Rabbit, Run (2 page)

“A bathing suit.”

“A bathing suit! Chh. In March?”

She closed her eyes for a moment; he can feel the undertow of liquor sweep over her and is disgusted. “It made it seem closer to when I could fit into it.”

“What the hell ails you? Other women
like
being pregnant. What’s so damn fancy about you? Just tell me. What is so frigging fancy?”

She opens her brown eyes and tears fill them and break over the lower lids and drop down her cheeks, pink with injury, while she looks at him and says “You bastard” with drunken care.

Rabbit goes to his wife and, putting his arms around her, has a vivid experience of her, her tear-hot breath, her bloodshot eyes. In an affectionate reflex he dips his knees to bring his loins against hers, but her belly prevents him. He stands to his full height above her and says, “O.K. You bought a bathing suit.”

Sheltered by his chest and arms she says with unexpected earnestness, “Don’t run from me, Harry. I love you.”

“I love
you
. Now come on, you bought a bathing suit.”

“Red,” she says, rocking sadly against him. But her body when tipsy has a brittleness, an unconnectedness, that feels disagreeable in his arms. “With a strap that ties behind your neck and a pleated skirt you can take off in the water. Then my varicose veins hurt so much Mother and I went into the basement of Kroll’s and had chocolate sodas. They’ve redone the whole luncheonette section, the counter isn’t there any more. But my legs still hurt so Mother brought me home and said you could pick up the car and Nelson.”

“Your legs hell, they were probably her legs.”

“I thought you’d be home before now. Where were you?”

“Oh, clowning around. I played ball with some kids down the alley.” They have parted.

“I tried to take a nap but I couldn’t Mother said I looked tired.”

“You’re supposed to look tired. You’re a housewife.”

“And meanwhile you’re off playing like a twelve-year-old?”

He is indignant that she didn’t see his crack about being a housewife, based on the “image” the MagiPeel people tried to have their salesmen sell to, as ironical and at bottom pitying and fond. There seems no escaping it: she is dumb. He says, “Well what’s the difference if you’re sitting here watching a program for kids under two?”

“Who was
shushing
a while ago?”

“Ah, Janice.” He sighs. “Screw you. Just screw you.” She looks at him clearly a long moment. “I’ll get supper,” she at last decides.

He is all repentance. “I’ll run over and get the car and bring the kid back. The poor kid must think he has no home. What the hell makes your mother think my mother has nothing better to do than take care of other people’s kids?” Indignation rises in him again at her missing the point of why he wanted to watch Jimmy, for professional reasons, to earn a living to buy oranges for her to put into her rotten Old-fashioneds.

She moves into the kitchen, angry but not angry enough. She should be really sore, or not sore at all, since all he had said was what he had done a couple hundred times. Maybe a thousand times. Say, on the average once every three days since 1956. What’s that? Three hundred. That often? Then why is it always an effort? She used to make it easier before they got married. She could be sudden then. Just a girl. Nerves , like new thread. Skin smelled like fresh cotton. Her girl friend at work had an apartment in Brewer they used. Pipe-framed bed, silver medallions in the wallpaper; a view westward of the great blue gas tanks by the edge of the river. After work, working both at Kroll’s then, she selling candy and cashews in a white smock with “Jan” stitched on her pocket and he lugging easy chairs and maple end tables around on the floor above, hammering apart packing crates from nine to five, the itch of the packing excelsior getting into his nose and eyes and making them burn. That filthy black crescent of bins behind the elevators, the floor covered with bent nails, his palms black and Chandler the dandy mincing in every hour on the hour telling him to wash his hands so he wouldn’t foul the furniture. Lava soap. It’s lather was gray. His hands grew yellow calluses from using the crowbar. After 5:30, the dirty day done, they would meet by the doors, chained to keep customers out, a green-glass-paved chamber of silence between the two sets of doors, in the shallow side windows the bodiless mannequin heads in their feathered hats and necklaces of pink pearls eavesdropping on the echoing farewell gossip. Every employee hated Kroll’s; yet they left it slow as swimming. Janice and Rabbit would meet in this chamber, with the dim light and green floor like something underwater, and push at the one unchained door, push up into the light, and walk, never admitting they were going there, toward the silver medallions, hand in hand tired walking gently against the current of homegoing traffic, and make love with the late daylight coming level in the window. She was shy about him seeing her. She made him keep his eyes shut. And then with a shiver come as soon as he was in, her inside softly grainy, like a silk slipper. Lying side by side on this other girl’s bed, feeling lost, having done the final thing; the wall’s silver and the fading day’s gold.

