Second Honeymoon (16 page)

‘No. We finished early. We did a lot of the joy of living today and it wore everyone out, being joyful’.

Matthew said, his face against his mother’s, ‘I didn’t think Ibsen was joyful’.

‘Norway wasn’t. Norway was
dire
, in Ibsen’s day. Work was a curse and a punishment for sin’.

‘Jolly—’

Edie let Matthew go. She looked up at him. ‘You don’t look good at
all’.

‘No’.

‘Matt?’ she said. ‘Matthew?’ She took his hand. ‘What’s happened?’

He glanced down the street. ‘Let’s find a pub’. ‘Are you ill?’

‘No,’ he said, ‘nothing like that’. He moved back towards the pavement, pulling her. ‘I’ll tell you,’ he said, feeling the loosening sensation of relief flowing into his chest, into his head. ‘I’ll tell you everything’.

Russell went to the preview of a new American play at the Royal Court Theatre, left at the interval and made his way home on a number 19 bus. He had asked Edie
to come to the theatre with him, but she had a late rehearsal, she said, and some other commitment that she was vague about but not particularly mysterious, and certainly not mysterious in a way that might cause Russell disquiet. There
had
been disquieting moments in the past, to be sure, moments when Edie seemed suddenly over-alert about an actor she was playing opposite or, once at least, a father on the parent-teacher association panel at one of the children’s schools, panels that Edie made vociferous and energetic contributions to. And, if he was honest, Russell had had lunches, and some afternoons, and even a weekend once, when he had been reminded of how powerfully attractive a new personality, a new face and body, can be to even the most faithful of eyes. It wasn’t anxiety about what Edie might be doing that propelled Russell on to his bus before the second half of the play, but more a resurgence of the feeling that was becoming very familiar to him now, a feeling of just wanting Edie to be there, to be with him, to give another, a vivid, dimension to what he was seeing and hearing. He supposed, if he was honest, that it was years since he had actively missed Edie when she wasn’t with him. Well, if that was the case, he was certainly making up for it now. He looked out of the bus window at the thronged mid-evening pavements and wondered how he would arrange himself, in his mind and in his feelings, when he reached home and found that Edie wasn’t there.

But she was. She was sitting at the kitchen table reading the evening paper with her glasses on and a mug of
tea. Beside the paper on the table, where he was not allowed, Arsie was posed like a cat on an Egyptian frieze, elongated and very, very still.

‘Bad play?’ Edie said, taking her glasses off.

‘Wordy,’ Russell said. He bent to kiss her. ‘Wordy without grasping the subject. You indulge that cat’.

Edie looked at Arsie. He didn’t trouble to look back.

‘I know’.

‘Good rehearsal?’

‘Not bad. Lazlo’s very good at super-sensitive but he isn’t making him bright enough yet. If he makes Osvald
all
quivering introspection, it’ll turn the audience off’.

Russell went over to the fridge and opened the door.

‘What about supper?’

‘I’ve had it,’ Edie said, ‘but there’s plenty of ham’. Russell bent to look into the fridge. He said nonchalantly from inside it, ‘Supper
with
anyone?’

‘Yes,’ Edie said, ‘Matthew’. There was a silence.

‘Matthew,’ Russell said, without straightening.

‘Yes’.

Russell stood up, holding a plate of ham.

‘Why didn’t you have supper here?’

‘It sort of didn’t arise,’ Edie said. She folded the paper. ‘We went for a drink and then we had a plate of pasta. I am beginning to think I never want to see pasta again’.

Russell put the ham on the table and went across the kitchen to the breadbin.

‘How was he?’

‘Russell,’ Edie said, sitting up straight, ‘it was awful. He’s in a terrible state’. Russell turned round.

‘Matthew?’

‘Yes’.

‘Has he lost his job?’

‘He’s lost Ruth’.

Russell came back to the table and sat down. ‘Has she thrown him out?’

‘No. It’s sadder really. He’s left her because she wants to buy a flat and he thinks she should and she’s chosen this rather glamorous one, near Tate Modern, and he can’t afford it and he hasn’t been able to afford their lifestyle anyway, for ages, it turns out, and he doesn’t want to hold her back, so he’s gone’.

Russell stared at the ham.

He said, ‘Matt has left Ruth because he can’t afford to buy the flat she wants?’ ‘Basically, yes’. He raised his eyes. ‘Edie, what’s the
matter
with them?’

‘With Matt and Ruth?’

‘Yes. No. With all of them. With all these children and all they’re earning and still can’t manage’.

‘It isn’t them,’ Edie said, ‘it’s now. It’s how things are. We got married young because people did and we didn’t have any money or furniture because people didn’t, but now they do, and it’s different’.

Russell sighed.

