Selected Stories (9781440673832) (21 page)

‘Nor to me.'

‘He does not refer, I suppose, to the trouble there has been lately with the music?'

‘Oh no, of course not. Let us talk about music.'

‘Have you complained to the authorities?'

‘Yes, and they say it wants mending, and referred me to the Committee of the Mending Apparatus. I complained of those curious gasping sighs that disfigure the symphonies of the Brisbane school. They sound like someone in pain. The Committee of the Mending Apparatus say that it shall be remedied shortly.'

Obscurely worried, she resumed her life. For one thing, the defect in the music irritated her. For another thing, she could not forget Kuno's speech. If he had known that the music was out of repair—he could not know it, for he detested music—if he had known that it was wrong, ‘the Machine stops' was exactly the venomous sort of remark he would have made. Of course he had made it at a venture, but the coincidence annoyed her, and she spoke with some petulance to the Committee of the Mending Apparatus.

They replied, as before, that the defect would be set right shortly.

‘Shortly! At once!' she retorted. ‘Why should I be worried by imperfect music? Things are always put right at once. If you do not mend it at once, I shall complain to the Central Committee.'

‘No personal complaints are received by the Central Committee,' the Committee of the Mending Apparatus replied.

‘Through whom am I to make my complaint, then?'

‘Through us.'

‘I complain then.'

‘Your complaint shall be forwarded in its turn.'

‘Have others complained?'

This question was unmechanical, and the Committee of the Mending Apparatus refused to answer it.

‘It is too bad!' she exclaimed to another of her friends. ‘There never was such an unfortunate woman as myself. I can never be sure of my music now. It gets worse and worse each time I summon it.'

‘I too have my troubles,' the friend replied. ‘Sometimes my ideas are interrupted by a slight jarring noise.'

‘What is it?'

‘I do not know whether it is inside my head or inside the wall.'

‘Complain, in either case.'

‘I have complained, and my complaint will be forwarded in its turn to the Central Committee.'

Time passed, and they resented the defects no longer. The defects had not been remedied, but the human tissues in that latter day had become so subservient that they readily adapted themselves to every caprice of the Machine. The sigh at the crisis of the Brisbane symphony no longer irritated Vashti; she accepted it as part of the melody. The jarring noise, whether in the head or in the wall, was no longer resented by her friend. And so with the mouldy artificial fruit, so with the bath water that began to stink, so with the defective rhymes that the poetry machine had taken to emit. All were bitterly complained of at first, and then acquiesced in and forgotten. Things went from bad to worse un-challenged.

It was otherwise with the failure of the sleeping apparatus. That was a more serious stoppage. There came a day when over the whole world—in Sumatra, in Wessex, in the innumerable cities of Courland and Brazil—the beds, when summoned by their tired owners, failed to appear. It may seem a ludicrous matter, but from it we may date the collapse of humanity. The Committee responsible for the failure was assailed by complaints, whom it referred, as usual, to the Committee of the Mending Apparatus, who in its turn assured them that their complaints would be forwarded to the Central Committee. But the discontent grew, for mankind was not yet sufficiently adaptable to do without sleeping.

‘Someone is meddling with the Machine—' they began.

‘Someone is trying to make himself king, to reintroduce the personal element.'

‘Punish that man with Homelessness.'

‘To the rescue! Avenge the Machine! Avenge the Machine!'

‘War! Kill the man!'

But the Committee of the Mending Apparatus now came forward, and allayed the panic with well-chosen words. It confessed that the Mending Apparatus was itself in need of repair.

The effect of this frank confession was admirable.

‘Of course,' said a famous lecturer—he of the French Revolution, who gilded each new decay with splendour—‘of course we shall not press our complaints now. The Mending Apparatus has treated us so well in the past that we all sympathize with it, and will wait patiently for its recovery. In its own good time it will resume its duties. Meanwhile let us do without our beds, our tabloids, our other little wants. Such, I feel sure, would be the wish of the Machine.'

