Selected Stories of Philip K. Dick (57 page)

To Travis, Elms, and Agneta, the Figure, raising its arms, said, “I am the Resurrection. If anyone believes in me, even though he dies he will live, and whoever lives and believes in me will never die. Do you believe this?”

“I sure do,” Elms said heartily.

Travis said, “It's bilge.”

To herself, Agneta Rautavaara thought, I'm not sure. I just don't know.

“We're supposed to decide,” Elms said. “We have to decide if we're going to go with him. Travis, you're done for; you're out. Sit there and rot— that's your fate.” To Agneta, he said, “I hope you find for Christ, Agneta. I want you to have eternal life like I'm going to have. Isn't that right, Lord?” he asked the Figure.

The Figure nodded.

Agneta said,“Travis, I think—well, I feel you should go along with this. I—” She did not want to press the point that Travis was dead. But he had to understand the situation; otherwise, as Elms said, he was doomed. “Go with us,” she said.

“You're going, then?” Travis said, bitterly.

“Yes,” she said.

Elms, gazing at the Figure, said in a low voice, “Quite possibly I'm mistaken, but it seems to be changing.”

She looked, but saw no change. Yet Elms seemed frightened.

The Figure, in its white robe, walked slowly toward the seated Travis. The Figure halted close by Travis, stood for a time, and then, bending, bit Travis's face.

Agneta screamed. Elms stared, and Travis, locked into his seat, thrashed. The Figure, calmly, ate him.

“Now you see,” the spokesperson for the Board of Inquiry said, “this brain must be shut down. The deterioration is severe; the experience is terrible for her; it must end now.”

I said,“No. We from the Proxima System find this turn of events highly interesting.”

“But the Savior is eating Travis!” another of the Earth persons exclaimed.

“In your religion,” I said,“is it not the case that you eat the flesh of your God and drink his blood? All that has happened here is a mirror image of that Eucharist.”

“I order her brain shut down!” the spokesperson for the Board said. His face was pale; drops of sweat stood out on his forehead.

“We should see more before we shut down,” I said. I found it highly exciting, this enactment of our own sacrament, our highest sacrament, in which our Savior consumes us, his worshippers.

“Agneta,” Elms whispered, “did you see that? Christ ate Travis. There's nothing left but his gloves and boots.”

Oh God, Agneta Rautavaara thought. What is happening?

She moved away from the Figure, over to Elms. Instinctively.

“He is my blood,” the Figure said as it licked its lips. “I drink of this blood, the blood of eternal life. When I have drunk it, I will live forever. He is my body. I have no body of my own; I am only a plasma. By eating his body, I obtain everlasting life. This is the new truth that I proclaim, that I am eternal.”

“He's going to eat us, too,” Elms said.

Yes, Agneta Rautavaara thought. He is. She could see now that the Figure was an Approximation. It is a Proxima life-form, she realized. He's right; he has no body of his own. The only way he can get a body is—

“I'm going to kill him,” Elms said. He popped the emergency laser rifle from its rack and pointed it at the figure.

The Figure said, “Father, the hour has come.”

“Stay away from me,” Elms said.

“In a short time, you will no longer see me,” the Figure said, “unless I drink of your blood and eat of your body. Glorify yourself that I may live.” The Figure moved toward Elms.

Elms fired the laser rifle. The Figure staggered and bled. It was Travis's blood, Agneta realized. In him. Not his own blood. This is terrible; she put her hands to her face, terrified.

“Quick,” she said to Elms. “Say ‘I am innocent of this man's blood.' Say it before it's too late.”

“‘I am innocent of this man's blood,'” Elms said.

The Figure fell. Bleeding, it lay dying. It was no longer a bearded man. It was something else, but Agneta Rautavaara could not tell what it was. It said, “
Eli, Eli, lama sabachthani?
”

As she and Elms gazed down at it, the Figure died.

“I killed it,” Elms said.“I killed Christ.” He held the laser rifle pointed at himself, groping for the trigger.

“That wasn't Christ,” Agneta said. “It was something else. The opposite of Christ.” She took the gun from Elms.

Elms was weeping.

The Earth persons on the Board of Inquiry possessed the majority vote and they voted to abolish all activity in Rautavaara's artificially sustained brain. This disappointed us, but there was no remedy for us.

