Scream: A DCI Mark Lapslie Investigation

SCREAM

Also by Nigel McCrery

DCI MARK LAPSLIE SERIES
Core of Evil
Tooth and Claw

DR SAM RYAN SERIES
Silent Witness
Strange Screams of Death
The Spider’s Web
Faceless Strangers
In Search of Evil

FICTION
All the King’s Men
Forlorn Hope
The Julner
Mystery Ships

NON FICTION
Shoot!: How to Make a Video Film to Professional Standards
Scab!: A Policeman’s Story of the Miners’ Strike
Under the Guns of the Red Baron: Complete Record of Von
Richthofen’s Victories And Victims in Graphic Detail

Nigel McCrery

First published in Great Britain in 2010 by

Quercus
21 Bloomsbury Square
London
WC1A 2NS

Copyright © 2010 by Nigel McCrery

The moral right of Nigel McCrery to be
identified as the author of this work has been
asserted in accordance with the Copyright,
Designs and Patents Act, 1988.

All rights reserved. No part of this publication
may be reproduced or transmitted in any form
or by any means, electronic or mechanical,
including photocopy, recording, or any
information storage and retrieval system,
without permission in writing from the publisher.

A CIP catalogue reference for this book is available
from the British Library

ISBN (HB) 978 1 84916 115 2
ISBN (TPB) 978 1 84916 116 9

This book is a work of fiction. Names, characters,
businesses, organizations, places and events are
either the product of the author’s imagination
or are used fictitiously. Any resemblance to
actual persons, living or dead, events or
locales is entirely coincidental.

10 9 8 7 6 5 4 3 2 1

Typeset by Ellipsis Books Limited, Glasgow

Printed and bound in Great Britain by Clays Ltd, St Ives plc.

For my Aunty Pat and Uncle Derek,
for stepping in when I needed them most.
With all my love.

The girl was sobbing uncontrollably now. It was the mask that had started her off – the macabre metal face looming suddenly out of the darkness of the cellar – but now, seeing the drill with its glinting brass bit coming towards her, she was on the verge of hysteria. Her upper lip and chin glistened with a combination of mucus, tears and saliva, and her jeans were soaked around her crotch where in terror she had voided her bladder.

Her captor’s hand hefted the weight of the cordless electric drill. The battery pack was fully charged. It would run for an hour at least, which should be more than enough time.

The girl’s jeans had been ripped across at the knees, exposing both kneecaps, and her legs were fastened to the metal chair with cable ties. There was no give in those ties. She wouldn’t be able to move her legs, even when her captor started drilling, no matter how hard she tried.

And she would try, that much was certain. She wouldn’t be able to stop trying. Within a few minutes she would be struggling so hard she would be tearing her muscle fibres in her attempts to get her legs out of the way of that drill bit. And she would be screaming so loudly that she would drown out the noise of the motor.

‘I’m going to start drilling in a minute,’ her captor whispered, feeling the tickle of breath hitting the inside of the mask and
bouncing back to caress lips and chin. ‘I’m going to drill slowly and horizontally through your left kneecap and into your femur, right into the marrow. The pain will be phenomenal. Absolutely phenomenal. You will never have felt pain like it in your life. I want you to know two things. Firstly, there’s nothing you can do to stop it – nothing you can tell me, nothing you can offer me. Only
I
can stop it, and I’m only going to stop when the chuck holding the drill bit is grinding against your kneecap. Secondly, when that happens, when I’ve got as far up inside your bone as I possibly can, I’m going to repeat the entire process with your right knee. And after
that
, I’ll start work on your elbows and your humerus.’

Her breath was coming in short gasps now, and her pupils were dilated so wide there was virtually no iris visible: just black, terrified holes into the raging fear inside her head. She tried to say something, but she couldn’t force the words out past her choking sobs. Not that there was any point. Her words weren’t important.

Only her screams were important now.

A bright-red insect was hovering outside Mark Lapslie’s hotel room window. It was small and spindly, with a bulbous abdomen that doubled back underneath itself until it pointed in the same direction as its head. It was about an inch long, and it moved in short spurts so quickly that it almost disappeared from one spot and reappeared instantaneously in another, consciously or unconsciously dodging the fat drops of rain that fell monotonously past the window. Lapslie had never seen anything like it before. It looked to him like the insect equivalent of a hummingbird. He wondered idly if it was poisonous.

Beyond the insect lay the sprawling, low-rise buildings of Islamabad, capital city of Pakistan. Off to the left lay the diplomatic enclave, with its security guards and barriers. On his arrival in Pakistan Lapslie had visited the 1960s vintage concrete edifice of the British High Commission to get a briefing on the security situation and the ‘do’s’ and ‘don’ts’ of staying in a country which was about as close to the Taliban and Al-Qaeda heartlands as it was possible to get without actually being in a war zone – although the several bomb explosions that had occurred at various Army barracks in nearby Rawalpindi and Peshawar since his arrival made him wonder if the war had in fact actually moved to Pakistan without anyone admitting it. Almost straight ahead, on the horizon,
he could see a triangular mosque, white with an inlay of coloured tiles, stark against the ominously low grey morning sky.

