have the right to live as human beings. Whenever this right is abused, they should arouse themselves in self-defense. It is a defense that should not come in the form of carnivalesque mass movements; rather, it should find expression in independent activities such as finding recourse in the law [when you are wronged]. Only when the Chinese have learned their right to such a life and their need to protect it will the Mao Zedong era truly draw to an end. Only then will China's feudal history be over.
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The phenomenon of Mao Zedong has not disappeared; on the contrary, its covert influence continues to inveigle itself into the society and the soul of every Chinese. . . . Regardless of whether we view it historically or in terms of our present predicament, we should think of the Mao phenomenon not as a beginning but as a full-stop.
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January10 February 1989, Shanghai-Guiyang
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| 1. See Richard H. Solomon, Mao's Revolution and the Chinese Political Culture ; and Lucian W. Pye, Mao Tse-tung: The Man in the Leader.
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| 2. See Liu Xiaobo, "Hunshi mowang Mao Zedong," 11; and Barmé and Jaivin, eds., New Ghosts, Old Dreams, p. xxvi, for a quotation from Liu's article.
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| 3. See, for example, He Xin quoted in Barmé and Jaivin, eds., New Ghosts, Old Dreams, p. 213.
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| 4. The Dream of the Red Chamber studies ( Hongloumeng xue, or simply Hongxue ) refers to the academic and journalistic industry devoted to the dissection of the famous mid-Qing novel The Dream of the Red Chamber (or The Story of the Stone ) written by Cao Xueqin and Gao E, a book regarded as depicting a microcosmic Chinese world. Lu Xun studies ( Lu Xun xue or Luxue ) have made a major cultural industry out of the analysis of the writer Lu Xun (d. 1936). Both are sponsored by the state.
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| 5. This is a reference to Lu Xun's fictional tale "The True Story of Ah Q" ( A Q zhengzhuan ) published in the early 1920s.
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| 6. Mao Zedong, "Snow," see Mao Tsetung, Poems, pp. 23-24.
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| 7. Qin Shihuang, Han Wudi, Tang Taizu and Song Gaozu were prominent rulers of the Qin, Han, Tang and Song dynasties respectively.
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| 8. For more on Mao and Lu Xun, see "Chairman Mao Graffiti" below.
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