We had seen the beginning of an absolutely stunning scientific experiment: the theology of one race grafted onto that of another. Shutting down the Earth person's brain was a scientific tragedy. For example, in terms of the basic relationship to God, the Earth race held a diametrically opposite view from us. This of course must be attributed to the fact that they are a somatic race and we are a plasma. They drink the blood of their God; they eat his flesh; that way they become immortal. To them, there is no scandal in this. They find it perfectly natural. Yet, to us it is dreadful. That the wor-shipper should eat and drink its God? Awful to us; awful indeed. A disgrace and a shame—an abomination. The higher should always prey on the lower; the God should consume the worshipper.

We watched as the Rautavaara Case was closed—closed by the shutting down of her brain so that all EEG activity ceased and the monitors indicated nothing. We felt disappointment, and in addition the Earth persons voted out a verdict of censure of us for our handling of the rescue mission in the first place.

It is striking, the gulf which separates races developing in different star systems. We have tried to understand the Earth persons and we have failed. We are aware, too, that they do not understand us and are appalled in turn by some of our customs. This was demonstrated in the Rautavaara Case. But were we not serving the purposes of detached scientific study? I myself was amazed at Rautavaara's reaction when the Savior ate Mr. Travis. I would have wished to see this most holy of the sacraments fulfilled with the others, with Rautavaara and Elms as well.

But we were deprived of this. And the experiment, from our standpoint, failed.

And we live now, too, under the ban of unnecessary moral blame.

I HOPE I SHALL ARRIVE SOON

After takeoff the ship routinely monitored the condition of the sixty people sleeping in its cryonic tanks. One malfunction showed, that of person nine. His EEG revealed brain activity.

Shit, the ship said to itself.

Complex homeostatic devices locked into circuit feed, and the ship contacted person nine.

“You are slightly awake,” the ship said, utilizing the psychotronic route; there was no point in rousing person nine to full consciousness—after all, the flight would last a decade.

Virtually unconscious, but unfortunately still able to think, person nine thought, Someone is addressing me. He said, “Where am I located? I don't see anything.”

“You're in faulty cryonic suspension.”

He said, “Then I shouldn't be able to hear you.”

“‘Faulty,' I said. That's the point; you can hear me. Do you know your name?”

“Victor Kemmings. Bring me out of this.”

“We are in flight.”

“Then put me under.”

“Just a moment.” The ship examined the cryonic mechanisms; it scanned and surveyed and then it said, “I will try.”

Time passed. Victor Kemmings, unable to see anything, unaware of his body, found himself still conscious. “Lower my temperature,” he said. He could not hear his voice; perhaps he only imagined he spoke. Colors floated toward him and then rushed at him. He liked the colors; they reminded him of a child's paint box, the semianimated kind, an artificial life-form. He had used them in school, two hundred years ago.

“I can't put you under,” the voice of the ship sounded inside Kemmings's head. “The malfunction is too elaborate; I can't correct it and I can't repair it. You will be conscious for ten years.”

The semianimated colors rushed toward him, but now they possessed a sinister quality, supplied to them by his own fear. “Oh my God,” he said. Ten years! The colors darkened.

As Victor Kemmings lay paralyzed, surrounded by dismal flickerings of light, the ship explained to him its strategy. This strategy did not represent a decision on its part; the ship had been programmed to seek this solution in case of a malfunction of this sort.

“What I will do,” the voice of the ship came to him,“is feed you sensory stimulation. The peril to you is sensory deprivation. If you are conscious for ten years without sensory data, your mind will deteriorate. When we reach the LR4 System, you will be a vegetable.”

“Well, what do you intend to feed me?” Kemmings said in panic.“What do you have in your information storage banks? All the video soap operas of the last century? Wake me up and I'll walk around.”

“There is no air in me,” the ship said. “Nothing for you to eat. No one to talk to, since everyone else is under.”

Kemmings said, “I can talk to you. We can play chess.”

“Not for ten years. Listen to me; I say, I have no food and no air. You must remain as you are … a bad compromise, but one forced on us. You are talking to me now. I have no particular information stored. Here is policy in these situations: I will feed you your own buried memories, emphasizing the pleasant ones. You possess two hundred and six years of memories and most of them have sunk down into your unconscious. This is a splendid source of sensory data for you to receive. Be of good cheer. This situation, which you are in, is not unique. It has never happened within my domain before, but I am programmed to deal with it. Relax and trust me. I will see that you are provided with a world.”

“They should have warned me,” Kemmings said, “before I agreed to emigrate.”

“Relax,” the ship said.

