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Authors: Belinda Alexandra

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‘Sure,’ Lily said. She’d been wrought up by the day’s events and needed to relax before she could sleep. ‘I’ll just take a quick shower. I’ve heard of that film but I’ve never seen it.’

‘You’ll love it,’ said Oksana, giving her a wink.

The cinema was in one of the skyscrapers known to foreigners as the Seven Sisters, built in Stalin’s preferred mix of Baroque and Gothic styles. It had the musky odour of an antiques store, and the ticket seller resembled a café intellectual from the 1920s in his turtleneck sweater and beret. Lily stopped to look at the framed posters of coming attractions, including
Dark Eyes
with Marcello Mastroianni and
Dreams
directed by Akira Kurosawa. She hadn’t been to see an art-house film since her university days. Adam had loved action films and going to the cinema with him usually meant watching something like
Die Hard
or Arnold Schwarzenegger’s latest release.

‘I hope you enjoy the film,’ said Luka. ‘The director is Vertov — he was at the forefront of the Russian avant-garde. The film was made in 1929.’

Lily and Luka took their seats in the cinema, along with a group of students and some elderly Russian women. The lights dimmed and the opulent red curtains swept back to reveal the tiny screen.

‘It’s a silent film,’ Luka whispered. ‘The cinema’s giving it an orchestral soundtrack tonight.’

Within minutes, Lily found herself hypnotised by the images on the screen. The film showed Soviet citizens in various Ukrainian cities from dawn until dusk. Machines and the way people interacted with them became ‘art’ before her eyes. The film didn’t show the suffering of the peasants in the countryside, or give any indication of how machines would be used to destroy life in the near future. Instead, it burst with vitality and a sense of optimism. It was exactly the sort of film she needed to see after the weekend she’d had.

When it ended, she turned to Luka. ‘That was one of the most beautiful films I’ve ever seen!’

‘Many of the cinematic techniques Vertov used were experimental for the day — double exposure, jump cuts, tracking shots and so on,’ he explained.

They headed towards the cinema café in the foyer, found a table and sat down.

‘You were great with the police sergeant today,’ Lily told Luka. ‘I think you even impressed my boss with your
savoir faire
. Have you had many run-ins with the law?’

‘No,’ laughed Luka. ‘And you?’

‘That was my first,’ Lily told him. ‘Thank you for saving us, by the way.’

‘No problem,’ he said, reaching out and touching her hand briefly. ‘I’ll always come to your rescue.’

Lily looked down at her menu, embarrassed. It was a nice sentiment for Luka to express but it was something Adam would have said. He had promised to always be there for her and now he wasn’t.

Lily found it difficult to concentrate at work on Monday. She wanted the day to be over with so she could go to the hospital and see Natasha again. She hoped that the old woman wouldn’t be angry and clam up on them. No one knew how much time she had left and Lily sensed it was important to her that somebody knew the truth about what had happened.

‘My thoughts are simple and concise.’

Lily glanced up to see Scott standing next to her desk. Oh God, she thought, what’s my affirmation? Then she remembered it was Monday so she’d be getting a new one for the week.

Scott handed her a slip of paper.

‘Thanks,’ she said, taking the paper and clipping it to her document holder.
I have direction and purpose. I always know exactly where my life is going
, the affirmation read.

How did Scott so consistently manage to give her affirmations that were incongruous to how she was feeling? But instead of being annoyed she was amused. From the way that he had rushed to the police station to help her it was obvious that his intentions were good.

‘I like cats,’ he announced. ‘My wife and I used to volunteer at an animal shelter in Washington. I miss having a cat of my own.’

Their conversation was cut short by Lily’s telephone ringing. Scott returned to his office. She watched him go, surprised that she was beginning to feel fondness towards him.

When five o’clock came, Lily tidied her desk and checked her diary for the following day’s appointments. Then she rushed home to pick up Laika and meet Oksana. Before she left the apartment, she changed the litter tray and food dishes in Tuz’s cage. When Oksana had first brought Mamochka to Lily, the female cat had thrashed around in her cage, but Tuz sat calmly in his covered box. Maybe he’s figured out he’s better off here, Lily thought.

‘How was the film?’ Oksana asked her when they got in the car.

Lily settled Laika on her lap. ‘I enjoyed it,’ she said.

Oksana started the engine and pulled out onto the road. ‘Luka’s great, isn’t he? I’ve known him since he was a boy,’ she remarked after a while.

Lily nodded. ‘Yes.’

‘Do you like him?’

‘Of course I do.’

‘Well,’ said Oksana, when they searched the hospital car park, ‘he seems to like you.’

Lily frowned. ‘I don’t understand what you mean. He’s gay … isn’t he?’

Oksana stared at her as if she’d just confessed she was an alien from outer space. ‘Where did you get that idea?’