The kitchen is a narrow room off the living-room, a tight aisle between machines that were modern five years ago. She drops something metal, a pan or cup. “Think you can make it without burning yourself?” he calls in.

“Are you still here?” is the answer.

He goes to the closet and takes out the coat he hung up so neatly. It seems to him he’s the only person around here who cares about neatness. The clutter behind him in the room—the Old-fashioned glass with its corrupt dregs, the choked ashtray balanced on the easy-chair arm, the rumpled rug, the floppy stacks of slippery newspapers, the kid’s toys here and there broken and stuck and jammed, a leg off a doll and a piece of bent cardboard that went with some breakfast-box cutout, the rolls of fuzz under the radiators, the continual crisscrossing mess—clings to his back like a tightening net. He tries to sort out picking up his car and then his kid. Or should he pick up the kid first? He wants more to see the kid. It would be quicker to walk over to Mrs. Springer’s, she lived closer. But suppose she was watching out the window for him to come so she could pop out and tell him how tired Janice looked? Who wouldn’t be tired after tramping around trying to buy something with you you miserable nickel-hugger? You fat hag. You old gypsy. If he had the kid along this might not happen. Rabbit likes the idea of walking up from his mother’s place with his boy. Two-and-a-half, Nelson walks like a trooper, with choppy stubborn steps. They’d walk along in the day’s last light under the trees and then like magic there would be Daddy’s car at a curb. But it will take longer this way, what with his own mother talking slyly and round-about about how incompetent Janice is. It ruined him when his mother went on like that; maybe she did it just to kid him, but he couldn’t take her lightly, she was somehow too powerful, at least with him. He had better go for the car first and pick the kid up with it. But he doesn’t want to do it this way. He just doesn’t. The problem knits in front of him and he feels sickened by the intricacy.

Janice calls from the kitchen, “And honey pick up a pack of cigarettes could you?” in a normal voice that says everything is forgiven, everything is the same.

Rabbit freezes, standing looking at his faint yellow shadow on the white door that leads to the hall, and senses he is in a trap. It seems certain. In disgust he goes out.

Outdoors it is growing dark and cool. The Norwegian maples exhale the smell of their sticky new buds and the broad living-room windows along Wilbur Street show beyond the silver patch of a television set the warm bulbs burning in kitchens, like fires at the backs of caves. He walks downhill. The day is gathering itself in. He now and then touches with his hand the rough bark of a tree or the dry twigs of a hedge, to give himself the small answer of a texture. At the corner, where Wilbur Street meets Potter Avenue, a mailbox stands leaning in twilight on its concrete post. Tall two-petaled street sign, the cleat-gouged trunk of the telephone pole holding its insulators against the sky, fire hydrant like a golden bush: a grove. He used to love to climb the poles. To shinny up from a friend’s shoulders until the ladder of spikes came to your hands, to get up to where you could hear the wires sing. Terrifying motionless whisper. It always tempted you to fall, to let the hard spikes in your palms go and feel the space on your back, feel it take your feet and ride up your spine as you fell. He remembers how hot your hands felt at the top, rubbed full of splinters from getting up to where the spikes began. Listening to the wires as if you could hear what people were saying, what all that secret adult world was about. The insulators giant blue eggs in a windy nest.

As he walks along Potter Avenue the wires at their silent height strike into and through the crowns of the breathing maples. At the next corner, where the water from the ice plant used to come down, sob into a drain, and reappear on the other side of the street, Rabbit crosses over and walks beside the gutter where the water used to run, coating the shallow side of its course with ribbons of green slime waving and waiting to slip under your feet and dunk you if you dared walk on them. He can remember falling in but not why he was walking along this slippery edge in the first place. Then he remembers. To impress the girls—Lotty Bingaman, Margaret Schoelkopf, sometimes June Cobb and Mary Hoyer—he walked home from grade school with. Margaret’s nose would often start bleeding, for no reason. She had worn high button shoes.

