Shadows of Sounds (25 page)

Edith Millar bit her lip nervously. Should she have come here? It had been a moment of impulse, catching sight of her pale face in the hall mirror as she had been about to leave for the Mission, almost as if another person had suggested quite a different destination. Now all sorts of doubts assailed her as she stood uncertainly on the doorstep. A gust of wind rattled the few dry leaves left on the pavement and Edith glanced across at the railings that fenced off the swirling currents of the river Kelvin. She’d walked from Huntly Gardens across Byres Road and past the old BBC headquarters. Many a time she and George had played in studios there in the old days. But that was all in the past, she reminded herself. What she was doing here tonight was to make amends for that past, to try to salvage something for the future.

Glancing up at the light shining from the bay windows above, Edith saw that only one of them was without a twinkling Christmas tree, and she instinctively knew exactly whose window that was.

‘Come on up,’ he said, then pressed the buzzer to release the locked door. Maurice Drummond moved across to the window and looked down into the street.

There was no sign of Edith so she must be on her way upstairs. Sure enough the doorbell rang out its shrill note just as Maurice was heading down the narrow hallway.

‘Edith, how nice, come in,’ Maurice bent to kiss the cold cheeks of the woman who had been his piano teacher. She smiled up at him, drawing off her black gloves.

‘Hallo, Maurice,’ she said. ‘Have the police been here yet?’

‘You’d better come in,’ he murmured, ‘through here, into the lounge.’

Edith Millar’s eyes widened as she caught sight of the Chopin Etudes displayed on the open piano. ‘You still play, then?’

‘What made you think I’d ever stopped?’

‘Oh, Maurice,’ she sighed. ‘what did we do to you?’

Maurice Drummond frowned. ‘Nothing that I know of, Edith. And what makes you think the police have been here?’

‘But they have, haven’t they?’ She twisted the gloves in her hand. ‘I told them about Karen and you. About the baby,’ she added.

‘Edith,’ Maurice Drummond took her by the elbow and steered her gently into one of his armchairs. ‘I know you did. They told me.’

Edith looked up at him, a small frown creasing her forehead. ‘And you’re not angry with me?’

Maurice Drummond shrugged and spread his hands in a gesture of defeat. ‘They were bound to find out sooner or later, weren’t they?’

‘What about Karen? Do you still hate her?’

‘Oh, Edith, I never hated Karen. In fact,’ the Chorus Master said lightly, ‘I probably never stopped caring for her.’ He sat down and took the woman’s cold hands in his own. ‘There’s something else, though, Edith.’ He paused then took a deep breath, ‘Karen and I had another child together.’

‘What?’ Edith sat bolt upright, her hands pulling away form him. ‘Maurice, how could you do that!’

‘The usual way,’ Maurice laughed shortly. ‘Oh, don’t worry,’ he added, seeing the immediate look of disapproval in her face, ‘That affair didn’t last long either. Karen was too damn fond of her marital status to take any risks with me.’

‘You mean her daughter is …’

‘My daughter too. Yes, I know. I’ve known for years. She even called her Christina, can you believe that?’

‘But the boy, Christopher. You must have known who he was, what he was doing?’ she persisted.

‘Edith, what’s this all about? Just how much do you know about Christopher Hunter? You haven’t just come to ask me about my illicit love affairs, have you?’

‘No, Maurice,’ the woman said, her voice quiet yet controlled. ‘I’ve come to ask you about George’s affairs.’ She looked straight into his eyes as she added, ‘You see, I think I understand now why he was killed. And it’s all to do with Christopher.’

From the front room of Edith Millar’s home the phone rang out yet again into the darkness, its shrill insistence disturbing the silence. But no hand came to still the noise that jarred the dull air between the walls of the room.
Eventually it stopped, the reverberation only a faint memory stirring the shapes of heavy furniture and the grand piano sitting sombrely in the bay window of Huntly Gardens.

It was after midnight when Maurice Drummond quietly closed the door behind him and slipped out into the street. The night mist had cleared from the river and now the moon was shining down, making tiny arcs of light along the swirling current. His heart began to thud as he jogged along the side of the railings in the direction of the taxi rank. Maybe he’d have a bit of a wait, after all it was Christmas week and all the bars and restaurants were filled with office parties whooping it up until the wee small hours.

