Years ago (okay, I will admit it was during the early 1980s; yes, I'm that old) during my senior year at Northwestern, I [Linda] took a drawing class taught by late Chicago artist Ed Paschke, one of the professors at NU. In between sessions involving sketching unclothed modelsâsessions I giggled throughâour class took a tour of some of the north side art galleries in Chicago. In one gallery, a young man proudly exhibited his sculpture (I'm not sure what else to call it) to his adoring public, one of whom apparently was his patroness, a tiny elderly woman in a fur coat who looked as if she dripped money.
His sculpture consisted of a paint roller standing in a paint tray. He'd set the roller on fire. Why, I don't know. For the effect, maybe? While it burned merrily, his patroness beamed. I could only gawk and wonder,
Is that ⦠art?
He seemed to think so. I wondered how much his patroness had shelled out for him to create that ⦠thing, or how much (if anything) he would charge for it. Judging by a nearby wall
filled with other pieces of ⦠art consisting of three large sticks nailed together in varying criss-cross shapes and bearing price tags in the hundreds of dollars, I would guess a great deal of money.
The question
But is it art?
comes up a lot in the Discworld novels. After all, numerous art pieces adorn the museum that is Discworld. Mr. Tulip, one of the thugs hired by the zombie lawyer, Mr. Slant, on behalf of Lord de Worde (for more about them, see
chapter 12
) provides a lesson in Discworld art appreciation in
The Truth.
I've taken some of his advice, and that of other art connoisseurs to heart, to explore the state of the arts in Discworld.
Â
Check out the brush strokes.
I've never been to the Musée du Louvreâthe home of some of the most well-known pieces of art in the world, so I have to rely on the witness of others, not to mention a viewing of
The Da Vinci Code.
During a trip to Paris in the mid-1990s, my older brother Chris and sister-in-law Lisa stood in a really long line at the Louvre to see Leonardo's
Mona Lisa.
They told me they were impressed by the sheer age of the painting. (They didn't bring back a T-shirt, though.)
The
Mona Ogg,
painted by Leonard of Quirm, is, of course, a parody of the
Mona Lisa,
with artist/engineer Leonard acting as the Leonardo da Vinci of Discworld. If you've seen the cover of
The Art of the Discworld,
you've seen the
Mona Ogg,
which supposedly was inspired by a young Nanny Ogg. But
Woman Holding Ferret
by Leonard of Quirm is an allusion to Leonardo's
Lady with an Ermine,
painted in 1485. (Speaking of Leonardo,
The Koom Valley Codex
mentioned in
Thud!
is an allusion to
The Da Vinci Code
.)
Theme-wise,
Three Large Pink Women and One Piece of Gauze
by Caravati (an allusion to Italian Baroque artist Michelangelo Merisi da Caravaggio perhaps?) reminds me of the ballerina pictures by Impressionist painter/sculptor Edgar Degas, including
Three Ballet
Dancers, One with Dark Crimson Waist,
and
Three Dancers in Violet Tutus.
Of course, Caravaggio was known for paintings with such simple descriptive names as
Boy Bitten by a Lizard
and
Boy with a Basket of Fruit.
Charming.
The Battle of Ar-Gash
by Blitzt (like
blitz
) seems to be a parody of Leonardo da Vinci's
Battle of Anghiari
(1503-6).
The Battle of Koom Valley
by Methodia Rascal, a huge painting that hangs in the Royal Art Museum in Ankh-Morpork in
Thud!
, is reminiscent either of of paintings by Jan Matejko, a nineteenth-century Polish painter known for battle scenes such as the
Battle of Grunwald,
or an eighteenth-century American artist John Trumbull who, like Matejko, was known for military figures and battle scenes, including the
Battle of Trenton,
the
Battle of Princeton, The Surrender of Cornwallis at Yorktown,
or
The Death of General Warren at the Battle of Bunker Hill.
Trumbull worked during the time of the American Revolution and later.
Waggon Stuck in River
by Sir Robert Cuspidor reminds me of the
Haywain
triptych by Hieronymus Bosch in 1500-15. Whether it was actually inspired by Bosch's work is anybody's guess.