‘Does he still love her?’

‘I think so’.

‘And does she love him?’

‘Well, she texts him most days saying so, apparently’. ‘I don’t get it’.

‘It doesn’t matter whether you do or not,’ Edie said. ‘It’s how it
is’.

Russell folded his arms on the table and leaned on them.

‘He looked launched to me’.

‘I expect he looked launched to himself’.

Russell said, ‘Poor old boy. Poor Matt. So it’s back to bachelor flats and sharing and squalor and nosing around clubs for women’.

‘Certainly not,’ Edie said.

Russell raised his head and looked at her.

‘Oh Edie—’

‘I can’t watch him flounder—’ ‘He’s twenty-eight’.

‘That’s got nothing to do with anything. He’s in trouble and miserable and lost and I can’t bear to see it and I’ve told him he can come home’.

Russell sat back in his chair and crossed his arms on his chest.

He said to the ceiling, ‘I thought only the royal family continued to live with their parents when adult. Oh, and Italians’.

‘His room is there,’ Edie said, ‘and empty. He’ll give us rent’.

‘That’s not the point, really’. ‘I know. You told Rosa’.

Russell shut his eyes.

‘You told Rosa,’ Edie said, ‘that she couldn’t come home because you wanted my undivided attention’. ‘I didn’t quite—’

‘Well, that may be what you want, but it isn’t what I want. I want my children to know they are wanted and supported’.

‘It isn’t good for them,’ Russell said. ‘It isn’t good for them or for us. Remember the fox in
Le Petit Prince?’

‘What fox?’

‘The fox who said, “You become responsible for ever, for what you have tamed.”‘

Edie brought her fist down on the table.

‘I’m not
taming
them. I’m helping them. It’s a rubbish old myth, this idea that you undermine someone by helping them, that it’s good for people to struggle—’

‘It is’.

Edie stood up.

‘God,’ she said, ‘it’s like pushing a bloody elephant upstairs’.

‘You don’t want to let go—’

She began to move towards the door.

She said furiously, ‘You can’t let go of being a parent. Not ever. It’s the one relationship you’re stuck with, besides yourself’.

‘Where are you going?’

Edie turned in the doorway.

‘To Matthew’s room,’ she said. ‘To see what he needs. He’s coming on Saturday’.

*        *        *

The weather in Cairns, Eliot told his mother, was bloody great. Twenty-five degrees and not a cloud and Ro was going to be a Buddhist. ‘A Buddhist?’

‘Yeah,’ Eliot said. ‘There’s a temple here. She’s going to meditation classes’.

‘Well,’ Vivien said, ‘good for her. Are you going too?’

‘Nah,’ Eliot said, ‘I’m helping a mate service his powerboat’.

‘You sound so Australian, darling’.

‘Yeah. Well’.

Vivien said, ‘I’m having dinner with Dad on Saturday. Again’.

‘Yeah’.

‘Do you know why he’s asked me a second time?’ There was a pause and then Eliot said, ‘Why shouldn’t he?’

‘Well, we’re separated—’

‘So?’

‘If you’re separated, it’s usually because you don’t want to see each other’.

‘Don’t you want to see Dad?’ ‘Yes, darling, I do, but—’ ‘That’s fine, then,’ Eliot said. Vivien gripped the telephone.

‘I don’t want to ask you anything unfair, darling, but -but do you know if Dad has a girlfriend just now?’

There was another pause and then Eliot said, ‘I’ve no idea’.

‘So he hasn’t said anything to you? Named any names?’

‘We don’t talk about that,’ Eliot said. ‘We talk about footie’.

‘Of course—’

‘Ma,’ Eliot said, ‘I have to go. I’m meeting someone’. Vivien looked at her watch.

‘How nice. Are you having supper with someone?’ ‘A few beers,’ Eliot said, ‘till Ro finishes her class’. ‘Lovely to hear you, darling. Give my love to Ro’. ‘Cheers,’ Eliot said. ‘Take care’.

Vivien put the telephone down. While talking to Eliot she had drawn a huge pair of parted Roy Lichtenstein lips, with teeth just glimpsed, and a high shine. It was the biggest mouth she’d drawn for ages, taking up half a page. She wondered briefly if it meant anything, and if so, what. Possibly something a bit excitable, louche even, the same sort of thing that had propelled her into buying some suede sandals, on impulse, in a colour the girl in the shop described as watermelon. They were rather high, higher than Vivien was used to, and would need a little practice. Before Saturday. Vivien put out a hand and tore the drawing of the big lips hastily off the pad.

