Psychotrope (4 page)
The
manga
music fansite was tricky to find. Few regular deckers even knew it was there—only hard-core
manga
fans ever accessed it. The fansite was located on the Seattle RTG but was invisible, due to the fact that it could only be accessed by means of a "vanishing" SAN—a system access node that allowed entry only at specific times of day. In addition, the SAN "teleported" on a regular basis, switching its network address to various locations on the Seattle RTG according to the dictates of a secret algorithm.
To know where to access this SAN and at what time, a decker had to know someone who knew someone who knew the sysop who had created the algorithm . . . and so on. It was kind of like scoring a BTL chip—or so she guessed, since she'd never had cause to purchase illegal simsense. It was a highly secretive process, based on word of mouth and trust.
Lady Death followed a dataline to the pulsating drumhead that was the icon of a nightclub known as Syber-space.
The dull black octagonal sent out a steady rhythm that Lady Death could "feel" in her meat bod—a bone-thrumming bass that mimicked a syncopated heartbeat. A favorite nightclub of deckers, Syberspace was physically located in downtown Seattle. But the virtual nightclub was accessible to deckers around the world. And one of its nodes, seconds from now, would connect with the
manga
music fanbase.
Lady Death dove through the head of the drum, into the Syberspace construct itself. It looked like a nightclub, complete with a mirror-backed bar stocked with glowing bottles and a large dance floor. The icons of other deckers drifted through the room, occasionally touching a bottle to access a biofeedback program that would either stimulate or sedate their meat bods, as desired, or placing a palm on one of the many bar stools whose seats resembled trode rig interfaces.
Although the nightclub construct was realistic in the extreme, the deckers' icons gave the place a surrealistic feel. A somber-looking man in top hat and tails sat next to a gray and white cartoon rabbit with white gloves, big floppy ears, and a gleeful grin. A topless teenage girl with mohawk hair and baggy shorts rode a jet-propelled surfboard past a clown, a gigantic red cockroach, and an Asian woman in a stylish business suit. A sasquatch jived alone in the center of the bar, his massive, hairy hands moving in intricate patterns like those of a Balinese temple dancer, while in another corner a trio of personas whose faces and bodies were smooth metal ovoids stood silently, accessing the program that would induce in their minds a simsense recording of the live performance that was actually going on in the meat-world nightclub.
Lady Death bowed to the club's sysop—a portly man in bacchanalian toga and headband of gold grape leaves—and asked for her "drink" by name: Magical Mystery Tour. The bartender smiled and crooked a chubby finger, and a yellow bottle floated over to Lady Death. For just a moment, the bottle took on a new shape: long and cylindrical still, but with a periscope and portholes down the side. Hurriedly, before the vanishing node disappeared and the submarine became merely a bottle again, Lady Death touched it. . .
And found herself inside the
manga
music database.
After the high-resolution realism of the Syberspace system, it took her a moment to get used to the overly simplistic but crowded landscape of the fansite. Everything was outlined in heavy black lines and deliberately pixelated, so that individual dots of primary color could be seen within each icon. Cartoonish renderings of
manga
music singers and musicians capered and wailed across a landscape rocked by explosions, while rocket-propelled Battlebots roared unnoticed above the heads of adoring prepubescent fans whose overly large eyes slavishly followed the musicians' every move. Although music was being performed with furious abandon, no aural elements were included. The only "sounds" were the cartoon speech bubbles that hung above the musicians' heads and the musical notes that swarmed around them like bees.
To access one of the simsense recordings that had been posted here, the decker reached out and touched one of the cartoon speech bubbles. Their captions were sometimes cryptic and sometimes straightforward, but were always punctuated to the max: "Meta Madness rocks Orktown!!!" or "Chillwiz concert a SCREAMER. I yarfed my lunch!!!" or
"Guess Hue?!?"
