Authors: Hugh Miller
âFrom facing the challenge?'
âQuite so. It is good to take on such substantial difficulties, such threats to the symmetry of my reasoning processes. And it is a deep pleasure to overcome them, to win. But I feel it is endless work. As one challenge is cancelled another springs up.' Wolff turned from the window and grinned at Mike, showing large even teeth. âWorst of all are the occasions, late at night, when I realize how much of my precious time is being eroded.'
Mike looked at his watch.
âAnd your precious time, too,' Wolff said, âis being eaten away. I'm sorry, I respond to visitors
the way children do. With a kind of excitement that travels in all directions. Come, let's sit down and we can discuss your business. I assure you again, the sharpshooters don't have a word of English.' As they sat at a table by the window Wolff added, âTheir German isn't much good, either.'
Mike explained his masters' anxiety that Wolff's security might not be good enough. âThe possible threat to your life has gotten more serious, too.'
âYou mean it's not just the possibility of criminals eliminating me, to make sure they have the time to break open ICON once and for all?'
âWell, no.'
âI must say I find that threat a trifle hard to take seriously. It's the kind of thing criminals might talk about doing, but going to the trouble of doing it means stepping beyond whatever safety they've created for themselves. I think perhaps the criminals are not so organized and not so well informed that they would consider killing me a worthwhile risk.'
âI'm not so sure.'
âListen, Mr Graham, I have fathered a few rumours about a computer genius who is even now overtaking me in the field of computer data security. A lot of people already believe that no matter what happens to me, the future of ICON is going to be in very safe hands.'
âThere will be plenty of people who won't believe a word of it,' Mike said. âThey're the ones who take the trouble to dig down to the truth,
which means they're also likely to take the trouble to blow your head off.'
Wolff shrugged. He was obviously not convinced.
âAnyway,' Mike said, âthe new threat is something different.' He took out a sheet of paper and unfolded it. âYou'll see your own name on that list. Do you know any of the other men?'
Wolff took the list and frowned at it. âHim,' he said, jabbing the paper with a long finger. âRudolf Altenberg. I don't know any of the others.'
âHow do you know Altenberg?'
âAgainst my better judgement, and under pressure from my ex-wife who is a friend of Altenberg's wife, I devised a computer system for him and I personally installed it in his home. A very sophisticated system, I might say. It's better than anything I've got myself.'
âHave you mingled socially with Altenberg?'
âNow why do you ask that?'
âTo be blunt, the men on that list are Nazis.'
âExcept for me.'
âWellâ¦'
âI'm not surprised Altenberg's a Nazi. He's a very unpleasant man with terrible taste in books and music. So why do you suppose I am on that list?'
âSomebody thinks you're a Nazi, I guess.'
âAnd why is there a list at all?'
âIt's a hit-list. Two people on it are already dead.'
âThat is gloomy news, Mr Graham.' Wolff looked towards the window. âSomebody could really be after me, then.'
âIt wouldn't be wise to doubt it. Tell me, why would anybody get the impression you're a Nazi?'
âBecause of my association with Altenberg?'
âMaybe.'
âI would assume so,' Wolff said. âWe attended social gatherings together. He insisted on a couple of visits to functions, he wanted to introduce me to people he said were now beneficiaries of the computer system I had designed for him. He was really just showing me off, of course, because I'm rather famous. Tiresome, very tiresome.'
Mike wasn't sure if he detected evasiveness. Wolff seemed to want to dismiss the topic and move on.
âYou can't think of any other reason why somebody might think you're a Nazi?'
Wolff's eyes hardened. âNo,' he said. âJust try to accept that.' He looked away.
âI think we should tighten your security, anyway,' Mike said.
âI don't agree.'
âIt can't hurt.'
âWhat I have is adequate. I am hampered enough, I don't want any more restraints.'
âThese guys are not adequate. They would be halfway out of their chairs and reaching for their guns at the point when a competent assassin would blow them away.'
âIs that the threat I face? A trained killer?'