Rosa had left a note propped up against the kettle that morning. She had also remembered to put the box of Grapenuts back in the cupboard. The note said she was meeting a friend for a drink after work and she wasn’t sure when she’d be back so not to bother about supper. Then she’d drawn a small sunflower with a smile and added, ‘Hope you hadn’t planned anything?’ Well, Vivien had, of course, because she couldn’t help planning. It was one of the elements that Max always wanted
to loosen up in her, this propensity to live life in detail before she actually got to it. There were two tuna steaks in the fridge, and some borlotti beans soaking, and a bag of salad leaves. Well, they could all probably wait another day, and if they didn’t, she could freeze the tuna and cook up the beans and – oh, stop this, Vivien said to herself, stop this and focus on the fact that you had a lovely time last Saturday having dinner with Max and that he plainly did too because he’s asked you again.

She went out of the kitchen and up the stairs to the landing. Rosa’s bedroom door was shut. Do
not
open it, Vivien told herself, just do
not
because a) it is her room for the moment and b) you won’t like what you see if you do. She walked on down the landing and into her own bedroom, decorated entirely in white during a moment of feeling I-am-a-strong-woman in the aftermath of Max’s departure, a feeling that hadn’t lasted. The pink suede sandals were sitting neatly at the end of the bed. Vivien sat down beside them, kicked off her shoes, and bent to buckle them on.

Beside her bed, next to a china tray of all her manicure things, the telephone began to ring.

‘Are you hoovering?’ Edie asked.

‘No’.

‘In white cotton gloves?’

‘Naked, actually,’ Vivien said. She lay back on the bed, the telephone to her ear, and thrust one leg upwards to admire her pink sandal.

‘You sound happy—’

‘I’ve just spoken to Eliot’. ‘Not that kind of happy,’ Edie said. ‘Who is he?’ Vivien hesitated a moment, turning her foot this way and that. Then she said, ‘Max’. ‘No change there then’. ‘We had a really good time on Saturday—’ ‘Did he kiss you?’ ‘Edie!’

‘Did he?’

‘No,’ Vivien said. ‘I haven’t been kissed for years’. ‘Nor have I’.

‘Yes, you have. On stage’.

‘That doesn’t count and it isn’t usually what you’d choose, anyway’.

‘Russell kisses you—’

‘Yes. But …’

‘Did you ring,’ Vivien said, lowering her leg and raising the other, ‘to talk about kissing?’

‘No. But I do rather wonder why you’re seeing Max again’.

‘So do I’.

‘But you like it—’

‘Yes’.

‘Well, do it,’ Edie said, and then, without a pause, ‘Matt’s coming home’.

‘What?’

‘He’s broken up with Ruth and he’s miserable and he’s coming home’. Vivien let her leg fall.

‘Poor boy. Was it about a flat? Rosa said something—’

‘I had to shout at Russell,’ Edie said. ‘He thinks you spoil children if you help them. Or at least, that’s what he says he thinks’.

‘Thirty per cent of people between twenty-four and thirty still live at home—’

‘How do you know?’

‘I read it somewhere’.

‘Excellent,’ Edie said, ‘I’ll tell Russell. If he goes on like he’s going on, he’ll make Matt feel a freak. Do you think I should buy a double bed?’

‘Don’t you have one?’

‘For Matthew!’ Edie shouted.

‘Why?’

‘Well, they all sleep in big beds now. Everyone. Nobody over ten has a single bed’.

‘But if Matthew hasn’t got Ruth,’ Vivien said, ‘who will he put in it?’

‘Someone else, I hope. Someone who doesn’t put her ambition first’. ‘I thought you liked Ruth—’

‘I did. I do. We got on famously. But I want to kill her for hurting Matthew’.

Vivien turned on her side. She could, from this angle, see herself in the full-length mirror on the back of the door to her bathroom. It wasn’t a bad angle, in fact, nice curves of hip and shoulder, good ankles, far enough away not to see what happened to bosoms when collapsed sideways.

She said, ‘Shall I tell Rosa?’

‘No thank you,’ Edie said. ‘I’ll tell Rosa. I’ll ring her at work’.

‘She’s going out with someone after work—’

‘Who?’

‘I do not know,’ Vivien said in a voice that implied the opposite.

‘Vivi—’

‘Rosa here,’ Vivien said, ‘Matt back with you. At least Ben’s holding out’. ‘Trust you’.

Vivien rearranged her legs at a better angle. ‘Poor old Russell,’ she said.

Rosa much regretted having asked Lazlo to have a drink with her. She knew she shouldn’t have, for the simple reason that she didn’t really want to, but there was something about supper the other night, and the Cheryl Smith person flirting with her father, and excluding her from conversations with her mother and Lazlo by constantly referring to their rehearsals together, that had compelled her to say, in Cheryl’s hearing at the end of the evening, to Lazlo, ‘What about a drink on Wednesday?’