But Maurice Drummond was in luck tonight. There was one single cab outside the Botanic Gardens, the driver lounging outside, his cigarette smoke rising in the cold night air. The cabbie looked up as Maurice slowed his pace to a walk then flicked the rest of his fag across the street as they made eye contact.

‘Where to, pal?’ he asked and Maurice told him.

Glasgow was alive with revellers as the cab made its way down Great western Road towards the city centre. Term time might be over for a couple of weeks but the entire student population seemed to have taken to the streets. A group of lads in Santa hats with luminous bobbles flashing suddenly lurched off the pavement, causing the taxi driver to swerve and swear at them.

‘Bloody neds!’

‘Aye, Merry Christmas tae you an’ all, Jimmy!’ came the reply as they passed the laughing figures.

‘They don’t care, so they don’t,’ the taxi driver grumbled. ‘Different story if they’d ended up under ma wheels,’ he added gloomily.

Maurice Drummond did not answer him, staring instead at the passing tenements, wondering if he would find what he was searching for at the end of this journey.

As he paid the taxi driver, giving him an extra tip because it was Christmas, Maurice noticed two figures leaving the mouth of the close across the road. He drew back into the shadows, pulling his coat collar up around his ears, watching the pair make their way towards the twenty-four hour shop on the corner. One of them suddenly threw back his head in a spontaneous burst of laughter, his face revealed by the street lamp above him. Maurice’s heart thumped uncomfortably in his chest. The very sight of that smile caused a physical pain. And it was doubly cruel that the smile was not for him but for the younger man whose red-gold hair shone like a halo beneath the light. If only he had been alone, he thought, then everything would have been so much simpler.

Maurice watched as the two men linked arms and drew closer together. Then he shuddered. It was too much to bear, this love of his. He had to do something tonight. And he’d never have a better opportunity than this. He waited until they were out of sight then crossed the road. There were eight names against the security buzzers. Maurice pressed one after the other until a distant voice asked who he was.

‘It’s Chris from upstairs,’ he said, breathlessly. ‘I forgot my key.’

There was a grunt from the unseen occupant on the first floor flat then a low thrumming sound that signalled
the release of the lock. Maurice glanced along the street then pushed open the door, creeping quietly up the stone stairs until he reached the flat he wanted. He was in luck; the front door was unlocked, showing that his guess had been correct: they were only out for a quick errand.

Breathing a sigh of relief, Maurice Drummond slipped inside the flat and made his way along the corridor until he found the room he wanted.

He saw the violin first. Instinctively he lifted the instrument out of its case and cradled it in his arms. Chris had held this violin night after night as he’d watched and listened to his son making sweet music. More than anything he wanted to wait here and let the boy find him, tell him all the things he’d longed to say over the years.

The unmade bed stopped him in his tracks. This was where Christopher had been making love to another man. Was it also the place where he’d made love to George Millar? Edith’s words came back to him suddenly like knives. The horrors of the past few weeks that he’d pushed into the deepest recesses of his mind resurfaced with startling clarity.

He couldn’t do this, he simply couldn’t.

With a groan of despair he put the violin back in its open case. Feeling in his pocket, he took out the gift-wrapped present he’d brought. Maybe he could just leave it here? He tried to picture his son’s puzzled face as he opened the gift in the morning. Or would he keep it until Christmas day? Whatever, it would be a surprise he wasn’t expecting, that was certain.

Maurice’s fingers were on the handle of the door when he heard voices from the close below. He was trapped! They’d find him here and he’d have to explain why he
had come. Sweat broke out on Maurice’s forehead as he envisaged the looks of incredulity and even pity on their faces. Hurriedly he pulled open the door of the bathroom next to the front door, praying that they would pass him by.

The voices grew louder and then the front door was opened and closed with a bang. Maurice stood stock still as footsteps passed him by only inches away. Surely they could hear the sound of his heart hammering?

At last the voices disappeared along the corridor and Maurice heard another door opening then music began to spill out from the far end of the flat. Holding his breath, Maurice slipped out from the bathroom and quietly turned the handle of the door. Mercifully there was no creak as he opened the door and crept outside, pulling it quietly behind him.

Saying a prayer to whatever spirit had been on his side, the Chorus Master felt his way down the steep stairs like an old man. Out in the street once more he sank back against the stone walls of the tenement, tears of shame pricking his eyelids.