âIt seems so. We have a description and we're
trying to track him down, but until we do, you definitely need to be shielded better than you are. I know it means offending the local flatfoot tribe, but we can't take feelings into account.'
Wolff stood and walked to the window again. âCome and look,' he said, pointing. âThat building over there, on the far side of the park, is the stock exchange. A busy place, every room occupied by clerks and other functionaries. A sniper operating over there is outside the bounds of likelihood. And that is the only building which looks directly towards this one.'
âEven so -'
âDownstairs, as you know, is a team of very fastidious security people who have emergency switches that can barricade stairways and disable elevators. Nobody who is even faintly suspicious is going to get up here, and security always check with me first, even when it's my old mother who calls.'
âI got past them with a phoney ID,' Mike said.
âBut first they showed me your face on the security monitor, didn't they?'
âAnd you thought I looked honest, and you let me come up. I could have been an assassin.'
âI let you come up because I know perfectly well who you are.'
Mike blinked at him. âWhat - because I made an appointment?'
âNo.' Wolff smiled. âUse your imagination. If you
were a layman, as I am, with occasional access to classified UN files, as I have, wouldn't you take a look now and again?'
âOh.'
âSo,' Wolff continued, âin the
extremely
unlikely event of somebody making it to my apartment door, I think there's just enough vigour in those two to make holes in him, should such a thing become necessary.'
Mike thought it over. Finally he nodded. âI'll pass on what you say. In the meantime, be careful. Don't go out alone. If you plan to move around let us know, we'll get you a shadow. Two shadows if we think you need them.'
Mike turned from the window. One of the marksmen was staring at him. It was the same look, he thought - half curious, half absent - that cows gave passers-by.
âRemember what I told you, Andreas. Don't rely on your troops. Stay alert.'
An hour after sunrise, two men in a black Ford pickup were parked 180 metres from the service yard of the Comfort Inn in Dallas. They were a fat man called Chuck and a thinner, younger one called Billy. Both were employees of Don Chadwick. For this surveillance job they had been equipped with high magnification monoculars, through which they watched a borrowed station wagon with false plates parked near the service elevator of the hotel.
âHere we go,' Chuck murmured.
They watched as Philpott got out of the elevator, opened the station wagon tailgate and stepped back into the elevator. He bent over and hoisted one end of a rolled carpet and began dragging it towards the vehicle.
âLord save us,' Billy said. âNo real puzzle about what he's totin' there.'
The carpet was obviously heavy and unwieldy. They could see sweat shine on Philpott's face. He dragged the roll between his arms until the midpoint touched the edge of the tailgate, then he let go. The carpet dropped with a bump that Chuck and Billy could hear. Philpott bent again, picked the other end of the carpet up off the ground, readied himself behind it with spread feet, and pushed. The roll slid into the station wagon. Philpott folded it over, shut the tailgate and got in behind the steering wheel.
âJust leave a good space behind him,' Chuck said as Billy started the engine. âThere won't be too much traffic on the road this time of day.'
Philpott drove out on to West Kingsley and turned right, travelling south. At the first major dip in the road he looked in the rearview mirror and saw the black Ford pickup hanging back, a couple of hundred metres behind. As he took the turning for Trinity River and the Greenbelt Park, the mobile telephone in his pocket beeped twice. He took it out, thumbed the green button and put the phone to his ear.
âIs it all right to speak?' a voice said. It was C.W. Whitlock.
âHow are you doing that?' Philpott demanded.
âSorry?'
âYou're dead and rolled up in a carpet in the back of this vehicle I'm driving.'
âYou're on your way, then?'
âBowling along, some distance ahead of a not-so-subtle tail.'
âI wanted to be sure things were going as expected.'
âAs
hoped,
not as expected. I'm too steeped in wariness ever to expect much. Is anything happening there that I should know about?'
âThere's a message from Sabrina.'
âAny developments?'
âNothing yet. She's in Berlin. Observation convinces her that Erika Stramm goes nowhere without her bear-like escort.'