Thousands of miles away his audience applauded. The Machine still linked them. Under the seas, beneath the roots of the mountains, ran the wires through which they saw and heard, the enormous eyes and ears that were their heritage, and the hum of many workings clothed their thoughts in one garment of subserviency. Only the old and the sick remained ungrateful, for it was rumoured that Euthanasia, too, was out of order, and that pain had reappeared among men.

It became difficult to read. A blight entered the atmosphere and dulled its luminosity. At times Vashti could scarcely see across her room. The air, too, was foul. Loud were the complaints, impotent the remedies, heroic the tone of the lecturer as he cried: ‘Courage! courage! What matter so long as the Machine goes on? To it the darkness and the light are one.' And though things improved again after a time, the old brilliancy was never recaptured, and humanity never recovered from its entrance into twilight. There was an hysterical talk of ‘measures,' of ‘provisional dictatorship,' and the inhabitants of Sumatra were asked to familiarize themselves with the workings of the central power station, the said power station being situated in France. But for the most part panic reigned, and men spent their strength praying to their Books, tangible proofs of the Machine's omnipotence. There were gradations of terror—at times came rumours of hope—the Mending Apparatus was almost mended—the enemies of the Machine had been got under—new ‘nerve-centres' were evolving which would do the work even more magnificently than before. But there came a day when, without the slightest warning, without any previous hint of feebleness, the entire communication-system broke down, all over the world, and the world, as they understood it, ended.

Vashti was lecturing at the time and her earlier remarks had been punctuated with applause. As she proceeded the audience became silent, and at the conclusion there was no sound. Somewhat displeased, she called to a friend who was a specialist in sympathy. No sound: doubtless the friend was sleeping. And so with the next friend whom she tried to summon, and so with the next, until she remembered Kuno's cryptic remark, ‘The Machine stops.'

The phrase still conveyed nothing. If Eternity was stopping it would of course be set going shortly.

For example, there was still a little light and air—the atmosphere had improved a few hours previously. There was still the Book, and while there was the Book there was security.

Then she broke down, for with the cessation of activity came an unexpected terror—silence.

She had never known silence, and the coming of it nearly killed her—it did kill many thousands of people outright. Ever since her birth she had been surrounded by the steady hum. It was to the ear what artificial air was to the lungs, and agonizing pains shot across her head. And scarcely knowing what she did, she stumbled forward and pressed the unfamiliar button, the one that opened the door of her cell.

Now the door of the cell worked on a simple hinge of its own. It was not connected with the central power station, dying far away in France. It opened, rousing immoderate hopes in Vashti, for she thought that the Machine had been mended. It opened, and she saw the dim tunnel that curved far away towards freedom. One look, and then she shrank back. For the tunnel was full of people—she was almost the last in that city to have taken alarm.

People at any time repelled her, and these were nightmares from her worst dreams. People were crawling about, people were screaming, whimpering, gasping for breath, touching each other, vanishing in the dark, and ever and anon being pushed off the platform on to the live rail. Some were fighting round the electric bells, trying to summon trains which could not be summoned. Others were yelling for Euthanasia or for respirators, or blaspheming the Machine. Others stood at the doors of their cells fearing, like herself, either to stop in them or to leave them, and behind all the uproar was silence—the silence which is the voice of the earth and of the generations who have gone.

No—it was worse than solitude. She closed the door again and sat down to wait for the end. The disintegration went on, accompanied by horrible cracks and rumbling. The valves that restrained the Medical Apparatus must have been weakened, for it ruptured and hung hideously from the ceiling. The floor heaved and fell and flung her from her chair. A tube oozed towards her serpent fashion. And at last the final horror approached—light began to ebb, and she knew that civilization's long day was closing.

She whirled round, praying to be saved from this, at any rate, kissing the Book, pressing button after button. The uproar outside was increasing, and even penetrated the wall. Slowly the brilliancy of her cell was dimmed, the reflections faded from her metal switches. Now she could not see the reading-stand, now not the Book, though she held it in her hand. Light followed the flight of sound, air was following light, and the original void returned to the cavern from which it had been so long excluded. Vashti continued to whirl, like the devotees of an earlier religion, screaming, praying, striking at the buttons with bleeding hands.

