Saffron and Brimstone: Strange Stories (29 page)

BOOK: Saffron and Brimstone: Strange Stories
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“You can’t just leave from here?”

“No.” That would be impossible, to change her whole itinerary. “And I don’t have any of my things—I need to pack, and get my notes . . . I’m sorry.”

He took her hand and kissed it. “That’s okay. When you get back.”

That night she lay in his bed as Randall slept beside her, staring at the manuscripts on their shelves, the framed lines of poetry. His breathing was low, and she pressed her hand against his chest, feeling his ribs beneath the skin, his heartbeat. She thought of canceling her flight; of postponing the entire trip.

But it was impossible. She moved the pillow beneath her head, so that she could see past him, to the wide picture window. Even with the curtains drawn you could see the lights of the city, faraway as stars.

Very early next morning he drove her to the hotel to get her things and then to the airport.

“My cell will be on,” he said as he got her bag from the car. “Call me down in San Jose, once you get in.”

“I will.”

He kissed her and for a long moment they stood at curbside, arms around each other.

“Book your ticket back here,” he said at last, and drew away. “I’ll talk to you tonight.”

She watched him go, the nearly silent car lost among the taxis and limousines, then hurried to catch her flight. Once she had boarded she switched off her cell, then got out her eyemask, earplugs, book, water bottle. She took one of her pills. It took twenty minutes for the drug to kick in, but she had the timing down pat: the plane lifted into the air and she looked out her window, already feeling not so much calm as detached, mildly stoned. It was a beautiful day, cloudless; later it would be hot. As the plane banked above the city she looked down at the skein of roads, cars sliding along them like beads or raindrops on a string. The traffic crept along 280, the road Randall would take to San Jos
é
. She turned her head to keep it in view as the plane leveled out and began to head inland.

Behind her a man gasped, then another. Someone shouted. Everyone turned to look out the windows.

Below, without a sound that she could hear above the jet’s roar, the city fell away. Where it met the sea the water turned brown then white then turgid green. A long line of smoke arose—no not smoke, Suzanne thought, starting to rise from her seat; dust. No flames, none that she could see; more like a burning fuse, though there was no fire, nothing but white and brown and black dust, a pall of dust that ran in a straight line from the city’s tip north to south, roughly tracking along the interstate. The plane continued to pull away, she had to strain to see it now, a long green line in the water, the bridges trembling and shining like wires. One snapped then fell, another, miraculously, remained intact. She couldn’t see the third bridge. Then everything was green crumpled hillsides, vineyards, distant mountains.

People began to scream. The pilot’s voice came on, a blaze of static then silence. Then his voice again, not calm but ordering them to remain so. A few passengers tried to clamber into the aisles but flight attendants and other passengers pulled or pushed them back into their seats. She could hear someone getting sick in the front of the plane. A child crying. Weeping, the buzz and bleat of cell phones followed by repeated commands to put them all away.

Amazingly, everyone did. It wasn’t a terrorist attack. The plane, apparently, would not plummet from the sky, but everyone was too afraid that it might to turn their phones back on.

She took another pill, frantic, fumbling at the bottle and barely getting the cap back on. She opened it again, put two, no three, pills into her palm and pocketed them. Then she flagged down one of the flight attendants as she rushed down the aisle.

“Here,” said Suzanne. The attendant’s mouth was wide, as though she were screaming; but she was silent. “You can give these to them—”

Suzanne gestured towards the back of the plane, where a man was repeating the same name over and over and a woman was keening. “You can take one if you want, the dosage is pretty low. Keep them. Keep them.”

The flight attendant stared at her. Finally she nodded as Suzanne pressed the pill bottle into her hand.

“Thank you,” she said in a low voice. “Thank you so much, I will.”

Suzanne watched her gulp one pink tablet, then walk to the rear of the plane. She continued to watch from her seat as the attendant went down the aisle, furtively doling out pills to those who seemed to need them most. After about twenty minutes, Suzanne took another pill. As she drifted into unconsciousness she heard the pilot’s voice over the intercom, informing the passengers of what he knew of the disaster. She slept.

The plane touched down in Boston, greatly delayed by the weather, the ripple effect on air traffic from the catastrophe. It had been raining for thirty-seven days. Outside, glass-green sky, the flooded runways and orange cones blown over by the wind. In the plane’s cabin the air chimed with the sound of countless cell phones. She called Randall, over and over again; his phone rang but she received no answer, not even his voice mail.

Inside the terminal, a crowd of reporters and television people awaited, shouting questions and turning cameras on them as they stumbled down the corridor. No one ran; everyone found a place to stand, alone, with a cell phone. Suzanne staggered past the news crews, striking at a man who tried to stop her. Inside the terminal there were crowds of people around the TV screens, covering their mouths at the destruction. A lingering smell of vomit, of disinfectant. She hurried past them all, lurching slightly, feeling as though she struggled through wet sand. She retrieved her car, joined the endless line of traffic and began the long drive back to that cold green place, trees with leaves that had yet to open though it was already almost
June, apple and lilac blossoms rotted brown on their drooping branches.

It was past midnight when she arrived home. The answering machine was blinking. She scrolled through her messages, hands shaking. She listened to just a few words of each, until she reached the last one.

