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Authors: Indu Sundaresan

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Shadow Princess
ends nine years into Aurangzeb’s reign and fifteen years before Jahanara dies. She settles, finally, into her once-loathed brother’s harem and again supersedes her sister Roshanara by acquiring the title Padshah Begam—the chief lady of the
zenana.
Surely the rivalry that drove their lives would have reared its head once more, even though they were older and perhaps wiser. Official sources, and those unofficial, don’t mention why Jahanara loved Dara so passionately or why she supported him, or why indeed she disliked Aurangzeb so much.

But even though the sources don’t give reasons for the adoration Aurangzeb, in his turn, had for the sister who refused to espouse his ambitions, in giving her a home and the premier position in his harem, he amply demonstrated that devotion.

Indu Sundaresan

March 2009

Acknowledgments

T
hanks go: first, to the early readers of
Shadow Princess
, my friends Janet Lee Carey and Phillip Winberry, for being willing to plow through an unrevised manuscript and comment upon it.

To my agent Sandy Dijkstra and everyone at the Sandra Dijkstra Literary Agency, for everything—how hard they work, how carefully they read my work, how well they champion it, and how nice they all are; this last is a true and unexpected blessing.

To other nice people: my publisher, Judith Curr, and my editor, Malaika Adero, for their support, encouragement, and counsel on my work.

To the very first reader of any manuscript-in-progress, my husband, Uday. And to Uday and Sitara for making me happy enough to write.

And finally, to the two library systems near home—the King County Library System, and the University of Washington’s Suzzallo and Allen libraries—for their superb (and expanding) collection of work on India, which has provided me with invaluable research material for
Shadow Princess
.

Glossary

Amir

nobleman

Bagh

garden

Baithak

seating area

Baradari

pavilion

Beta

literally “son”; here a term of endearment

Biryani

rice with meat, vegetables, and spices

Chahar Taslim

form of salutation in which the hand is raised to the head four times, as opposed to the traditional three of the
taslim

Chajja

eave

Chappals

sandals

Charbagh

garden divided into four quadrants by two intersecting walkways; Persian in origin

Chattri

literally “umbrella” or “canopy”; here a dome-shaped pavilion built over a funerary site

Chaugan

polo

Choli

bodice, blouse

Chudidar

pajama-style trousers, fitted tight around the ankles and shins

Chukkar

period of play in polo, usually seven minutes long

Chula

fireplace with walls for cooking

Chunam

a type of plaster made with quicklime and sand

Dargah

tomb of a Sufi saint

Dholak

double-headed hand drum

Dhoti

garment of loose cloth worn around the waist

Diya

lamp

Durbar

court proceeding

Farman

imperial edict; almost exclusively the privilege of the Emperor

Firangi

foreigner

Gaddi

seat

Ghagara

Pleated, full-length skirt

Ghari

measure of time; approximately twenty-four minutes; the day and night were divided into twenty-four gharis

Ghariyali

timekeeper

Ghee

clarified butter

Hakim

physician

Halva

sweet confection

Hammam

bathhouse

Havaldar

policeman

Haveli

house, mansion

Hinabandi

ceremony, part of the wedding celebrations, during which henna is applied to the bride’s hands and feet

Hookah

water pipe for smoking tobacco

Howdah

canopied seat, usually on an elephant or a camel

Huzoor

sire

Imam

Muslim spiritual leader

Jagir

estate, parcel of land

Jali

screen

Jharoka

overhanging balcony used by the Emperor for audiences

Kabab

grilled meat on a skewer

Karkhana

workshop, atelier

Khazana

treasure

Khilat

Arabic for “dress”; here a specific coat given by the Emperor to a subject

Khus

aromatic grass

Khutba

Proclamation of sovereignty; usually before the noon prayers at mosques around the empire