Man with Big Fig Leaf
by Mauvaise reminds me of the fig-leaf controversy surrounding works by the famed Italian Renaissance master Michelangelo di Lodovico Buonarroti Simoni (Michelangelo to his friends). Daniele Ricciarelli (a.k.a. Daniele da Volterra), a painter and sculptor, painted a fig leaf over a certain part of the male anatomy in Michelangelo's fresco
The Last Judgment
during a time when nudity in paintings was considered a no-no.
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Watch out for fakes.
In the 1966 movie
How to Steal a Million,
starring Audrey Hepburn, Peter O'Toole, and Charles Boyer, Audrey played Nicole, the beleaguered daughter of an art forger (Charles Bonnet, played by Hugh Griffith) who paints like van Gogh and had a father who sculpted in the style of Benvenuto Celliniâthe sixteenth-century sculptor/painter known for his
Perseus
sculpture and his
Diana of Fontainebleau
bronze figure. The conflict begins when Charles sells his “Cellini”
Venus
âwhich was made by his fatherâto a museum, claiming to be an art collector. Audrey convinces O'Toole's characterâSimon Dermottâto help her break into the museum to steal it, to avoid having her father revealed as a forger.
The Cellini of Discworld might be Scolpiniâa sculptor mentioned during Mr. Tulip's art discussion in
The Truth.
We don't actually see Scolpini's work, but we're told how to spot a real one and the fact that anyone could steal the piece Tulip views. Shades of the plot to
How to Steal a Million.
Remember the Chicago art gallery pieces mentioned earlierâthe twigs and the paint roller? In
Thud!
two pieces by Daniellarina Pouter brought back memories for me:
Don't Talk to Me About Mondays,
which looks like a pile of rags, and
Freedom
âa stake with a nail in it. Beauty is indeed in the eye of the beholder.
Â
Pay attention.
Leonardo da Vinci's studies on the perception of the human eye and the effects of light changed the way that painters viewed their craft. He paid attention to the design of the human body and took into account what the eye really sees: how much color close up and at a distance; how the form/shape of the eye (with all of its parts) affects its overall function, particularly in gauging the proportions of an object. This helps a painter correctly depict limbs on people in paintings. Foreshortening happens when the artist doesn't take into account what his or her eye is really seeing.
We can't really see a painting like
Three Large Pink Women and One Piece of Gauze
unless an artist like Paul Kidby draws it, so it's hard to gauge whether the artist, like Leonardo da Vinci, is a student of the eye's form and function.
Thief of Time
does reveal that
The Battle of Ar-Gash
by Blitzt features a striking use of light. Perhaps Leonardo would have been pleased.
Â
What's music to some is only so much noise to others.
Let's turn now to the world of musicâan art form as varied in Discworld as it is in our world. ClassicalâDoinov's Prelude in G is mentioned in
Maskerade,
and
Ãberwald Winter,
an opera the Wintersmith loves, in
Wintersmith
; popâ“music with rocks in” is described in
Soul Music
. There's ethnic musicâ“Gold, Gold, Gold,” a dwarf refrain (
Feet of Clay
); and bawdy comic songsâ“The Hedgehog Song.” And then there are the songs with a patriotic twist, such as “Carry Me Away from Old Ankh-Morpork,” “I Fear I'm Going Back to Ankh-Morpork,” and “We Can Rule You Wholesale”âthe Ankh-Morpork civic anthem. Music to stir your soul and conscience.
Everyone in Discworld has an opinion about music. In
Soul Music,
which details the musical career of Imp y Celynâa.k.a. Buddy Holly (an obvious allusion)âthe question is whether music with rocks in is a legitimate form of expression. (According to the Guild of Musicians, the answer is no, unless they can profit by it.) Well, it is an issue that causes a lot of trouble for Discworldians. This subject has been long debated, since the early days of rock, back when the real Buddy Holly was alive, and continues even today with regard to rap.
And of course, Granny has an opinion every time Nanny tries to sing “The Hedgehog Song.” (See
Witches Abroad.
) Is it art? Is “The Hokey Pokey”? It all depends on what you like.
The same argument can be made for the Discworld series. Some may balk at the parodies and puns. “But is it art?” they ask. If you're reading this book, we think you know the answer to that question already.