Repetition (4 page)
But now that I was free and traveled back and forth day after day between my remote village and the city school, I discovered that I no longer had a fixed place. In my eyes the village of Rinkenbergâwhich had hardly changed during my years at the seminary, not the church, not the low Slovenian farmhouses, not the unfenced orchardsâhad ceased to be a coherent unit and was only a sprinkling of houses in the countryside. The village square, the roads leading up to the barns, the bowling alley, the beehives, the meadows, the bomb craters, the wayside shrine, the clearing in the woods were still there, but they did not form the fabric in which I had previously moved as a native among natives, a Rinkenberger. It was as though a protective roof had flown away and the harsh, cold light no longer revealed meeting places, festive scenes, nooks and crannies, points of view, benches to rest onâin short, the landmarks that coalesce to form a whole village. At first I put the blame on the village, where in many instances hand tools had been replaced by machines, but I soon realized that I was the disrupter, I was out of tune. Wherever I went, I stumbled, collided, missed my aim. If someone was headed my way, I evaded his eyes, though we may have known each other since childhood.
Because I had been away for so long, because I had not stayed home, because I had left my proper place, I felt guilty; I had forfeited the right to be here. Once a boy of my own age, with whom I had attended grade school in my village days, started telling me bits of local news, but broke off in the middle, saying: “You look like you don't know what I'm talking about.”
Because I had been away for so long, because I had not stayed home, because I had left my proper place, I felt guilty; I had forfeited the right to be here. Once a boy of my own age, with whom I had attended grade school in my village days, started telling me bits of local news, but broke off in the middle, saying: “You look like you don't know what I'm talking about.”
I was unable to get back in with my age group. For one thing, none of the others was still going to school; some had taken over their fathers' farms, others were plying a trade, but all were working. Though legally minors, they struck me as adults. Whenever I saw them, they were either at work or on their way to work. In their farm clothes or aprons, with their faces set straight ahead, their always alert eyes, their ready fingers, they had acquired a military quality, and similarly the babbling voices of the schoolroom had given way to monosyllabic utterances, to curt nods or vacant stares as they passed on their mopeds (with, at the most, a laconic wave of the hand). Their pleasures as well were those of adults; and I as a matter of course was left out of them. With a shudder of wonderment, almost of awe, as though worshipping a mystery, I contemplated the so serious, attentive, sure-footed couples on the dance floor. This young woman with the dignified movements was the little girl who had once hopped over the chalk lines of hopscotch squares. And not so long ago the young lady who now picks up her skirt as she steps daintily onto the dance floor was showing us her hairless pubis in the cow pasture. How quickly they had all outgrown such childish pursuits! And now they were literally looking down on me. Every one of the boys had already suffered a serious accident; one had lost a
finger, another an arm or an ear; one at least had been killed. Some were fathers; several of the girls were mothers. One of the boys had been in jail. And what about me? It came to me that during my years at the seminary my youth had passed but I had never for one moment known the experience of youth. I saw youth as a river, a free confluence and flow from which I was excluded when I entered the seminary. My years at the seminary were lost time that could never be retrieved. In me something was missing, and would always be missing. Like many young men in the village, I had lost a part of my body; it had not been cut off like a hand or a foot; no, it had never had a chance to grow; and it was no mere extremity, so to speak, but an irreplaceable organ. My trouble was that I couldn't go along with the others; I couldn't join in their activities or talk with them. I was a stranded cripple, and the current, which alone could have sustained me, had passed me by forever. I knew that without youth I could do nothing. I had missed it once and for all, and that made me incapable of movement; especially in the only company that would have been right for me, that of my contemporaries, it gave me a feeling of painful inner paralysis, and I swore that I would never forgive the people I held responsible for this paralysisâand those people existed.
finger, another an arm or an ear; one at least had been killed. Some were fathers; several of the girls were mothers. One of the boys had been in jail. And what about me? It came to me that during my years at the seminary my youth had passed but I had never for one moment known the experience of youth. I saw youth as a river, a free confluence and flow from which I was excluded when I entered the seminary. My years at the seminary were lost time that could never be retrieved. In me something was missing, and would always be missing. Like many young men in the village, I had lost a part of my body; it had not been cut off like a hand or a foot; no, it had never had a chance to grow; and it was no mere extremity, so to speak, but an irreplaceable organ. My trouble was that I couldn't go along with the others; I couldn't join in their activities or talk with them. I was a stranded cripple, and the current, which alone could have sustained me, had passed me by forever. I knew that without youth I could do nothing. I had missed it once and for all, and that made me incapable of movement; especially in the only company that would have been right for me, that of my contemporaries, it gave me a feeling of painful inner paralysis, and I swore that I would never forgive the people I held responsible for this paralysisâand those people existed.
