Shakespeare
Authors: Peter Ackroyd
Acclaim for Peter Ackroyd’s
Shakespeare
“Ackroyd—novelist, poet, critic, biographer, historian, omnivore—has been building toward this biography for decades. He knows the 16th century, and he knows the artistic soul. He gives us a Shakespeare rooted in Stratford, energized by London, shaped by theatrical contingencies, but able to transcend all of them through his innate perception and detachment.”
—
The Miami Herald
“Extremely thorough and well-researched…. [Ackroyd] gives humanity to the portrait, in a somewhat Dickensian fashion.”
—
The Telegraph
“The narrative flows so well that at times this biography reads as smoothly as a good work of historical fiction…. What makes
Shakespeare: The Biography
such an entertaining and enlightening read is the ability of Ackroyd to make his subjects and their world live and breathe on the page.” —
The Denver Post
“Admirable…. [Ackroyd] is (as ‘the’ biographer of London) at his most vivid describing the feel of 16th-century metropolitan life.”—
The New Statesman
“Fascinating doesn’t even begin to describe it. Ackroyd takes all the information we have on Shakespeare and puts it into new perspective. It unfurls like fast-moving fiction, is swaddled in atmosphere and is always engaging.” —
The Plain Dealer
“A strikingly good read…. Ackroyd succeeds perhaps better than any other recent biographer in piecing together the scattered pieces of Shakespeare’s life for a general audience.”
—
The San Diego Union Tribune
“Immensely enjoyable…. Ackroyd provides material for a thousand theses.” —
The Providence Journal
“Magisterial… [with] a vivid grasp of the material elements of the daily life of long-lost England.” —
The Nation
“Fascinating…. Rich…. A vivid and convincing biography.”
—
The Manchester Evening News
Peter Ackroyd
Shakespeare
Peter Ackroyd is a bestselling writer of both fiction and nonfiction. His most recent books include
The Lambs of London
and
J.M. W. Turner
, the second biography in the Ackroyd Brief Lives series. He has also written full-scale biographies of Dickens, Blake, and Thomas More and the novels
The Clerkenwell Tales, The Trial of Elizabeth Cree, Milton in America
, and
The Plato Papers
. He has won the Whitbread Award for Biography, the Royal Society of Literature Award under the William Heinemann Bequest (jointly), the Somerset Maugham Award, the South Bank Award for Literature, the James Tait Black Memorial Prize, and The Guardian fiction prize. He lives in London.
FICTION
The Great Fire of London
The Last Testament of Oscar Wilde
Hawksmoor
Chatterton
First Light
English Music
The House of Doctor Dee
Dan Leno and the Limehouse Golem
Milton in America
The Plato Papers
The Clerkenwell Tales
NONFICTION
Dressing Up: Transvestism and Drag: The History of an Obsession
London: The Biography
Albion: The Origins of the English Imagination
BIOGRAPHY
Ezra Pound and His World
T.S. Eliot
Dickens
Blake
The Life of Thomas More
POETRY
Ouch!
The Diversions of Purley
CRITICISM
Notes for a New Culture
The Collection: Journalism, Reviews, Essays, Short Stories, Lectures
(edited by Thomas Wright)