Lady Death searched for anything that looked like a Black Magic Orchestra concert upload. A total of three cartoonish icons of Shinanai materialized in front of her, making Lady Death gasp with longing. But the captions above their heads were already familiar; these were sim-sense recordings of concerts from a previous UCAS tour, from before the time when Shinanai went underground. Lady Death considered sampling them, then reluctantly realized that downloading them onto her cyberdeck would increase the chance of her foray into the
manga
music site being detected by her guardians. She dismissed them with a wave and set her browse utility scanning on a variety of keywords. But the titles to Black Magic Orchestra's hit singles came up dry, as did the names—both real and stage names—of the band members.
Lady Death paused, frustrated and disappointed. No new postings.
Donzoko.
She stamped a foot in frustration.
How would she ever find Shinanai?
Then she remembered the lyrics to the song that the
aidoru
had been composing, back when they had been together in the hotel room in Seoul. To the best of Lady Death's knowledge, it had never been performed at a public concert. Based on a
tanka,
a traditional thirty-one-syllable poem, the song had compared a woman to a well in which water rose anew each spring, and from which her lover drank again and again. Lady Death now realized that it was a veiled reference to Shinanai's vampirism. At the time, she thought it was simply a metaphor for love.
She chose the title of the song as the keyword for her search:
Shunga.
In literal translation, Spring Pictures—a euphemism for erotic simsense. Within a nanosecond or two, a cartoonish image appeared before her: that of an androgynous singer with a sexy pout, clad only in a black velvet cape that was wrapped tight around his/her body.
Bright pink cherry blossoms drifted down like snow as the singer crooned silently into the speech bubble that floated above. The icon was human, rather than elven, and did not look a thing like Shinanai. But the caption over the head of the figure fit the imagery of the song: "I wish you well. I wish you would. I bet you WILL!!!"
Lady Death touched the caption and began downloading the simsense recording into her cyberdeck, onto the optical storage chip that was deliberately not listed on any of the deck's directories. As the data flowed, she noted the date and time that the recording had been posted, and the jack-point of the decker who had uploaded it. It had been posted just yesterday, from Kobe, a suburb of the Osaka sprawl. If it really was a recording of an underground Black Magic Orchestra concert, recorded by one of the fans who had seen the show live and then immediately uploaded the recording after the show, that meant that Shinanai was barely a five-minute maglev ride away from Lady Death in the meat world.
After so many months of numbness, Lady Death felt a rush of emotion. Joy and happiness warred with caution and fear. She could barely contain her impatience during the few nanoseconds it took to download the simsense recording; she simply could not wait to log off the Matrix and scan it. Perhaps Shinanai had hidden a secret message in the song, a call for the school girl Hitomi to rejoin her lost love.
Lady Death checked her cyberdeck's time-keeping log. It was 9:46:59 PST in the meat world—2:46:59 in the morning in Osaka. She had been running the Matrix for a mere forty-four seconds. Hopefully, her guardians had not yet noticed that she had strayed into the forbidden territory of the
manga
music fansite. If they had, there was a possibility that Shiawase deckers had already erased the contraband simsense recording as it flowed through her family's private LTG and into her deck. But if all was still well and Lady Death's mirrors utility and masking program had done their work, in a second or two, when she jacked out, Lady Death would at last know where her beloved Shinanai was today . . .
09:46:18 PST
(12:46:18 EST)
Jackpoint: Toronto, United Canadian and
Dark Father stared at the creature that waited for him below, in the private conversation pit. The thing was a strange blend of two different paranormal creatures. It had the squat, heavily muscled body of a gargoyle, as well as that creature's large leathery wings, pointed ears, forehead horn, and jutting muzzle. But its flesh was covered in the green and black scales of a mimic snake, and a forked tongue slithered in and out of its hinged jaw. Its neck was just a little too long, and its beady eyes were serpentlike slits under heavy brows.
The combination was probably intended to be doubly unsettling. Had the creature actually existed in nature, its victims wouldn't know whether they would be constricted to death and then swallowed whole, or dive-bombed from above and raked with talons and claws.