‘For you,’ Simon said softly, his eyes shining, ‘I made it specially.’

Chris sat up in bed, pulling the duvet up around his waist. ‘That was nice of you,’ he remarked, his hands outstretched to receive the breakfast tray.

Simon shrugged. ‘It’s nearly Christmas after all, isn’t it? Goodwill to all men, even queers like us, eh?’ he laughed and turned away, leaving the man in the bed looking after him, a puzzled expression on his face. Simon had taken it so well last night, he thought. They’d had a great night together, just like old times. He’d never even mentioned Tina and Chris had offered no explanation. That could wait. He’d hardly had time to adjust his own emotions let alone talk to Simon about the previous day’s revelations. It was enough that they were still friends.

Chris spooned the porridge into his mouth. Great! Simon had made it just the way he liked it, big dollops of syrup sliding down the sides of the cereal bowl.

When the first spasm hit the back of his throat, Chris
instinctively tried to balance the tray to stop it falling over the bed. His voice wheezed as the cry for help stuck in his gullet, the air refusing to flow through his trachea. With a crash the tray landed on the floor, the grey contents of the cereal bowl splattering in a sticky mess against the wall.

As Chris fought for breath he watched the lumps sliding downwards like slowly moving slugs leaving milky trails dripping on to the carpet.

The shock waves were making him dizzy now and he couldn’t focus. Where was Simon? Why wasn’t he here to help him?

Then from somewhere far away he heard a voice telling him terrible things. Things that weren’t true. His hands clutched at the Christmas card beside his bed, its glossy picture crushing beneath his fingers as the darkness rolled over him.

When her front door bell rang, Tina was certain it would be Chris.

‘Coming!’ she called. So what if she wasn’t even dressed yet? It would be her brother. It had to be. ‘My big brother!’ she said aloud, the very sound of the words like a caress.

‘Oh, it’s you,’ she said her voice registering sudden disappointment at the sight of the man standing on her doorstep. Then, seeing the expression on his face, her tone became anxious. ‘There’s nothing wrong, is there? Nothing’s happened to Chris?’

Tina stepped back as the man came into the house. He had not uttered a word but his eyes told her everything she needed to know. With a cry Tina stumbled against the edge of the banister as his hands caught her shoulders, pinning her against the staircase. Her scream was silenced
as his fist slammed into her mouth then she heard herself moan, the taste of blood mingling with the sudden pain.

Before she could even try to scramble away, the blows began to rain down on her head then she felt his hands pulling at her dressing gown, releasing its cord.

‘No,’ she whimpered. ‘Please. No!’ Tina struggled against him as she felt her body being pulled this way and that, her hands fixed behind her and her ankles pinioned tightly with the cord.

‘Stop it! Why are you doing this to me?’ she cried, her breath coming out in great sobs.

Then the girl’s eyes widened in alarm as he untied the kerchief from his neck and twirled it between his fingers. Her cry was muffled as the gag cut into her mouth, her final protests silenced.

‘Why?’ He broke the silence at last. ‘You have the nerve to ask me why? So that you and your bastard will never see the light of day, that’s why,’ he sneered, panting slightly as he stood over her abject body.

Then Tina watched in horror as he pulled a familiar object from his pocket. It was a small cigarette lighter shaped like a harp. Her eyes stared wildly as the lighter snapped open, its flame rising higher as he turned the tiny cogwheel.

Then, laughing, he spun the flame around his head and let it catch hold of the curtains above her.

‘Just for starters,’ he laughed, then dipped the flame against the carpet, watching as it licked a smouldering brown path along the floor.

‘Where the hell is he? I haven’t the time for this today.’ Lorimer fumed. He’d only a few hours left before checking
in at the airport and he was damned if Christopher Hunter was going to screw that up for him. ‘I’m going down there myself. Coming?’

Solly shrugged. With Lorimer in this mood, did he have a choice?

The door was lying open when they arrived at the top of the stairs. Solly glanced at Lorimer’s face, recognising that grim look of foreboding. He shivered suddenly

There was something not right about this. The two men made their way down the darkened hall towards a light that flared out from a side room.

‘My God!’ Solly breathed. ‘What has he done to himself?’