Lily shifted uneasily. Where
had
she got the idea? ‘He’s cute, he dresses well, he can cook, he likes to dance … he has cats named Valentino and Versace.’

‘I gave the cats those names!’ Oksana said. ‘Luka didn’t want them to get confused if he renamed them.’

‘Oh,’ said Lily.

Oksana’s mouth twitched and she started to laugh.

‘Look,’ said Lily, trying to defend herself, ‘it’s not my fault. Australian men don’t wear satin shirts and wiggle their hips when they dance.’

An image came to her of Adam and his friends with their shirts untucked, bouncing around the dance floor to Midnight Oil. But her comment only made Oksana laugh more.

‘Luka got married ten years ago,’ Oksana said, becoming serious again. ‘He wanted a family, to be a young father and all that. He’d known Inna since university, and she seemed to want the same things. But two months after the wedding she decided she’d rather be single. He hasn’t looked at anyone since then.’

Lily remembered the remark Luka had made about rescuing her and the way he’d touched her hand. ‘I hope I haven’t misled him!’ she said. ‘Especially if he is still shy of relationships after his bad experience.’

Oksana glanced at Lily. She looked amused. ‘Why don’t you relax and enjoy yourself,’ she said, ‘and see where things take you? I don’t think there is a better man than Luka and you spend far too much time alone.’

Natasha was sitting in a chair by the window. She looked forlorn, but her expression brightened when she saw Laika. Lily expected her to reproach them for not coming the previous day as they’d promised. She was surprised when the old woman turned to them with a thoughtful expression and said, ‘For a long time I thought I had lost all recollection of Svetlana. I pretended I was my friend because I was afraid to say who I was. But in talking about her with you, she has come back to life. It’s like my friend is here with me again. Thank you.’

Oksana and Lily sat down on either side of the old woman and each held one of her hands. Laika settled near her feet.

‘Are you ready?’ Natasha asked them.

Lily and Oksana nodded.

Natasha looked at Lily. ‘I trusted you with Laika and I wasn’t wrong. And I know that I can trust you with this. Please keep your promise that everything I am telling you will never leave this room.’

TWENTY-EIGHT
Kolyma, 1945

A
long with hundreds of other prisoners, I was crammed into a train made up of cattle cars similar to those the Germans had used to transport their victims to Auschwitz. We too were starved and refused water on the month-long journey east, and those who were too old or too young did not survive. Their bodies were dumped on the side of the tracks to be finished off by wild animals.

The women in my car were political prisoners like me. On the journey, I learned what their ‘crimes’ had been. A concert pianist who had studied in Paris was charged with ‘counter-revolutionary’ activity, as was a woman who had worked in a dress store in Moscow and had served the wife of a foreign diplomat. There was a ballerina who had accepted flowers from an American admirer, and a housewife who had been charged with anti-Soviet agitation for naming her puppy Winston after the British Prime Minister.

‘What did you do?’ asked the woman next to me, whose name was Agrafena. She was grey-haired with intelligent brown eyes and had once been a university professor.

‘I was a prisoner of war in Poland,’ I told her, which was as close to the truth as I could get now that I was supposed to be Zinaida Rusakova. ‘I’ve been charged as a terrorist.’

She shook her head. ‘No, your crime was to have found yourself in a foreign country. Stalin is terrified that anyone who has been outside the Soviet Union will spread the truth that even in the midst of a war, they
do
live better in the West.’

‘And you?’ I asked her. ‘What’s your crime?’

‘I told a joke about Stalin.’

‘It must have been a bad one!’ I exclaimed.

Agrafena shrugged and smiled wryly. ‘No, it was a good one. For a bad one I would have got five years. But my joke cost me ten.’

To reach the various camps in Kolyma we were packed into the hold of a steamer and taken across the Sea of Okhotsk. Five days later, green-faced from seasickness and covered in each other’s vomit, we arrived in the port of Magadan. The wind blew so hard that we had to brace ourselves against it. It was heavy with salt, which stung our eyes and skin and formed strips of white lace on the shrubs and fences. A huge banner featuring Stalin’s face flapped in the breeze:
Glory to Stalin, the father, the teacher and best friend of all Soviet people
. The sight of it nearly destroyed the last shreds of strength I had left. I recognised it as one of the portraits my mother had painted. I understood now why her work wore her down so much: she must have known that Stalin was responsible for Papa’s death.

We were made to kneel while the guards counted us. If there were any escapees, the guards would be arrested themselves so they counted and recounted us. They took so long that many people fainted, and those suffering from intestinal ailments had no choice but to soil themselves.

After the roll call we were made to walk in rows of five past two guards. Having lost my boots in the Lubyanka, I’d had to fashion shoes out of rags. I felt every stone and pebble as we were marched up a steep hill into the town.