In fact, the creature was a construct within the Matrix, an icon representing a computer decker. But even though it was unreal, composed only of pixels of light, it had the capacity to be deadly, just the same.
Dark Father descended a spiral staircase made of floating white rectangles. When he reached the bottom and stepped onto the green marbled floor of the conversation pit, a metallic boom echoed overhead. He looked up and saw that the sub-processing unit had been sealed off with what looked like a gigantic metal hatch, octagonal in shape.
Eight black pillars had appeared to hold it in place. Jagged blue bolts of electricity rose one after the other between the pillars, crackling as they wavered their way from floor to ceiling.
Dark Father recognized the program: a form of barrier IC named Jacob's Ladder. It was intended to guarantee absolute privacy to the two occupants of this SPU, one of several secure nodes on the Virtual Meetings host, Hidden away in a remote corner of the Seattle telecommunications grid, Virtual Meetings' black pyramid contained a number of private iconferencing sites, making it a favorite meeting place for shadowrunners.
And for blackmailers.
The gargoyle leaned against a sundial that was set into the middle of the conversation pit's floor. Glowing white numerals announcing the time of day encircled its rim, patterns of white against the sun dial's black marbled finish.
They crawled with painful slowness around the rim; seconds always seemed slower in the Matrix, where words and deeds were accomplished with the speed of thought. The conversation pit was theirs until ten a.m.—ample time for them to conclude their meeting.
Dark Father stared coldly at the gargoyle. "Well? Here I am." He stood with hands folded in front of him, an ebon-black skeleton with yellowed eyeballs, wearing a tall top hat and a black suit that hung loosely upon its bones. A pale white hangman's noose, knotted around his neck like a tie, was a stark contrast to bones and cloth so dark that they were difficult to see against the backdrop of inky blackness that lay beyond the sub-processing unit.
The gargoyle—who went by the handle Serpens in Machina—flashed Dark Father a quick smile, revealing needle-sharp teeth. "There you are," he said. "So that's what you look like." The gargoyle shifted his wings slightly and Dark Father heard the creak of leather and smelled the dry muskiness of snake. The persona icon was high-rez enough to include aural and olfactory components, in addition to its visual and tactile presence. Serpens in Machina must have some mighty state-of-the-art equipment. He was not someone to be
trifled with.
But Dark Father already knew that. He had come prepared.
"Have you arranged for the credit transfer?" the gargoyle asked.
Dark Father nodded. "Nine hundred thousand nuyen is waiting in an account in the Zurich-Orbital Gemeinschaft Bank. All you need to access it is the passcode."
"Wrong," the gargoyle said. "You'll be the one accessing it. I have no intention of getting hit with whatever IC you've loaded the account with. At precisely noon today, Pacific Standard Time, you will transfer the money in three equal portions into the accounts of three organizations: the Ork Rights Committee Seattle chapter; VVA-MOS—Victims of Violence Against Metahumans and Other Species; and the MetaRights League of Boston."
Dark Father shuddered at the list. Neo-anarchists, metahuman agitators, and terrorists. In the real world, his lip curled at putting nuyen in their coffers.
"And your take?" he asked.
"Nada," the gargoyle answered. "I'm like Robin Hood. Take from the rich, give to the poor . . ."
"You're targeting the wrong person," Dark Father countered.
"You
are
rich, Winston Griffith III."
Dark Father's eyes narrowed at the use of his real name. He was at a disadvantage; despite his best efforts he had been unable to learn the real-world identity of Serpens in Machina. He was not the world's hottest decker, but he did have the very best hardware and programs that nuyen could buy. He had every electronic edge available. And still he had failed.
"I am wealthy," Dark Father agreed. "But I'm already a philanthropist, so there's no need to blackmail me. It was my charitable donations that enabled the establishment of three separate Informed Parenting clinics in one of Toronto's poorest neighborhoods. The orks and trolls of the Vaughn warrens now have free birth control and counseling, regardless of their SIN status or. . ."