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Though I was often glad to stand apart, in the long run I couldn't reconcile myself to being alone. At first I associated with my juniors, with children. They were glad to have me, as a referee in their games, as a helper, as a storyteller. In the hour between the onset of dusk and nightfall, the open space in front of the church
became a kind of children's forum. They would sit on window ledges or on their bicycles, and as often as not they had to be called several times before they would go home to bed. They didn't talk much, they just sat there together while the bats circled around them, growing almost invisible to one another as the time passed. With the help of certain paraphernalia, I would try my hand as a storyteller. From time to time, I would strike a match, tap two stones together, blow into my cupped hands. Actually, I never did more than evoke sounds and sights: clubfeet walking, a stream swelling, a will-o'-the-wisp coming closer. And my listeners were not eager for a story, they were satisfied with my evocations. But not content with such marginal participation, I would sit in the midst of the children, as though I were one of them. They took me for granted, but my former playmates, who had become “big” boys and girls in the meantime, made fun of me. Once when I ran a race across the square with some children, hardly any of whom came up to my shoulders, a girl whom in my seminary nights I had often seen swathed in blue veilsâI was never able to conjure up a naked womanâpassed on stiletto heels. Though she hadn't even looked at meâa glance out of the corner of her eye had told her all she wanted to know about me; namely, the worstâher lip curled almost imperceptibly.
became a kind of children's forum. They would sit on window ledges or on their bicycles, and as often as not they had to be called several times before they would go home to bed. They didn't talk much, they just sat there together while the bats circled around them, growing almost invisible to one another as the time passed. With the help of certain paraphernalia, I would try my hand as a storyteller. From time to time, I would strike a match, tap two stones together, blow into my cupped hands. Actually, I never did more than evoke sounds and sights: clubfeet walking, a stream swelling, a will-o'-the-wisp coming closer. And my listeners were not eager for a story, they were satisfied with my evocations. But not content with such marginal participation, I would sit in the midst of the children, as though I were one of them. They took me for granted, but my former playmates, who had become “big” boys and girls in the meantime, made fun of me. Once when I ran a race across the square with some children, hardly any of whom came up to my shoulders, a girl whom in my seminary nights I had often seen swathed in blue veilsâI was never able to conjure up a naked womanâpassed on stiletto heels. Though she hadn't even looked at meâa glance out of the corner of her eye had told her all she wanted to know about me; namely, the worstâher lip curled almost imperceptibly.
At one stroke, not only the children's company but the square itself was closed to me. Something drove me to the strip of land on the edge of the village, known locally as “behind the gardens.” This area, though inhabited, was not really part of the village. Unmarried persons lived thereâthe roadmender, for example. He occupied a one-room house with thick dark-yellow walls,
suggesting the porter's lodge of a nonexistent manor house (there had never been such a manor in or near any of the villages). I never once set foot in the house and altogether kept my distance from the man. He was the only person in the village with a secret, which, however, he displayed freely and had no need to hide. Maintaining the village streets and pathways was only his everyday occupation. But there were days when he abandoned the gravel box out on the desolate highway and metamorphosed into a sign painter, stood, for instance, on a ladder over the entrance to the inn at the center of the village. As I watched him adding a shadowy line to a finished letter with a strikingly slow brushstroke, aerating, as it were, a thick letter with a few hair-thin lines, and then conjuring up the next letter from the blank surface, as though it had been there all along and he was only retracing it, I saw in this nascent script the emblem of a hidden, nameless, all the more magnificent and above all unbounded kingdom, in the presence of which the village did not disappear but emerged from its insignificance as the innermost circle of this kingdom, irradiated by the shapes and colors of the sign at its center. At such moments, even the painter's ladder took on a special quality. It didn't lean, it towered. The curbstone at its feet gleamed. A haywagon passed, its strands of hay plaited into garlands. The hooks on the shutters did not just hang down, they pointed in definite directions. The door of the inn became a portal, and those who entered looked up at the sign and bared their heads in obeisance. The foot of a chicken scratching about in the background became the yellow claw of a heraldic animal. The road where the sign painter was standing
led, not to the small town nearby, but out into the country and at the same time straight toward the tip of his brush. On certain other days, amid the blowing leaves of autumn, the driving snows of winter, the flowery clouds of spring, the heat lightning of summer nights, I had perceived the wide world as a pure Now; but on signposting days there was something more: an exalted Now, an Era.