1 There Was a Starre Daunst, and Vnder That Was I Borne
4 For Where Thou Art, There Is the World It Selfe
5 Tell Me This: Who Begot Thee?
6 A Witty Mother, Witlesse Else Her Sonne
7 But This Is Worshipfull Society
8 I Am a Kind of Burre, I Shal Sticke
9 This Prettie Lad Will Proue Our Countries Blisse
11 I Sommon Up Remembrance of Things Past
12 A Nowne and a Verbe and Such Abhominable Wordes
14 Of Such a Mery Nimble Stiring Spirit
15 At Your Employment, at Your Seruice Sir
16 Before I Know My Selfe, Seeke Not to Know Me
17 I Can See a Church by Day-Light
18 To Tell Thee Plaine, I Ayme to Lye with Thee
21 The Spirit of the Time Shall Teach Me Speed
22 There’s Many a Beast Then in a Populous City
23 Sir I Shall Study Deserving
24 I Will Not Be Slack to Play My Part in Fortunes Pageant
25 As in a Theatre, Whence They Gape and Point
26 This Keene Incounter of Our Wits
28 I See Sir, You Are Eaten Vp with Passion
29 Why Should I Not Now Have the Like Successes?
30 O Barbarous and Bloody Spectacle
31 Ile Neuer Pawse Againe, Neuer Stand Still
32 Among the Buzzing Pleased Multitude
33 An’t Please Your Honor, Players
34 They Thought It Good You Heare a Play
35 There’s a Great Spirit Gone, Thus Did I Desire It
36 That Hath a Mint of Phrases in His Braine
37 Stay, Goe, Doe What You Will
38 We Few, We Happy Few, We Band of Brothers
39 Lord How Art Thou Changed
40 Bid Me Discourse, I Will Inchaunt Thine Eare
41 Doth Rauish Like Inchaunting Harmonie
42 To Fill the World with Words
43 See, See, They Ioyne, Embrace, and Seeme to Kisse
44 What Zeale, What Furie, Hath Inspirde Thee Now?
45 Thus Leaning on Mine Elbow I Begin
46 So Musicall a Discord, Such Sweete Thunder
47 I Vnderstand a Fury in Your Words
48 So Shaken as We Are, So Wan with Care
49 Ah, No, No, No, It Is Mine Onely Sonne
51 His Companies Vnletter’d, Rude, and Shallow
52 You Haue Not the Booke of Riddles About You, Haue You?
53 You Would Plucke Out the Hart of My Mistery
54 And to Be Short, What Not, That’s Sweete and Happie
55 Therefore Am I of an Honourable House
56 Pirates May Make Cheape Penyworths of Their Pillage
57 No More Words, We Beseech You
58 A Loyall, Iust and Vpright Gentleman
59 A Pretty Plot, Well Chosen to Build Vpon
60 Thou Knowest My Lodging, Get Me Inke and Paper
61 This Wide and Vniuersall Theatre
62 Then Let the Trumpets Sound
63 Why There You Toucht the Life of Our Designe
64 See How the Giddy Multitude Doe Point
65 And Here We Wander in Illusions
67 Well Bandied Both, a Set of Wit Well Played
68 Now, One the Better; Then, Another Best
69 I Must Become a Borrower of the Night
71 And So in Spite of Death Thou Doest Suruiue
72 I Am (Quoth He) Expected of My Friends
73 My Lord This Is But the Play, Theyre But in Iest
74 Hee Is Something Peeuish That Way
76 I Will a Round Unvarnish’d Tale Deliuer
77 Why, Sir, What’s Your Conceit in That?
78 The Bitter Disposition of the Time
80 My Life Hath in This Line Some Interest
81 That Strain Agen, It Had a Dying Fall
82 As in a Theatre the Eies of Men
83 And Sorrow Ebs, Being Blown with Wind of Words
84 And Beautie Making Beautifull Old Rime
85 So There’s My Riddle, One That’s Dead Is Quicke
86 When Men Were Fond, I Smild, and Wondred How
87 Let Time Shape, and There an End
89 My Selfe Am Strook in Yeares I Must Confesse
90 The Wheele Is Come Full Circle I Am Heere
Certain questions of nomenclature arise. The earliest publications of Shakespeare’s plays took the form of quartos or of the Folio. The quartos, as their name implies, were small editions of one play characteristically issued several years after its first production. Some of the more popular plays were reprinted in quarto many times, whereas others were not published at all. About half of Shakespeare’s plays were printed during his lifetime by this means. The results are good, clumsy or indifferent. There has been a division made between “good quartos” and “bad quartos,” although the latter should really be known as “problem quartos” since textual scholars are uncertain about their status and provenance. The Folio of Shakespeare’s plays is an altogether different production. It was compiled after Shakespeare’s death by two of his fellow actors, John Heminges and Henry Condell, as a commemorative edition of Shakespeare’s work. It was first published in 1623, and for approximately three hundred years remained the definitive version of the Shakespearian canon.
The earliest biographical references to Shakespeare deserve mentioning. There are allusions and references in various published sources, during his lifetime, but there were no serious descriptions or assessments of his plays. Ben Jonson ventured a brief account in
Timber: or, Discoveries Made upon Men and Matter
(1641) and some biographical notes were composed by John Aubrey without being published in his lifetime. The first extended biography was Nicholas Rowe’s prefatory
Life
in Jacob Tonson’s edition of the
Works
of Shakespeare
(1709), and this was followed by the various surmises of eighteenth-century antiquarians and scholars such as Samuel Ireland and Edmond Malone. The vogue for Shakespearean biography itself arose in the mid- to late nineteenth century, with the publication of Edward Dowden’s
Shakespeare: A Critical Study of His Mind and Art
(the first edition of which was published in 1875), and has not abated since.