A blast of static, satellite interference; then a voice. It was unmistakably Randall’s.

She couldn’t make out what he was saying. Everything was garbled, the connection cut out then picked up again. She couldn’t tell when he’d called. She played it over again, once, twice, seven times, trying to discern a single word, something in his tone, background noise, other voices: anything to hint when he had called, from where.

It was hopeless. She tried his cell phone again. Nothing.

She stood, exhausted, and crossed the room, touching table, chairs, countertops, like someone on a listing ship. She turned on the kitchen faucet and splashed cold water onto her face. She would go online and begin the process of finding numbers for hospitals, the Red Cross. He could be alive.

She went to her desk to turn on her computer. Beside it, in a vase, were the flowers Claude had sent her, a half-dozen dead narcissus smelling of rank water and slime. Their white petals were wilted, and the color had drained from the pale yellow cups.

All save one. A stem with a furled bloom no bigger than her pinkie, it had not yet opened when she’d left. Now the petals had spread like feathers, revealing its tiny yellow throat, three long crimson threads. She extended her hand to stroke first one stigma, then the next, until she had touched all three; lifted her hand to gaze at her fingertips, golden with pollen, and then at the darkened window. The empty sky, starless. Beneath blue water, the lost world.

“THE LOST DOMAIN”


Author’s Afterword


These stories are the result of an epistolary friendship that began sometime in the late 1980s, and which also produced two novels,
Mortal Love
and
Generation Loss
, as well as thousands of letters and e-mails. My correspondent and myself have met only a handful of times. We never, ever talk on the phone. We live thousands of miles apart, and never run into each other on the street.

But over the years, we learned that we had grown up within a few miles of each other, gone to college in the same city, knew some of the same people and had been at the same showings of the same movies when they first opened. Mostly, we found that we shared a passion for books. So we send each other novels, volumes of poetry, postcards; we endlessly discuss the writers we love—James Salter, John Fowles, Gene Wolfe, Anne Carson, W. H. Auden, among myriad others—and also the nature of writing itself, the mysteries of the creative process and, especially, the relationships between writers and their muses, that shifting border where the real life and the imagined one fleetingly touch and, sometimes, overlap. On those very few occasions when we do meet, our intense long-running conversation continues; but it’s primarily a written conversation that has had few interruptions.

One of these interruptions occurred on 9/11, when for most of the day I was unable to contact my friend and feared that he’d died. An unreasonable fear, it turned out; he was fine. But in the weeks and months that followed, those few hours crystallized the grief I felt, and my sense of helplessness at living in a remote place so far removed from the tragedy. When, early in 2002,
I
finally began to write again, my friend had morphed into my muse, the embodiment of my own obsessions and anxieties—desire and loss; the threat of apocalypse; the power and vulnerability of the artist; my continuing failure to create something out of sorrow and despair.

“What is loved becomes
immediately
what can be lost,” said G. K. Chesterton. I wrote “Echo,” one of the four stories that comprise “The Lost Domain,” when my friend was in Baghdad for a month in 2002. For the first (and so far, only) time in all those years, our conversation was suspended. Shortly afterwards I decided I’d make “Echo” part of a sequence of stories dealing with the nature of memory, loss, desire, grief; and also of muses. Lawrence Durrell’s
Alexandria Quartet
had made a big impact on me as a teenager. I admired its shifting points of view and narrative voices; I wanted to use a similar technique, compressed into short stories. My own writing jumps from mimetic fiction to science fiction to fantasy to horror, and so I decided that each story would represent a different genre as well. The stories were published separately, but all were written with the intent that they be read as part of one sequence, which derives its title from Alain-Fournier’s 1928 novel
Le Grand Meaulnes
, usually translated as
The Wanderer
. I’m not all that crazy about the novel, but I was fascinated by Alain-Fournier’s depiction of
le domain perdu
, the lost domain—the land of heart’s desire, a highly romanticize
d
visio
n
of youth and eros and daily life that is forever unattainable, irrevocably past.

These stories are exorcisms, exercises, love letters, entertainments, elegies, maps. They’re also a small way of repaying an immense debt of gratitude to a friend who has showed me so many ways of seeing the world—our world, and the possible world; the lost domain.


—Tooley Cottage, Maine

S
eptember 11, 2006

ABOUT THE AUTHOR


ELIZABETH HAND is the author of the novels
Winterlong
,
Aestival Tide, Icarus Descending, Waking The Moon, Glimmering, Black Light
, and
Mortal Love
, as well as the short story collections
Last Summer at Mars Hill
and
Bibliomancy
. With Paul Witcover she created and wrote DC Comics’ 1990s post-punk, post-feminist cult series
Anima
. Her fiction has received numerous awards including the Nebula Award and two World Fantasy Awards.

She is a longtime contributor to the
Washington Post Book World, Fantasy and Science Fiction
, and the
Village Voice Literary Supplement
, among others. She received a degree in playwriting and cultural anthropology from Catholic University in Washington, D.C., where she lived for many years, working at the Smithsonian’s National Air and Space Museum until she quit to write full time in 1987. Her new novel,
Generation Loss
, will be published in 2007. She lives on the coast of Maine.

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