suggesting the porter's lodge of a nonexistent manor house (there had never been such a manor in or near any of the villages). I never once set foot in the house and altogether kept my distance from the man. He was the only person in the village with a secret, which, however, he displayed freely and had no need to hide. Maintaining the village streets and pathways was only his everyday occupation. But there were days when he abandoned the gravel box out on the desolate highway and metamorphosed into a sign painter, stood, for instance, on a ladder over the entrance to the inn at the center of the village. As I watched him adding a shadowy line to a finished letter with a strikingly slow brushstroke, aerating, as it were, a thick letter with a few hair-thin lines, and then conjuring up the next letter from the blank surface, as though it had been there all along and he was only retracing it, I saw in this nascent script the emblem of a hidden, nameless, all the more magnificent and above all unbounded kingdom, in the presence of which the village did not disappear but emerged from its insignificance as the innermost circle of this kingdom, irradiated by the shapes and colors of the sign at its center. At such moments, even the painter's ladder took on a special quality. It didn't lean, it towered. The curbstone at its feet gleamed. A haywagon passed, its strands of hay plaited into garlands. The hooks on the shutters did not just hang down, they pointed in definite directions. The door of the inn became a portal, and those who entered looked up at the sign and bared their heads in obeisance. The foot of a chicken scratching about in the background became the yellow claw of a heraldic animal. The road where the sign painter was standing
led, not to the small town nearby, but out into the country and at the same time straight toward the tip of his brush. On certain other days, amid the blowing leaves of autumn, the driving snows of winter, the flowery clouds of spring, the heat lightning of summer nights, I had perceived the wide world as a pure Now; but on signposting days there was something more: an exalted Now, an Era.
And I saw the roadmender in still another avatar, touching up the paint on the wayside shrines. One of these was shaped like a chapel, with an inner room, but this room was so small it would have been impossible to take a single step in it. Time and again I found him at work, squeezed into this little box at a remote crossroads, visible only from his head to one elbow, which he rested on the frame of the little window that opened outward. The shrine made me think of a hollow tree trunk, an engineer's cab, a sentry box; and I had the impression that the man had carried it into the wilderness on his shoulders. The painter didn't even have room enough to take a step backward and examine his work. But his serenity, as he stood there with his hat on his head, not for one moment put off by my presence, showed that he had no need of more room. The mural he was retouching was invisible from outside; to see what it represented, a passerby would have to lean over the window ledge. Only the dominant color was suffused in the little house, a luminous blue, in which, if I kept looking, every one of the painter's movements struck me as exemplary. I resolved that at some future date I, too, would do my work so slowly, so thoughtfully, so silently, uninfluenced by anyone who happened to be present, in perfect independence, without
encouragement, without praise, expecting nothing, demanding nothing, without ulterior motive of any kind. Whatever this future work might be, it would have to be comparable to this painting, which ennobled the painter and with him the chance witness.
encouragement, without praise, expecting nothing, demanding nothing, without ulterior motive of any kind. Whatever this future work might be, it would have to be comparable to this painting, which ennobled the painter and with him the chance witness.
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It was during those yearsâwhen it was brought home to me day after day that since the premature, abrupt breaking off of my childhood there could be no renewed contact, no continuation, no permanence for me in the villageâthat my confused sister came closer to me for the first time. The odd part of it is that since earliest childhood I had felt drawn to all the idiots in the vicinity, and they to me. In their perpetual wanderings, they often came to the window and pressed their noses and lips to the pane. And during my schooldays in Bleiburg, the one place to which I was drawn time and again was the mental home. After school, I would regularly make the detour that took me there. The idiots would greet me through the fence by screaming and waving their armsâI also remember their hugging the airâwhereupon I, intermittently screaming and waving my arms on the deserted highway, would go happily home. In a sense, the mentally deranged and feebleminded were my guardian angels, and when I hadn't seen any of them in a long time, the sight of an idiot gave me a sudden burst of health and strength.
However, I didn't regard my sister as one of the happy band of the feebleminded or insane. She had always been solitary and gloomy, and as long as I can remember I had feared her and avoided her. The look in her eyes did not seem confused to me, as I had been told, but fixed; not empty, but clear; not lost, but always
alert. Those eyes were constantly appraising me, and not at all favorably. And the gauge (for I regarded that fixed stare as a gauge) did not register my mistakes or misdeeds, but my basic failing: falsehood; I was not what I purported to be, I wasn't authentic, I wasn't anything, I was only pretending. And indeed, it was impossible to be friends with her; whatever I didâeven if I was only looking into spaceâI had the feeling that I was trying to put something over on her or myself, and making a bad job of it at that. For a while at least, she had mocked me now and then with her almost pitying giggle; later she would keep a malicious silence after those crushing moments of appraisal. Consequently, I kept out of her way when possible (but then I might suddenly discover her on the balcony, where she had set her appraisal trap).
alert. Those eyes were constantly appraising me, and not at all favorably. And the gauge (for I regarded that fixed stare as a gauge) did not register my mistakes or misdeeds, but my basic failing: falsehood; I was not what I purported to be, I wasn't authentic, I wasn't anything, I was only pretending. And indeed, it was impossible to be friends with her; whatever I didâeven if I was only looking into spaceâI had the feeling that I was trying to put something over on her or myself, and making a bad job of it at that. For a while at least, she had mocked me now and then with her almost pitying giggle; later she would keep a malicious silence after those crushing moments of appraisal. Consequently, I kept out of her way when possible (but then I might suddenly discover her on the balcony, where she had set her appraisal trap).