It was thus that she opened her prison and escaped—escaped in the spirit: at least so it seems to me, ere my meditation closes. That she escapes in the body—I cannot perceive that. She struck, by chance, the switch that released the door, and the rush of foul air on her skin, the loud throbbing whispers in her ears, told her that she was facing the tunnel again, and that tremendous platform on which she had seen men fighting. They were not fighting now. Only the whispers remained, and the little whimpering groans. They were dying by hundreds out in the dark.

She burst into tears.

Tears answered her.

They wept for humanity, those two, not for themselves. They could not bear that this should be the end. Ere silence was completed their hearts were opened, and they knew what had been important on the earth. Man, the flower of all flesh, the noblest of all creatures visible, man who had once made god in his image, and had mirrored his strength on the constellations, beautiful naked man was dying, strangled in the garments that he had woven. Century after century had he toiled, and here was his reward. Truly the garment had seemed heavenly at first, shot with the colours of culture, sewn with the threads of self-denial. And heavenly it had been so long as it was a garment and no more, so long as man could shed it at will and live by the essence that is his soul, and the essence, equally divine, that is his body. The sin against the body—it was for that they wept in chief; the centuries of wrong against the muscles and the nerves, and those five portals by which we can alone apprehend—glozing it over with talk of evolution, until the body was white pap, the home of ideas as colourless, last sloshy stirrings of a spirit that had grasped the stars.

‘Where are you?' she sobbed.

His voice in the darkness said, ‘Here.'

‘Is there any hope, Kuno?'

‘None for us.'

‘Where are you?'

She crawled towards him over the bodies of the dead. His blood spurted over her hands.

‘Quicker,' he gasped, ‘I am dying—but we touch, we talk, not through the Machine.'

He kissed her.

‘We have come back to our own. We die, but we have recaptured life, as it was in Wessex, when Aelfrid overthrew the Danes. We know what they know outside, they who dwelt in the cloud that is the colour of a pearl.'

‘But, Kuno, is it true? Are there still men on the surface of the earth? Is this—this tunnel, this poisoned darkness—really not the end?'

He replied:

‘I have seen them, spoken to them, loved them. They are hiding in the mist and the ferns until our civilization stops. To-day they are the Homeless—to-morrow—'

‘Oh, to-morrow-some fool will start the Machine again, tomorrow.

‘Never,' said Kuno, ‘never. Humanity has learnt its lesson.'

As he spoke, the whole city was broken like a honeycomb. An air-ship had sailed in through the vomitory into a ruined wharf. It crashed downwards, exploding as it went, rending gallery after gallery with its wings of steel. For a moment they saw the nations of the dead, and, before they joined them, scraps of the untainted sky.

‘I DON'T SEE the point of it,' said Micky, through much imbecile laughter.

Harold went on rowing. They had spent too long on the sand-dunes, and now the tide was running out of the estuary strongly. The sun was setting, the fields on the opposite bank shone bright, and the farm-house where they were stopping glowed from its upper windows as though filled to the brim with fire.

‘We're going to be carried out to sea,' Micky continued. ‘You'll never win unless you bust yourself a bit, and you a poor invalid, too. I back the sea.'

They were reaching the central channel, the backbone, as it were, of the retreating waters. Once past it, the force of the tide would slacken, and they would have easy going until they beached under the farm. It was a glorious evening. It had been a most glorious day. They had rowed out to the dunes at the slack, bathed, raced, eaten, slept, bathed and raced and eaten again. Micky was in roaring spirits. God had never thwarted him hitherto, and he could not suppose that they would really be made late for supper by an ebbing tide. When they came to the channel, and the boat, which had been slowly edging upstream, hung motionless among the moving waters, he lost all semblance of sanity, and shouted: