Sailing to Byzantium (39 page)
Read Sailing to Byzantium Online
Authors: Robert Silverberg
Tags: #Library Books, #Fiction, #Science Fiction
Now, at that moment of completion and communion, came one more call from the past.
There was no turbulence in it this time. No one was yanking at his wrists, no surf boiled and heaved in his mind and threatened to dash him on the reefs of the soul. The call was simple and clear:
This is the moment of coming back, Jim.
Was it? Had he no choice? He belonged here. These were his people. This was where his loyalties lay.
And yet, and yet: he knew that he had been sent on a mission unique in human history, that he had been granted a vision beyond all dreams, that it was his duty to return and report on it. There was no ambiguity about that. He owed it to Bleier and Maggie and Ybarra and the rest to return, to tell them everything.
How clear it all was! He belonged
here,
and he belonged
there,
and an unbreakable net of loyalties and responsibilities held him to both places. It was a perfect equilibrium; and therefore he was tranquil and of ease. The pull was on him; he resisted nothing, for he was at last beyond all resistance to anything. The immense sun was a drumbeat in the heavens; the fiery warmth was a benediction; he had never known such peace.
“I must make my homefaring now,” he said, and released himself, and let himself drift upward, light as a bubble, toward the sun.
Strange figures surrounded him, tall and narrow-bodied, with odd fleshy faces and huge moist mouths and bulging staring eyes, and their kind of speech was a crude hubbub of sound waves that bashed and battered against his sensibilities with painful intensity. “We were afraid the signal wasn’t reaching you, Jim,” they said. “We tried again and again, but there was no contact, nothing. And then just as we were giving up, suddenly your eyes were opening, you were stirring, you stretched your arms—”
He felt air pouring into his body, and dryness all about him. It was a struggle to understand the speech of these creatures who were bending over him, and he hated the reek that came from their flesh and the booming vibrations that they made with their mouths. But gradually he found himself returning to himself, like one who has been lost in a dream so profound that it eclipses reality for the first few moments of wakefulness.
“How long was I gone?” he asked.
“Four minutes and eighteen seconds,” Ybarra said.
McCulloch shook his head. “Four minutes? Eighteen seconds? It was more like forty months, to me. Longer. I don’t know how long.”
“Where did you go, Jim? What was it like?”
“Wait,” someone else said. “He’s not ready for debriefing yet. Can’t you see he’s about to collapse?”
McCulloch shrugged. “You sent me too far.”
“How far? Five hundred years?” Maggie asked.
“Millions,” he said.
Someone gasped.
“He’s dazed,” a voice said at his left ear.
“Millions of years,” McCulloch said in a slow, steady, determinedly articulate voice. “
Millions.
The whole earth was covered by the sea, except for one little island. The people are lobsters. They have a society, a culture. They worship a giant octopus.”
Maggie was crying. “Jim, oh, Jim—”
“No. It’s true. I went on migration with them. Intelligent lobsters is what they are. And I wanted to stay with them forever. I felt you pulling at me, but I—didn’t—want—to—go—”
“Give him a sedative, Doc,” Bleier said.
“You think I’m crazy? You think I’m deranged? They were lobsters, fellows.
Lobsters.
”
After he had slept and showered and changed his clothes they came to see him again, and by that time he realized that he must have been behaving like a lunatic in the first moments of his return, blurting out his words, weeping, carrying on, crying out what surely had sounded like gibberish to them. Now he was rested, he was calm, he was at home in his own body once again.
He told them all that had befallen him, and from their faces he saw at first that they still thought he had gone around the bend: but as he kept speaking, quietly, straightforwardly, in rich detail, they began to acknowledge his report in subtle little ways, asking questions about the geography, about the ecological balance, in a manner that showed him they were not simply humoring him. And after that, as it sank in upon them that he really had dwelled for a period of many months at the far end of time, beyond the span of the present world, they came to look upon him—it was unmistakable—as someone who was now wholly unlike them. In particular he saw the cold, glassy stare in Maggie Caldwell’s eyes.
Then they left him, for he was tiring again; and later Maggie came to see him alone, and took his hand and held it between hers, which were cold.
She said, “What do you want to do now, Jim?”
“To go back there.”
“I thought you did.”
“It’s impossible, isn’t it?” he said.
“We could try. But it couldn’t ever work. We don’t know what we’re doing, yet, with that machine. We don’t know where we’d send you. We might miss by a million years. By a billion.”
“That’s what I figured, too.”
“But you want to go back?”
He nodded. “I can’t explain it. It was like being a member of some Buddhist monastery, do you see? Feeling
absolutely sure
that this is where you belong, that everything fits together perfectly, that you’re an integral part of it. I’ve never felt anything like that before. I never will again.”
“I’ll talk to Bleier, Jim, about sending you back.”
“No. Don’t. I can’t possibly get there. And I don’t want to land anywhere else. Let Ybarra take the next trip. I’ll stay here.”
“Will you be happy?”
He smiled. “I’ll do my best,” he said.
When the others understood what the problem was, they saw to it that he went into reentry therapy—Bleier had already foreseen something like that, and made preparations for it—and after a while the pain went from him, that sense of having undergone a violent separation, of having been ripped untimely from the womb. He resumed his work in the group and gradually recovered his mental balance and took an active part in the second transmission, which sent a young anthropologist named Ludwig off for two minutes and eight seconds. Ludwig did not see lobsters, to McCulloch’s intense disappointment. He went sixty years into the future and came back glowing with wondrous tales of atomic-fusion plants.
That was too bad, McCulloch thought. But soon he decided that it was just as well, that he preferred being the only one who had encountered the world beyond this world, probably the only human being who ever would.
He thought of that world with love, wondering about his mate and her millions of larvae, about the journey of his friends back across the great abyss, about the legends that were being spun about his visit in that unimaginably distant epoch. Sometimes the pain of separation returned, and Maggie found him crying in the night, and held him until he was whole again. And eventually the pain did not return. But still he did not forget, and in some part of his soul he longed to make his homefaring back to his true kind, and he rarely passed a day when he did not think he could hear the inaudible sound of delicate claws, scurrying over the sands of silent seas.
Where do story ideas come from? the non-writer often asks. And the writer’s usual answer is a bemused shrug. But, in this instance, I can reply very precisely.
My wife and I were visiting London in September of 1987 and, of course, we were spending virtually every evening at the theatre, and some afternoons besides. On the next to last day of our stay, we were at the National Theatre, on the south side of the Thames, to see Anthony Hopkins and Judi Dench in
Antony and Cleopatra
, a wondrous, magical matinee performance. Act Five came around, Cleopatra’s great catastrophe, and her serving-maid Iras signaled the beginning of the final act with lines long familiar to me:
Finish, good lady; the bright day is done.
And we are for the dark.
A mysterious shiver ran through me at those words, “we are for the dark.” I had seen the play half a dozen times or more over the years, and the words had never seemed unusual to me before; but, hearing them now, I suddenly saw great vistas of black space opening before me. Later that splendid afternoon, strolling back across the bridge toward the heart of the city under brilliant summer sunshine, I found myself continuing to dwell on the vistas that Shakespeare’s five words had evoked for me, and soon I was taking notes for a story that had absolutely nothing to do with the travails of Cleopatra or Antony.
That was the engendering point. The other details followed quickly enough, all but the mechanism of the matter-transmission system around which the interstellar venture of the story was to be built. That had to wait until January of the following year. Now I was in Los Angeles, resting and reading before going out to dinner, and suddenly I found myself scribbling down stuff about the spontaneous conversion of matter into antimatter and a necessary balancing conversion in the opposite direction. Whether any such thing is actually the case is beyond my own scientific expertise, but at the moment the idea seemed plausible enough to work with, and very quickly I had built an entire method of faster-than-light travel out of it, one which is probably utterly unfeasible in the real universe, but would serve well enough in my fictional one. I wrote the story in March of 1988 and Gardner Dozois published it in
Isaac Asimov’s Science Fiction Magazine
. For me, it had some of the sweep and grandeur that had first drawn me to science fiction as a reader more than forty years before, and it pleased me greatly on that account. I thought that it might attract some attention among readers, but, oddly, it seemed to pass almost unnoticed—no awards nominations, no “year’s-best” selection. Which puzzled me; but, eventually, I put the matter out of mind. Stories of mine that I had thought of as quite minor indeed had gone on to gain not only awards nominations but, more than once, the awards themselves; stories that had seemed to me to be failures when I wrote them had been reprinted a dozen times over in later years; and, occasionally, a story that moved me profoundly as I composed it had gone straight from publication to oblivion almost as if it had never existed at all. “We Are for the Dark” seems to have been one of those, though I still have hope for its rediscovery.
But the moral is clear, at least to me: Write what satisfies you and let the awards and anthologizations take care of themselves, because there’s no way of predicting what kind of career a story will have. Strive always to do your best, and, when you believe that you have, allow yourself the pleasure of your own approval. If readers happen to share your delight in your own work, that’s a bonus in which to rejoice, but it’s folly ever to expect others to respond to your work in the same way that you do yourself.
G
REAT WARMTH COMES FROM
him, golden cascades of bright, nurturing energy. The Master is often said to be like a sun, and so he is, a luminous creature, a saint, a sun indeed. But warmth is not the only thing that emanates from suns. They radiate at many frequencies of the spectrum, hissing and crackling and glaring like furnaces as they send forth the angry power that withers, the power that kills. The moment I enter the Master’s presence I feel that other force, that terrible one, flowing from him. The air about him hums with it, though the warmth of him, the benevolence, is evident also. His power is frightful. And yet all he is is a man, a very old one at that, with a smooth round hairless head and pale, mysteriously gentle eyes. Why should I fear him? My faith is strong. I love the Master. We all love him.
This is only the fifth time I have met him. The last was seven years ago, at the time of the Altair launch. We of the other House rarely have reason to come to the Sanctuary, or they to us. But he recognizes me at once, and calls me by name, and pours cool clear golden wine for me with his own hand. As I expect, he says nothing at first about his reason for summoning me. He talks instead of his recent visit to the Capital, where great swarms of ragged hungry people trotted tirelessly alongside his palanquin as he was borne in procession, begging him to send them into the Dark. “Soon, soon, my children,” is what he tells me now that he told them then. “Soon we will all go to our new dwelling-places in the stars.” And he wept, he says, for sheer joy, feeling the intensity of their love for him, feeling their longing for the new worlds to which we alone hold the keys. It seems to me that he is quietly weeping now, telling me these things.
Behind his desk is a star-map of extraordinary vividness and detail, occupying the rear wall of his austere chamber. Indeed, it
is
the rear wall: a huge curving shield of some gleaming dark substance blacker than night, within which I can see our galaxy depicted, its glittering core, its spiralling arms. Many of the high-magnitude stars shine forth clearly in their actual colors. Beyond, sinking into the depths of the dark matrix in a way that makes the map seem to stretch outward to infinity, are the neighboring galaxies, resting in clouds of shimmering dust. More distant clusters and nebulae are visible still farther from the map’s center. As I stare, I feel myself carried on and on to the outermost ramparts of the universe. I compliment him on the ingenuity of the map, and on its startling realism.
But that seems to be a mistake. “Realism? This map?” the Master cries, and the energies flickering around him grow fierce and sizzling once again. “This map is nothing: a crazy hodgepodge. A lunacy. Look, this star sent us its light twelve billion years ago, and that one six billion years ago, and this other one twenty-three years ago, and we’re seeing them all at once. But this one didn’t even exist when that one started beaming its light at us. And this one may have died five billion years ago, but we won’t know it for five billion more.” His voice, usually so soft, is rising now and there is a dangerous edge on it. I have never seen him this angry. “So what does this map actually show us? Not the absolute reality of the universe but only a meaningless ragbag of subjective impressions. It shows the stars as they happen to appear to us just at this minute and we pretend that that is the actual cosmos, the true configuration.” His face has grown flushed. He pours more wine. His hand is trembling, suddenly, and I think he will miss the rim of the glass, but no: his control is perfect. We drink in silence. Another moment and he is calm again, benign as the Buddha, bathing me in the glow and lustre of his spirit.
