Savage Art (A Chilling Suspense Novel) (5 page)

Billy had been quiet the rest of that day. But afterward he'd never let the door remain latched for long. He also never expressed an ounce of pity for her. Perhaps that was the reason he had been able to motivate her as her husband had been unable to do. She had driven her husband away, unable to cope with his pity.

Looking down at her fists now, Casey opened and closed them in the same slow methodical way Billy had worked with her to do. The left one was better. While she still had trouble controlling the individual fingers, she could spread her palm almost wide enough to hold a large grapefruit. But the right one was still stiff and worthless. Her shooting hand. He'd been sure to destroy that one completely.

"Stop your self-pity," he said.

She turned to see Billy standing in the doorway. "Lay off," she snapped.

"Don't give me that bitchy tone. Get in here and eat these eggs."

Casey shot him a dirty look and pushed past him toward the kitchen. As always, Billy kept it immaculate. Like the rest of her house, the kitchen was sparsely decorated in light pines and whites. Sterile was how some would describe it. No pictures, diplomas, or awards hung on the walls of the living room or den. When Billy had started, she'd had no wall hangings at all. But slowly he had convinced her to buy a couple of Ansel Adams prints. Even those kept the tone of the place cold in their black and white.

She sat hard in the pine chair and stared at her eggs, then raised an eyebrow. "Cheese?"

"Just a little," Billy replied sharply.

She smiled broadly and stood up. Crossing the kitchen to where Billy stood, she planted a kiss on his cheek.

Billy rolled his eyes. "Don't think that's going to get you more cheese next time."

Casey smiled and sat back down. Fastidious about what went in his body, Billy thought cheese was like hardened orange gelato. And cheese was the least of it. One of the first things he had done was to empty the house of alcohol, sweets, and most of the cigarettes.

At least Casey had a small stash of cigs hidden away to steal a smoke when Billy wasn't around. But Billy could always tell when she'd been smoking them. He had also refused to buy anything other than skim milk. Now that she was shopping with him, they compromised on 1 percent.

Coffee had been Billy's next intended victim, but she'd threatened to fire him. They had fought on and off for a few days, but in the end she had won. Though he had successfully weeded most of the vices from her life, Casey knew he had accepted that coffee was one he would be powerless to stop.

She drank her coffee slowly now, knowing Billy would make only one cup. Leaning forward on the table, she said, "Tell me about this man."

Billy stared into his cup, swirling his spoon in the ginseng tea.

"You promised," she reminded him.

He nodded. "I met him at the hospital. He was visiting a friend with AIDS when I was visiting Mrs. Levinski. She fell in the shower and broke her hip."

Casey smiled. "Go on."

"That's it. That's how we met. His name's Kevin. He's incredible. He reads palms—it's so sexy."

"That's his job?"

Billy shook his head. "That's his art. For work, he's a tax accountant."

"An accountant who reads palms?" He sounded like a freak.

"You're so closed-minded, Casey."

"I am not." Casey wondered what his last name was. She'd have liked to have someone check him out. "You met this guy at the hospital? What do you know about him?"

Billy crossed his arms. "I know plenty."

"Have you been to his house?"

"No."

"Have you met any of his friends?"

Billy scowled. "Don't you dare turn Kevin into one of your suspects. Not everyone is a killer, for God's sake. I really like him, so pretend like you do, too. You've got your head screwed on so tight that you can't even see the good in people anymore. I'm amazed you let me come work for you. Or did you do a background check on me, too?"

Casey shook her head. She
had
done a background check on Billy—actually, she'd had the FBI do it. And no one was more thorough than the FBI. But he was right. Leonardo was always her first thought. "I'm sorry," she said. "You're right."

"I want you to meet him." Billy broke into a crooked smile. "I like him." He stared into the distance and then waved her off, ending the conversation. "Go on. Go do something. I'll finish this up, and we'll do your exercises."

In the months Billy had taken care of her, he had never mentioned dating anyone. As much as she hated the idea of sharing him, she knew it was good that he had found someone. Casey sat at the table and looked around. "Did you bring the paper?"

Billy turned and raised an eyebrow at her.

She shrugged and looked away. "Just curious."

He returned to the dishes. "I didn't think you'd like today's paper."

"Why?"

He shrugged.

"Why didn't you think I'd like it?" she asked again.

He didn't meet her gaze. "I just didn't."

"No, Billy. You had a reason. What was it?"

Billy cringed. "Some crazy guy killed another kid."

"A serial killer?" she asked.

He eyed her again.

"Do they think it's a serial killer?" she pressed.

He gave a curt nod and turned his back, flipping on the radio to end her questions. He tuned to his favorite jazz station and hummed along.

Casey paged through the
GQ
Billy had brought, using her knuckles to turn the pages. Since she'd left the Bureau, Casey hadn't been interested in the outside world. While Amy and Michael had been living there, they'd tried to entice her with the evening news or the paper.

But everything about it reminded her of what she'd had—and what she'd lost. She pushed Amy from her mind. Having her daughter grow up without her was one thing she forbade herself to think about. She could handle memories of that night, Leonardo's voice, even the pain, but she couldn't think about the way she had pushed Amy and Michael from her life.

Billy's methods of drawing Casey back into reality had been much more successful. Though she knew they were ploys, she had to respect his ingenuity. At first, he brought the paper and kept it sticking out of his bag. Every few days, he'd watch the news while he folded laundry. But he only did it when Casey wasn't in the room. If she came in, he turned it off. Not abruptly as though it were forbidden, but always with some comment about the "crazies," or "stupid show," or "don't we have problems enough."