Chris Hunter lay unconscious, the sheets pulled away from his body as it slumped heavily over the edge of the bed. The smell of vomit made Solly take a step backwards, his hand across his mouth, but Lorimer was immediately at the bedside, seeing the swollen lips and the rash that was visible beneath pale, stubbly skin. As his hand felt for a pulse, his fingers met the touch of metal. Around the man’s wrist was a bracelet. Lorimer peered at the inscription.

‘He’s still alive,’ Lorimer turned to the psychologist. ‘Look here. It says he’s a severe allergy sufferer. This is a Medicalert bracelet. And there’s a number on it.’ He pulled out his mobile, jabbing out the numbers. ‘Ambulance. This is an emergency.’

The policeman explained the situation and relayed the membership number on the bracelet while Solly’s eyes scanned the room, taking in the mess on the wall, the fallen tray and the ioniser on the shelf above the bed. He frowned suddenly, wishing that Rosie were here to tell
them what might have happened to the man lying across the bed.

Solly’s eyes returned to the black box above the bed. ‘See that?’ he pointed it out to Lorimer. ‘My sister used one of these for her pet hair allergy. Could he have had some sort of asthma attack?’

‘Check his things,’ Lorimer replied, still listening to the voice at the other end of the line.

‘What do we want?’ Solly spoke almost to himself as he moved across the room. ‘A medical card of some kind?’ He bent down to retrieve a jacket that had fallen from the back of a chair. Lorimer’s face darkened as he listened to the voice on the emergency line. ‘OK. I’ll try my best but for God’s sake get a move on.’ He clicked shut the mobile.

‘We’ve to look for an pre-loaded adrenaline kit. It’s like the sort of pen that diabetics carry around. They say he should have one wherever he goes so it won’t be far away. Looks like he’s suffering an anaphylactic shock.’ Lorimer said. ‘Let’s see if there’s anything in here or that poor beggar hasn’t a chance,’ he said, glancing down at the man on the bed as he rummaged in the bedside drawer.

‘Bingo!’ Lorimer breathed out in relief as he held up the sealed kit.

The psychologist looked away as Lorimer administered the drug. He focused instead on the arm drooping from the sheets, its clenched fist brushing the floor. Obscured at first by the corner of the duvet, Chris Hunter’s motionless hand was closed around a Christmas card.

Solly bent down, his fingers prising the card from the unconscious man’s grasp. His foot pushed against the bed linen revealing a torn envelope. Smoothing out
the creases of the Christmas card Solly opened it. Inside was a photograph of a young girl smiling out from the crumpled gloss. He read the sloping handwriting, nodding to himself.

‘What d’you make of this?’ he began to say, then both men turned their heads as the sound of feet came racing up the stairs.

‘Thank God!’ Lorimer breathed as the paramedic crew arrived at the bedroom door, stretcher and oxygen at the ready. ‘Here,’ Lorimer handed over the empty adrenaline pen. ‘I gave him this just before you arrived.’

‘Might help. How long has he been in a coma?’ one of the paramedics asked.

Lorimer shook his head, his mouth a grim line. ‘We don’t know. He was supposed to be meeting me an hour ago and didn’t turn up. God knows how long he’s been like this.’

‘OK. We’ve got the rest of his details from the Medicalert database. Come on, fella, let’s get you out of here.’

The two men watched as Chris Hunter was gently lifted away from his bed. His body, wrapped in double cellular blankets and strapped onto the stretcher, looked ominously still as it was carried out of the flat by the paramedics.

‘Think he’ll make it?’ Lorimer asked them.

‘Maybe. Depends if he responds to that shot you gave him,’ one of the crew replied.

Lorimer turned back to see Solly by the window. The psychologist was examining a Christmas card that he’d picked up from the floor. Had it fallen from the window ledge? There were several others there in a row. Curious, Lorimer moved towards the window and looked over
Solly’s shoulder

‘That’s Tina Quentin-Jones,’ he said, seeing the photograph that had been stuck inside the card.

‘See what she’s written,’ Solly showed him. There, under Season’s Greetings were the words,
From your
new wee sister, with love, Tina. December 22nd. Happy
Christmas.

Lorimer’s mind spun with sudden possibilities. He turned to face Solly. ‘What else could she have given him?’