More banners lined the main street:
Glory to Stalin, the greatest genius of mankind
;
Glory to Stalin, the greatest military leader
;
More gold for our country, more gold for our glory! Welcome to Kolyma!

‘They don’t only destroy us,’ Agrafena muttered. ‘They expect us to be grateful for it!’

When we reached the camp, we were sent to a bathhouse and made to strip in front of male guards. Each of us was issued with half a bucket of water to wash our filthy bodies. In the meantime, our clothes were taken away to be boiled and deloused, then piled in a damp heap on the floor. The underwear and dress I’d been given at Auschwitz were the only possessions I had, and I wanted to hold on to them. I found my slip first; the silk had puckered from the heat but at least it wasn’t torn. Then I saw my dress and was relieved to find it was still in one piece.

A hand grabbed my arm. I turned to see a woman wearing only a bra and underpants staring at me. Her enormous breasts were tattooed, as were her shoulders and arms. A cigarette hung from her lip. She sneered at me, revealing her crooked teeth. ‘That’s my dress,’ she said with a pronounced lisp.

‘You’re mistaken,’ I replied.

‘It’s mine now,’ she growled, making a grab for it.

I snatched the dress away and she lunged towards me.

‘Political scum!’ she hissed.

Two other women joined in the taunts. ‘You piece of shit!’ one of them said. ‘You’re not even a Soviet citizen any more!’

The other prisoners backed away, sensing there was going to be a fight. I didn’t care who these women were; they weren’t going to get my dress. Who knew what lay ahead? I might need to trade the dress for some necessity.

‘Give it to her,’ Agrafena whispered behind me. ‘It’s not worth your life.’

One of the woman’s companions passed her a piece of glass. The woman made a slashing movement towards my face as if she intended to take out my eye. I ducked. The other women in the bathhouse screamed.

The guards, who had been talking amongst themselves, looked up.

‘Settle down!’ one of them shouted. ‘Or there won’t be food for any of you tonight!’

‘Back off, Katya,’ another heavily tattooed woman told my attacker. ‘She’ll keep for later and I’m hungry.’

Katya stared at me then turned away.

Agrafena pulled me towards the wall and helped me into my dress. ‘Be careful of that one,’ she said. ‘She was in the same prison cell as me and she’s been sent here for a terrible crime.’

‘What?’ I asked.

‘She used to entice children from the street and sell them to paedophiles. Some of those poor innocents were butchered.’

I was horrified. ‘What’s her sentence?’

‘Three years.’

I looked at the woman who had been arrested for naming her dog Winston. She was speaking with a machinist who had been condemned to Kolyma for being late for work. Both women had been given sentences of eight years.

Stalin had turned the world on its head.

After a period of quarantine we were examined by a doctor, a middle-aged woman with dark hair and pale skin. She checked my throat, ears and eyes and felt my skin to assess my muscle and body fat. She pinched my legs, then read my papers carefully before writing something on them. I prayed she would assign me to work in a kitchen or hospital, but knew that my sentence meant I was destined for one of the worst jobs.

After the medical examination, our clothes were taken away from us and we were issued shapeless dresses and shoes with soles made of used tyre treads. I realised how futile the argument with Katya over my dress had been. We didn’t even have names any more; we were addressed by the numbers sewn onto our uniforms.

When we were assigned to our barracks I was relieved that Katya and her gang were sent to different quarters. Agrafena and I remained together, but any reprieve I felt disappeared when we opened the door to the wooden building and saw what lay before us. Along the walls ran two tiers of plank beds with more bunks in the middle of the room. Most of them didn’t have pillows or mattresses. The floor was nothing more than stamped earth and the place reeked of mildew and sweat. But it was the four prisoners lying on their bunks that most upset us. It was obvious why they weren’t out on work assignments: their limbs were grotesquely swollen and their skin was covered in pus-infected boils. In Auschwitz such prisoners were called
Muselmänner
. In Kolyma I would soon learn that they were called
dokhodyagi
: the living dead.

‘Come on, move along!’ An old toothless woman entered the barracks and organised the newcomers with the enthusiasm of a summer camp leader. Her clothes were rags but she had a colourful scarf wrapped around her head.

‘You! Here!’ she said to me and indicated an upper bunk at the far end of the barrack. Agrafena was assigned the space next to me.

That evening we were served soup made of spoiled cabbage leaves, potatoes and herring heads. The coarse black bread that came with it tasted as though it hadn’t been properly baked. There were no bowls or spoons provided. The seasoned prisoners brought their own, fashioned from old tins or pieces of wood. Agrafena traded a scarf for two sets and gave one to me.

‘Make sure you keep them with you at all times,’ a woman across the table warned us. ‘Otherwise they’ll be stolen.’