âKeep me posted on her chosen line of action. I trust her judgement.'
âVery well.'
âI'll turn the phone off in another hour or so. If you've anything urgent to communicate after that, it'll have to wait. Oh, and by the way, Chadwick paid cash. We now have a fat anonymous donation for whatever charity comes out of the hat.'
âWell done,' Whitlock said.
âI'll be in touch as soon as matters here are concluded.'
âRight. And if I could just askâ¦'
âYes?'
âWhen you dispose of the remains, be gentle with me.'
At three in the afternoon Erika Stramm and her companion, Gregor Bryusov, returned home from a luncheon appointment. It was a good lunch and they had both taken a lot of wine. They had been the guests of a magazine publisher with a flair for mingling business and pleasure, and in the course of the meal a deal had been struck. Erika would write a series for the intellectual monthly
Deutsch Herzfeuer,
a ten-part study of the transforming effect of socialism upon the arts in Germany since 1946. A commission like that, she told Gregor in the taxi home, was like being paid to play with her favourite toys.
They talked intensely as they entered the apartment, each overlapping what the other said, but in the gloom of the hallway Gregor suddenly stopped talking. He pointed to the strip of carpet between the hall and the door to the sitting room. A single nylon thread lay coiled against the dark fibre, glinting in the dim overhead light. Since the
American journalist broke in, Gregor had taken to fixing a thread across the sitting-room doorway each time they went out.
Erika kept talking, her face serious now as she watched Gregor step carefully into the sitting room. He switched on the light, walked to the centre of the room and stood there, looking slowly round.
The bedroom door off the sitting room was half open. It had been closed when they left. Gregor took a leather cosh from his pocket, hooked his thumb through the thong and silently wrapped it around his wrist. He crossed the room and kicked open the bedroom door. It flew in against the wall with a bang and swung back.
Erika came into the sitting room. She saw Gregor step through the bedroom doorway. He moved out of sight, towards the fitted wardrobes along the left wall. She heard him open a door. He grunted, just once, then there was the unmistakable sound of a body falling.
âGregor?'
She went to the bedroom door. There was no sound. She put one foot forward, using her leg as a prop, and leaned into the room. Gregor was lying face-down in front of the wardrobes. Erika turned her head to look behind the door.
âCan we do this peacefully?' Sabrina said.
She came forward, her arms extended to the sides. She was in her black worksuit and rubber-soled boots, her hair clipped tightly behind her head. Erika moved back a pace, tensing herself.
âI only want to ask questions. They are important, and answering them will not hurt you or impinge on your liberty.'
Erika looked at Gregor's motionless body. She could see he was handcuffed.
âI don't have to talk to you.'
âWell maybe you do.'
Abruptly Erika jumped back, pulling a knife from the pocket of her jeans. The blade flicked open, long and thin.
âAny questions that get asked,' she said, âyou'll be answering them.' She jerked her head at the sitting room. âGet in there. Now!'
For an instant Erika looked down at the knife, positioning it in front of her. When she looked up Sabrina's fist was an inch from her nose, moving fast. It hit her with a snapping sound. She fell. Sabrina stepped out from behind the door and kicked her twice, hard, in the ribs. Erika tried to scream but she had no breath. She began to gulp, trying to suck air into her stricken chest.
Sabrina shook the knife from her hand, took her by the ankles and dragged her into the sitting room. Erika pulled back her leg, trying to aim a kick. Sabrina let the leg drop and jumped on it with both feet. Now Erika did scream. She doubled over on the floor with her knees curled to her chin, clutching her injured calf.
âRight then, ups-a-daisy.'
Sabrina got behind Erika and took her by the
armpits. She hoisted her into a straight-backed chair, pushed her hands through the slats and slipped on a pair of handcuffs.
âThere.' Sabrina came round in front, wiping her hands on the legs of her worksuit. âYou and the boyfriend are a matching set now. You were both a lot easier than I expected.'