When he was on the phone, she would catch snippets of news from his conversations or from the radio while he cooked. Eventually, she lost interest in the novels she'd been devouring, growing hungry for real news.

Now she couldn't help but wonder what this local killer was doing. For years, she'd been enthralled with multiple serial offenders, studied them. It had been her life. The attack had killed that. But recently she felt the tentacles of her old life begin to puncture her fear and wrap around her again.

Billy leaned against the sink and dried his hands.

"Tell me about it," she said.

He glanced down at the magazine and furrowed his brow. "What?"

"This crazy fuck killing kids."

He shook his head, waving her off.

She pulled a piece of paper from a notepad on the counter. "I'm serious."

His eyes widened.

"Tell me, damn it," she snapped, smacking her pen on the table. She gripped it in her left hand, the way she had practiced, and poised to write.

Billy pulled a chair back and sat, crossing his foot over one knee. For more than a month, he had been trying to get her to tell him about her work for the Bureau. But she hadn't wanted to. It hadn't interested her. Suddenly, now, it was starting to.

"What do you want to know?"

"Start with the criminal act—everything you can remember."

"The criminal act?"

"Seven steps to profiling," she explained, shoving aside her own excited reaction at having an opportunity to explain what she had done as a profiler. She had loved it. "First step is evaluation of the criminal act—he killed children—how? What weapon did he use? That sort of thing."

"Okay, let's see."

She looked at the paper. "But not too fast. This left-hand shit is a royal pain in the ass."

"Nicely put."

"I was putting it politely. Do you want to hear the bad version?"

"That's not necessary." He crossed his hands in his lap and nodded. "Okay, let's see. He's killed two kids so far."

"Male or female?"

"Two girls."

"Race?"

"One was white, one was black."

Casey wrote as quickly as she could move the pen. "Doesn't sound like the same guy."

Billy looked down at her notepad. "Why not?"

"Not usual to have different races, especially not in child killings." She rolled her hand. "Keep going."

"Well, maybe the papers are wrong."

"How old were they?"

"The kids?"

She glared.

"Oh, let me think. About the same age, I guess. Ten or eleven."

"And the abduction?"

Billy nodded, remembering something. "Both from shopping areas."

"Malls, grocery stores, what?" she asked, feeling herself fall into the rhythm of a witness interrogation. She watched his body language, read his crossed leg, and remembered how a person's body language often told more than his words.

Billy glanced at the ceiling. "The first girl was in the Galleria Shopping Center on Sutter, I think. The second was taken from near Union Square."

"Where were the kids from?"

He furrowed his brow. "One was a tourist, I think—visiting from someplace like Michigan or Wisconsin—somewhere in the middle. I'm pretty sure the other grew up in the East Bay."

Casey continued writing. "How were they killed?"

Billy scrunched his nose. "Bled to death."

"Same M.O."

"What's an M.O.?"

"Don't you watch TV?"

Billy's eyes widened. "Not with violence."

"M.O. is modus operandi—how they kill. It tells you a lot about the killer's purpose. For instance, shooting someone is less common in sex crimes because it's not intimate. Drowning is very personal, especially if you have to hold them under versus throwing them off a boat with bricks tied to their feet. That's more execution-style. Regular drowning tends to be the result of personalized rage. Bleeding to death could be from stabbing wounds or gunshot wounds. It's not very specific."

Billy leaned forward, looking both enthralled and revolted. "Personalized?"

Casey nodded, smiling inside. People's response to her work had always run the spectrum from awe to fear and disgust. "Personalized means the killer's anger was directed at someone in particular, and he took his anger out on that person. Most killers attempt to depersonalize their victims by mutilating them. Allows them to avoid seeing them as people and treat them as objects instead."

"Oh, this guy did that, too."

She looked up from her notes. "Did what?"

He waved his hand. "Depersonalized them."

"Really? How?"

He raised his eyebrows and shook his head. "Some really strange stuff."

"Tell me."

"I don't remember the details. The kids were found wearing party hats."

Casey wrote down the words "party hats."

"That's not depersonalizing them. The party hats are more of a signature, something the killer does to stimulate his own satisfaction that isn't necessary for the crime. Both kids had party hats?"

He nodded. "So what do you think?"

"There's not enough to go on."

"Have you ever had a case like this before?"

She thought about Leonardo and his penchant for cutting people up. His victims had bled to death as well. She shook her head, pushing the thought away. "It doesn't work that way. This type of killer doesn't work by normal motives and reason. We can't base one case on a previous one that looked or felt similar."

"How do you do it, then?"

"You start with what this killer did. I'd get the specifics on the crime scene, the victim, police reports, and the medical examiner's report, and work through them in that order. Once I'd pieced it together, I could start developing a profile."

"Can you take a guess?"

She frowned. "Not really. I'm sure I'm missing too much information, but it doesn't seem to fit. His whole thing with the hats. That's clearly organized." Just like Leonardo had been. She suppressed the thought like nausea.

"What do you mean 'organized'?"

"An organized killer plans his captures and killings very carefully. Probably brings his own tools for the kidnapping, stages the bodies," she continued, looking at the few notes she had scribbled.

"And?"

She looked up to see Billy staring at her, wide-eyed. She shrugged and shook off the strange sensation that something wasn't right. "It's weird is all. It doesn't make sense for an organized killer to risk taking a child in a crowded place. Normally those sort of abductions are committed by someone who knows the child."