Kichri

mixture of rice, lentils, and ghee; usually poor people’s food

Konish

form of salutation

Kurta

long-sleeved tunic

Maidan

open field

Mali

gardener

Mansab

military rank denoted by the number of cavalry and infantry a noble had under his command

Mardana

men’s quarters in the house

Mast

intoxicated; when referring to elephants, “energetic”

Matka

earthenware pot

Mehr

gift from the groom to the bride during the wedding ceremony

Mirza

title for a nobleman

Mohur

gold coin

Mulla

man trained in Islamic law and tradition

Naan

leavened bread baked in a clay oven

Nadiri

sleeveless, thigh-length coat

Nautch

dance

Nilgau

a bluish-gray wild ox

Nishan

imperial edict; usually the privilege of queens, princesses, and princes

Paan

betel leaf, used as a digestive

Pahr

measure of time, the length of a watch; the day and night were divided into four pahrs each

Pargana

land holding

Peshwaz

long-sleeved, high-waisted garment that flowed to the knees

Pishtaq

portal, entry

Punkah

fan

Purdah

literally “curtain”; here to mean the veil

Qaba

overcoat with long sleeves

Qazi

judge who rules in accordance with Islamic law

Rauza

tomb

Sachaq

customary wedding gift to the bride

Salah

ritual prayer

Sarai

rest house for travelers

Sehra

headdress worn by the groom during a wedding ceremony

Shamiana

canopy, tent

Shenai

woodwind instrument

Shikara

slim wooden boat used in Kashmir

Sitar

stringed musical instrument

Sura

Arabic for “chapter” of the Quran

Tabla

pair of hand drums

Taslim

form of salutation

‘Urs

death anniversary

Uzuk

royal seal

Zari

gold or silver wire thread used in embroidery

Zenana

harem quarters or the women within; consisted of wives, concubines, mothers, sisters, cousins—any women who required shelter and were related to the imperial family

Shadow Princess

INDU SUNDARESAN

A Readers Club Guide

QUESTIONS AND TOPICS FOR DISCUSSION

1. In what ways does Mumtaz Mahal’s death change the dynamics of the royal household and, ultimately, the future of the Empire? How does her passing affect Jahanara in particular?

2. Before her death, Mumtaz Mahal noted that “
there was already a slender rivalry
” between her two eldest daughters, “
so inconsequential now as almost not to exist
.” How does this “slender rivalry” develop into a full-blown contentious relationship between the sisters? How much of their dislike for one another has to do with personality and how much with the environment in which they live?

3. Why does the Emperor forbid Jahanara, and also Roshanara, for whom he has little affection, from marrying? Why does Jahanara never ask her father for permission to marry Najabat Khan?

4. Roshanara is often spiteful toward Jahanara, starting rumors of incest between her sister and the Emperor and setting her sights on Najabat Khan. What does she hope to gain by doing these things? Is her behavior at all understandable? Why or why not?

5. How is Jahanara both powerful and powerless? In what ways is she a “shadow princess,” as the novel’s title suggests?

6. How is Jahanara influential in matters of state? In what instances are her opinions and insight most critical? Why does she staunchly support Dara as Shah Jahan’s successor and vehemently oppose Aurangzeb’s claim to the throne?

7. Why does Jahanara give up her son, Antarah? Does she have any other choice? “
In the end, it was Aurangzeb, with his rigid views on propriety and decency, who reached out a hand to his sister’s son, a boy she would never acknowledge in public
.” Why does Aurangzeb, and not Dara or one of Jahanara’s other brothers, reach out to Antarah?

8. Indu Sundaresan reveals in the Afterword that after Shah Jahan’s death, Jahanara returns to court to be the head of Aurangzeb’s harem. Do you find it surprising that she would accept a position in her brother’s household given her feelings for him? Why or why not?

9. Have you read Indu Sundaresan’s novels
The Twentieth Wife
and
The Feast of Roses
? If so, how do they compare to
Shadow Princess
? If not, are you now interested in reading them?

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