He relaxed, but he was terribly frightened. Theoretically, he should have gone under, into the successful cryonic suspension, then awakened a moment later at his star of destination; or rather the planet, the colony planet, of that star. Everyone else aboard the ship lay in an unknowing state—he was the exception, as if bad karma had attacked him for obscure reasons. Worst of all, he had to depend totally on the goodwill of the ship. Suppose it elected to feed him monsters? The ship could terrorize him for ten years—ten objective years and undoubtedly more from a subjective standpoint. He was, in effect, totally in the ship's power. Did interstellar ships enjoy such a situation? He knew little about interstellar ships; his field was microbiology. Let me think, he said to himself. My first wife, Martine; the lovely little French girl who wore jeans and a red shirt open at the waist and cooked delicious crepes.

“I hear,” the ship said. “So be it.”

The rushing colors resolved themselves into coherent, stable shapes. A building: a little old yellow wooden house that he had owned when he was nineteen years old, in Wyoming. “Wait,” he said in panic. “The foundation was bad; it was on a mud sill. And the roof leaked.” But he saw the kitchen, with the table that he had built himself. And he felt glad.

“You will not know, after a little while,” the ship said,“that I am feeding you your own buried memories.”

“I haven't thought of that house in a century,” he said wonderingly; entranced, he made out his old electric drip coffeepot with the box of paper filters beside it. This is the house where Martine and I lived, he realized. “Martine!” he said aloud.

“I'm on the phone,” Martine said from the living room.

The ship said, “I will cut in only when there is an emergency. I will be monitoring you, however, to be sure you are in a satisfactory state. Don't be afraid.”

“Turn down the rear right burner on the stove,” Martine called. He could hear her and yet not see her. He made his way from the kitchen through the dining room and into the living room. At the VF, Martine stood in rapt conversation with her brother; she wore shorts and she was barefoot. Through the front windows of the living room he could see the street; a commercial vehicle was trying to park, without success.

It's a warm day, he thought. I should turn on the air conditioner.

He seated himself on the old sofa as Martine continued her VF conversation, and he found himself gazing at his most cherished possession, a framed poster on the wall above Martine: Gilbert Shelton's “Fat Freddy Says” drawing in which Freddy Freak sits with his cat on his lap, and Fat Freddy is trying to say “Speed kills,” but he is so wired on speed—he holds in his hand every kind of amphetamine tablet, pill, spansule, and capsule that exists—that he can't say it, and the cat is gritting his teeth and wincing in a mixture of dismay and disgust. The poster is signed by Gilbert Shelton himself; Kemmings's best friend Ray Torrance gave it to him and Martine as a wedding present. It is worth thousands. It was signed by the artist back in the 1980s. Long before either Victor Kemmings or Martine lived.

If we ever run out of money, Kemmings thought to himself, we could sell the poster. It was not
a
poster; it was
the
poster. Martine adored it. The Fabulous Furry Freak Brothers—from the golden age of a long-ago society. No wonder he loved Martine so; she herself loved back, loved the beauties of the world, and treasured and cherished them as she treasured and cherished him; it was a protective love that nourished but did not stifle. It had been her idea to frame the poster; he would have tacked it up on the wall, so stupid was he.

“Hi,” Martine said, off the VF now. “What are you thinking?”

“Just that you keep alive what you love,” he said.

“I think that's what you're supposed to do,” Martine said. “Are you ready for dinner? Open some red wine, a cabernet.”

“Will an '07 do?” he said, standing up; he felt, then, like taking hold of his wife and hugging her.

“Either an '07 or a '12.” She trotted past him, through the dining room and into the kitchen.

Going down into the cellar, he began to search among the bottles, which, of course, lay flat. Musty air and dampness; he liked the smell of the cellar, but then he noticed the redwood planks lying half-buried in the dirt and he thought, I know I've got to get a concrete slab poured. He forgot about the wine and went over to the far corner, where the dirt was piled highest; bending down, he poked at a board … he poked with a trowel and then he thought, Where did I get this trowel? I didn't have it a minute ago. The board crumbled against the trowel. This whole house is collapsing, he realized. Christ sake. I better tell Martine.

Going back upstairs, the wine forgotten, he started to say to her that the foundations of the house were dangerously decayed, but Martine was nowhere in sight. And nothing cooked on the stove—no pots, no pans. Amazed, he put his hands on the stove and found it cold. Wasn't she just cooking? he asked himself.

“Martine!” he said loudly.

No response. Except for himself, the house was empty. Empty, he thought, and collapsing. Oh my God. He seated himself at the kitchen table and felt the chair give slightly under him; it did not give much, but he felt it; he felt the sagging.

