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Authors: Ross Lockridge

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BOOK: Raintree County
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The summerclad forms of the graduates and their friends bloomed suddenly on Johnny's vision as he burst from the dusk of the Academy into the sunlight of the yard. The white dresses hurt his eyes; the blithe voices stung his ears. He walked slowly out into the lawn, appalled by the exquisite wickedness of the thing that he had done.

At this very moment, the girl in the Academy Building held in her two hands the soul of Johnny Shawnessy, a throbbing, vulnerable thing. Words were more naked than flesh, and he could never get them back. He had once held her white beauty imprisoned in his cruelly eager eyes; but now she was returning the favor with a vengeance. He had tried to be life's young Greek in Nineteenth Century America. His poem was wellnamed ‘Actaeon.' Like the hunter who beheld Diana bathing in the stream and was changed to a stag and hunted by his own dogs, he could hear howling after him already the bloodhounds of Raintree County's puritan conscience.

—Here's the boy now, Garwood said, his booming voice calling everyone's attention to Johnny emerging from the building. Garwood walked importantly through the crowd and taking Johnny by the arm led him to a group of men near the front gate.

—This the boy? one of the men said.

Johnny shifted uneasily. The whole crowd turned to watch.

—Think you got any chance to whip Flash Perkins on the Fourth? the man said.

—I mean to try.

—Garwood here has been offering me odds of three to one Perkins'll beat you. I thought you and Garwood were friends.

—Garwood and I hate each other affectionately, Johnny said.

—Tell 'em how good you are, John, Garwood said. I'll give you half my winnings.

—A bet on John Shawnessy's a sure thing, mister, Johnny said.

—Sure to lose, Garwood said. Ha, Ha, Ha.

—Johnny! Yoo hoo, Johnny! Come here.

It was his mother calling. He walked over to her. As Valedictorian he was a noteworthy object and was expected to show his face and say bright things. Ellen was very proud of him, her great, handsome, likeable Johnny, who had led his class and had been called by the distinguished Professor Stiles ‘the most gifted young man I have ever had the good fortune to teach, Madame.'

—This is Cousin Hurlbut Shawnessy from Middletown, Ellen said. He's quite a scholar himself and has similar interests to you, Johnny.

—O, is that so? Pleased to meet you.

—Pleased to meet you, young John, Cousin Hurlbut said.

Cousin Hurlbut obviously favored the bigframed, fatfaced, bucktoothed branch of the Shawnessys. He had jawlength sideburns and a portentous manner.

—Cousin Ellen tells me you're the author of the Will Westward articles in the Freehaven
Enquirer,
young John, Cousin Hurlbut said.

—Yes, I guess so, Johnny said, watching the door of the Academy.

—I have read your inditings with interest, Cousin Hurlbut said. Maybe you've seen some columns appearing in the Middletown
Radiant
under my numdyploom, Peter Patter.

—Uh, yes, I believe so, Johnny said. Very fine.

He had some memory of having seen some clippings from Cousin Hurlbut's muse, which specialized in poems about looking backward down the years and realizing that one's youth was spent.

—John's the scholar of the family, T. D. said, rocking pleasantly.
The boy always had a knack for saying things from the time he was a little shaver.

Johnny excused himself and withdrew from the crowd. He skirted the edges of the yard. He thought of slipping through the side gate and going down to the train station. He had always wanted to go West anyway. In the West, a man could do as he pleased. In Raintree County there were too many barriers and too much beauty.

He was standing alone under the big elm by the side gate when Nell came out of the Academy and picked her way sedately through the yard coming directly toward him. Under her arm was a huge book.

It was clear that she was returning his present.

—Here's something for you, Johnny, she said in her low, soft voice, lingering her mouth along his name.

As she gave him the book, she put her head to one side in one of her unconsciously statuary attitudes, the sidepoised head communicating its evasive gesture musically down the length of her body and somehow suggesting the emotion of farewell.

The book was a brandnew leatherbound giltedged copy of
The Complete Works of Lord Byron.

—I knew you didn't have a copy, Johnny, and I thought you might want one to keep. Your poem was beautiful.