When I lay in my bunk that night fighting off the mosquitoes, I thought of the
dokhodyagi
only a short distance away, fouling the air with their foetid breath and rotting flesh. Would I end up that way too? Maybe it was better to find a way to kill myself now, while I still had the strength. But in the morning, my resolve to survive returned. With the cup of water allotted to me, I cleaned my teeth with the sleeve of my uniform and washed my face and neck with the tarry soap that had been distributed at the health inspection. I looked up to see Slava, the toothless woman who was in charge of our hut, smiling at me.

‘You shouldn’t use your soap all at once like that,’ she said. ‘Halve it and trade the other half for something else you might need.’

‘Thank you for your advice,’ I said to her. Perhaps surviving a war and surviving in a camp were two different things. The first involved not giving in to fear, and the second involved not giving in to despair. ‘Is there anything else I should know?’

Slava grinned. ‘Plenty!’ She bent down and picked up a cigarette stub. ‘You see, a new prisoner discarded that. You can collect stubs like this around the camp and trade the tobacco. It doesn’t matter if you start with nothing. A smart person can turn nothing into something.’

From her appearance Slava might have been a peasant in her former life, but her cunning made me wonder if she’d been a thief.

‘What did you get arrested for?’ I asked her.

She adjusted her scarf. ‘I was once a governess in a noble family and after the Revolution that was enough of a reason to arrest me. I was released in 1932 but I had nowhere to go, so I stayed here. They pay me a small wage and the work isn’t difficult.’

Breakfast was the same unappetising soup of the night before. On my way back to the barracks, I noticed a man sitting on a wooden fence staring at me. He had a crooked nose, hooded eyes and an unkempt beard. His biceps were as big as his thighs. He wasn’t wearing a shirt and every part of his torso was covered in tattoos. The way he looked at me made my skin crawl. I didn’t feel safe until the evening, when the guard locked us all into our barracks and I was surrounded by other women. I was soon to learn it was false security.

I was woken by a bang as the door to the barracks was flung open. A beam from a flashlight searched the room. I lifted my head and saw faces leering in the doorway. At first I thought I was dreaming but then a scream pierced the air. Two men dragged a woman by her feet from her bunk and carried her out the door. The light disappeared and the woman’s cries became muffled. I could hear men grunting and wondered what was happening. Some sort of interrogation? I slipped from my bunk and moved towards the window.

‘Get back to bed!’ ordered Slava in a harsh whisper. ‘Do you want what is happening to her to happen to you?’

I ignored her and made it to the window. By the light outside the barracks, I could see that the woman was pinned down by several men.

‘They’re raping her!’ I cried. ‘Get the guard!’

I rushed to the door and banged on it. Suddenly I was knocked backwards. I felt a hand over my mouth and the weight of bodies holding me down. At first I thought the men had caught me too but then I realised it was my fellow prisoners who were restraining me.

‘The guard’s in on it, you stupid bitch!’ one of them said. ‘Now shut up or I’ll slit your throat!’

The women sat on me until the grunts and jeers from outside stopped and the men dispersed. Agrafena came and helped me back to my bunk.

I waited for the door to open and for the violated woman to return. But she didn’t return, not even in the morning when the bell rang for us to get up. I stared at the empty bunk and tried to think who she was. Then I remembered a young girl I had seen when I’d arrived at the camp and who occupied that bunk; she didn’t look any older than seventeen.

When we marched to the washrooms in the dim morning light I reeled in horror. The girl was lying on the ground in a pool of blood. Her mouth was open as if in a silent scream and her eyes stared blankly. She was dead. I looked around to see the other women’s reactions, but only the recent arrivals showed any distress. The others averted their eyes and walked past the body as if it wasn’t there. When we returned from the bathhouse the girl was gone.

The atmosphere at breakfast was subdued but nobody mentioned the girl. When we returned to our barracks that evening, the same guard as before locked us in. I lay awake the whole night trembling with fear, but nothing happened.

‘Did anyone report the murder to the administrators?’ I asked Slava the next morning. ‘Are those men going to be punished?’

She stared at me, then sighed. ‘You have to learn to live and let live here. Some of the men are beasts, and what happened has happened before and will happen again. You can’t save anybody but yourself. You are young and pretty — you’d better get yourself a camp husband.’

‘A what?’

‘One of the men,’ she explained. ‘Choose one and offer yourself to him. Not one of the politicals — that will only make you a greater target. One of the criminals. If the other men know that you belong to him, they won’t touch you. Nikita would be a good choice. I noticed him watching you the other day after breakfast.’

I stared at her in disbelief. Was the only way to protect myself to become the whore of someone like the fierce-looking man with the tattoos?

I saw Nikita again when I passed the repair workshop on my way back to the barracks. He and some other men were playing cards. For the criminals the camp appeared to be only a change of location: they did what they liked and went wherever they liked.

‘Hey, Rasputin!’ one of the men said, nudging Nikita. ‘There’s your girlfriend!’

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