Protocol for a Kidnapping

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Authors: Ross Thomas

Tags: #Literature & Fiction, #Mystery; Thriller & Suspense, #Mystery, #Thrillers, #Spy Stories & Tales of Intrigue, #Espionage

BOOK: Protocol for a Kidnapping
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Protocol for a Kidnapping
A Philip St. Ives Mystery
Ross Thomas writing as Oliver Bleeck

A MysteriousPress.com

Open Road Integrated Media

Ebook

Contents

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

21

22

23

24

25

26

27

1

I
T WAS SNOWING IN
Washington and I was thirty minutes late when the cab let me out at the Twenty-first Street entrance of the seven-story atrocity of glass and what seems to be dried mud that shelters the U.S. Department of State from the elements, if not from Congress.

I had taken Eastern’s nine o’clock shuttle from La Guardia and despite the snow it had arrived only three-quarters of an hour late, which wasn’t bad, but the taxis had disappeared and it took another half hour to get one and the Washington motorists were, as always, astonished that it should snow so far south, but if you mentioned that Washington was about as far north as Denver, nobody believed you.

So I counted eleven wrecks on the way in from National Airport and remembered that when I’d last been there the thermometer had threatened to break all heat records for August. As I understand it, the nation’s capital is allotted two days of spring and three days of fall. After that it’s either winter or summer.

A Negro guard at the desk just inside the brown marble entrance wanted to know who I was and where I was going and who I wanted to see. If he had asked why, I would have turned around and gone back to New York. But he didn’t and a woman receptionist signed in my name beneath somebody called Emanuel Cory and I rode the elevator up to the third floor and got lost only twice before I found Room 3931. Some of the doors along the corridor had valentines pasted or Scotch-taped all over them and I found the sentiment oddly reassuring. Room 3931 had nothing on its door, not even a name, so I walked in without knocking. The door didn’t seem to deserve it.

The ash blonde sat behind a secretarial desk which was bare except for a blotter, a telephone, a calendar, and her folded hands. There was an electric typewriter behind her, but it was covered. She was around thirty and wore big, wire-framed tinted glasses, not much makeup, a gray tweed dress, and the patient expression of a person who has spent a lot of time waiting.

“Philip St. Ives,” she said, making it a remark rather than a question.

“Yes.”

“Won’t you please sit down.” She indicated one of the two chairs in the room. I sat down and glanced around as she picked up the phone and dialed a single number. There were the two chairs, a green carpet, and a framed picture of the flag blowing in the breeze. I didn’t find it as reassuring as the valentines.

“Mr. St. Ives is here,” she said into the phone, listened a moment, hung up, and turned toward me. “Right through that door,” she said with a small gesture.

“Had I but known what lay behind it,” I murmured.

“Yes,” she said, smiled brightly, folded her hands, and placed them back on the desk blotter. I assumed that she was through for the day.

The office that I entered had only a single window that offered a view of C Street and the snow and not much else. The man behind the desk wore the brooding face of one of those small, compact loners who stand by themselves at the far end of the bar on Saturday night, nursing their boilermakers and counting up their injustices. When the boilermakers and the injustices reach the proper ratio, there’s usually a quick turn, a black glower, and a roundhouse right that’s thrown at whoever’s handy.

He didn’t rise when I came in. He just sat there behind his green metal desk looking as if the delicatessen once again had sent pastrami when he’d ordered corned beef. There was a phone in the room, two chairs in front of the desk, a carpet, and another picture of the flag rippling in the breeze. I didn’t bother to look for any valentines.

“You’re late,” he said.

“I’m always late.”

“Sit down. Anybody tell you about me?”

I sat down and took out a cigarette. He frowned at that and said, “I don’t smoke,” but reached into a drawer and brought out a round black ceramic ashtray which had “U.S. Department of State” printed on it in white letters.

“I also drink,” I said.

He nodded, a little glumly, I thought “I know what you do,” he said. “I know how you live. I even know how much money you made last year. You made more than I did, but I’m beginning to believe that so did everybody else. My name’s Coors and no, I’m not related to the beer people.”

“What beer?”

“Coors beer. They make it out West.”

“Nobody told me about you,” I said, finally getting around to his first question.

“Hamilton Coors,” he said, “if you want to make a note of it.”

“I think I can remember it all.”

“You didn’t know him really well, did you?” Coors said.

“Who?”

“The ambassador. Killingsworth. Amfred Killingsworth.”

“Not well.”

“You worked for him.”

“A long time ago.”

“Thirteen years,” Coors said. “Killingsworth hired you in Chicago. It was your first job. First newspaper job anyway.”

“And fired me a year later.”

“Why?”

I shrugged. “Incompetency, let’s say. Slipshod work. No nose for news. Things like that.”

“I’ve heard you were pretty good.”

“Killingsworth didn’t think so.”

“What’d you think of him?”

“Professionally?”

“Any way you care to tell it.”

“He was a better promoter than he was managing editor. He didn’t like to offend anyone—at least not anyone important—so he didn’t and the paper got a little bland. Even dull. He married the old man’s daughter and after a while the only thing to do was to make him associate publisher and then publisher when the old man died. I suppose you had to make him an ambassador because of services rendered and money contributed, but I still think it was a sorry trick to play on—”

The phone rang, interrupting me, and Coors picked it up. When he learned who was on the line he stiffened into a kind of seated attention and used his lids to half hood his large gray-blue eyes. It gave him something of a secretive look which he may have felt would keep me from eavesdropping. The eyes were the only thing large about him. The rest was spare and small-boned. Even his face didn’t have enough flesh for middle-aged sag and Coors must have been close to fifty. His chin formed a blunt, bony point, a wide, bloodless slash served for a mouth, and the base of his nose started close to his lip and then flared up and out so that you got a good view of his nostrils. His hair was the color of a cigar’s ash, a cheap cigar, and it was thinning a little and he brushed it straight down so that it formed raggedy bangs across a high, pale forehead. His tweed suit was good, I noticed, but nothing spectacular, although he might have gone as high as fifteen dollars for his tie.