She turned and walked away with the same undulant, unhurried step and, accepting the arm of Garwood Jones at the gate, climbed into his buggy. As she gathered her dress in, she looked over her right shoulder and her eyes found Johnny's in a lingering look.

Someone was coming toward him. He walked hurriedly to the Academy and ran up onto the verandah and through the door. The library was still empty. He carried the book over to the recessed window. He pulled at the stuck gilt leaves. Where the book opened, the picture of a girl looked up from a
carte de visite
photograph underneath the poem ‘Fare Thee Well.'

It was the picture of a young woman standing with her body in profile, so poised that she appeared to be just rising to her toes. Her face was in half-profile, her eyes looking back over her right shoulder and directly out of the picture. The whole pose was an unconsciously classic attitude. It was the river nymph inviting the love-pursuit.

On the back of the photograph were the words

Johnny, please keep forever this image of her who has been for longer than you guess

Your pale, yet unpenitent lover,

Your rejected, yet passionate slave.

Nell

To his ears came the distant sound of voices and laughter. They beat softly on the brick walls of the Academy Building, echoing in its empty shell. They were like the sound of surf, a blue surf churning on immemorable shores. They poured languor and sweetness of love over the listening soul of Johnny Shawnessy.

On the way back to the Home Place, T. D. kept talking about the significance of higher education.

—Yessirree, John, he said, I wish I had had just half your advantages when I was your age. I always did want to know a little Latin and Greek. I tell you, with Latin and Greek, and your natural aptitudes and faculties, John, I take a very hopeful view of your future. I'm sure I express and echo the sentiments of your mother too, when I say that we're very proud of you.

Y
OU HAVE A BRIGHT ROAD AHEAD OF YOU, MY BOY,
AND WE EXPECT YOU TO
GO

F
AR
around on three sides the ocean of July corn undulated toward the Danwebster Graveyard and broke, a gentle surf, against it, ebbing from the wire fence. Mr. Shawnessy opened the gate and stepped inside.

The graveyard, abandoned like the town, was a hundred stones beside the river. In the middle of orderly cornlands, it was an island of disorder. He kicked up crowds of grasshoppers as he walked through uncut grass, gravemyrtle, wild carrot, white top, blackberries, poison ivy.

He stopped and shaded his eyes, looking for familiar stones. In the place of death he felt overwhelmed by life. Life rushed up from the breasts of the dead in a dense tangle of stems that sprayed seeds and spat bugs. As he thought of other memorial journeys to the graveyard, the stones seemed to him doomed and huddled shapes around which green waters were steadily rising. He stood up to his knees in grass and weeds, holding in one hand a box of peaceful cut flowers and in the other a sickle, his eyes hurting with sunlight.

They lie beside the river, lulled by the music of its waters. They lie beside the river.

Where are the forms and faces of my pagan youth? Where is the hunger of the shockhead boy who saw a white flesh in secret waters? Where are youth and maiden?

They lie beside the immemorial river.

Where are the generations of those who loved beside the river? Where are the generations of grass and flowers that bloomed and seeded by the river?

Bare feet of lovers, thudding on the roofs of mounds, press lightly on these crumbled hearts.

There are many mounds beside the running river, become beautiful and secret by the lapse of years. There are entire eras of lost lovers who have left only mounds full of bright boneshards beside the river. All the people who ever lived here were lovers and the seed of lovers. Where are all those who ever beheld beauty in bright waters?

They lie beside the river. They lie beside the river.

He walked a little farther into the graveyard and bent over a stone that rose slenderly from the grass, completing itself in a tranquil arc. He began to tear at the dense grass with his sickle.

O, beautiful, springing hair from the flesh of the dead! I will remember long gold hair around a face that was like no other. I will remember boats that moved in gala procession far down between widening shores. And oars that made languid wounds in the pale flesh of the river.

What difference now does it make that love was a tall, imperious bloom beside the river? What difference if face touched face beside the river?

There was no guilt or recollection of guilt. There was only love that is desire for beauty. We were like flowers that seduce each other without memory and without guilt.