A street ran past the hotel’s main entrance. Despite the rain it was full to bursting with dusty cars of uncertain age, weaving mopeds, small buses that could take only six or seven people inside, with another two holding on to the outside, and the ever-present ‘jinglies’ – lorries whose back ends had been enclosed with wooden panels painted with landscapes, abstract designs, jet fighters, tigers and anything that caught the painters’ fancy with the obvious exception of people’s faces, the artistic representation of which was forbidden by Islam on the basis that it verged on idolatry. And then, of course, there was the reason the lorries were called ‘jinglies’ – the curtains of chains and pewter discs that hung from any available edge and swung back and forth as the lorries stopped and started in the heavy traffic. According to the security officer in the High Commission, the ‘jinglies’ had nothing to do with religious custom – they were the Pakistani equivalent of fluffy dice hanging from the rear-view mirror or a stuffed toy pressed against the back window.

And everywhere there were men and boys dressed in the standard
salwar kameez
– baggy trousers worn under a tunic, invariably in brown or cream – along with jarringly Western black leather shoes, highly polished. Some of them were strolling in a particular direction, but many of them were just standing on corners or on the strips of grass that ran down the centre of the roads, singly or in small groups, despite the rain. It didn’t look to Lapslie as if they were waiting for anything in particular. They were just … standing. Passing time.

According to the security officer at the High Commission, some of those loiterers were almost certainly working for the
ISI, the Pakistan intelligence service, and were ‘dicking’ Westerners who arrived and left – making a note of who they were and where they were going. Looking at them Lapslie was convinced that they were either particularly naturalistic actors or they were taking the opportunity to just stand around and star vacantly at the passing traffic like their brethren.

The Serena Hotel was one of the only two hotels whose security was rated by the British High Commission as high enough for diplomats and government-sponsored visitors to stay at; as the other was the Marriott, which had been seriously damaged by a car bomb a year or two back, the Serena was where Lapslie had been put. He was taking part in a symposium involving law enforcement officials from the UK and America and their Pakistani equivalents, discussing ways of making the country safer. It had been Chief Commissioner Rouse’s idea to send Lapslie, despite his medical history, but Lapslie had been surprised to find that he was enjoying himself. The Serena was like something out of the Arabian Nights, with marble floors and stairs, pointed arches, intricately carved wooden screens, musicians playing traditional instruments and men who would appear by your side with pots of green tea if you stood still for more than ten seconds. And it was quiet. No piped background music coming out of speakers everywhere, no raised voices. Even the musicians, with their
tablas
and
sitars
and
dholaks
, caused his synaesthesia to make his brain taste a subtle pistachio flavour rather than anything more intrusive, although that may have had more to do with the thorazitol he was taking to control it and the workshop that he had started back in the UK than anything intrinsic to the music.

Now, standing in his thickly carpeted hotel room, looking out of the double-glazed and probably blast-resistant window, Lapslie could hardly hear anything. It was as if he were cocooned
inside a bubble of silence. And he loved it. For the first time in ages he felt completely at peace with the world and with himself. And, strangely, he felt at home.

There was something familiar about the bits of Pakistan that he had seen since he had arrived. On the first day of the symposium the delegates had been taken by minibus on a tour of the capital, taking in the Faisal Mosque, Parliament House and the Pakistan Monument and finishing with a buffet reception at a Pakistan Army base in Rawalpindi. Lapslie had been to a number of British Army bases back in England, either on duty or attending a ball at the invitation of a friend, and the base in Rawalpindi seemed to him to be modelled exactly on the English design, down to the regimental regalia and the photographs on the walls. He had mentioned this to one of his hosts, who had said: ‘What you have to remember is that you British built all this for us. We took it over when you left, and we kept the traditions going.’ He paused, smiling. ‘Even when you abandoned most of them yourself.’

On the way back, looking out of the grimy minibus window, Lapslie had seen children on almost every street playing impromptu games of cricket, just as he imagined it had been like in England in the 1950s.

A swathe of green grass edged with flagstone walkways led away from the base of the hotel towards the security barriers separating it from the road. Guards in loose white two-piece uniforms walked around the perimeter of the hotel, keeping to the walkways, their shoulders and backs dark from the rain. Each of them held a rifle or a shotgun. As a police officer the thought that a country was so lawless that even the hotels had to be protected by armed guards horrified him, but as a Westerner staying in one of those hotels, he found it reassuring.

A marquee was being erected on the grass. One of the doormen
had told Lapslie that a wedding was being held the next day. Lapslie had a strong feeling that, no matter how innocuous it was, even the wedding would be guarded by armed men.

Even
the wedding? he thought wryly. In the topsy-turvy world of national terrorism, perhaps it should be
especially
the wedding. A high-profile gathering of important people at a hotel associated with Western visitors … in some twisted way, it was an obvious target, one guaranteed to cause headlines around the world if it were disrupted.