Coors said, “Yes, sir,” into the phone, so I assumed that he was talking to at least an Under Secretary of State. He didn’t much look as if he would say “Yes, sir” to anything less.

“He’s here now,” Coors said. “Yes, sir … I understand.” Then there was an audible click and Coors hung up. He turned back to me, unhooded his eyes so that I could hear again, and unnecessarily explained, “That was about you.”

“What about me?”

“Some had grave reservations. So did I.”

“I still do,” I said.

“We might yet use our own people,” Coors said.

“No. If you could, I wouldn’t be sitting here and you’d be back in your real office, the one with your name by the door. Seventh floor?”

“Sixth,” Coors said and then began a close inspection of the fingernails on his left hand. They looked to be nicely bitten. “So you’re none too eager?”

“You know I’m not.”

“It’s all really quite simple.”

“No, it isn’t,” I said. “If it were simple, there wouldn’t be any question about using your own people. Or even the CIA. Kidnapping American ambassadors still isn’t as popular a pastime as hijacking planes to Cuba, but it’s getting there. I’d even bet that there’s a form memo tucked away in every embassy safe that’s headed, ‘What to Do After the Ambassador’s Kidnapped,’ so you wouldn’t call me in if it were just the simple chore of ransoming the Chicken.”

“The what?”

“The Chicken,” I said. “That’s what they used to call Killingsworth on the paper, because he was. Chicken.”

Coors frowned carefully and it may have been the same frown that he employed when the new African ambassador’s tart of a wife chose the wrong fork in the Benjamin Franklin State Dining Room. “You weren’t exactly our first choice, Mr. St. Ives. You weren’t even our second, and if it weren’t for the time factor, we would—”

“Why don’t you?” I interrupted. “Why not get a bright young Harvard or Yale man from one of those ever so discreet Washington-New York-Paris law firms. You know what I mean. The kind with five or six grand old names strung together that probably got its start sixty years ago when it handled one of those banana revolutions for you and United Fruit down in South America. They don’t charge much. Not more than ten or fifteen times what I do and nobody’s ever complained about their manners.”

Coors hooded his eyes again. “You think you’re an extremely clever person, don’t you?” he said and managed to make person sound like son of a bitch. But there was no venom in his tone despite the reptilian look. There was only a kind of resigned weariness as if his lot in life were to put up with an endless series of jaspers who felt that they were extremely clever sons of bitches.

“I only asked a question,” I said.

“I know you did. You want to know why we picked wonderful you. First of all, you were logical because you’ve had a measure of experience in this kind of business.”

“It’s how I make a living.”

“Secondly, you could become readily available.”

“That only took the threat of a Congressional investigation,” I said. “I liked that. You had to have someone who’d lose if he said no, so whoever remembered me and the African shield fiasco must have gone around chuckling about it all morning.”

“The last, but not least of our considerations, is that you’re an outsider and as such will have a controlled, strictly limited access to others in the department.”

“How’s that an advantage?” I said.

“Security,” Coors said.

“You don’t trust your own kind?”

“Not with this.”

“What about the CIA? There’re days when they don’t talk much. Fridays, I think.”

“It’s our own dirty linen,” Coors said and looked mildly pleased with the cryptic flavor of the worn phrase.

“How dirty?”

“Filthy.”

“What makes you so sure I won’t gossip down at the corner laundromat?” I said, poking a flicker of life into the dying analogy.

“If you did,” Coors said slowly, “you might find yourself in a rather embarrassing position.” He shook his head decisively. “No, you won’t ever talk about our dirty linen, Mr. St. Ives.”

“I’ll ask again. Why?”

The smile that he gave me had a fine chill in it which fully matched the snow and slush outside. “You won’t talk about it,” he said, “because before you’re done, you’ll be wearing it.”

2

I
T HAD ALL STARTED
the day before in one of those cold, drafty halls that you can hire by the hour over on West Thirty-ninth Street and the canvas banner that hung above the platform spelled out
CHEAPAR
in fat Gothic letters and also portrayed a cuddly-looking rat with mellow blue eyes.

The audience consisted of nearly three-dozen men and women whose common denominator was a warm, misty expression and a prosperous, even rich appearance. I estimated that at least three of them had yet to celebrate their sixty-fifth birthdays.

The audience just escaped being outnumbered by members of the New York press who, as usual, had nothing either warm or misty about their expressions. We had drawn three local television news teams, four radio reporters, three photographers, a brace of wire service men, and accredited representatives from the
Times,
the
Daily News,
the
Post,
and
The Village Voice. The Wall Street Journal
had failed to show.

Myron Greene, the lawyer, crept into the hall and carefully chose a rear seat just as our chairman pro tem, Henry Knight, broke down and had to be led away sobbing, overcome by his own vivid account of the death screams that escape from the throats of furry little bodies that have just nibbled at poison.

At forty-three, Henry Knight was still much in demand for juvenile leads on and off Broadway, but his finest performance may well have been that Monday afternoon in February as he huddled in the folding metal chair, his handsome, ageless face buried in a handkerchief, his body wracked by uncontrollable sobs. Or laughter. He got a warm round of appreciative, even sympathetic applause from everyone in the audience but Myron Greene, the lawyer, and for a moment I worried lest Knight rise to take his bows.

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