requited and unrequited, courtly and passionate, sacred and profane. His daughters Himal and Gonwati, the tone-deaf duo, sat at his feet under strict instructions not to open their mouths no matter how much the music moved them. When he started singing the village was still in the grip of its plague of bad temper, and there were cries of “Shut up, we’re trying to sleep,” and “Nobody’s in the mood for these damned sentimental songs.” But slowly his voice worked its magic. Doors opened, lights came on, sleepers came in from the fields. Abdullah and Pyarelal met by the singer and embraced. “We’ll have two wedding days,” Abdullah said. “First we’ll do everything your way and then we’ll do it all again in the way we know.” A single shrewish aunt called out, “Why their way first?” but her carping cry was swiftly followed by a stifled gurgle, as her husband put his hand over her bad mouth and dragged her away to bed.

It was all settled. Pandit Pyarelal Kaul dug the aluminum box containing his wife’s wedding jewels out of the place in the backyard where he had buried them soon after her death and brought them to Boonyi lying wide awake in bed. “Here is everything that remains of her,” he told his daughter. “These jewels in this box and the greater jewel shining in this bed.” He left the box on the mattress, kissed her cheek and left. Boonyi remained wide awake, staring furiously at the nocturnal ceiling, willing the walls of the house to dissolve so that she could rise up into the night sky and escape. For at the very moment in which the village had decided to protect her and Shalimar the clown, to stand by them by forcing them to marry, thus condemning them to a lifetime jail sentence, Boonyi had been overwhelmed by claustrophobia and had seen clearly what she had been too deeply in love with Shalimar the clown to understand before, namely that this life, married life, village life, life with her father chattering away by the Muskadoon and with her friends dancing their gopi dance, life with all the people amongst whom she had spent every one of her days, was not remotely enough for her, didn’t begin to satisfy her hunger, her ravenous longing for something she could not yet name, and that as she grew older her life’s insufficiency would only grow harder and more painful to bear.

She knew then that she would do anything to get out of Pachigam, that she would spend every moment of every day waiting for her chance, and when it came she would not fail to pounce upon it, she would move faster than fortune, that elusive will-o’-the-wisp, because if you spotted a magic force—a fairy, a djinni, a piece of once-in-a-lifetime luck—and if you pinned it to the ground, it would grant you your heart’s desire; and she would make her wish,
get me away from here, away from my father, away from this slow death and slower life, away from Shalimar the clown.

Two years later a gaunt man with a long straggling beard, beautiful pale eyes that seemed to look right through this world into the next one, and skin the color of rusting metal, suddenly showed up in Shirmal village wearing a long, threadbare woolen coat and a loosely tied black turban, with all his worldly goods tied up in a bundle like a common vagabond, and began preaching hellfire and damnation. He spoke the language harshly, like a foreigner, like someone unused to speaking at all. The words seemed to be torn from his throat like pieces of rough skin, causing him much physical pain. Shirmalis, like all the people of the valley, were unused to blood-and-thunder preachers of this type, but they gave him a hearing, because of the legends of the iron mullahs that were circulating in those days.

Kashmiris were fond of saints of all types. Some of these even had military associations, such as the Bibi Lalla or Lalla Maj, the daughter of the commander of the armies of Kashmir in the fourteenth century. Many were miracle workers. The story currently doing the rounds was both military and miraculous. The Indian army had poured military hardware of all kinds into the valley, and scrap metal junkyards sprang up everywhere, scarring the valley’s pristine beauty, like small mountain ranges made up of malfunctioning truck exhausts, jammed weaponry and broken tank treads. Then one day by the grace of God the junk began to stir. It came to life and took on human form. The men who were miraculously born from these rusting war metals, who went out into the valley to preach resistance and revenge, were saints of an entirely new kind. They were the iron mullahs. It was said that if you dared to knock on their bodies you would hear a hollow metallic ring. Because they were made of armor they could not be shot but they were too heavy to swim and so if they fell into water they would drown. Their breath was hot and smoky, like burning rubber tires, or the exhalations of dragons. They were to be honored, feared and obeyed.

That day in Shirmal, Bombur Yambarzal, the vasta waza, was the only man who dared interrupt the mendicant preacher’s tirade. He confronted the strange
faqir
in the street and demanded to know his name and business. “My business is God’s business,” the fellow replied. In that first exchange the newcomer was reluctant to answer to any name at all. Eventually, under pressure from Bombur, he said, “Call me Bulbul Shah.” Bulbul Shah, as even Bombur knew, was a fabled saint who had come to Kashmir in the fourteenth century (the time of Bibi Lalla). He was a Sufi of the Suhrawardy order named Syed Sharafuddin Abdul Rehman, known as Bilal after the Prophet’s muezzin—an honorific title that got corrupted to Bulbul, or “nightingale.” His origins were disputed. He may have come from Tamkastan, in ancient Iran, or from Baghdad, or, most probably, from Turkistan; he may have been a refugee from the Mongols or he may not. He did, however, succeed in converting to Islam the Ladakhi usurper Rinchin or Renchan or Rencana, who had seized the throne of Kashmir in 1320, and began the process of conversions by which Kashmir became a Muslim state. At any rate, he had been dead for six hundred years, and certainly was not standing in front of Yambarzal now smelling like dragon’s breath.

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