He turns down Kegerise Street, a narrow gravel alley curving past the blank back side of a small box factory where mostly middle-aged women work, the cement-block face of a wholesale beer outlet, and a truly old stone farmhouse, now boarded up, one of the oldest buildings in town, thick crude masonry of Indianskin sandstone. This building, which once commanded half of the acreage the town is now built on, still retains, behind a shattered and vandalized fence, its yard, a junkheap of brown stalks and eroded timber that will in the summer bloom with an unwanted wealth of weeds, waxy green wands and milky pods of silk seeds and airy yellow heads almost liquid with pollen.

So there is some space between the old farmhouse and the Sunshine Athletic Association, a tall thin brick building like a city tenement misplaced in this disordered alley of backsides and leftovers. The entrance is made ominous by a strange sheathing, the size of an outhouse, erected each winter on the stone steps, to protect the bar from the weather. Rabbit has several times entered the club. There was no sunshine in it. The first floor was a bar and the second was full of card tables where the old bucks of the town sat muttering strategically. Alcohol and cards Rabbit both associates with a depressing kind of sin, sin with bad breath, and he was further depressed by the political air of the place. His old basketball coach, Marty Tothero, who before scandal had ousted him from the high school had a certain grip on local affairs, lived in this building supposedly and still, they said, manipulated. Rabbit dislikes manipulation but he had liked Tothero. Next to his mother Tothero had had the most
force
.

The thought of his old coach crouching in there frightens him. He walks on, past a body shop and an unused chicken house. His progress is always down, for the town of Mt. Judge is built on the east side of the mountain Mt. Judge, whose west face overlooks the city of Brewer. Though the town and the city meet along the highway that skirts the mountain on the south on the way to Philadelphia fifty miles away, they will never merge, for between them the mountain lifts a broad green spine, two miles long north to south, assaulted by gravel pits and cemeteries and new developments but above a line preserved, hundreds of acres of forest Mt. Judge boys can never wholly explore. Much of it is penetrated by the sound of cars climbing the scenic drives in second gear. But in long patches of forgotten pine plantation the needle-hushed floor of land glides up and up, on and on, under endless tunnels of dead green and you seem to have passed through silence into something worse. And then, coming upon a patch of sunlight the branches neglect to keep out or upon a softened stone-filled cellar pit dug by some brave and monstrous settler centuries ago, you become vividly frightened, as if this other sign of life will call attention to yourself, and the menace of the trees will become active. Your fear trills like an alarm bell you cannot shut off, the louder the faster you run, hunchbacked, until distinctly, with a gasp of the clutch, a near car shifts gears, and the stumpy white posts of the guard fence dawn behind the pine trunks. Then, safe on the firm blacktop, you decide whether to walk back down home or to hike up to the Pinnacle Hotel for a candy bar and a view of Brewer spread out below like a carpet, a red city, where they paint wood, tin, even red bricks red, an orange rose flowerpot red that is unlike the color of any other city in the world yet to the children of the county is the only color of cities, the color all cities are.

The mountain brings dusk early to the town. Now, just a few minutes after six a day before the vernal equinox, all the houses and gravel-roofed factories and diagonal hillside streets are in the shadow that washes deep into the valley of farmland east of the mountain. Huts on the shadow’s shore, twin rows of ranch-houses blare from their picture windows the reflection of the setting sun. One by one, as suddenly as lamps, these windows dim as the sunlight ebbs, drawing across the development and across the tan fenced land waiting for planting and a golf course that at the distance could be a long pasture except for the yellow beans of sand; drawing upward into the opposing hills on whose westward slopes it still burns with afternoon pride. Rabbit pauses at the end of the alley, where he has an open view. He used to caddy over there.

Pricked by an indefinite urgency, he turns away, going left on Jackson Road, where he lived for twenty years. His parents’ home is in a two-family brick house on the corner; but it is their neighbors, the Bolgers, who have the corner half, with a narrow side yard Mrs. Angstrom has always envied. The Bolgers’ windows getting all that light and here we sit wedged in.