He stood up leaving the base of the stone softly revealed by the sickle. He had put very far from him, he knew, the anxieties of the coming day. Very far from him now was Waycross, on the periphery of the County, where before long he must participate in patriotic ceremonies. He stood in a place of classic stones. Halfshutting his eyes, he felt his body drenched in sunlight. He listened to the murmur of cornleaves swayed by the wind and the music of the river passing through its vocal reeds.

This was the earth of riddles, this was the earth from which had sprung all myths, memories of passion. He shut his eyes entirely. Something white and graven with a legend was approaching him on a sundrenched water. There were words that he had meant to remember, a legend of his life in one of its memorable springtimes.

Then he had a sharp, clear memory of the lecture room of the old Academy Building. He was sitting at his desk, pencil in hand, among the other students. It was the Final Examination in 1859. Across the board a tall, blacksuited man chalked slantingly

A QUESTION IN RHETORIC

Compose an essay suggested by the following incident:

One day a poet walking on the shores of the Mediterranean picked up a broken oar washed in by the sea. These words were graven on the blade:

Remembering the cryptic line, he heard again a sound of surf—young voices, laughter, beating on brick walls.

I see the blue mass of the seamounds shifting in. O, little blade, naked and smooth, borne in from untumultuous seas, I hear the slanting music of your legend.

My body is whitely reclined on leaguelong beaches. O, plastic Mediterranean forms!

What is this white tower of beauty? I see it slenderly arisen from bright waters.

O, goddess, you were borne to me by a white oar sandward washed in summer. Foamborn, with young unpendulous breasts, far from your ancient shores you came to me, forgetful of your old fruitions. We were together youngly before great wars.

I the child of a young republic reached hands of a young desire to your body clad in the archaic garment of nudity. Did we not weary ourselves in a rhythm of rowing, daylong on the inland waters?

Our arms were interlaced, our sobbing breaths beat on each other's eyelids under the seedenlivening light of eternal day. O, bright annihilator of lines and minutes, o, ceaseless undulator of curves recurrent, 0, visual and unvestal goddess,
Oft was I weary when I toiled with

June 18—1859
THE
ROMANTIC, ILLSTARRED, WONDERFUL,
WICKED
C
LASS
P
ICNIC WAS IMPARTIALLY REPORTED

only in the
Free Enquirer,
and even then not until several days after the excitement had died down. The article, a remarkable one, was published as coming from an unknown pen. It began:

THE EPIC PICNIC

Most of those who have written of the late picnic have told nothing but lies, monstrous fabrications on a thin scaffolding of truth. This observer had hoped that the whole thing would escape the pitiless light of the press, which could only serve to keep wounds open and passions inflamed. Since the lid is off, however, he feels incumbent upon him the melancholy duty of giving a full account of the entire episode which, as it happens, he is in a position to know better than anyone else. And as, except for its unhappy dénouement, the picnic will remain a fadelessly blithe memory in the hearts of most of those who were there, let us paint it for posterity with an impartial pen, gay where gaiety is apposite, grave where, alas! the events that transpired upon the banks of the Shawmucky require such a style. So that those who live after us may have the picture in all its light and shadow, long after hearts that are now embittered have ceased to beat, let us for a little withdraw the curtain and then lower it forever on the events of that memorable and melancholy day. Say, then, Muse, what was the beginning of . . .

The picnic began at the Academy Building, where the students assembled and set out noisily in buggyloads. The Perfessor led the way, driving a black spring buggy belonging to the Reverend Ezra Gray, which his wife Lydia had procured for the afternoon. Johnny, Lydia, and Cassius Carney were squeezed into this buggy. Garwood Jones's buggy followed with five people wedged in, including Nell Gaither. The third buggy brought the rest. There were thirteen altogether, counting the Perfessor.

—Thirteen, the Perfessor had said at starting. Which is the marked man?

Startled, Johnny Shawnessy had kept his eyes down. It had been a week since he and Nell Gaither had exchanged certain keepsakes. Two nights after, he had decided on a bold move and had walked down the road to Nell's house. A buggy passed him on the way and turned in at the Gaither drive. When Johnny reached the house, Garwood Jones was giving Nell's father a cigar on the front porch. Johnny walked back home without paying his respects.

BOOK: Raintree County
13.38Mb size Format: txt, pdf, ePub
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