I'm afraid, he thought. Where did she go?

He returned to the living room. Maybe she went next door to borrow some spices or butter or something, he reasoned. Nonetheless, panic now filled him.

He looked at the poster. It was unframed. And the edges had been torn.

I know she framed it, he thought; he ran across the room to it, to examine it closely. Faded … the artist's signature had faded; he could scarcely make it out. She insisted on framing it and under glare-free, reflection-free glass. But it isn't framed and it's torn! The most precious thing we own!

Suddenly he found himself crying. It amazed him, his tears. Martine is gone; the poster is deteriorated; the house is crumbling away; nothing is cooking on the stove. This is terrible, he thought. And I don't understand it.

The ship understood it. The ship had been carefully monitoring Victor Kemmings's brain wave patterns, and the ship knew that something had gone wrong. The wave-forms showed agitation and pain. I must get him out of this feed-circuit or I will kill him, the ship decided. Where does the flaw lie? it asked itself. Worry dormant in the man; underlying anxieties. Perhaps if I intensify the signal. I will use the same source, but amp up the charge. What has happened is that massive subliminal insecurities have taken possession of him; the fault is not mine, but lies, instead, in his psychological makeup.

I will try an earlier period in his life, the ship decided. Before the neurotic anxieties got laid down.

In the backyard, Victor scrutinized a bee that had gotten itself trapped in a spider's web. The spider wound up the bee with great care. That's wrong, Victor thought. I'll let the bee loose. Reaching up, he took hold of the encapsulated bee, drew it from the web, and, scrutinizing it carefully, began to unwrap it.

The bee stung him; it felt like a little patch of flame.

Why did it sting me? he wondered. I was letting it go.

He went indoors to his mother and told her, but she did not listen; she was watching television. His finger hurt where the bee had stung it, but, more important, he did not understand why the bee would attack its rescuer. I won't do that again, he said to himself.

“Put some Bactine on it,” his mother said at last, roused from watching the TV.

He had begun to cry. It was unfair. It made no sense. He was perplexed and dismayed and he felt a hatred toward small living things, because they were dumb. They didn't have any sense.

He left the house, played for a time on his swings, his slide, in his sand-box, and then he went into the garage because he heard a strange flapping, whirring sound, like a kind of fan. Inside the gloomy garage, he found that a bird was fluttering against the cobwebbed rear window, trying to get out. Below it, the cat, Dorky, leaped and leaped, trying to reach the bird.

He picked up the cat; the cat extended its body and its front legs; it extended its jaws and bit into the bird. At once the cat scrambled down and ran off with the still-fluttering bird.

Victor ran into the house. “Dorky caught a bird!” he told his mother.

“That goddam cat.” His mother took the broom from the closet in the kitchen and ran outside, trying to find Dorky. The cat had concealed itself under the bramble bushes; she could not reach it with the broom. “I'm going to get rid of that cat,” his mother said.

Victor did not tell her that he had arranged for the cat to catch the bird; he watched in silence as his mother tried and tried to pry Dorky out from her hiding place; Dorky was crunching up the bird; he could hear the sound of breaking bones, small bones. He felt a strange feeling, as if he should tell his mother what he had done, and yet if he told her she would punish him. I won't do that again, he said to himself. His face, he realized, had turned red. What if his mother figured it out? What if she had some secret way of knowing? Dorky couldn't tell her and the bird was dead. No one would ever know. He was safe.

But he felt bad. That night he could not eat his dinner. Both his parents noticed. They thought he was sick; they took his temperature. He said nothing about what he had done. His mother told his father about Dorky and they decided to get rid of Dorky. Seated at the table, listening, Victor began to cry.

“All right,” his father said gently. “We won't get rid of her. It's natural for a cat to catch a bird.”

The next day he sat playing in his sandbox. Some plants grew up through the sand. He broke them off. Later his mother told him that had been a wrong thing to do.

Alone in the backyard, in his sandbox, he sat with a pail of water, forming a small mound of wet sand. The sky, which had been blue and clear, became by degrees overcast. A shadow passed over him and he looked up. He sensed a presence around him, something vast that could think.

You are responsible for the death of the bird, the presence thought; he could understand its thoughts.

“I know,” he said. He wished, then, that he could die. That he could replace the bird and die for it, leaving it as it had been, fluttering against the cobwebbed window of the garage.

The bird wanted to fly and eat and live, the presence thought.

“Yes,” he said miserably.

“You must never do that again,” the presence told him.

“I'm sorry,” he said, and wept.