Once more he recalled her desperate expression at Karen’s funeral. Did Tina Quentin-Jones imagine that Chris Hunter had killed her mother?

‘Could she have deliberately given him something to bring on this reaction?’

‘Somebody did,’ Solly pointed to the porridge congealing on the skirting board. ‘Who else lives here?’

‘Simon Corrigan, but he …’ Lorimer paused. ‘Wait a minute,’ he said slowly, letting his gaze fall to the window ledge. He picked up one card after another until he came to the one he was looking for.

‘What does this tell you?’ Lorimer held it up for the psychologist to see. ‘Not the sort of message you’d write to your mate, is it?’ Solomon read the message on the card, his face serious as the implication sank in. Then he looked up.

‘Where is he, then? Why’s Corrigan not here if he’s expressing his undying love to Christopher Hunter?’ Solly asked.

Suddenly Carl Bekaert’s words came back to Lorimer.
‘Love. It’s not a dirty word?’

‘Love. You just said it. That’s what it’s all about,’
Lorimer stared at Solly.

‘That’s what it’s been about from the beginning, only we couldn’t see it.’ For a moment there was a triumphant spark in his eye then his expression changed.

‘No. Oh, dear God, no.’ Lorimer’s eyes flicked from one Christmas card to the other. ‘He’s gone after the girl. Quick, let’s get out of here.’

As the flames began their ascent of the heavily embossed wallpaper, Tina struggled to free her hands from their bonds. She could still hear Simon in the lounge, the sound of a glass clinking against a bottle. Suddenly it reminded her of her father and his nightly tipples.

Dad. Where was he supposed to be this morning? She couldn’t remember. Was it a theatre day? or was he doing rounds? Tina couldn’t remember. They’d had an awful row the other night, and she’d said some cutting things. If only she could take them all back now, unsay them.

She whimpered as the fire whooshed upwards, the wallpaper dissolving into its yellow tongues. He’d never get to hear her say that she really loved him; that he was her dad and that was all that really mattered. The girl struggled harder, a sudden urge to live, to fight against this terror forcing the adrenalin through her veins.

From her twisted position at the foot of the stairs Tina could hear the musician as he moved about her home. She heard the door of the stereo cabinet opening and the clunk of Simon’s glass as he laid it down. What on earth was he doing now?

Her answer came moments later as the final movement of Tchaikovsky’s ‘1812 Overture’ crashed at top volume through the rooms. He was mad. The man was totally
insane, listening to Tchaikovsky and drinking whisky as he burnt down her house.

If only she could reach the front door again! The panic button was at waist height, next to the chain that was hardly ever used, she thought, crazy tears filling her eyes.

Tina crawled towards the foot of the stairs. The fire had got a hold of the carpet between where she was now and the door. She’d have to roll her body through the lines of flames if she were to make it.

The pain shot through her legs as she inched down, elbows taking her weight.

The thump as her body landed on the floor made her stop, head craned to see if her attacker had heard, but the music had evidently drowned out the noise. She could see his back to her as he drank down her father’s whisky, one arm conducting the unseen orchestra. Heart thudding, Tina grasped at hope. At least the cigarette lighter was laid aside for the moment.

With a jerk Tina rolled over the line of flame, her head bursting with the effort. Would her dressing gown catch fire? Or would she smother the flames? She could smell the burning carpet beneath her even as her body felt the heat.

Hardly daring to look, Tina forced herself against the corner of the wall beside the door, her spine protesting as she wrenched her body upright. The strain on her wrists and ankles made her wobble dangerously.

With a sigh she let her head fall forward towards the small steel box, forcing her face sideways so that her nose dipped under its rim.

For a moment nothing happened then she saw the man turn towards her, his eyes narrowing in disbelief.

‘What the hell?’

No. She would never do it now.

As he lunged towards her Tina pushed her face against the space beneath the box with the last remnant of her strength then the whole world exploded in a shrieking wail as the alarm went off.

The sound of exploding canon fire roared from the house when Lorimer pushed open the door. He caught the girl’s body as it fell towards him. Smoke billowed out in grey clouds from the house.

‘Quick! Get her out of here!’ Lorimer dragged the girl over the doorstep as Solly hurried to take her in his arms.

Fanned by the sudden draught from the open door, the flames leapt higher. Through the layers of smoke Lorimer could just make out a figure moving inside.