Another thing that may have put me off was that she was so much older than I. Between her and my brother there was only a year's difference; but between her and me it was two decades. When I was very little, I actually took her for a stranger in the house, a mysterious intruder, who would someday pull a pin out of her hair and stick it into me. And then, when I got back from the seminary, she did indeed take the pins out of her hair, by which I mean that she let her hair down and opened up to me. She developed a feeling for me, a kind of enthusiasm. With enthusiasm she crossed the fields to meet me when I came from the train; with enthusiasm she carried my bag; with enthusiasm she handed me a bird's feather, brought me an apple, served me a glass of cider. I had denied it all the while, and now at last I was what I was: at last she wasn't the only confused one who didn't belong anywhere;
now I, too, was just that. At last she had an accomplice, an ally, and it was possible for her to be with me. Instead of blasting me, her eyes rested on me, and while hitherto they had foreseen nothing but calamity for me, they now proclaimed pure joy in my, her, our presence; but they were never obtrusive; when I needed it, they merely gave me a look that escaped everyone else, a mere hint, a sign.
now I, too, was just that. At last she had an accomplice, an ally, and it was possible for her to be with me. Instead of blasting me, her eyes rested on me, and while hitherto they had foreseen nothing but calamity for me, they now proclaimed pure joy in my, her, our presence; but they were never obtrusive; when I needed it, they merely gave me a look that escaped everyone else, a mere hint, a sign.
To my mind, the right posture for my sister is sitting, a tranquil, erect sitting, with her hands beside her on the bench. Though every house had a bench in front of it, it was usually the men, especially the old ones, who sat there. I remember my father only as old, but I have no recollection of him seated. As for the women of the village, I saw them “always on their feet,” as housekeepers were said to be: walking in the street, bending over in the garden, and indoors actually running. It may have been my imagination, but it seemed to me that no Slovene woman could move from one place to another without running. Short as the distance might be, a Slovene woman ran from table to stove, from stove to sideboard, from sideboard to table. This running in small spaces was a quick sequence of skipping, flitting on tiptoes, running in place, changing feet, turning, and skipping some more; seen as a whole, it was a kind of clumsy dancing, the dancing of women who had been servants for many years. The young girls as well, no sooner back home from school, took to running; vying with their elders, they galloped like servants around their kitchen-living rooms. Even my mother, who was not a Slovene, had acquired the native custom; just to bring me a cup of tea, she would hop with downcast eyes and bated breath, as though I were
an unexpected noble guest. Yet I can't remember any such guest ever coming to our house, not even the parish priest. But my sister, alone among the village women, appears to me seated. She sat on the bench in front of the house; there she sat for all to see, and all she did was sit. I regarded her, just as I did the roadmender, as a model. Sitting there, playing with her fingers, without the usual rosary, she transformed herself into a phantom, seen only by him whom she herself chose to see; that is, by me. Excluded like the sign painter from the dance, she, too, in her fool's freedom, embodied the center of the village. And it seemed to me that the age-old little stone statue, which dwelt, ignored by all, in a dark niche in the church wall, might have sat there as she did. Now it was reduced to a torso, a hand, and a head, and the only protuberances on the weather-beaten face were the eyes and the broadly smiling mouth, both closed. Here in the open, eyelids, lips, and the hand with the stone ball reflected the sunlight, and the whole image receded into the shimmering wall, its pedestal.
an unexpected noble guest. Yet I can't remember any such guest ever coming to our house, not even the parish priest. But my sister, alone among the village women, appears to me seated. She sat on the bench in front of the house; there she sat for all to see, and all she did was sit. I regarded her, just as I did the roadmender, as a model. Sitting there, playing with her fingers, without the usual rosary, she transformed herself into a phantom, seen only by him whom she herself chose to see; that is, by me. Excluded like the sign painter from the dance, she, too, in her fool's freedom, embodied the center of the village. And it seemed to me that the age-old little stone statue, which dwelt, ignored by all, in a dark niche in the church wall, might have sat there as she did. Now it was reduced to a torso, a hand, and a head, and the only protuberances on the weather-beaten face were the eyes and the broadly smiling mouth, both closed. Here in the open, eyelids, lips, and the hand with the stone ball reflected the sunlight, and the whole image receded into the shimmering wall, its pedestal.
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